Quentin Tarantino Says He Was Offered A ‘Sgt. Rock’ Movie That Had A “Magnificent” Script From ‘Blade Runner’ Screenwriter David Webb Peoples

Warner Bros. has been trying since 1980s to make a feature film based on the WWII era DC Comics hero Sgt. Rock, producer Joel Silver famously tried to get an incarnation starring Arnold Schwarzenegger and if you look closely at the end credits of Predator, you can see cast members like Shane Black holding copies of Sgt. Rock.

Well, it sounds like one incarnation almost had a script from screenwriter David Webb Peoples (Blade Runner, Unforgiving, 12 Monkeys, Leviathan, Soldier) and his “magnificent” script almost convinced Quentin Tarantino get involved as he was offered it by the studio. Tarantino briefly mentioned the potential comic book film during a chat on The Big Picture podcast (via The Playlist).

“There’s a really good script that David Webb Peoples wrote for Sgt. Rock that I still think about doing that from time to time. I don’t think I will, but I think it’s a really magnificent script and I would do a good job with,” Tarantino told The Big Picture.

It’s been well established that the director is a huge comic book guy.

Quentin Tarantino has mulled over the idea of making a comic book project over the years, in the 1990s, he wanted to make a Luke Cage movie starring Laurence Fishburne and had been once offered another DC Comics property Green Lantern.

He was previously upfront that Marvel’s Sgt. Fury & His Howling Commandos was a huge influence on the Oscar-winning film Inglourious Basterds and there were a handful of Marvel Comics homages in Reservoir Dogs.

“A big influence on the Basterds was Marvel Comics’ Sgt. Fury & His Howling Commandos. That was definitely an influence on that flick,” the filmmaker told MTV News back in 2009.

There seems to be further nods in Once Upon A Time In Hollywood with Rick Dalton’s WWII action film The 14 Fists of McCluskey, as his character wore an eye-patch a possible wink to Nick Fury and there were Sgt. Fury/Kid Colt comics in Cliff Booth’s trailer.

SOURCE: THE BIG PICTURE PODCAST

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