Tag: WarnerMedia

Posted on in News

Robert Rodriguez Signs First-Look Deal With HBO & HBO Max: Will He Tackle DC Comics Projects?

WarnerMedia has announced via The Hollywood Reporter that they’ve striked a two year first-look deal with Robert Rodriguez and his Austin-based Troublemaker Studios. He’ll specifically develop various film and television projects for HBO/HBO Max.

The filmmaker had this to say about the deal:

“It’s intriguing to be able to tap into the wealth of iconic IP available across the WarnerMedia portfolio and explore new stories to tell. I’m looking forward to a meaningful collaboration with the high caliber creative talent at HBO and HBO Max who have proven they’re willing to take risks, challenge norms and tell inclusive stories while producing a wide breadth of quality content.”

We previously saw J.J. Abrams and Bad Robot’s deal with WarnerMedia leading to them tackle a wave of DC Comics projects such as Justice League Dark, Constintine, Madame X, and producing a new Superman film.

It wouldn’t be shocking to see Rodriguez/Troublemaker Studios attempt to adapt various comic book projects given their experience with existing material. They were behind films such as Predators, Sin City, Sin City: A Dame To Kill For, and Alita: Battle Angel. Robert was once approached by Ryan Reynolds and 20th Century Fox to direct the first installment of Deadpool, but declined.

Most recently Robert Rodriguez was working with Lucasfilm on Star Wars shows such as The Mandalorian and The Book of Boba Fett.

There are plenty DC Comics projects Rodriguez could end up bringing to life such as various movies that had been gestating at Warner Bros. for ages such as Lobo (Guy Ritchie formerly attached to direct), Sgt. Rock (Quentin Tarantino was offered it), and Deathstroke (The Raid’s Gareth Evans was developing at one point).

Hopefully, this is a sign that James Gunn’s The Suicide Squad is giving WarnerMedia the impression they can continue to keep making mature projects based on their IP.

Like Gunn, Rodriguez has a unique style and vision that clearly is imprinted on his inventive/energetic R-rated action projects such as Desperado, From Dusk Till Dawn, Once Upon A Time In Mexico, Planet Terror, Machete, and Machete Kills. Applying that to the DCEU could only make for exciting and entertaining adaptations.

SOURCE: THE HOLLYWOOD REPORTER

Posted on in News

Michael B. Jordan Developing New ‘Superman’ Project At HBO Max That Will Focus On Val-Zod

It’s been long rumored that Michael B. Jordan was in the mix for a new Superman project at Warner Bros. and it looks like the details have finally been revealed thanks to a new report from the folks over at Collider.

Michael B. Jordan and his production company Outlier Society are developing their own Black Superman project for HBO Max that centers on the Val-Zod incarnation of the character, Collider has exclusively learned.

However, despite having an unnamed writer working on this new Val-Zod Superman project, they’re not entirely sure if this will end up a series or film. DC Comics adaptations at HBO Max have been both series and films, making it’s difficult to get a beat on what is happening with this new Superman thing. Films focused on Zatanna and Batgirl are moving forward alongside series such as Peacemaker, Gotham P.D., Green Lantern, a Constantine reboot, Justice League Dark, and more.

Jordan is also involved with a live-action Static Shock film as well. The actor is attached to star in a Rainbow Six movie as a follow-up to Without Remorse and will lead the second remake of The Thomas Crown Affair for AGBO (The Russo Brothers’ production company).

Warner Bros. is also developing a new Superman feature film with a script from writer Ta-Nehisi Coates and producer J.J. Abrams via Bad Robot. Coates is best-known for his work on the fantastic modern run of Black Panther comics for Marvel. This film would be separate from the HBO Max incarnation from Michael B. Jordan.

Having two new Superman projects in the works and Sasha Calle’s Supergirl making her debut in The Flash (A solo Supergirl film has been in development for years now), could mean that WarnerMedia is open to the idea of many different Superman incarnations happening all at once.

SOURCE: COLLIDER

Posted on in News

WarnerMedia Admits They Only Added 11 Million HBO/HBO Max Subscribers In The First Year

HBO Max is starting to look like a big albatross for WarnerMedia after reports that the hybrid release model (Warner Bros. films dropping on the same day in theaters and HBO Max) meant to boost subscriptions to the service has lost the company over a billion dollars (and counting) and the sluggish growth of HBO Max has been dismissed multiple times by both company representatives and defensive subscribers that have championed the platform’s library/original content.

Well, it looks like the subscriber count is indeed as bad we thought.

WarnerMedia (via The Playlist) has released official subscriber information from the last year, as their new streaming service, HBO Max, was launched one year ago today. Revealing in the official chart is that they only added 11.1 million subscribers since they launched the app (See info-graph image below) and are still mixing together HBO numbers with HBO Max numbers, despite lumping the two services together it’s not great growth and could explain the WarnerMedia-Discovery merger that was announced earlier in the month.

The total subscriber count is listed as being 44.2 million subscribers but as we imagined the bulk of these people have HBO subscriptions (around 3/4 of the total 44.2 million) prior to the launch. Making the growth look even worse.

Now, this doesn’t mean HBO Max can’t improve upon these numbers but it stands to reason that WarnerMedia/AT&T’s belief that the hybrid model would bring in a huge amount of subscribers has been nothing short of a disaster. It’s possible piracy played a big role here as HD copies of their shows and high-budgeted films are posted online almost as soon as they’re available on the service, one of the many risk factors to the hybrid release model for their feature films was removing the theatrical window that acts as a buffer to combat piracy.

There is some hope that the WarnerMedia-Discovery merger could place HBO Max in the hands of better management, but there are already industry rumblings the move was meant to make a sale of WarnerMedia easier in the future. Opening up the service to international markets should also help it’s growth.

SOURCE: WARNERMEDIA

Posted on in Television News

‘Garbage Pail Kids’: Danny McBride, David Gordon Green & ‘Solar Opposites’ Josh Bycel Behind New Animated Series At HBO Max

The Garbage Pail Kids are a parody Topps card line that was a gross-out version of the popular doll toys The Cabbage Patch Kids, the card incarnations that debuted in 1985 featured subversive versions of the dolls and led to cult film that is rarely talked about and an animated series.

HBO Max has been ramping-up their animation projects and have reportedly landed a new animated series featuring The Garbage Pail Kids with Danny McBride and David Gordon Green co-creating the project with Solar Opposites writer/executive producer Josh Bycel, according to The Hollywood Reporter.

It’s likely the animated series will skew mature similar to things like Rick & Morty, Solar Opposites, and Harley Quinn, given the people involved on the creative team.

Danny McBride and David Gordon Green previously worked together on the new trilogy of Halloween films for Blumhouse and the R-rated fantasy stoner comedy Your Highness that was co-written by McBride with David Gordon Green directing. The pair likely arrived on folks’ radar thanks to Seth Rogen and Evan Goldberg comedy Pineapple Express.

SOURCE: THE HOLLYWOOD REPORTER

Posted on in Film News

WarnerMedia’s Hybrid Release Model Shaping Up To Become A $1 Billion Loss – Called A “Major Misstep”

In December, WarnerMedia announced plans to release all of their 2021 slate in theaters and on their streaming service HBO Max (free for one month with subscription) on the same day, the hybrid release model was controversial and led to reports of their partner Legendary Entertainment gearing-up for a lawsuit. Legendary attempted to sell-off Godzilla Vs. Kong to Netflix for a massive $200 million but Warner Bros. blocked the deal only to announce they would be giving the film away to HBO Max subscribers for free. Directors Christopher Nolan and Denis Villeneuve also were vocally upset that directors weren’t properly informed about the move and mentioned how harmful the hybrid release would be to the industry.

The plan seemed to be sacrifice the Warner Bros. Pictures slate to coax a boost in domestic subscriber numbers for the floundering HBO Max that launched last year, however, the numbers haven’t been stellar in comparison to other streaming competitors.

It’s now May, and it was recently announced there would be a WarnerMedia-Discovery merger with rumblings from business news outlets that WarnerMedia CEO Jason Kilar was kept in the dark about the deal and is getting ready to exit. There is also chatter that the merger could signal an easier sale of WarnerMedia in the future, however, no potential buyers have been mentioned.

New information suggests that the hybrid release model at Kilar’s direction wasn’t as lucrative as hyped-up to be, mentioned in an Variety report they state industry sources believe the hybrid model may end up a billion-dollar loss due to high license feeds paid and sluggish subscriber sign-up.

Moreover, industry sources say the strategic move that made such a splash last December — when WarnerMedia at Kilar’s direction opted for simultaneous releases in theaters and on HBO Max for Warner Bros.’ 2021 movie slate — is seen as a major misstep because it is shaping up to cost the studio over $1 billion in lost box office revenue, talent profit participation payments and in high license fees paid for the movies from HBO Max. Unless the pace of HBO Max subscriber additions pick up significantly in the coming months, the high cost of the movie content for the streamer will be hard to justify.

While WarnerMedia insists that other films such as Dune are still sticking to the hybrid release in October, there have been conflicting trade reports that we could see exclusive theatrical windows return before 2022.

SOURCE: VARIETY

Posted on in News

WarnerMedia CEO Jason Kilar Reportedly Exiting After Being Kept In The Dark About Merger

A little over a year after being hired by AT&T CEO John Stankey to run WarnerMedia, Jason Kilar is looking for the exit, according to a report from The New York Times. Stankey announced that Discovery and WarnerMedia would be merging in a shocking media announcement today while avoiding multiple questions about Kilar’s future role at the company.

Jason Kilar has hired a legal team to negotiate his departure as chief executive of WarnerMedia, according to two people briefed on the matter. AT&T, which owns WarnerMedia, said on Monday that it had agreed to spin off the division and merge it with a rival media company, Discovery Inc. Mr. Kilar was kept in the dark about the deal until recent days, the people said, speaking on the condition of anonymity to discuss private conversations.

This comes after subscribers for their HBO Max service seemingly wasn’t doing as great as other competitors and WarnerMedia sacrificed hefty budgeted blockbusters to hand-out a free month of access to new releases on HBO Max as part of their controversial day-and-date release model. There were also reports like the one at Bloomberg that Kilar was earning more than his boss at AT&T, another controversy as most studios were hemorrhaging money last year making the pay-bump a bit ridiculous.

While speaking on CNBC, business journalist Kara Swisher had more dire perspective on the news saying that John Stankey is simply wasting shareholder money trying to catch-up with mega-streamers like Netflix, Amazon, and Disney. It should be noted this is simply an opinion but this is also coming from someone with years of experience covering these kinds of stories.

SOURCE: THE NEW YORK TIMES

Posted on in Film News

Christopher Nolan Has Spoken To Netflix About Working With Them But Global Theatrical Distribution Is A Concern – Signal He Is Searching For A New Studio Home?

You might remember how heated things got when WarnerMedia announced their day-and-date release model, something depending on where you look for numbers didn’t seem to make a huge impact on subscriber growth for HBO Max in Q1. Filmmakers Christopher Nolan (Tenet) and Denis Villeneuve (Dune) came out swinging with public comments denouncing the company.

There was even a report that Nolan was unlikely to work with WarnerMedia again.

Netflix’s film chief Steve Stuber has mentioned to The Wall Street Journal (via Coming Soon) that he has spoke with Christopher Nolan about his desire to see them expand into global distribution of their original films. Nolan has been a huge champion of traditional theatrical windows and audiences having access to the theatrical experience. Apparently, he’s also talked about potentially working with them but the cinematic distribution would be a huge sticking point for that to happen.

STUBER: “I think there are aspects of global distribution in the cinema that are still appealing. Chris Nolan and I have spoken quite a bit…and that’s still something he wants deeply. If we can’t provide that, it will still be an issue for him.”

“I think we have a model that works and we’ve done well with the theaters that have played us. As these things change, we’re all having these conversations to see where it all lands and what the landscape on the other side of all of this is.”

There have been plenty of calls for Netflix to get into the theater chain business as some companies have been struggling and now that studios can legally buy-up theaters it would allow Netflix to fully embrace a hybrid model of distribution with their original films that could allow their tent to expand with more high-profile filmmakers looking to work with them, like a Christopher Nolan. Netflix has been able to convince Martin Scorsese to bring The Irishman to the streaming giant and they’ve been able to win multiple Academy Awards with their originals.

It does feel like Nolan could be directly courting studios to find a new home and making sure his movies will be released in theaters worldwide is going to be part of whatever deal he attempts to secure. At this point in his career, any place would likely welcome him with open arms alongside blank checks for future projects.

SOURCE: THE WALL STREET JOURNAL

Posted on in Film News

WarnerMedia CEO Jason Kilar Suggests Blockbusters Will Return Exclusively To Theaters In 2022 Before Landing On HBO Max

As Godzilla Vs. Kong ended up having a better than expected international and domestic debut at the box office, it sounds like WarnerMedia won’t be carrying over the day-and-date model into 2022 at the same level.

WarnerMedia CEO Jason Kilar spoke with Vox on their podcast Recode Media, revealing that 2022 is expected to see blockbusters return to more traditional release windows with a theatrical run and landing on HBO Max later on.

KILAR: “I think it’s very fair to say that a big, you know, let’s say a big DC movie … it’s very fair to say that that would go exclusively to theaters first and then go to somewhere like an HBO Max after it’s in theaters.”

Their 2022 lineup includes The Batman on March 4, Fantastic Beasts 3 on July 15, Black Adam on July 29, The Flash on November 4, and Aquaman 2 on December 16.

However, only specifically mentioning the bigger movies might mean that movies like Judas & The Black Messiah won’t get the same theatrical exclusivity as the the massive blockbusters that would still need a large box office return to turn a profit.

This comes after AT&T CEO John Stankey had been quoted last year suggesting the day-and-day model would be something they’d considering continuing beyond the pandemic as the standard release window, something that had been controversial at the time.

We still don’t know if a film like Legendary’s Dune will even land on HBO Max later this year, as a deal has yet to be made official and director Denis Villeneuve has argued that it could seriously damage the sci-fi films’ franchise chances. It’s worth noting that Dune is only part one of a two-part story as they’ve split the first Dune book into two planned films, the 2021 release will end on a cliffhanger. Denis hasn’t even shot the second film and could screw-up Legendary’s plans for future installments (there are six original novels from author Frank Herbert).

SOURCE: VOX

Posted on in Film News

WarnerMedia’s Ann Sarnoff Joins Zack Snyder In Denouncing Toxic Fandom – Too Little Too Late?

Yesterday, WarnerMedia Studios CEO Ann Sarnoff spoke with Variety in a lengthy interview and suggested that Zack Snyder’s era has ended with his version of Justice League completing his trilogy. Hopefully, fans can respectfully accept that WarnerMedia is focusing on new projects and won’t be returning to the Snyderverse anytime soon.

I say this because there is vocal group of toxic fans that have embedded themselves into The Snyder Cut movement and even getting on the radar of Snyder himself. This made waves last week in the blogging community with a charity Zoom event where Zack Snyder had to distance himself from the Alt-Right leaning Geeks+Gamers YouTube channel. The Zoom happened to include three people linked to G+G along with a couple other YouTubers in the Zoom that are equally questionable.

After Snyder’s statement, the G+G channel seemed to be outraged that he would distance himself on their live-stream reaction and this led to one of their cohorts, Ethan Van Sciver, essentially wig-out over it and you can see his comment during the stream below as ComicArtistPro Secrets.

Ethan is actually mentioned by name in the “thank you” section of the credits for Zack Snyder’s Justice League, so he’s not unknown to the filmmaker or The Snyder Cut group. He went even further on his own stream with a horrifying rant about calling upon people to kill Chinese people (this coming soon after the shooting in Atlanta that targeted Asian women) with a machine gun on his own YouTube channel with other people linked to G+G in the chat and one other person agreeing with the violent call-to-arms.

It certainly begs the question why didn’t anyone vet these people as most of them have public personas/channels that could have been looked over by other people if Zack was too busy. Snyder had previously dismissed the “toxic fan” question recently citing the money they had raised for suicide prevention. These are the same people he eventually denounced last week as G+G and Ethan thought raising donations gave them cover to keep being horribly toxic because Snyder had embraced them for the charity stuff.

Well, Sarnoff in the interview with Variety took the opportunity to denounce toxicity in the fandom.

SARNOFF: “We’re not tolerating any of that. That behavior is reprehensible no matter what franchise you’re talking about or what business you’re talking about. It’s completely unacceptable. I’m very disappointed in the fans that have chosen to go to that negative place with regard to DC, with regard to some of our executives. It’s just disappointing because we want this to be a safe place to be. We want DC to be a fandom that feels safe and inclusive. We want people to be able to speak up for the things they love, but we don’t want it to be a culture of cancelling things that any small faction isn’t happy with. We are not about that. We are about positivity and celebration.”

There are already butt-hurt people from yesterday’s news about moving on from the Snyderverse trying to coax fans into boycotting the HBO Max release of Godzilla vs. Kong later this month to send a message to WarnerMedia, which is only going to hurt the people involved with that film including Legendary, who has nothing to do with the current wave of DC Comics projects. It feels like this is only going to get worse now that there won’t be months of speculation about when WarnerMedia announces the next DC project from Snyder.

Boycotts have been a huge thing in both DC and Star Wars fandom from a small minority of people thinking depriving views on streaming services or box office money will lead studios to reconsider certain choices they’ve made as massive corporations.

While most of my own interactions with DC fans has been mostly positive including from those that are keen for the Snyderverse to make a return and have been championing The Snyder Cut. The ones that do stand-out are the people who gang-up and upload targeted harassment from mostly anonymous Twitter accounts. When that toxicity it’s brought-up there are plenty of people quick to dismiss any of that and jump directly into whataboutism instead of sticking to the topic-at-hand.

SOURCE: VARIETY

Posted on in Film News

WarnerMedia Moving On From The Zack Snyder Era & Unlikely Restoring The Snyderverse

Zack Snyder’s Justice League finally debuted last week on HBO Max and embolden fans to push their next phase of their Snyder campaign with #RestoreTheSnyderverse, however, that doesn’t seem to be really in the cards despite over a year of hucksters pushing bogus scoops that Zack was coming back to make more films and oversee the franchise again.

Variety spoke with WarnerMedia Studios CEO Ann Sarnoff, who poured cold water all over that fan speculation as she states that Zack has now completed his trilogy with his original version of Justice League and seem to be more focused on the other things they’re currently working on with their other DC Comics films. Ann also reiterates they never actually planned on releasing Zack Snyder’s Justice League until about a year ago and doesn’t sound like it’s release has inspired them to reconsider having him return to make more films.

SARNOFF: “We wanted to give Zack the opportunity to complete his vision in a four-hour movie, which is impossible to do in theaters. We’re happy that we have HBO Max to let the rope out as it were and allow the fans to see all four-hours of Zack’s vision.”

“I appreciate that they love Zack’s work and we are very thankful for his many contributions to DC. We’re just so happy that he could bring his cut of the Justice League to life because that wasn’t in the plan until about a year ago. With that comes the completion of his trilogy. We’re very happy we’ve done this, but we’re very excited about the plans we have for all the multi-dimensional DC characters that are being developed right now.”

Some fans have been hopeful that Zack would at the very least be able to finish the films he planned to make after Justice League. That seems far-fetched given the vast amount of money spent on Justice League alone and there is a big difference between an extra $70 million to complete an unfinished cut and WarnerMedia spending another $200-300 million a pop for more films that only small portion of people are asking for. The latter seems to be a stretch even more so with the comments from Sarnoff.

As Zack’s relationship with Netflix grows after releasing Army of The Dead, I wouldn’t be shocked if he ended up pursuing bigger projects with them in the future and maybe even superhero stuff since as they have plenty of comic book adaptations.

SOURCE: VARIETY