The official Avatar twitter account has posted the first official look at Edie Falco’s General Ardmore in the form of a behind the scenes set photo. The General is the new head of RDA’s operations on Pandora and likely will be behind the underwater missions.
Here’s a behind the scenes still of Edie Falco as General Ardmore, the new head of RDA activity on Pandora.
There is an assumption that the General will be the new villain given that the military forces will likely want a little payback for ouster of their cohorts and the dismantling of the mining operations on Pandora. Hopefully, we’ll get to explore a lot more of the RDA/military side of the franchise which I feel was little bit lacking in Avatar. I assume because they really had planned on spending more time world building for the Na’vi and Pandora.
We learned recently the RDA’s new base of operations will be called Bridgehead after Hell’s Gate was overtaken by rebellion forces.
It’s interesting because there is an expectation that Stephen Lang’s bombastic/intimidating Colonel Quaritch will be making a comeback as well, despite dying in the first film. I’m slightly curious if they’ll be resurrecting him through cloning methods given this has been established with the avatars in the previous film.
It might be a while before we get an official trailer for Avatar 2 given that the film won’t be released until December 16th, 2022 after production delays. However, James Cameron recently said they completed live-action filming for Avatar 2 and almost fully done with Avatar 3.
We’ll have to wait to hear if they’ll be moving on to start shooting Avatar 4 and Avatar 5 either motion capture or live-action portions considering that motion capture was mostly taking place in California and live-action in Wellington, New Zealand.
Yesterday, the Walt Disney Company announced a new initiative to get more content going for its streaming services such as Disney+, ESPN+, and Hulu from its sports, television, and film divisions. The new division will be called The Media & Entertainment Distribution group led by Kareem Daniel.
It sounds like they’ll be dedicating a lot more resources and money than they have previously as means to compete with competitors like Netflix and Amazon. However, this announcement says nothing about them throwing their 2021 theatrical slate on Disney+ and never mention a thing about ending theatrical releases altogether only pushing to place more content on their streaming services.
We will get more details on these plans on December 10th.
During an interview with CNBC, Disney’s new CEO Bob Chapek was quick to point out that they aren’t looking to stop the theatrical experience and would be announcing further details.
Also, specifically downplayed COVID-19’s role in the decision.
CHAPEK: “I would not characterize it as a response to Covid. I would say Covid accelerated the rate at which we made this transition, but this transition was going to happen anyway. Because essentially what we want to do is separate out folks who make our wonderful content based on tremendous franchises from the decision making in terms of prioritization is on how it gets commercialized into the marketplace. And what we want to do is leave it to a group of folks you can really see objectively across all of the constituents we have and various considerations we’ve got and make the optimal decision for the company as opposed to having it predetermined that a movie is destined to theaters or that a TV show is destined for ABC. So what we really want to do is provide some level of objectivity and really make it a decision that benefits the overall company and its shareholders.”
When pressed on Disney’s commitment to the theatrical model Bob said the following that gives the impression they’re not giving up on the theatrical model just yet.
CHAPEK: “We’ve benefited from a tremendous relationship with theatrical exhibition for many many many years as dynamics change in the marketplace though we want to make sure that we are giving consumers who want to go to theaters to experience everything that a theatrical release can give them, we want to continue to give them that option but at the same time there are a lot of consumers that want to experience a movie in the safety, comfort, and convenience of their own home for whatever reasons they do.”
To me, it sounds like either they are going to pursue a shorter theatrical window or a mixed model of day-and-date which obviously the theater industry wouldn’t be terribly pleased about on either front.
Here is the official press release from the Walt Disney Company website that gets a little more into the weeds about what all this means.
In light of the tremendous success achieved to date in the Company’s direct-to-consumer business and to further accelerate its DTC strategy, The Walt Disney Company (NYSE: DIS) today announced a strategic reorganization of its media and entertainment businesses. Under the new structure, Disney’s world-class creative engines will focus on developing and producing original content for the Company’s streaming services, as well as for legacy platforms, while distribution and commercialization activities will be centralized into a single, global Media and Entertainment Distribution organization. The new Media and Entertainment Distribution group will be responsible for all monetization of content—both distribution and ad sales—and will oversee operations of the Company’s streaming services. It will also have sole P&L accountability for Disney’s media and entertainment businesses.
The creation of content will be managed in three distinct groups—Studios, General Entertainment, and Sports—headed by current leaders Alan F. Horn and Alan Bergman, Peter Rice, and James Pitaro. The Media and Entertainment Distribution group will be headed by Kareem Daniel, formerly President, Consumer Products, Games and Publishing. All five leaders will report directly to Bob Chapek, Chief Executive Officer, The Walt Disney Company. Disney Parks, Experiences and Products will continue to operate under its existing structure, led by Josh D’Amaro, Chairman, Disney Parks, Experiences and Products, who continues to report to Mr. Chapek. Rebecca Campbell will serve as Chairman, International Operations and Direct-to-Consumer. Bob Iger, in his role as Executive Chairman, will continue to direct the Company’s creative endeavors.
“Given the incredible success of Disney+ and our plans to accelerate our direct-to-consumer business, we are strategically positioning our Company to more effectively support our growth strategy and increase shareholder value,” Mr. Chapek said. “Managing content creation distinct from distribution will allow us to be more effective and nimble in making the content consumers want most, delivered in the way they prefer to consume it. Our creative teams will concentrate on what they do best—making world-class, franchise-based content—while our newly centralized global distribution team will focus on delivering and monetizing that content in the most optimal way across all platforms, including Disney+, Hulu, ESPN+ and the coming Star international streaming service.”
Under the new structure, the Company’s three content groups will be responsible and accountable for producing and delivering content for theatrical, linear and streaming, with the primary focus being the Company’s streaming services:
STUDIOS: Messrs. Horn and Bergman will serve as Chairmen, Studios Content, which will focus on creating branded theatrical and episodic content based on the Company’s powerhouse franchises for theatrical exhibition, Disney+ and the Company’s other streaming services. The group will include the content engines of The Walt Disney Studios, including Disney live action and Walt Disney Animation Studios, Pixar Animation Studios, Marvel Studios, Lucasfilm, 20th Century Studios and Searchlight Pictures.
GENERAL ENTERTAINMENT: Mr. Rice will serve as Chairman, General Entertainment Content, which will focus on creating general entertainment episodic and original long-form content for the Company’s streaming platforms and its cable and broadcast networks. The group will include the content engines of 20th Television, ABC Signature and Touchstone Television; ABC News; Disney Channels; Freeform; FX; and National Geographic.
SPORTS: Mr. Pitaro will serve as Chairman, ESPN and Sports Content, which will focus on ESPN’s live sports programming, as well as sports news and original and non-scripted sports-related content, for the cable channels, ESPN+, and ABC.
The Media and Entertainment Distribution group, led by Mr. Daniel, will be responsible for the P&L management and all distribution, operations, sales, advertising, data and technology functions worldwide for all of the Company’s content engines, and it will also manage operations of the Company’s streaming services and domestic television networks. The group will work in close collaboration with the content creation teams on programming and marketing.
It’ll be interesting to see if Disney+ will start mining IP from the 20th Century Studios side of things soon as Disney+ series and limited series focused on properties like Avatar and Planet of The Apes could be extremely successful. In the press release they suggest that they could end up making episodic projects based on 20th Century properties.
A live-action Flash Gordon series stands out as a property that Disney really could do justice with on Disney+ and be a counter of sorts to their Star Wars shows as it could be way more swashbuckling than the Lucasfilm property that was inspired by it. Taika Waititi (Thor: Ragnarok, Thor: Love & Thunder, Jojo Rabbit) is attached to direct an animated Flash Gordon film and at one time 20th Century was developing a live-action feature as well from directors Matthew Vaughn (X-Men: First Class, Stardust, Layer Cake) and Julius Avery (Overlord) involved at different points.
I wouldn’t even put it past Disney to reboot John Carter eventually given the Volume/StageCraft would allow them to make a series more cost effective that world like Flash Gordon is different enough from Star Wars it would be worth pursuing.
Of course, this could mean a major influx of more shows from Marvel, Star Wars, and Pixar universes but might also see Hulu getting a bump of adult content as well with franchises like Alien (Noah Hawley pitched an Alien series to FX) and Predator just collecting dust while they could be helpful to get more eyeballs on Hulu. HBO Max had recently crowed about Ridley Scott’s sci-fi series Raised By Wolves being the most popular original on their service when announcing they were moving forward with a Season 2 order.
Matthew Vaughn has also been talking up the idea of a Kingsman spinoff series that could fit nicely at Hulu.
Disney certainly has a massive gap in the adult market and places like Canada don’t have access to Hulu and that really needs to change if they want to compete with Netflix/Amazon on an international level as those services offer content to both kids and adults alike. Cornering the kid market just won’t be enough for Disney if they want to grow their streaming presence.
I guess we’ll have to wait for December 10th to get more concrete answers about what all this actually means for content that is already in the can or is about to begin filming.
The Avatar sequels are chugging along as Avatar 2 has completed live-action filming with Avatar 3 about to complete as well.
It’s official Twitter account has been posting random information and set photos revealing tidbits about the new movies including new military vehicles likely from RDA’s SpecOps. The latest one includes a science lab at a new RDA installation that will be called Bridgehead as they lost the other installation Hell’s Gate in the last film.
From the set of the Avatar sequels: A glimpse of a small part of the Science Lab, a key facility at the RDA’s new Bridgehead installation. pic.twitter.com/oC2txKEPdZ
The evil corporation attempted to commit genocide against the native population of Pandora to secure their mining operation and likely will be more than a little upset when they return with extra forces.
Avatar 2 has new release date of December 16th, 2022 and Avatar 3 is set for December 20th, 2024.
Deadline has some interesting news this weekend as Wonder Woman duo of director Patty Jenkins and actress Gal Gadot are set to reunite on a Cleopatra biopic film written by Laeta Kalogridis (Avatar, Alita: Battle Angel, Altered Carbon, Shutter Island) for Paramount Pictures. The studio won a biding war that included contenders such as Warner Bros., Netflix, Universal, and Apple.
It most recently had Dune and Blade Runner 2049 director Denis Villeneuve attached for a time before it eventually moved to Jenkins.
Cleopatra is the daughter of Ptolemy, ancestor of the leader of Alexander the Great’s army. When Rome’s ruler Julius Caesar’s mentor-turned-rival Pompey fled to Egypt after a brutal war for control of the empire, Egypt became a fixation of Roman rulers. Two siblings battled for the throne of Egypt. After winning that internal struggle by appealing personally to Caesar, Cleopatra had a complicated relationship with Rome, becoming the lover of Caesar and later Marc Antony. The latter alliance would become the undoing of both Antony and Cleopatra.
While Jenkins is currently known for directing Wonder Woman and the upcoming Wonder Woman 1984, she has tackled mostly serious features including the serial killer film Monster that earned Charlize Theron a Best Actress Oscar.
Laeta Kalogridis’ background in the action genre would suggest that the film could be more than strictly a period drama.
When filming is expected to begin is a little unclear at the moment as Gal is currently shooting Netflix’s Red Notice and has other projects in the works as well.
During a one-on-one chat with Arnold Schwarzenegger on Arnold’s YouTube channel, director James Cameron has announced how much of his Avatar sequels (four of them) have completed filming at this point. You might remember that production halted just before everyone in the crew was going to return to New Zealand’s Stone Street Studios in Wellington, to do some extensive live-action shooting for Avatar 2 and Avatar 3.
Here is what Jim had to say about the status of the two upcoming Avatar films during his chat with the Terminator franchise actor. As it sounds like the filming portion for both films is almost completed.
CAMERON: “Well, COVID hit us like it hit everyone. We lost about four and a half months of production as a result of that we’ve rolled around one more full year for a release in December of 2022. That’s been announced already but that doesn’t mean I have an extra year to finish the film because the day we deliver Avatar 2 we’ll just start working on Avatar 3.”
“So, where we are right now, I’m down in New Zealand shooting the remainder of the live-action we’ve got 10% left to go. We’re 100% complete on Avatar 2 and we’re sort of 95% compete on Avatar 3.
“We’re very lucky in that we chose [New Zealand] as our production site years ago.”
There is still a heap of post-production work to finish on the two massive movies and Cameron will then expectedly move into making Avatar 4 and Avatar 5 next.
Avatar 2 has new release date of December 16th, 2022 and Avatar 3 is set for December 20th, 2024.
The official Avatar Twitter account has dropped two new pieces of concept artwork from the upcoming films, this time highlighting a brand new RDA submersible vehicle called The Crabsuit.
The Crabsuit: A human driven multifunction submersible. One of the many new RDA vehicles that will be seen in the Avatar sequels.
The Crabsuit: A human driven multifunction submersible. One of the many new RDA vehicles that will be seen in the Avatar sequels.
It seems like they’ve sort of used the cockpit from the C-21 Dragon Assault Ship from the first movie. The Sea Dragon was another vehicle previously revealed through set photos.
James Cameron and the team recently resumed the live-action portion of filming at Stone Street Studios in Wellington, New Zealand.
However, it was officially announced that the release date would be getting pushed back an entire year because of the production delays due to the COVID-19 pandemic.
The Ronin has uncovered a bunch of previously unseen concept artwork from the unmade Fantastic Voyage that was in development by Lightstorm Entertainment and 20th Century Fox. The project was a futuristic remake of the 1966 film based on the novel by science-fiction author Isaac Asimov (Foundation).
Fantastic Voyage (1966)
FANTASTIC VOYAGE – The brilliant scientist Jan Benes (Jean Del Val) develops a way to shrink humans, and other objects, for brief periods of time. Benes, who is working in communist Russia, is transported by the CIA to America, but is attacked en route. In order to save the scientist, who has developed a blood clot in his brain, a team of Americans in a nuclear submarine is shrunk and injected into Benes’ body. They have a finite period of time to fix the clot and get out before the miniaturization wears off.
Directors such as James Cameron (Aliens, Terminator 2: Judgement Day, Avatar), Roland Emmerich (Stargate, Universal Soldier, Independence Day), Paul Greengrass (Bourne Identity), and Shawn Levy (Free Guy, Real Steel, Stranger Things) had once been in the mix at different points of development. Cameron and Jon Landau would end up producing the film via Lightstorm Entertainment.
In 2010, screenwriter Laeta Kalogridis (Avatar, Alita: Battle Angel, Ghost In The Shell, Altered Carbon) was hired to do rewrites after director Roland Emmerich trashed the previous script in interviews.
In 2016, it was announced that Guillermo del Toro would be attached to direct with a script from Terminator: Dark Fate screenwriters David S. Goyer (Batman Begins, Blade, Blade II, Green Lantern Corps) and Justin Rhodes (RoboCop Returns, Green Lantern Corps) before he pivoted to passion projects like The Shape of Water and his current film Nightmare Alley.
There had been plans on shooting Guillermo’s version in Toronto, Ontario, Canada when had been assembling his production team development/pre-production stages.
While speaking with Screen Rant in the fall of 2017, del Toro suggested he was still keen on the project before moving on to Nightmare Alley.
DEL TORO: “That was on the calendar already. I announced the year in September, and if everything goes well and it happens, it would happen next September. We’d start prepping again. We had already delayed it. It is a very difficult movie, technically, and I needed to figure out a bunch of stuff. We’ve been doing R&D and we’ve been building stuff. I never know whether they’re going to happen or not. I’ve learned that, in 25 years. But, we’re still working on it.”
It remains to be seen if he’ll return to Fantastic Voyage in the future.
A batch of artwork from Shawn Levy’s incarnation (before Guillermo got involved) posted by production designer Tom Meyer (Real Steel, Spectral, BIOS) in a concept reel we spotted for the project features a bunch of concept artwork for the futuristic setting, animations, and storyboard animatics. Some plot details are also revealed in the video.
“Scaling” is the process of nano-sizing bio-technology hardware mechanisms. All illness has been eradicated through a vaccine of networked nano-implants. Hacking of the implant network is now our body’s primary threat.
Killing a pilot by hacking his implants with a “smart virus”, terrorists crash a jet into Washington D.C.’s icy Potomac.
One piece of artwork suggests that X-Men franchise actor Hugh Jackman was indeed wanted for a lead role as his likeness was used for one of the characters. It wouldn’t have been surprising given Shawn having worked with Hugh on Real Steel.
Deadline first connected him to the project back in 2011 and this artwork would support that reporting.
Here are the rest of images we captured from Tom’s concept reel.
Scaling Operating RoomPatient “0”New Langley, N.S.A. – Implant Tracking CenterIs that William Fichtner on the right?Main Ship Called Proteus During Scaling Ignition
Below is the reel posted by the film’s production designer Tom Meyer.
After Disney/21st Century Fox merger a handful of high-profile and expensive film projects were killed including Wes Ball’s Mouse Guard. There is a good chance that Disney might have squashed Fantastic Voyage as well.
Yesterday, producer Jon Landau announced via his Instagram account (has oddly removed all his previous tweets) that the Avatar sequels have now resumed the live-action portion of the filming in Wellington, New Zealand.
Production is taking place at the Stone Street Studios facility.
Jon posted this image from the set.
LANDAU: “Used my iPhone to snap a picture of our first shot back in production on the Avatar sequels.”
This comes after their 14-day mandatory isolation as per government regulations.
The Avatar sequels are seemingly the first major productions to resume after the pandemic first broke out, worth noting that New Zealand has only had two new cases of COVID-19 over the last 24 days. The remote island nation is certainly in much better position to resume filming than the United States or even the United Kingdom.
It’s unknown if the production delays from back in March will directly impact the release date of December 17th, 2021.
THE RONIN 