Netflix has finally announced via The Hollywood Reporter that Narcos: Mexico has been renewed for Season 3, however, has lost their star Diego Luna to the Star Wars series on Disney+ that focuses on his Rogue One character Cassian Andor.
Scoot McNairy will be returning though.
Tuesday’s announcement confirms that McNairy is indeed among the returning cast; however Luna, who will be starring in the Star Wars prequel series for Disney+, is not. Other returning cast members include José Maria Yazpik, Alberto Ammann, Alfonso Dosal, Mayra Hermosillo, Matt Letscher, Manuel Masalva, Alejandro Edda and Gorka Lasaosa.
The third season will continue along the Narcos: Mexico timeline, according to the Netflix synopsis, and will open up in the ’90s, when the globalization of the drug business ignites. The new episodes will examine the war that breaks out after Felix’s empire splinters. As newly independent cartels struggle to survive political upheaval and escalating violence, a new generation of Mexican kingpins emerge. But in this war, truth is the first casualty — and every arrest, murder and take-down only pushes real victory further away.
It sounds like they’ll be pivoting towards focusing on El Chapo.
With Gallardo’s organized plaza system now dismantled, the season two finale gave rise to the Sinaloa, Tijuana and Juarez cartels that plan to step up — and war for power — in Gallardo’s place, including the character of Joaquín “El Chapo” Guzmán (Edda). In wrapping up Gallardo’s story, that conclusion had left an up-in-the-air return for the DEA agent who hunted him, Walt Breslin, who is played by McNairy.
They also add that Carlo Bernard will be taking over as showrunner from Eric Newman, who is currently busy with other projects.
Wagner Moura, who played Pablo Escobar in the series, will be returning to direct two episodes.
We’ve seen a handful of the new castings for the Disney+ shows such as Canadian actresses Iman Vellani for Kamala Khan aka Ms. Marvel and Tatiana Maslany for Jennifer Walters aka She-Hulk. However, both of those picks felt more in the realm of television castings from Marvel Studios and could be actors they can transform into international stars such as they did with Thor’s Chris Hemsworth and are expected to do with Shang-Chi’s Simu Liu.
If Marvel Studios ultimately hires Oscar Issac for Marc Spector (fingers-crossed he signs on officially) they would be landing one of the more high profile leading actors since the likes of Brie Larson for Carol Danvers aka Captain Marvel and the late Chadwick Boseman who played T’Challa aka Black Panther, both known mostly for their film work at the time of being cast in their respective roles. The last big high-profile casting announcement was when Oscar-winner Mahershala Ali was announced for the role of Eric Brooks aka Blade back in July 2019 at San Diego Comic-Con, who happened to have been dabbling in television at the time with Netflix’s Luke Cage and HBO’s True Detective.
We already know that Kevin Feige has confirmed that the Disney+ characters would eventually move into feature films but the Moon Knight casting, to me, suggests Marc Spector is a hot commodity for Marvel Studios and they needed a high-profile actor to play him.
It’s worth noting that Oscar Isaac has been making films regularly for the last 18 years (started in 1996) but has previously only agreed to make three television projects such as the HBO miniseries Show Me A Hero, voice work on the Disney animated series Star Wars: Resistance, and is about to make another HBO limited series titled Scenes From A Marriage co-starring Jessica Chastain. That is only two live-action TV projects that were made for HBO. Agreeing to make a streaming series on Disney+ would be a big deal given his limited television work and the time commitment attached it alongside a Marvel contract.
Oscar is known as an actor internationally thanks to playing Poe Dameron in Star Wars: The Force Awakens, Star Wars: The Last Jedi, Star Wars: The Rise of Skywalker, and recently taking the role of Duke Leto Atreides in Denis Villeneuve’s first Dune installment, all massive films giving him global exposure that a lot of other Marvel leads didn’t have before landing their franchise gigs.
It’s expected that will Dune release globally before Moon Knight begins to air on Disney+ with their new release date of October 1st, 2021.
Landing someone as popular and busy as Isaac would suggest to me that Moon Knight is likely heading to the feature films very very soon. His high-profile screams film casting rather than Marvel looking to develop new talent in a streaming series before. I wouldn’t be shocked if he showed up in other New York City projects or at the very least in Mahershala Ali’s upcoming Blade reboot, as both anti-heroes are wading in the realm of Marvel’s supernatural and horror corner.
It remains to be seen if he shows up in other movies before getting his own but this totally feels like Oscar was picked because he’s a well-known film actor that can help elevate a lesser-known hero like Moon Knight into the mainstream.
Marvel hired Oscar even before a director/directors have been chosen which could be considered another sign that he’s wanted for things beyond the series sooner rather than later. I’m quite curious if Marvel will end up pursing experienced film directors for the Moon Knight series instead of folks primarily known for television/streaming series. That could be another sign of how committed Marvel would be boosting the profile of this character before moving into the films.
I’ll keep my hopes up that Marvel can convince people like Alex Garland to direct episodes given his experience working with Oscar Isaac on Annihilation and Ex Machina. Garland made the comic book film Dredd in 2012 and recently tackled television with DEVS.
With that all said, I’m excited to see how this project comes together.
Deadline is reporting that Oscar Isaac has landed the Marc Spector role in Marvel Studios’ upcoming Moon Knight series for Disney+ and is currently in negotiations with the studio.
Moon Knight aka Marc Spector, is a mercenary who has numerous alter egos — cabbie Jake Lockley and millionaire playboy Steven Grant — in order to better fight the criminal underworld. But later he was established as being a conduit for the Egyptian moon god Khonshu. Most recently, the character was a consultant who dresses in all-white and goes by the name Mr. Knight.
The actor happens to be partly Jewish which was apparently a requirement for actors to play Marc Spector.
Oscar is no stranger to Marvel Comics projects as he played X-Men villain En Sabah Nur aka Apocalypse in X-Men: Apocalypse for 20th Century Fox (pre-merger) and briefly voiced Miguel O’Hara aka Spider-Man 2099 in the Oscar-winning animated film Spider-Man: Into The Spider-Verse.
His other film credits include Dune, Star Wars: The Force Awakens, Star Wars: The Last Jedi, Star Wars: The Rise of Skywalker, Triple Frontier, Robin Hood, A Most Violent Year, Drive, Ex Machina, Annihilation, The Bourne Legacy, and Operation Finale.
He was also lobbying to play Solid Snake in a Metal Gear Solid movie for Sony Pictures.
Moon Knight is confirmed to spent some time filming in United Kingdom but has yet to land a director/directors when filming will begin is a little unclear but likely won’t begin until sometime in 2021.
In a new interview with Variety, showrunner Jon Favreau states that Season 3 of The Mandalorian is seemingly on schedule to begin filming before the end of the year as soon as Pedro Pascal finishes up a film he’s working on in Europe.
Executive producer and showrunner Jon Favreau told Variety that The Mandalorian is “on schedule” to start production on Season 3 of the series “before the end of the year” — after Pascal wraps shooting in Europe on the feature film The Unbearable Weight of Massive Talent with Nicolas Cage.
The Ronin previously confirmed that production designer Andrew Jones is already set to return for Season 3.
Jon talked up about focusing on characters and flushing them out being a high priority along with not rushing things.
FAVREAU: “I love the world of Star Wars because, on the one hand, there’s a familiarity with this sub-genre, but there’s also a tremendous amount of flexibility of which way you can go and genres you could explore within that sub-genre. As we’re meeting new characters, and as we’re starting to hit our stride, from a production standpoint with how this technology can be used, we are beginning to explore where we could go.”
“And we could start to expand what we’re doing and our ambitions about what characters we want to follow.”
“I learned a lot from my experience over at Marvel, where it was very organic, how it would evolve. You’re paying attention to a larger story arcs and characters that could come together, but also smaller stories of individual characters that could go off [on their own thing]. The key here is keep maintaining the quality and never scaling to the point that we’re losing sight of what’s important to us and what people like about the show.”
When asked if they were keen on the idea of making a feature film Jon says they’re in “no rush” but is open to the idea.
FAVREAU: “The line is blurring now. Things that you would have only seen in the movie theater, you’re seeing on streaming, and I think it could go the other way as well.”
“But we’re definitely open to it and excited to see where the story leads us and have that flexibility — because there’s no rulebook now.”
Actor Pedro Pascal, who will be returning to shoot Season 3 despite rumors he’ll be replaced, is also game to do a movie.
PASCAL: “I think that the work is so beautiful that I would love for that to be held by a big screen experience. But it seems to work so well that also I’m not sure it’s something that I would want corrupted by any kind of change, you know? I mean, I certainly know that the challenge can be met. It’s not like these people don’t have the experience. If anybody can do it, they can!”
Giancarlo Esposito recently suggested The Mandalorian would be getting a fourth season before that has been officially announced which could suggest they plan on going pretty far with their Mandalorian run on Disney+. There have also been plenty of unconfirmed rumors about this season leading to multiple spinoff series but that has yet to be supported by industry trades or announced by Disney/Lucasfilm.
Season 2 of The Mandalorian begins airing on Disney+ starting on October 30th.
Yesterday, the Walt Disney Company announced a new initiative to get more content going for its streaming services such as Disney+, ESPN+, and Hulu from its sports, television, and film divisions. The new division will be called The Media & Entertainment Distribution group led by Kareem Daniel.
It sounds like they’ll be dedicating a lot more resources and money than they have previously as means to compete with competitors like Netflix and Amazon. However, this announcement says nothing about them throwing their 2021 theatrical slate on Disney+ and never mention a thing about ending theatrical releases altogether only pushing to place more content on their streaming services.
We will get more details on these plans on December 10th.
During an interview with CNBC, Disney’s new CEO Bob Chapek was quick to point out that they aren’t looking to stop the theatrical experience and would be announcing further details.
Also, specifically downplayed COVID-19’s role in the decision.
CHAPEK: “I would not characterize it as a response to Covid. I would say Covid accelerated the rate at which we made this transition, but this transition was going to happen anyway. Because essentially what we want to do is separate out folks who make our wonderful content based on tremendous franchises from the decision making in terms of prioritization is on how it gets commercialized into the marketplace. And what we want to do is leave it to a group of folks you can really see objectively across all of the constituents we have and various considerations we’ve got and make the optimal decision for the company as opposed to having it predetermined that a movie is destined to theaters or that a TV show is destined for ABC. So what we really want to do is provide some level of objectivity and really make it a decision that benefits the overall company and its shareholders.”
When pressed on Disney’s commitment to the theatrical model Bob said the following that gives the impression they’re not giving up on the theatrical model just yet.
CHAPEK: “We’ve benefited from a tremendous relationship with theatrical exhibition for many many many years as dynamics change in the marketplace though we want to make sure that we are giving consumers who want to go to theaters to experience everything that a theatrical release can give them, we want to continue to give them that option but at the same time there are a lot of consumers that want to experience a movie in the safety, comfort, and convenience of their own home for whatever reasons they do.”
To me, it sounds like either they are going to pursue a shorter theatrical window or a mixed model of day-and-date which obviously the theater industry wouldn’t be terribly pleased about on either front.
Here is the official press release from the Walt Disney Company website that gets a little more into the weeds about what all this means.
In light of the tremendous success achieved to date in the Company’s direct-to-consumer business and to further accelerate its DTC strategy, The Walt Disney Company (NYSE: DIS) today announced a strategic reorganization of its media and entertainment businesses. Under the new structure, Disney’s world-class creative engines will focus on developing and producing original content for the Company’s streaming services, as well as for legacy platforms, while distribution and commercialization activities will be centralized into a single, global Media and Entertainment Distribution organization. The new Media and Entertainment Distribution group will be responsible for all monetization of content—both distribution and ad sales—and will oversee operations of the Company’s streaming services. It will also have sole P&L accountability for Disney’s media and entertainment businesses.
The creation of content will be managed in three distinct groups—Studios, General Entertainment, and Sports—headed by current leaders Alan F. Horn and Alan Bergman, Peter Rice, and James Pitaro. The Media and Entertainment Distribution group will be headed by Kareem Daniel, formerly President, Consumer Products, Games and Publishing. All five leaders will report directly to Bob Chapek, Chief Executive Officer, The Walt Disney Company. Disney Parks, Experiences and Products will continue to operate under its existing structure, led by Josh D’Amaro, Chairman, Disney Parks, Experiences and Products, who continues to report to Mr. Chapek. Rebecca Campbell will serve as Chairman, International Operations and Direct-to-Consumer. Bob Iger, in his role as Executive Chairman, will continue to direct the Company’s creative endeavors.
“Given the incredible success of Disney+ and our plans to accelerate our direct-to-consumer business, we are strategically positioning our Company to more effectively support our growth strategy and increase shareholder value,” Mr. Chapek said. “Managing content creation distinct from distribution will allow us to be more effective and nimble in making the content consumers want most, delivered in the way they prefer to consume it. Our creative teams will concentrate on what they do best—making world-class, franchise-based content—while our newly centralized global distribution team will focus on delivering and monetizing that content in the most optimal way across all platforms, including Disney+, Hulu, ESPN+ and the coming Star international streaming service.”
Under the new structure, the Company’s three content groups will be responsible and accountable for producing and delivering content for theatrical, linear and streaming, with the primary focus being the Company’s streaming services:
STUDIOS: Messrs. Horn and Bergman will serve as Chairmen, Studios Content, which will focus on creating branded theatrical and episodic content based on the Company’s powerhouse franchises for theatrical exhibition, Disney+ and the Company’s other streaming services. The group will include the content engines of The Walt Disney Studios, including Disney live action and Walt Disney Animation Studios, Pixar Animation Studios, Marvel Studios, Lucasfilm, 20th Century Studios and Searchlight Pictures.
GENERAL ENTERTAINMENT: Mr. Rice will serve as Chairman, General Entertainment Content, which will focus on creating general entertainment episodic and original long-form content for the Company’s streaming platforms and its cable and broadcast networks. The group will include the content engines of 20th Television, ABC Signature and Touchstone Television; ABC News; Disney Channels; Freeform; FX; and National Geographic.
SPORTS: Mr. Pitaro will serve as Chairman, ESPN and Sports Content, which will focus on ESPN’s live sports programming, as well as sports news and original and non-scripted sports-related content, for the cable channels, ESPN+, and ABC.
The Media and Entertainment Distribution group, led by Mr. Daniel, will be responsible for the P&L management and all distribution, operations, sales, advertising, data and technology functions worldwide for all of the Company’s content engines, and it will also manage operations of the Company’s streaming services and domestic television networks. The group will work in close collaboration with the content creation teams on programming and marketing.
It’ll be interesting to see if Disney+ will start mining IP from the 20th Century Studios side of things soon as Disney+ series and limited series focused on properties like Avatar and Planet of The Apes could be extremely successful. In the press release they suggest that they could end up making episodic projects based on 20th Century properties.
A live-action Flash Gordon series stands out as a property that Disney really could do justice with on Disney+ and be a counter of sorts to their Star Wars shows as it could be way more swashbuckling than the Lucasfilm property that was inspired by it. Taika Waititi (Thor: Ragnarok, Thor: Love & Thunder, Jojo Rabbit) is attached to direct an animated Flash Gordon film and at one time 20th Century was developing a live-action feature as well from directors Matthew Vaughn (X-Men: First Class, Stardust, Layer Cake) and Julius Avery (Overlord) involved at different points.
I wouldn’t even put it past Disney to reboot John Carter eventually given the Volume/StageCraft would allow them to make a series more cost effective that world like Flash Gordon is different enough from Star Wars it would be worth pursuing.
Of course, this could mean a major influx of more shows from Marvel, Star Wars, and Pixar universes but might also see Hulu getting a bump of adult content as well with franchises like Alien (Noah Hawley pitched an Alien series to FX) and Predator just collecting dust while they could be helpful to get more eyeballs on Hulu. HBO Max had recently crowed about Ridley Scott’s sci-fi series Raised By Wolves being the most popular original on their service when announcing they were moving forward with a Season 2 order.
Matthew Vaughn has also been talking up the idea of a Kingsman spinoff series that could fit nicely at Hulu.
Disney certainly has a massive gap in the adult market and places like Canada don’t have access to Hulu and that really needs to change if they want to compete with Netflix/Amazon on an international level as those services offer content to both kids and adults alike. Cornering the kid market just won’t be enough for Disney if they want to grow their streaming presence.
I guess we’ll have to wait for December 10th to get more concrete answers about what all this actually means for content that is already in the can or is about to begin filming.
It looks like Disney is starting to run out of animated films to remake into live-action.
Yesterday, it was revealed by The Hollywood Reporter by that Disney is now returning to it’s theme parks for inspiration for new film ideas and are now working on a live-action feature film based on their sci-fi themed indoor rollercoaster Space Mountain.
Logline details are being kept hidden amidst the rings of Saturn but it is described as a family adventure.
Space Mountain is an indoor roller coaster with a space-theme. The ride was first introduced in Florida’s Walt Disney World Resort in 1975, followed by installations in California’s Disneyland in 1977.
Joby Harold has been assigned to write the screenplay, who is best known for Army of The Dead, King Arthur: The Legend of The Sword, and most recently joined the Kenobi series to do some rewrites for the show. He’s also working on a Transformers film for Paramount.
Harold did uncredited writing on Edge of Tomorrow and John Wick: Chapter 3 – Parabellum that earned him producing credits.
Disney is developing two different Pirates of The Caribbean films and a new version of The Haunted Mansion. They are also releasing a feature film in 2021 based on the Jungle Cruise ride starring Dwayne Johnson and Emily Blunt.
Ewan McGregor previously chatted with Entertainment Tonight to promote Apple TV+’s Long Way Up, where he revealed that production on Kenobi has been pushed to the spring and is indeed being planned as a single standalone season.
MCGREGOR: “Spring next year we start, I’m really excited about it. It’s gonna be great, I think. As I understand, it’s a standalone season. We’ll see. Who knows?”
This is now an update from Ewan.
Appearing on BBC’s The Graham Norton Show he stated cameras would begin rolling in March, giving an actual start month for the Star Wars series. Originally, they had planned on starting in January.
MCGREGOR: “Yeah, it’s the Obi-Wan Kenobi story I suppose…we start shooting it in March next year.”
While speaking with ACE Universe back in June he confirmed that they would be implementing the StageCraft technology used on The Mandalorian. This could suggest they will be using the new setup at Pinewood Studios UK.
MCGREGOR: “[The prequels] were all blue screen and green screen and it was hard to imagine, but nowadays I think things have moved on so much, and I think a lot of what you see is gonna be what we see on the set. I don’t know if you’ve seen the behind-the-scenes of The Mandalorian series, but they employ that incredible screen…it’s pretty amazing. It makes you feel like you’re in the place, it’s going to feel realer for us, as actors. And I think we’ll be using some of that technology on our show.”
The Mandalorian’s Deborah Chow is directing with recent script rewrites from Army of The Dead’s Joby Harold.
While we’ve had a string of casting announcements for Diego Luna’s Cassian Andor series there haven’t been any for the Kenobi series and with a March start we will likely start hearing some news on that front in the very near future.
Despite all the internet rumors of Alden Ehrenreich reprising the role of Han Solo in film sequels and various Disney+ shows the actor himself seems to be moving on to other projects like his new science fiction series Brave New World.
While promoting the Peacock original series based on the classic Aldous Huxley novel, Alden suggests to UK outlet the Independent that he is moving on his life beyond Star Wars saying “it’s not a huge part of my life anymore”.
EHRENREICH: “It’s not a huge part of my life anymore. But my sense is that there was a really clear disconnect between the way it was really received and then the stories that came out about it. That we had a troubled production or whatever. And it’s not really a story that the movie did totally fine. It didn’t make a billion dollars but it did fine and people liked it – but that’s not interesting. What’s interesting is: ‘This is the biggest movie of all time and it was absolutely a disaster’.”
“I knew, no matter what happened, that I was putting myself in a situation where people would be saying things about me. But honestly, that whole experience felt like this huge, high-seas adventure.”
I’m not sure these comments will quell fan speculation of him returning to the role in the future, even though, he’ll eventually age-out making it impossible for him to return.
Despite recent rumors over the summer of Donald Glover getting his own Lando show I don’t know if they’ll be able to wrangle Alden back.
Back In May, Murphy’s Multiverse had speculated that young actress Erin Kellyman (Solo: A Star Wars Story, The Green Knight) had taken an undisclosed role in the Marvel Studios series The Falcon & The Winter Soldier. That has now been officially confirmed thanks to a recent set photo from Atlanta, Georgia as the Star Wars actress (her name obviously misspelled in the IG post) can be seen working with Captain America: The Winter Soldier’s George St-Pierre, as he reprises the Batroc The Leaper role in the series.
Could Erin be playing Batroc’s young assassin/mercenary daughter Marie?
Erin is likely most notable for her role as Star Wars character Enfys Nest in Solo: A Star Wars Story and has a role in A24’s Arthurian fantasy film The Green Knight which still hasn’t been given a new release date.
The Ronin reported back in mid-August that The Falcon & The Winter Soldier would see it’s release delayed until sometime in 2021 after many were adamant that it could still make a 2020 release despite having a fair amount of filming to do. The delay tidbit has seemingly been confirmed by Disney+ as they’ve excluded the series from their 2020 lineup promo material and the official website lists a TBA 2021 release.
Hopefully, they won’t delay the series too long as many folks are really looking forward to getting their hands on it after the recent news that Black Widow’s release date has been pushed to May.
Yet another production hiccup on a Star Wars project.
Deadline reports that Tony Gilroy has stepped down as director on the upcoming Cassian Andor series with Black Mirror’s Toby Haynes said to replace him, who will direct the first three episodes.
They are using COVID-19 travel restrictions as the reason for Tony deciding against directing the episodes as he is in New York City. Haynes is said to have been wanted to direct future episodes so it was seemingly an organic choice to hire him. Gilroy is said to be still involved creatively as executive producer and showrunner.
UPDATE:The Playlist adds that Tony hopes to still direct some episodes if the COVID-19 travel restrictions allow him towards the end of the shoot.
Sources close to the project told us a few months back that Gilroy was still hoping to direct episodes, maybe the finale and a few episodes toward the end, but all of that is contingent on safety and how well the COVID situation is in the U.K. and the U.S. Given that the U.K. is going through a second-wave of COVID and implementing new precautions as we speak, it would not surprise me if those plans do not come to fruition as hoped, but we shall see.
Toby is likely best known for directing the Black Mirror episode U.S.S. Callister, which was expected to get a spinoff series of it’s own.
The Disney+ series is a prequel to Rogue One: A Star Wars Story as it will follow the exploits of Rebellion spy Cassian Andor played by Diego Luna with Alan Tudyk reprising the role of quippy droid K2S0.
Cassian Andor’s cast also includes Adria Arjona, Denise Gough, Genevieve O’Reilly, Stellan Skarsgard, and Kyle Soller.
This hiccup would suggest that filming would indeed take place at Pinewood Studios UK as with other Star Wars productions.
The series has yet to be given an official title by Lucasfilm/Disney.
THE RONIN 