‘The Batman’ Resumes Production In UK – Unknown If Robert Pattinson Has Returned To Work

After various British outlets have reported that The Batman has resumed production on The Batman, Deadline claims they have confirmation from Warner Bros. this indeed correct but couldn’t get any comments about Robert Pattinson’s health status and if he’s returned to the set after testing positive for COVID-19.

Warner Bros has confirmed that The Batman is back up and running. This comes two weeks after the production shut down after star Robert Pattinson tested positive for COVID-19. No word yet if Pattinson is back on set at Warner Bros Leavesden as the studio doesn’t comment on staffers’ personal status.

Hopefully, Warner Bros. will try to keep cast and crew safe as the United Kingdom is experiencing a rise of new COVID-19 cases and has seen a return of various restrictions, which could easily lead to another shutdown.

From Warner Bros. Pictures comes “The Batman,” with director Matt Reeves (the “Planet of the Apes” films) at the helm and with Robert Pattinson (“Tenet,” “The Lighthouse,” “Good Time”) starring as Gotham City’s vigilante detective, Batman, and billionaire Bruce Wayne.

Also in the star-studded ensemble as Gotham’s famous and infamous cast of characters are Zoë Kravitz (“Fantastic Beasts: The Crimes of Grindelwald,” “Mad Max: Fury Road”) as Selina Kyle; Paul Dano (“Love & Mercy,” “12 Years a Slave”) as Edward Nashton; Jeffrey Wright (the “Hunger Games” films) as the GCPD’s James Gordon; John Turturro (the “Transformers” films) as Carmine Falcone; Peter Sarsgaard (“The Magnificent Seven,” “Black Mass”) as Gotham D.A. Gil Colson; Barry Keoghan (“Dunkirk”) as Officer Stanley Merkel; Jayme Lawson (“Farewell Amor”) as mayoral candidate Bella Reál; with Andy Serkis (the “Planet of the Apes” films, “Black Panther”) as Alfred; and Colin Farrell (“Fantastic Beasts and Where to Find Them,” “Dumbo”) as Oswald Cobblepot.

Warner Bros. had given the film a release date of October 1st, 2021.

SOURCE: DEADLINE

Sony Pictures Takes Common Sense Approach – Won’t Release Expensive Films Until Theaters Are Safe and Return To Significant Capacity

Sony Pictures Entertainment Chairman Tony Vinciquerra recently spoke with The Wrap about the current atmosphere of releasing massive blockbusters during the pandemic and with the theater reopenings and suggested they’re not convinced about releasing their expensive movies too soon. 

VINCIQUERRA: “What we won’t do is make the mistake of putting a very, very expensive $200 million movie out in the market unless we’re sure that theaters are open and operating at significant capacity.”

They seem to be specifically speaking out about Tenet’s disastrous domestic debut given that Warner Bros. film cost them $200+ million, but had only managed to make $9.4 million on opening weekend and another $6.7 million in the second weekend. That studio believed the turnout of audiences would be greater because they were offering a massive movie to the masses and that thinking backfired. 

It is worth noting that Sony Pictures was one of the first studios to pull their big tentpoles out of the summer lineup and pushing them to 2021. 

I’m curious what this means for March movies like Morbius and Ghostbusters: Afterlife along with other big films such as Venom: Let There Be Carnage, Uncharted, and Spider-Man 3. 

Also, what does it being “safe” look like? Waiting until a vaccine for COVID-19 is in circulation?

Here is the rundown of Sony’s 2021 live-action blockbuster schedule but I wouldn’t count on these dates sticking. 

  • GHOSTBUSTERS: AFTERLIFE – March 5th 
  • MORBUS – March 19th 
  • VENOM: LET THERE BE CARNAGE – June 25th 
  • UNCHARTED – July 16th 
  • SPIDER-MAN 3 – December 17th

SOURCE: THE WRAP

ILM’s StageCraft VFX Will Be Implemented For Marvel’s ‘Thor: Love & Thunder’ In Australia – ‘Ant-Man 3’ Will Most Likely Use It At Pinewood Studios UK

In a post-COVID-19 world, it looks like Disney is looking to adopt safer methods of production which includes expanding the use of the StageCraft technology used to shoot the first two seasons of The Mandalorian. Using this technology means less production crew would be potentially put in harm’s way for set construction and also limit the number of secondary exterior locations as productions traveling to multiple countries might not be the wisest idea at the moment. 

The Hollywood Reporter has revealed that ILM’s StageCraft technology will be used for Marvel Studios’ Thor: Love & Thunder (MCU Cosmic mentioned this previously) at Fox Studios Australia in Sydney, New South Wales, Australia.

This comes after writer and director Taika Waititi had used the technology when filming the final episode of the first season of Lucasfilm’s Star Wars series The Mandalorian. 

There has been an expectation that Thor: Love & Thunder will begin shooting sometime between January-February of next year as director Destin Daniel Cretton is trying to finish up production on Shang-Chi & The Legend of The Ten Rings allowing Taika to move in for the Thor sequel. 

THR adds that they’ll also be adding StageCraft to the Pinewood Studios UK facility. 

 In addition, ILM is building a StageCraft volume at Pinewood Studios in London (expected to open in February), and a larger custom volume at Fox Studios Australia that will be used for Thor: Love and Thunder. Waititi previously used virtual production when he helmed the final episode of The Mandalorian season one.

Actor Ewan McGregor previously confirmed that his Star Wars series Kenobi directed by Deborah Chow (The Mandalorian) would be implementing the technology during an interview with Ace Universe back in June. 

The next Marvel Studios feature film to shoot at Pinewood Studios UK is expected to be Peyton Reed’s Ant-Man 3, who happened to direct an episode of The Mandalorian for Season 2 just like Taika and may also be familiar with StageCraft after his own experience with that show. 

Yesterday, I posted an update of sorts on Ant-Man 3 via Twitter that they are deep in pre-production and that we should expect some massive action sequences given they’ll be moving filming from Pinewood Atlanta Studios to Pinewood Studios UK, the latter facility has been used for the Star Wars films and traditional all of the James Bond movies as well. 

We should expect this installment to feel more like an event. 

I was also able to confirm Marvel/Disney is aiming to release the film sometime in 2020, however, release dates for the next little while will be in flux and most will unlikely be set-in-stone for the foreseeable future given multiple projects will begin production in 2021 meaning that some projects may have be delayed to 2023.

Peyton Reed recently mentioned that the film would be “bigger” and “sprawling” while speaking on The Jess Cagle Show and reaffirmed via Yahoo! Entertainment that Evangeline Lily’s Wasp would be getting equal billing on the sequel. 

REED: “They’re a partnership, and she’s a very, very important part of that. And that was a very gratifying thing, I guess technically we were the first Marvel movie with a female hero in the title of the movie. Finding that balance in that movie, that’s very important to me because that’s very much a men’s playing field, historically. But that’s really, really changing now in a great way.”

I’m personally holding out the hope that we’ll see the film morph into some sort of MCU version of Guillermo del Toro’s Pacific Rim as Peyton Reed hasn’t been shy about how the films have been influenced by Japanese kaiju projects like Ultraman. Moving the setting of the film outside of San Francisco might also help shake things up given that Scott Lang might be allowed to move a little more freely around the world after the events of Avengers: Endgame.

Most recently the Pinewood facility has been used for Black Widow and Eternals both films are expected to be larger in scale than Ant-Man or Ant-Man & The Wasp. There is also an expectation that the Moon Knight series will spend some time there as well and we should be getting some updates on that show in the near future. 

Doctor Strange In The Multiverse of Madness is confirmed for Longcross Studios in Surrey, England and it’s unknown at this point if they’ll have access to the StageCraft tech, but it’s possible. 

This new technology certainly would cut-down costs and post-production time, the safety element is simply a massive benefit.

WB Moves ‘Wonder Woman 1984’ To Christmas and Keeps ‘Dune’ In December 18th Spot

This seems like a horrible idea but Warner Bros. has moved Wonder Woman 1984 to December 25th from it’s former October 2nd spot announced via The Hollywood Reporter. The interesting angle here is that the massive film Dune is still slated to be released on December 18th.

This would certainly hurt one or both films releasing them so closely to each other.

I suspect Warner Bros. will realize the issue and bump Dune to another date in 2021 and just hasn’t figured out where to place it.

The Wonder Woman 1984 move sounds like a direct response to Tenet’s weak domestic opening of $20.2 million (estimated) and they’ll be hopeful that things will be better in December.

WONDER WOMAN 1984 – Fast forward to the 1980s as Wonder Woman’s next big screen adventure finds her facing two all-new foes: Max Lord and The Cheetah. With director Patty Jenkins back at the helm and Gal Gadot returning in the title role, “Wonder Woman 1984” is Warner Bros. Pictures’ follow up to the DC Super Hero’s first outing, 2017’s record-breaking “Wonder Woman,” which took in $822 million at the worldwide box office. The film also stars Chris Pine as Steve Trevor, Kristen Wiig as The Cheetah, Pedro Pascal as Max Lord, Robin Wright as Antiope, and Connie Nielsen as Hippolyta.

SOURCE: THE HOLLYWOOD REPORTER

Robert Pattinson Reportedly Tests Positive For COVID-19 Halting Production On ‘The Batman’

Deadline recently confirmed a Daily Mail story that a crew member working on The Batman has tested positive placing the production on hiatus again.

Even more shocking is that Vanity Fair reports the person who tested positive is actually their lead star Robert Pattinson, who is playing Bruce Wayne aka Batman in the reboot.

Robert Pattinson has tested positive for the coronavirus, causing filming of The Batman to be halted just days after the superhero drama resumed work at studios outside of London.

This certainly puts into question the prevention tools the film industry has put so much faith in during the return to productions in the United Kingdom. I’m starting to think that if Pattinson can’t be protected others are just as open to infection, if not more.

Hopefully, Robert and others on the film remain in good health and spirits.

This news comes a day after action star Dwayne Johnson revealed himself and his family, including his two young daughters had tested positive for COVID-19 as well. Johnson revealed this on Instagram while reiterating how important wearing a mask is.

The Batman had previously stopped production back in March alongside a bulk of projects filming in England and had only recently started filming again.

Warner Bros. is coming off massive buzz for film after the release of the teaser trailer that spread like wildfire online.

SOURCE: VANITY FAIR

Massive Layoffs At WarnerMedia Will Directly Impact Warner Bros., DC Comics, and DC Universe

Another blow to the entertainment industry is on the way. 

On Monday, it was revealed that WarnerMedia would be moving forward with massive layoffs with the “first wave” said to be around 600 according to a report from THR

The layoffs are being attributed to the damage inflicted by the Coronavirus pandemic. 

The laid-off employees include Warner Bros. CFO Kim Williams, Warner Bros. Worldwide Television Distribution president Jeff Schlesinger and Ron Sanders, Warner Bros. president, Worldwide Theatrical Distribution & Home Entertainment and Executive Vice President, International Business Operations.

Yesterday, news hit that the comics side of the company would be taking a huge hit as well. 

The Hollywood Reporter included a list of people at DC Comics publishing that are expected to go as well such as editor-in-chief Bob Harris, Hank Kanalz, Jonah Weiland, Bobbie Chase, Brian Cunningham, and Mark Doyle. 

Among those said to be losing their positions are editor-in-chief Bob Harris, senior VP of publishing strategy and support services Hank Kanalz, VP of marketing and creative services Jonah Weiland, VP global publishing initiatives and digital strategy Bobbie Chase, senior story editor Brian Cunningham, and executive editor Mark Doyle, who oversaw the rollout of the Black Label graphic novels. Jim Lee remains the CCO.

They also point out that a “majority” of people at the DC Comics centric streaming service DC Universe will also see layoffs. 

There had been plenty of signs recently that DC Universe was on borrowed time after their talk show The Daily DC was canceled and multiple shows moved to other WarnerMedia services slowly making the streaming service less relevant. 

This news comes days before WarnerMedia’s big star-studded DC Fandome event on August 22nd is likely going to leave fans a little sour given the state DC Comics and DC Universe will be in. 

We had previously seen a bunch of layoffs at 20th Century Studios (formerly 20th Century Fox) because of some job redundancies post-merger with the Walt Disney Company, which regularly happens when media companies combine. Equally as sad but that was slightly more expected in the wake of the merger and was one of the reasons many Fox employees were quitting before the merger had even completed. 

WarnerMedia recently launched HBO Max back on May 27th and seemingly hasn’t seen the growth they expected alongside the pandemic essentially stalling a majority of their various productions around the globe making. 

I’m sure everyone is interested to see if AT&T/WarnerMedia will keep divisions after the cuts to staffing or instead attempt to sell them off. There had been reports that they were trying to offload Warner Bros. Interactive, their profitable video games division, but some have had the assumption that these layoffs may delay that sale. 

SOURCE: THE HOLLYWOOD REPORTER

Robert Rodriguez Thriller ‘Hypnotic’ Starring Ben Affleck To Begin Shooting July 27th At Troublemaker Studios In Austin

Despite Robert Rodriguez’s original intention to shoot his next film Hypnotic in California, the film starring Ben Affleck is instead reportedly heading to Austin, Texas. 

Even though Texas has become a new hot-spot in the United States for coronavirus, the Austin Chronicle is reporting that the Affleck project is going to attempt to begin shooting next month in the state at Robert’s Troublemaker Studios facility located in East Austin around July 27th. 

The high-end estimates of Hypnotic’s budget are said to be in the range of $80 million. However, with the explosion of new cases in Texas, I wouldn’t be shocked if the shoot is delayed beyond the summer. Production was originally planned to begin in late April.

The film’s script was penned by Rodriguez and Monsterverse screenwriter Max Borenstein (Godzilla, Kong: Skull Island, Godzilla: King of The Monsters, Godzilla vs Kong). 

Ben Affleck has been set to star in Robert Rodriguez’s action-thriller Hypnotic, playing a detective who, while investigating a string of impossible high-end heists, becomes entangled in a mystery involving his missing daughter and a secret government program.

Robert recently worked on the Netflix superhero film We Can Be Heroes along with directing on Season 2 of the Star Wars live-action series The Mandalorian for Lucasfilm/Disney. He also released the cyberpunk film Alita: Battle Angel last year for 20th Century Studios, the manga adaption was a collaboration with blockbuster filmmaker and producer James Cameron. 

I’ve learned that cinematographer David Klein, who worked with Robert on The Mandalorian, is expected to reunite with him on Hypnotic. 

If they do end up starting production this summer or fall there is a good shot that it’ll be ready for release sometime next year.

Affleck had wrapped his erotic thriller Deep Water with co-star Ana de Armas and had been shooting a smaller role in Ridley Scott’s period drama The Last Duel before the production shutdown earlier this year.

SOURCE: AUSTIN CHRONICLE 

Amazon’s ‘Lord of The Rings’ Series Might Resume Production In New Zealand Next Month

New Zealand’s Star News says that fellow Kiwi outlet, The New Zealand Herald, is reporting from an “insider” that production on Amazon’s billion-dollar Lord of The Rings series is expected to resume shooting next month. Filming had paused in mid-March due concerns of the COVID-19 pandemic.

Amazon’s giant Lord of the Rings shoot is set to resume in West Auckland next month, an insider earlier told the Herald.

The original story is behind a paywall.

It’s certainly believable they could begin next month as last week 20th Century Studios/Disney resumed filming on James Cameron’s Avatar sequels at Wellington’s Stone Street Studios. New Zealand is also in a better position to resume film and television productions than places like the United States. As America is still dealing with a prolonged first wave of coronavirus with staggering amounts of new cases popping up in various states like Texas.

Production on the Lord of The Rings series is expected to take place in Auckland.

It’s cast is said to include Robert Aramayo (Game of Thrones), Morfydd Clark, Ema Horvath, Joseph Mawle, Markella Kavenagh, Owain Arthur, Nazanin Boniadi, Tom Budge, Ismael Cruz Cordova (The Mandalorian), Tyroe Muhafidin, Sophia Nomevete, Megan Richards, Dylan Smith, Charlie Vickers, and Daniel Weyman. 

The new series is confirmed to take place during the Second Age of Middle-Earth which likely means the show could potentially follow the rise and fall of franchise baddie, Sauron. The Second Age is set thousands of years before the events of The Hobbit and The Lord of The Rings trilogy.

We’ll have to wait for official word from the show’s Twitter account that would likely be the place that an announcement is going to be made by Amazon about filming resuming.

SOURCE: THE NEW ZEALAND HERALD

AMC CEO Says Requiring Patrons Wear Masks Could Become A “Political Controversy” – A Key Recommendation By CDC To Prevent Spread of Coronavirus

Theater chains Cinemark, Regal, and AMC have released their new “safety policies” for reopening theaters but none are making masks worn by patrons a requirement.

UPDATE: AMC is reversing their policy via Variety and are now requiring guests to wear masks after backlash from CEO Adam Aron’s comments from yesterday.

“This announcement prompted an intense and immediate outcry from our customers, and it is clear from this response that we did not go far enough on the usage of mask. At AMC Theatres, we think it is absolutely crucial that we listen to our guests. Accordingly, and with the full support of our scientific advisors, we are reversing course and are changing our guest mask policy. As we reopen theatres, we now will require that all AMC guests nationwide wear masks as they enter and enjoy movies at our theatres. The speed with which AMC moved to revise our mask policies is a reflection of our commitment to the safety and health of our guests.”

UPDATE: Regal Cinemas via Deadline has also reversed their policy and will now require patrons to wear masks.

“As related to our employees, guests will also be required to wear masks. Disposable masks will be made available as needed.”

In a new Cinemark reopening video, CEO Mark Zoradi completely omits the mentioning of wearing masks in the actual theater space where it actually counts the most.

CINEMARK: “We welcome you to wear face masks in lobbies, hallways and restrooms.”

Six patrons pictured in Cinemark’s safety video only two are wearing masks.

You can watch that video below and you’ll notice that he doesn’t once mention wearing masks in the screening room.

This is odd since they’re requiring employees to wear masks at all times and it clearly is still a key CDC recommendation on their website (cloth face coverings) as a preventative measure to stop the spread of COVID-19. Cinemark, Regal, and now AMC aren’t requiring masks of patrons, it comes off as they’re willfully ignoring a key safety measure.

Dr. Anthony Fauci still is advising Americans to wear masks.

It’s also worth mentioning that social distancing alone isn’t as effective in an enclosed indoor space because you don’t have the same airflow as outdoors and a study from the Journal of American Medical Association that 6 feet might not even be enough to be safe from droplets as they can travel as far as 23-27 feet. If you consider that masks would help prevent this, why gamble and not make it a requirement?

Here are some reasons why that is happening.

Sitting at the top of the list is simply making sure theaters are still able to make money from concession sales. If they promote the idea it’s dangerous to not to wear masks inside the theater it will discourage patrons from feeling comfortable enough to buy food and drinks at concession, then removing their masks to consume those concession products. One of the biggest ways theaters earn revenue is from concession sales and it comes off like they’re willing to risk the health of patrons for popcorn sales.

This is extremely counterproductive and straight-up dangerous.

The biggest glaring issue seems to be that theaters are more worried about offending a small segment of anti-science patrons that don’t believe in the preventative measure or even that COVID-19 is even real/that bad. We’ve all seen the videos of people freaking out when they’re told to wear masks at grocery stories and restaurants.

That’s the thing, businesses make the policy and it’s their responsibility to keep costumers safe.

This idea has been circulated by Trump and the White House that wearing a mask isn’t important or necessary. Trump actively refusing to wear a mask in public (on camera) even when it was required of him like a Ford planet he visited during the thick of the pandemic. President Trump has also been sharing months of incorrect theories and life-threatening treatments have added to the confusion leading to armed protests against the lockdown measures meant to protect Americans from dying.

Trump is asking his rally attendees in Tulsa, Oklahoma to sign COVID-19 waivers to not sue the campaign if they get sick or die. Also, making masks “optional” while his own CDC and medical experts believe it’s dangerous. They’re also likely going to ignore social distancing which the President seemingly doesn’t believe in.

The reality of the situation is that the American death troll from COVID-19 is currently 120,000+ and is expected to reach 200,000 by September/October. People are dying and asymptomatic people (those that feel fine without symptoms) are spreading it more rapidly leading to the recent spike in new cases across the country.

Masks are meant to protect others and if people aren’t willing to be that considerate for human life, why take their money?

AMC CEO Adam Aron during a recent interview with Variety claims that requiring patrons to wear masks would be placing the company into a “political controversy”, instead of backing a preventive measure during a massive public health crisis. Adding to the idea they’re more concerned about offending than keeping people safe.

Here is the CEO’s exact quote and some context provided by Variety.

AMC will not mandate that all guests wear masks, although employees will be required to do so. Nor will AMC perform temperature checks on customers, though it will monitor its employees’ temperatures and have them undergo screenings to check for signs of coronavirus. The situation will be different in states and cities that require residents to wear a mask when they’re in public, but Aron said that AMC was wary of wading into a public health issue that has become politicized.

ARON: “We did not want to be drawn into a political controversy. We thought it might be counterproductive if we forced mask wearing on those people who believe strongly that it is not necessary. We think that the vast majority of AMC guests will be wearing masks. When I go to an AMC feature, I will certainly be wearing a mask and leading by example.”

AMC will also sell masks for a dollar to guests who forgot to bring one. Both Cinemark and Regal are encouraging guests to wear masks, but not requiring it in states and areas where it is not mandated.

AMC is said to be on the brink of bankruptcy and being extremely desperate to make money again might be why they’re cutting corners to get as many dollars through their doors as possible even if it puts others at risk and in harm’s way. Their motivations are most likely are short term and monetary.

At the end of the day, they can clean all they want but if asymptomatic patrons aren’t properly protecting others in public spaces by required mask wearing, theaters are opening themselves to outbreaks of coronavirus and lawsuits.

Public heath isn’t political it’s about keeping everyone safe and wearing masks will help preventing more Americans dying as pointed out by medical experts and the government. This only makes theaters less appealing and myself less likely to support them in the future.

Reopening Theaters Too Soon Risking Health of Moviegoers, Employees, and Industry Recovery?

We’ve all seen studios, exhibitors, and even moviegoers placing their guesses when the eventual widespread reopening of theaters will happening nationwide in the United States. As a majority of theaters have closed after cases of Coronavirus exploded over the last couple of months with the American death toll inching towards 110,000 via Johns Hopkins and counting. 

There are more concrete ideas when the push for reopening could happen. 

Earlier in the week, the National Association of Theater Operators told Business Insider they expect to have 90% of theaters open by mid-July. 

The assumption is that this could allow Warner Bros. to open Christopher Nolan’s Tenet as planned on July 17th. However, a recent trailer meant to promote Tenet’s release didn’t mention a date or season, just the vague statement “Coming To Theaters”. 

The vague promotion for the first “big summer blockbuster” led many of us to consider that Warner Bros. might be delaying the release like their other films but is holding back on announcing a new date. 

There was a recent announcement that Cinemark, the third-largest theater chain in the United States would be forgoing requirements for guests to wear masks in their theaters via The Wrap. Only requiring their employees to do so and are said to be opening a handful of locations in Texas on June 19th for their “test phase”. 

The bizarre mask policy is simply puzzling given this would put not only put costumers at risk but puts their employees in harm’s way too, as it’s been pointed out by medical experts that masks only prevent the wearer from spreading droplets themselves. It has been pointed out that masks don’t completely protect from droplet exposure from others if they cough or sneeze indoors and it is even worse if guests aren’t wearing them when sitting a room amongst each other. 

High-traffic places like grocery stores (theaters will likely be selling food and drink when they reopen) are mostly requiring customers to wear masks, so it’s odd that theaters where people won’t be in-and-out but stilling in place for multiple hours with strangers they’re not taking the CDC recommendations into consideration. Hopefully, they will reconsider given the reactions I’ve seen from industry people and normal moviegoers. 

We’re indeed seeing some places in America having a decrease in new COVID cases, which is good news when we’re struggling to find tidbits given current events. Yet, the country is still open for domestic travel between states and this means plenty of asymptomatic citizens are moving about city-to-city/state-to-state then returning to their communities. Other places in the country are seeing increases. 

COVID-19 is neither under control or defeated. That seems to be an assumption made because the news coverage hasn’t been as focused on the pandemic, for obvious reasons. The protests could realistically lead to spikes alongside places that attempted to reopen or simply didn’t really put any social distancing or stay at home orders in place, to begin with. 

Having large crowds gathering so frequently over the last couple of days alone should make exhibitors nervous about reopening given that new cases could be going unreported/tested, large crowds are hardly social distancing and many people aren’t wearing masks. The assumption being that we could see spikes all over the country in the next two weeks. 

What could be worse than not reopening over the summer for the industry?

Cinemark’s push to get their locations open isn’t without cause. There some experts that are claiming AMC is on the brink of bankruptcy and it’s possible could have to be sold-off to survive. It’s a crystal clear example that the larger chains are going to be in more trouble in the long-term. 

Fears of chains going under aren’t unfounded. 

However, opening too soon or pushing forward with laissez-faire safety measures could lead to multiple outbreaks and clusters. Another true concern is that theaters could be a hot-spot for the resurgence and spread of COVID-19. 

I’m curious if that risk is worth the terrible PR of people getting sick at establishments and potentially dying. Stories like that could end up scaring people away already on-the-fence about returning to a closed space like that for a prolonged period of time. As patrons might leave to never return at all once you lose their trust.

I doubt Regal, AMC, or Cinemark want their brands to be connected to a public outbreak of Coronavirus via contact tracing or worse leading to multiple deaths. Clusters and spikes could even contribute to a second wave of the Coronavirus, going back to square one over the summer could be devastating given how much it has already cost in the way of jobs and lives. 

I think we’re all eager to get back to normality and plenty of people are ready to get back to malls/theaters even if they’re willing to accept the risk. I’m curious if they’re considering the multiple people that will come in contact with them that didn’t agree to that risk. 

Solutions? 

I know it can sound overwhelming negative to hear someone with the position it’s too soon. But I’m also bringing a couple of ideas to the table. The easiest thing to do is simply wait a little longer, potentially sometime in the fall, until things have genuinely quieted down and also beef-up safety standards just in case. 

I’ve suggested in the past bringing back the classic drive-in format and it’s actually a solid way for people to social distance than you would in a traditional indoor location. I know it sounds like a retro idea but its the best amount of separation between moviegoers. Plastic barriers and spread out seats aren’t going to mean much if droplets linger in the air, it’s more of an illusion of safety if we’re being honest. 

Plenty of theaters have existing parking lots, you just have to set up a screen, and a way to stream the audio into vehicles via an app or radio.  

Because patrons are expected to stick to their own vehicle masks don’t really factor in unless you have people not living together sharing close space in a vehicle and they’d likely be doing that regardless. The only real issue I would see with that could be restroom access and if you’d have to set up some sort of drive-thru concession stand. 

Stricter protection measures could also be another common-sense idea. Requiring masks and potentially providing them for guests (free of charge) that might find it cumbersome to get their own. 

I’m a moviegoer just like many of you, however, I will be patiently waiting until the fall/winter to see how things go with the second wave before jumping into the deep end concerning seeing a film in a traditional theater at the moment. I don’t really feel like being a guinea pig for the film industry and I get the impression others will simply wait it out as well. 

While I miss the experience I feel like I’d miss my loved ones more or putting my own health in a compromised position for something as arbitrary as a night out at the movies isn’t terribly appealing to me.