'28 Days Later' & 'Dredd' Cinematographer Reunites With Director Danny Boyle For '28 Years Later'

’28 Days Later’ & ‘Dredd’ Cinematographer Reunites With Director Danny Boyle For ’28 Years Later’

Danny Boyle (“Yesterday”) and Alex Garland (“Civil War”) are getting the band back together as Garland is looking to make his grand return to screenwriting for other filmmakers by launching a new trilogy set within the universe of their previous film “28 Days Later.” The first installment, “28 Years Later,” landed at Sony Pictures with a cast that currently consists of Aaron Taylor-Johnson (“Bullet Train,” “The Fall Guy”), Jodie Comer (“The Bikeriders,” “Free Guy”), and Ralph Fiennes (“No Time To Die”).

Podcast: Adventures of Anthony Dod Mantle, part I by Michael Goldman -  ProVideo Coalition

The Ronin can confirm that cinematographer Anthony Dod Mantle (“Dredd”), who previously worked with Boyle on ’28 Days Later,” “Trance,””Slumdog Millionaire,” “Millions,” ‘T2: Trainspotting 2,” and “127 Hours” has joined the crew of the upcoming sequel. Most recently, Mantle and Boyle collaborated on the Sex Pistols series, “Pistol.”

What originally kicked off the rage virus being unleashed into the population was when an infected chimp gets released by well-intentioned animal rights activists, only for the chimp to bite them as they turn into the mindless killers that spread across the globe. Not traditional zombies, as the rage virus horde can run which influenced a heap of horror films. “28 Weeks Later” alludes to France/Europe also being overrun with rage hordes by the end of the film, as the main gist of the sequel was that the US military trying to repopulate the country slowly before that goes south too.

It’s still unclear what the actual plot of the film will be. However, there is an expectation that two more installments are also in the works, with trade reports claiming that Nia DaCosta (“Candyman,” “The Marvels”) is in talks to direct the second movie in the trilogy. Characters played by recent Best Actor Oscar winner Cillian Murphy (“Oppenheimer”) and Naomie Harris (“No Time To Die”) have survived the events of the original, but it remains to be seen if either will reprise their respective roles. Murphy attaching himself as a producer could signal his eventual return to the franchise.

For Boyle, this will be one of his biggest recent films after bowing out to helm the last James Bond movie over scheduling/creative differences. There is an expectation that production designer Mark Tildesley (“No Time To Die,” “Sunshine”) will be a department head and also previously worked on the original pic.

“28 Years Later” will shoot primarily in the United Kingdom, and Sony is handling the global distribution, although. we’re still waiting on an official release date from the studio.

'Fantastic Four': Paul Walter Hauser Nabs Mystery Part In Marvel's Latest Reboot

‘Fantastic Four’: Paul Walter Hauser Nabs Mystery Part In Marvel’s Latest Reboot

Marvel Studios is still casting roles for their upcoming reboot of “The Fantastic Four” and has added actor Paul Walter Hauser (“Cruella”) in a mystery part, according to both Deadline and The Hollywood Reporter. Who exactly Hauser is playing is unknown; we could theorize it is anything from a random supporting role to a villain like Mole Man or the voice of our heroes’ loyal robot, H.E.R.B.I.E., the latter being confirmed by official teaser artwork released by Marvel Studios back on Valentine’s Day.

After delivering “WandaVision,” Matt Shakman has been selected to direct the latest incarnation of “Fantastic Four” with a cast that consists of Pedro Pascal (“The Last of Us”) as Dr. Reed Richards/Mister Fantastic, Vanessa Kirby (“Mission: Impossible” and “Fast & Furious” franchises) as Sue Storm/The Invisible Woman, Ebon Moss-Bachrach (“The Bear,” “Andor”) as Ben Grimm/The Thing, and Joseph Quinn (“Stranger Things”) as Johnny Storm/The Human Torch.

This update comes after Julia Garner (“Wolf Man,” “Ozark”) was tapped by the studio to play the Earth-X version of Silver Surfer with Norrin Radd’s love, Shalla-Bal, playing the herald of cosmic villain Galactus. From the teaser artwork, there are elements of our version of the 1960s (a Time Magazine from the era) but also a cityscape teasing a retro-futuristic setting that may hint the film won’t take place within the main MCU, Earth-616.

The budding comedic actor made a curious pivot into dramatic roles thanks to Spike Lee’s “BlacKkKlansman” and “Da 5 Bloods,” Clint Eastwood’s “Richard Jewel,” and the prison drama “Black Bird.” There is a bit of a connection between Hauser and Shakman, as one of the first roles Hauser had was playing a teenage Juggalo on “It’s Always Sunny In Philadelphia,” which was a comedic series that Shakman directed and he did work on that episode from 2010.

“Fantastic Four” has a script from Eric Pearson (tackling the latest draft) with an expectation that shooting will start later this summer at Pinewood Studios UK and has a tentative release date of July 25, 2025 (be prepared for more MCU slate shifts between now and then).

SOURCE: DEADLINE & THR

'Flesh Of The Gods': Kristen Stewart & Oscar Isaac To Lead 1980s-Set Vampire Pic From 'Mandy' Director Panos Cosmatos

‘Flesh Of The Gods’: Kristen Stewart & Oscar Isaac To Lead 1980s-Set Vampire Pic From ‘Mandy’ Director Panos Cosmatos

Kristen Stewart (“Crimes of The Future”) and Oscar Isaac (“Ex Machina”) are set to play a married couple in “Flesh of The Gods,” a new vampire genre flick from “Mandy” director Panos Cosmatos. The news hails from the Hollywood Reporter, and while the pairing of the two leads is impressive on its own, the script hails from Andrew Kevin Walker, who has genre film credits that include “Se7en,” “8MM,” and David Fincher’s latest film “The Killer.” Walker worked off a story from Cosmatos, and there is hope that production could begin later this year.

This will be one of the many films heading to the Cannes Film Market, with CAA/WME handling domestic rights sales and XYZ Films overseeing the international side of sales. Cosmatos previously worked with XYZ on his Nicolas Cage-led psychedelic revenge film, “Mandy.”

“Flesh of The Gods” is a vampire movie set during the 1980s in Los Angeles, California. In the report, producers provided the logline, and it reads:

“Follows a married couple, Raoul (Isaac) and Alex (Stewart), who descend each evening from their luxury skyscraper condo and head into an electric nighttime realm of 80’s LA. When they cross paths with the mysterious and enigmatic woman and her hard-partying cabal, Raoul and Alex are seduced into a glamorous, surrealistic world of hedonism, thrills, and violence.

Sounds a bit like “Flesh of The Gods” could be taking a page from Tony Scott’s sexy vampire thriller “The Hunger.”

Adam McKay (“Vice”) is part of the producing team, which also consists of Betsy Koch via the duo’s Hyperobject Industries production company and Isaac’s banner, Mad Gene Media.

Panos, you might remember, directed a wild, mind-melting episode of “Guillermo del Toro’s Cabinet of Curiosities” called “The Viewing.” Stewart recently starred in A24’s period thriller “Love Lives Bleeding,” and Isaac has been playing Dr. Victor Frankenstein in del Toro’s spin on Mary Shelly’s “Frankenstein,” with production expected to be completed by mid-June.

SOURCE: THE HOLLYWOOD REPORTER

George Miller Finally Developing Script For His Third 'Mad Max: Fury Road' Movie With Tom Hardy Reprising Role

George Miller Hopeful He’ll Get To Make Third ‘Mad Max: Fury Road’ Movie Idea With Tom Hardy Reprising Role

This month sees a grand return to George Miller’s wasteland with “Furiosa: A Mad Max Saga,” a prequel exploring the origin of Imperator Furiosa, first played by Charlize Theron in “Mad Max: Fury Road” and now has Anya Taylor-Joy in the role as we explore Furiosa’s journey from The Green Place of Many Mothers, to the clutches of a roving biker gang led by Dementus, and to Immortan Joe’s Citadel. However, “Furiosa” won’t be the end of the stories told within the “Mad Max” universe if Miller has any say in that.

Miller has revealed to Entertainment Weekly that he’s hopeful that his long-gestating idea for a third movie that developed alongside “Furiosa” 15 years ago when “Mad Max: Fury Road” was on hiatus with Miller and his creative team hashing out backstories for all their characters, will get made down the line as he’s keen if he gets the chance to do it. Confirming that Max is indeed lurking in the background during the events of “Furiosa” and he’ll have a minor cameo in the new film.

Set Decor / Directors Chair: George Miller: MAD MAX: FURY ROAD

“In doing what we did in the preparation of ‘Mad Max: Fury Road,’ we also wrote what happened to Max in the year before we encounter him in [that film],” Miller said of his third film idea taking place a year before the events of “Fury Road” and where we’d see the grizzled antihero. “And as we get towards the end of this movie, the chronology… Basically, we had to see that Mad Max was lurking around somewhere because we do know what happened. The writers know what happened to Mad Max in that year before, and we have a whole story of that, which I would like to do sometime if I get the chance.”

What exactly would a Mad Max prequel set a year before “Fury “Road” look like?

This isn’t the first time a prequel tie-in has been brought up as a comic book and video game (had featured Gastown) seemingly took some of these elements as we saw Max’s connections to Glory The Child, the phantom girl portrayed by Coco Jack Gillies that haunts Max during the events of “Fury Road,” and her mother, Hope. As those flashbacks would suggest, the fate of Hope and Glory doesn’t lead to a happy ending, alongside other potentially dead cohorts Max wasn’t able to save before redeeming himself in “Fury Road.”

Nothing says that Miller couldn’t attempt to incorporate a Furiosa B-story taking place elsewhere in the wasteland and opposite to what Max is up to, allowing Theron to reprise the role one more time.

“Furiosa” will speed into theaters on May 24 with a premiere at the Cannes Film Festival and we’ll have to wait to see how many more adventures in the wasteland that Miller is willing to give us.

As the world fell, young Furiosa is snatched from the Green Place of Many Mothers and falls into the hands of a great Biker Horde led by the Warlord Dementus. Sweeping through the Wasteland, they come across the Citadel presided over by The Immortan Joe. While the two Tyrants war for dominance, Furiosa must survive many trials as she puts together the means to find her way home.

SOURCE: ENTERTAINMENT WEEKLY

Long-Delayed ‘Masters Of The Universe’ Movie Remake From Director Travis Knight Heading To Theaters On June 5, 2026

Yesterday, it was announced by Amazon MGM Studios that they’ve secured a release date for their “Masters of The Universe” remake of the 1987 fantasy film spawned by the cartoon series and toyline from Mattel (also behind “Barbie”). A journey that goes back to 2007, when the first attempts to reboot started at Warner Bros. before it shuffled to Sony, Netflix, and finally landed at Amazon/MGM. It’s nabbed a prime release date of June 5, 2026, and we’ll eagerly wait for new casting announcements. The latest director assigned to the project is Travis Knight after having done his own soft-reboot of sorts with the ’80s-set “Transformers” movie, “Bumblebee.”

As mentioned in the report from Variety, this “Masters of the Universe” incarnation will “introduce a 10-year-old take on Prince Adam, who crashed to Earth in a spaceship and was separated from his magical Power Sword — the only link to his home on Eternia. After tracking it down almost two decades later, Prince Adam is whisked back across space to defend his home planet against the evil forces of Skeletor. But to defeat such a powerful villain, Prince Adam will first need to uncover the mysteries of his past and become He-Man: the most powerful man in the Universe!”

Chris Butler is writing the latest incarnation of the film’s screenplay, following initial drafts written by David Callaham (“Shang-Chi”) and the remake’s former directors, The Nee Brothers. Some of Butler’s previous work includes animated movies such as “ParaNorman,” “Kubo & The Two Strings,” and “Missing Link.”

More recently, filmmaker Kevin Smith (“Mallrats”) had been behind the revival of the animated series, “Masters of The Universe: Revelation,” which aired on Netflix. The streaming giant had previously been readying the remake before it pivoted to Amazon/MGM.

SOURCE: VARIETY

‘Avengelyne’: Olivia Wilde To Direct Margot Robbie In Comic Book Flick Penned By ‘Poor Things’ Screenwriter At WB

Margot Robbie, LuckyChap, and Warner Bros. are continuing their working relationship after “Barbie” became the biggest film at the global box office in 2023 (earning a massive $1.4 billion). A report from Deadline has revealed the studio has scooped up a new superhero hero package that will see Robbie star in a feature film adaptation of the Rob Liefeld (co-creator of “Deadpool”) comic book, “Avengelyne.” Published by Image Comics, the comic focuses on an angel who fights the forces of evil.

The surprising aspect is the impressive creative team assembled for the film, which is director Olivia Wilde (“Book Smart”) and Aussie screenwriter Tony McNamara (“The Favourite,” “The Great”), the latter coming off the Oscar-winning movie “Poor Things.”

Here is how the outlet describes the property in their report, which sounds like a combination of Mike Mignola’s “Hellboy” meets former “Spawn” heroine Angela (now an Asgardian and ruler of Hel in Marvel Comics):

Avengelyne is an angel who fights the forces of evil and often finds herself face-to-face with demons and monsters. She was the most feared warrior in heaven’s Warhost, having single-handedly broken into Pandemonium, the outer fortress of hell, to confront the devil himself. She is a fallen angel, banished from heaven by God after being tricked into questioning his love for humans. Avengelyne was stripped of all her angelic abilities, other than her great strength and her blood, which, once extracted from her body, could be used as a weapon or a miracle when it is empowered by quoting verses from the Bible. Avengelyne uses her powers to fight demons on Earth and is being groomed to be humankind’s last hope in a coming Armageddon.

McNamara is a screenwriter known for biting wit and comedic timing, making him just the right kind of creative to help potentially overhaul a property that could be reworked for a global audience.

Robbie isn’t a stranger to the comic book genre after playing the DC Comics villain/antihero Harley Quinn in two “Suicide Squad” movies from directors David Ayer and James Gunn alongside a spinoff with “Birds of Prey” that was helmed by Cathy Yan. Her future as the character doesn’t seem all that concrete with various resets of the DCU from DC Studios, and Gunn has yet to announce a fourth project with Robbie back in the Quinn role. LuckyChap and Robbie have also been trying to get a remake of “Tank Girl” (created by Gorillaz co-founder/artist Jamie Hewlett) going with director Miles Joris-Peyrafitte, but there hasn’t been any word of what stage that is currently in.

Wilde has been itching to get into the superhero genre for years now as the filmmaker was once attached to direct a Marvel Comics project in 2020 that had been referred to in reports as “Spider-Woman” for Sony Pictures. However, there really hasn’t been an update since that project was first announced, and Marvel Studios’ participation was never made official.

This isn’t the first time Liefeld has attempted to get his lesser-known comic book characters into films and television. There was a time when Netflix was looking to flesh out the Liefeld properties like the “Extreme Universe,” until that deal, first announced in 2018, went up in smoke. That deal included the rights to Brigade, Bloodstrike, Lethal, Cybrid, and Kaboom. Things might have gone south potentially, we speculate, after the streamer had buyer’s remorse about acquiring the Millarworld (Mark Millar’s comic book material) source material when their expensive series adaptation of “Jupiter’s Legacy” failed to secure an audience ending its run at one season.

SOURCE: DEADLINE

'Fallout' Season 2 Officially Announced By Amazon, Wasteland Series Will Continue

‘Fallout’ Season 2 Officially Announced By Amazon As Wasteland Series Is Heading To New Vegas

Today, Amazon Prime Video has made it official via social media posts that their post-apocalypse series, with a satirical flare, will be returning for a second season. “Fallout” takes place 200+ years after nukes engulfed a fictional retro-futuristic world, leading a portion of humanity to hunker down in corporate-built self-sustaining bunker communities called Vaults.

This announcement was sort of telegraphed by a report from the California Film Commission that revealed that “Fallout” has been approved to relocate to California and earn tax credits to shoot a second season there, suggesting that it was already a foregone conclusion ahead of the show’s release this month.

The cast of “Fallout” consists of Ella Purnell, Walton Goggins, Aaron Clifton Moten, Kyle MacLachlan, Leslie Uggams, Zach Cherry, Frances Turner, Annabel O’Hagan, Moises Arias, Jon Daly, and Johnny Pemberton.

In the first season, Lucy (Purnell) leaves Vault 33 to find her kidnapped father after a group of raiders break into the Vault and cause chaos. Lucy navigates an increasingly hostile wasteland that leads to her bumping into The Ghoul (Goggins), an unkillable bounty hunter with a mysterious past that links him to Vault-Tech as he’s been kicking around since before the nukes dropped. Another character introduced is Maximus, a good-intentioned young soldier who happens to be trying to find a foothold in a fascist religious cult that is armed to the teeth that are trying to control the wasteland and what technology the population has access to.

Without spoiling too much about how the show ends, there is a connection to “Fallout: New Vegas,” which should play out in season two.

SOURCE: AMAZON PRIME VIDEO

'The Movie Critic' Scrapped By Quentin Tarantino, '70s-Set Pic Had Brad Pitt Reprising Cliff Booth Role

‘The Movie Critic’ Scrapped By Quentin Tarantino, ’70s-Set Pic Had Brad Pitt Reprising Cliff Booth Role

In a shocking twist of fate, writer/director Quentin Tarantino has decided not to move forward with “The Movie Critic” later this year (Sony Pictures was attached to distribute) as a report from Deadline announces the project has been scrapped entirely and the filmmaker will pivot to something else as his tenth, and final, film. “The Movie Critic” had longtime collaborator Brad Pitt attached to play a role, which the outlet claims would have been a reprisal of Pitt’s charismatic stuntman character Cliff Booth from “Once Upon A Time In Hollywood.”

Other plot details were a little murky but would have followed a movie critic in Los Angeles during the 1970s that was writing for a “porno rag” and likely would have invited itself to feature the seedy underbelly of the city. There were also hints from Tarantino it would have homaged things like the violent revenge flick “Rolling Thunder,” and the protagonist was said to be similar to Travis Bickle from “Taxi Driver.” The former could have been an entry point for Cliff Booth to get involved, as that film featured two military buddies getting revenge together.

You never know; perhaps Tarantino will turn the script/project into a book instead.

This wouldn’t be the first time Tarantino has gotten cold feet ahead of production on one of his movies. You might remember that he once got so fed up with a leak of an unfinished version of “The Hateful Eight” script during the casting process that he pumped the breaks, and it was only until he did a live stage reading of the script that Tarantino ultimately decided to give the project a second shot.

Meanwhile, there have been plenty of unmade ideas in the past, who knows how far he ever got with these, that simply were spoken about in interviews that never materialized like “The Vega Brothers” movie, a fabled “Kill Bill 3” where Kiddo and Bibbi had to fight off revenge seekers, and there was even a time when Tarantino wanted to do an adaptation of the Len Deighton spy novels “Berlin Game,” “Mexico Set,” and “London Match.

What comes next for Tarantino is a bit of mystery as a second project wasn’t on deck, and there was an expectation that “The Movie Critic” would be the filmmaker’s final theatrical feature.

SOURCE: DEADLINE

'The Running Man': Paramount & Edgar Wright Remake Casts Glen Powell In Lead Role

‘The Running Man’: Paramount & Director Edgar Wright Tap Glen Powell To Star In Sci-Fi Action Remake

Another interesting bit of news coming out of the Paramount Pictures panel today at CinemaCon 2024 is that Edgar Wright‘s remake of the sci-fi actioner “The Running Man” has tapped rising star Glen Powell (“Top Gun: Maverick”) to play the lead role of Ben Richards that previously was portrayed by Arnold Schwarzenegger in the 1980s feature adaptation of the Stephen King novel.

The remake from Wright is said to be closer to the original novel that saw Richards being lured into participating in the deadly game show known as The Running Man to get money to help his sickly daughter get medicine/medical care. Elements from the King novel that were sort of pushed aside to make Schwarzenegger’s involvement a little more believable in an action-focused incarnation.

Powell was most recently seen in “Anyone But You” opposite Sydney Sweeney; there have been rumblings online that Wright could end up directing her in Sony’s feature remake of the classic French comic book film “Barbarella,” which starred Jane Fonda in the 1960s.

Wright, of course, is best known for his Cornetto Trilogy (“Shaun of The Dead,” “Hot Fuzz,” “The World’s End”) alongside things like “Baby Driver” and the thriller “Last Night In Soho.”

SOURCE: PARAMOUNT PICTURES VIA CINEMACON 2024

Paramount Developing R-Rated Live-Action 'TMNT' Movie Based On 'The Last Ronin' With 'Boy Kills World' Writer

Paramount Developing R-Rated Live-Action ‘TMNT’ Movie Based On ‘The Last Ronin’ With ‘Boy Kills World’ Writer

Today, there was a big shocker from Paramount Pictures as THR reports that the studio is looking to make an R-rated live-action movie set within the “Teenage Mutant Ninja Turtles” franchise by adapting the mature storyline “The Last Ronin” as a live-action feature film. A puzzling pursuit since “The Last Ronin” is set in an alternative future where only one of the Turtles is alive while the other three have been killed, making it certainly a strange project from a branding standpoint.

Tyler Burton Smith is set to pen the adaptation after working on films such as “Boy Kills World” and 2019’s “Child’s Play.” The former project from the screenwriter co-wrote with director Moritz Mohr and looks to be an action-packed satirical experience led by Swedish actor Bill Skarsgård as a highly-skilled fighter looking for revenge. A seemingly perfect fit for another revenge-fuelled action story like “The Last Ronin.”

Paramount just last year released “Teenage Mutant Ninja Turtles: Mutant Mayhem,” which is officially getting a follow-up installment seemingly focused on the Shredder becoming the main antagonist. So, it’s a little odd the studio is going all-in on an R-rated film that will likely be set in an entirely different universe from these animated movies that have already successfully rebooted the Ninja Turtles for a new generation.

Then again, the original comics had graphic violence, and the movies mostly came about because of the toyline and cartoon series being massively popular with children. A similar demographic continues to support the franchise, and I’m sure having an R-rated movie alongside one for kids might become a bit confusing to audiences, potentially more so to parents.

SOURCE: THE HOLLYWOOD REPORTER