A new report is giving us an idea of what the next film from Christopher Nolan will look like and seemingly confirms that he’s indeed looking to leave Warner Bros. for a new studio home or at least considering it.
Deadline has revealed that Nolan is currently shopping around a new World War II film project about J. Robert Oppenheimer’s development of the atomic bomb in the Manhattan Project. His work ultimately led to the surrender of the Japanese after two atomic bombs were unleashed upon the Japanese cities of Hiroshima and Nagasaki by the U.S. military, killing countless civilians in an instant and even more than that slowly/painfully over time.
They also allude that longtime Nolan muse Cillian Murphy (The Dark Knight Trilogy, Inception, Dunkirk) might be in the mix to play Oppenheimer. It doesn’t hurt that Murphy has a striking resemblance to him.
I’m extremely curious if Christopher Nolan will attempt to document the Pacific War and the Japanese side of the story along with the civilians that were essentially erased from the planet as part of power move by the United States to end the bloody South Pacific campaign with an extreme show of force. One of the darkest moments in human history.
You might remember that Christopher Nolan wasn’t terribly happy how Tenet was released during the pandemic in 2020 (conflicting trade reports blame both Warner Bros. and Nolan for that hiccup with various “sources” finger pointing to each other’s camp). However, when WarnerMedia announced their plans for a hybrid release for all 2021 releases to promote HBO Max, that seemed to be the final straw for the filmmmaker and signs that his longtime relationship with Warner Bros. has come to an end.
No studios are being brought-up in the article, but we have to assume that Nolan isn’t interested in a streaming platform or a deal that doesn’t include theatrical exclusivity for the film.
UPDATE: The Hollywood Reporter mentions that Universal Pictures, Sony Pictures, Paramount Pictures, and even Warner Bros. have been talking with Nolan’s camp about the untitled movie. Although, a frontrunner wasn’t named.
It’s really not that shocking that Christopher Nolan would attempt to explore this part of history, all you have to do is look at Nolan’s films The Dark Knight Rises and Tenet to understand the filmmaker’s obsession with nuclear armament.
You might remember how heated things got when WarnerMedia announced their day-and-date release model, something depending on where you look for numbers didn’t seem to make a huge impact on subscriber growth for HBO Max in Q1. Filmmakers Christopher Nolan (Tenet) and Denis Villeneuve (Dune) came out swinging with public comments denouncing the company.
There was even a report that Nolan was unlikely to work with WarnerMedia again.
Netflix’s film chief Steve Stuber has mentioned to The Wall Street Journal (via Coming Soon) that he has spoke with Christopher Nolan about his desire to see them expand into global distribution of their original films. Nolan has been a huge champion of traditional theatrical windows and audiences having access to the theatrical experience. Apparently, he’s also talked about potentially working with them but the cinematic distribution would be a huge sticking point for that to happen.
STUBER: “I think there are aspects of global distribution in the cinema that are still appealing. Chris Nolan and I have spoken quite a bit…and that’s still something he wants deeply. If we can’t provide that, it will still be an issue for him.”
“I think we have a model that works and we’ve done well with the theaters that have played us. As these things change, we’re all having these conversations to see where it all lands and what the landscape on the other side of all of this is.”
There have been plenty of calls for Netflix to get into the theater chain business as some companies have been struggling and now that studios can legally buy-up theaters it would allow Netflix to fully embrace a hybrid model of distribution with their original films that could allow their tent to expand with more high-profile filmmakers looking to work with them, like a Christopher Nolan. Netflix has been able to convince Martin Scorsese to bring The Irishman to the streaming giant and they’ve been able to win multiple Academy Awards with their originals.
It does feel like Nolan could be directly courting studios to find a new home and making sure his movies will be released in theaters worldwide is going to be part of whatever deal he attempts to secure. At this point in his career, any place would likely welcome him with open arms alongside blank checks for future projects.
A new report from The Wall Street Journal (spotted by The Playlist) is claiming that Warner Bros. golden-child director Christopher Nolan is now “unlikely” to make future films at the studio due to their decision to embrace a new day-and-date release model that is meant to boost subscriptions to HBO Max on the backs of the film division and filmmakers. This wouldn’t be terribly surprising as Christopher Nolan has been vocal against this release model since it’s announcement caught most directors it affected off guard and almost led to a potential lawsuit from production partner Legendary Entertainment.
The filmmaker made his opinions widely known in various interviews including the following quote from The Hollywood Reporter.
NOLAN: “Some of our industry’s biggest filmmakers and most important movie stars went to bed the night before thinking they were working for the greatest movie studio and woke up to find out they were working for the worst streaming service. Warner Bros. had an incredible machine for getting a filmmaker’s work out everywhere, both in theaters and in the home, and they are dismantling it as we speak. They don’t even understand what they’re losing. Their decision makes no economic sense, and even the most casual Wall Street investor can see the difference between disruption and dysfunction.”
Dune director Denis Villeneuve also made a similar plea to the studio in an op-ed at The Hollywood Reporter, suggesting the studio could be killing the Dune franchise.
This would be the first time in twenty years that Nolan had a movie that wasn’t made for Warner Bros. or distributed by them since 2001’s Memento. The filmmaker is one of the few people that can convince a studio to give him a blockbuster-level budget to make original films as seen with Inception, Interstellar, Dunkirk, and last summer’s Tenet.
Here is a rundown of the global box office earnings of the Warner Bros. films made by Christopher Nolan over the years.
INSOMNIA (2002) – $113.7 Million
BATMAN BEGINS (2004) – $373.6 Million
THE PRESTIGE (2006) – $109.6 Million
THE DARK KNIGHT (2008) – $1 Billion
INCEPTION (2010) – $836.8 Million
THE DARK KNIGHT RISES (2012) – $1.08 Billion
INTERSTELLAR (2014) – $701.7 Million
DUNKIRK (2017) – $526.9 Million
TENET (2020) – $363.1 Million
If Nolan ultimately exits the studio this could be a huge loss for Warner Bros. and a sign of more creative fallout from WarnerMedia/AT&T’s new day-and-date model. The model sees WarnerMedia adding a bulk of their 2021 theatrical releases to their struggling streaming service HBO Max exclusively for a month at the same time the film is being released domestically in theaters, having HBO Max and theaters going head-to-head for audiences.
AT&T CEO John Stankey had previously alluded to The Washington Post in an interview, that this is likely going to be a release model they’ll be using beyond 2021 and the pandemic giving the impression they wouldn’t be turning back to regular release windows that gave theaters a proper amount of time to earn money.
STANKEY: “In March, we unleashed a new normal in society. That horse left the barn. I don’t think any of us are going to change that dynamic.”
Nolan could stick around at Warner Bros. if they change their minds on the release model or more likely he could easily find a home at another studio. I don’t think he’d have much trouble getting the same deal elsewhere given his track record.
The announcement that Warner Bros. slate of films from 2021 heading to HBO Max certainly sounded like a gut punch to U.S theaters but the people who made the films aren’t terribly happy either. It sounds like WarnerMedia and AT&T failed to tell production partners and the filmmakers themselves they were planning on making the move to a day-and-date model. Today, there were reports that director Denis Villeneuve is upset that Dune (part one of at least two planned films) will be negatively impacted by the move and Legendary Entertainment may end up suing WarnerMedia if they can’t work something out.
One of WarnerMedia’s biggest assets also isn’t terribly pleased with how they announced the plan either.
Entertainment Tonight was able to speak with director Christopher Nolan about the whole thing and as you’d imagine he has some stern words for the company calling it a “controversy” along with a suggestion that they’re simply doing this to pump-up the new streaming service while mistreating the people who actually worked on the films without even consulting with them.
NOLAN: “Oh, I mean, disbelief. Especially the way in which they did. There’s such controversy around it, because they didn’t tell anyone. In 2021, they’ve got some of the top filmmakers in the world, they’ve got some of the biggest stars in the world who worked for years in some cases on these projects very close to their hearts that are meant to be big-screen experiences. They’re meant to be out there for the widest possible audiences… And now they’re being used as a loss-leader for the streaming service — for the fledgling streaming service — without any consultation. So, there’s a lot of controversy. It’s very, very, very, very messy. A real bait and switch. Yeah, it’s sort of not how you treat filmmakers and stars and people who, these guys have given a lot for these projects. They deserved to be consulted and spoken to about what was going to happen to their work.”
“Long-term, I think all of the studios know that the movie theater experience will bounce back and be a very important part of the ecosystem long-term. What you have right now in our business is a lot of the use of the pandemic as an excuse for sort of grappling for short-term advantage. And it’s really unfortunate. It’s not the way to do business and it’s not the best thing for the health of our industry. But when the theaters are back and people are going back to the movies, when the vaccine has been rolled out and there’s an appropriate health response from the federal government, I’m very bullish on the long-term prospects of the industry. People love going to the movies and they’re going to get to go again.”
UPDATE: Christopher Nolan had even more choice words when speaking with The Hollywood Reporter.
NOLAN: “Some of our industry’s biggest filmmakers and most important movie stars went to bed the night before thinking they were working for the greatest movie studio and woke up to find out they were working for the worst streaming service. Warner Bros. had an incredible machine for getting a filmmaker’s work out everywhere, both in theaters and in the home, and they are dismantling it as we speak. They don’t even understand what they’re losing. Their decision makes no economic sense, and even the most casual Wall Street investor can see the difference between disruption and dysfunction.”
Nolan isn’t without his own bit of controversy as his latest film Tenet had been released in the height of the pandemic over the summer, where there was plenty of finger-pointing when it came to who had the bright idea to keep the theatrical release date in the summer instead postponing. I don’t think it’s lost on Christopher that Tenet could have easily been part of this group of films thrown on HBO Max without having any real discussions beforehand.
We were a little underwhelmed last weekend when Christopher Nolan’s massive action film Tenet had an estimated $20.2 million three-day weekend. However, what was shocking it had been released over Labor Day domestically and we never saw the actual box office returns from the studio. Normally, with this data studios are extremely happy to share given the nature of a holiday long weekend boosts attendance.
It was indeed underwhelming because that number would make Tenet the lowest box office opening for a Nolan film in the last twenty years, slightly below Insomnia’s $20.8 million back in 2002. You also have to factor in Tenet’s massive production of reportedly over $200 million that makes it extremely tough to turn a profit during a global pandemic.
Here is a rundown of Christopher Nolan’s domestic box office openings.
THE DARK KNIGHT RISES $160.8 MILLION
THE DARK KNIGHT – $158.4 MILLION
INCEPTION – $62.7 MILLION
DUNKIRK – $50.5 MILLION
BATMAN BEGINS – $48.7 MILLION
INTERSTELLAR – $47.5 MILLION
THE PRESTIGE – $40 MILLION
INSOMNIA – $20.8 MILLION
TENET – $20.2 MILLION
MEMENTO – $ 235K
Almost a week later and Warner Bros. still hasn’t given up that data which might suggest they were bullish with that estimate of $20.2 million and are trying to make the film’s opening weekend seem stronger than it was. This would also include how well the film has done over the last two weeks in Canada as those numbers haven’t been made public by Warner Bros. either and are generally lumped into the U.S./North American total, a number the studio has yet to make public.
Variety is now pointing towards the studio potentially worried their iffy numbers will be spun by outlets and journalists as hurdling towards a flop as weaker numbers would suggest given the scale of the film and the timing of the release.
The studio, however, was concerned that reporters and rivals would misinterpret or unfairly analyze the results — leading to headlines that may incorrectly label Tenet’s debut as a flop.
Warner Bros. also recently bumped Wonder Woman 1984’s release date from October 2nd to Christmas Day. The move most likely happened because of this Tenet data they are now refusing to share with the public and rival studios. The report from Variety adds that the rival studios are complaining of the lack of transparency because they were hoping on making release schedule adjustments based on Tenet’s performance.
This is really on Warner Bros. as they were warned about releasing their massive film too soon during the pandemic/theater reopening as most of the summer movies bailed to 2021 and reports of infighting within the studio seemed more like a weird PR move if anything else.
The Dark Knight trilogy director Christopher Nolan was briefly asked by Geeks of Color about his Tenet star John David Washington playing DC Comics hero Green Lantern and the possibility of him directing the project.
NOLAN: “I think my DC days are over but I think he’d be an excellent choice, he certainly gets my vote.”
I’m not terribly sure how much pull Nolan has considering during the press tour for Dunkirk he endorsed star Tom Hardy as the next James Bond, we’ll see if the ringing endorsement actually sways anyone at the studio.
Plans for a new Green Lantern film have seemingly stalled in recent years after David S. Goyer and Justin Rhodes had been tasked to pen Green Lantern Corps. a while ago with then Geoff Johns taking a stab at a script.
It was announced that there are plans at HBO Max to make a Green Lantern television series but it’s unknown how that will directly impact future films.
There is a chance the series could be connected to the film as The Batman is getting a tie-in Gotham PD series taking place a year before the events of the upcoming film.
Warner Bros. has flinched for a second time as they’ve officially delayed Christopher Nolan’s mind-bending action blockbuster from July 31st to August 12th.
Tenet had originally been set for release on July 17th.
This comes after the state of New York removed movie theaters from Phase 4 of reopening and multiple states across the United States seeing record breaking numbers of new cases including Texas and Florida surpassing 5,500+ per day.
However, it hasn’t scared the studio enough to push the film out of the summer entirely as they’re essentially bumping the release date a less than two weeks from it’s previous date. There had been reports that Christopher Nolan had been head-strong with the studio making demands to keep the release date in July, despite the coronavirus being extremely deadly and theaters potentially being places where it can spread like wildfire.
Theaters almost attempted to reopen without mandatory masks for patrons until a handful of them noticed the backlash from that weak safety policy.
I wouldn’t be surprised if the studio delayed the film to the fall or winter.
TENET – John David Washington is the new Protagonist in Christopher Nolan’s original sci-fi action spectacle “Tenet.” Armed with only one word—Tenet—and fighting for the survival of the entire world, the Protagonist journeys through a twilight world of international espionage on a mission that will unfold in something beyond real time. Not time travel. Inversion.
Despite adamant exhibitors and industry folk alike that had been betting big on Christopher Nolan’s Tenet sticking to it’s original July 17th release date, Warner Bros. announced yesterday the science fiction espionage film would be getting a slight delay (two weeks) opening instead on July 31st.
The studio has also moved other tentpole releases to other dates as well.
Wonder Woman 1984 has yet again been delayed (landing its fourth release date) moving from August 14th to October 2nd.
Godzilla vs. Kong which had been given a release date of November 20th has been bumped to next year and will be coming out on May 21st, 2021.
That May spot was originally intended for Matrix 4, which has been delayed as well given a new date of April 1st, 2022. Matrix 4, unlike the other films, hasn’t even completed production and is expected to resume filming in Germany sometime soon.
While most people are just assuming that Tenet will still be able to release next month as planned, the studio has now secured two open spots with August 14th and November 20th after these latest date shifts. Giving the studio two potential buffer dates if they wanted to delay it even further beyond two weeks.
There is also still the slim possibility that Dune’s December 18th spot could get gobbled-up as well. I could see a handful of unfinished films meant to be released in 2021, like Spider-Man 3 and The Batman (has only shot 25% of it’s scenes) delayed into 2022, just like Matrix 4.
I don’t think we’re quite finished with the musical chairs just yet as there are growing concerns that the second wave of COVID could be bubbling in the United States in the near future as multiple states are seeing a rise in new cases.
This on the heels of stubborn theater chains opening this weekend and attempting to open an even larger number of locations next month. Seems like the industry is eager to get things rolling even if it’s neither wise of safe to do so.
We’ve all seen studios, exhibitors, and even moviegoers placing their guesses when the eventual widespread reopening of theaters will happening nationwide in the United States. As a majority of theaters have closed after cases of Coronavirus exploded over the last couple of months with the American death toll inching towards 110,000 via Johns Hopkins and counting.
There are more concrete ideas when the push for reopening could happen.
Earlier in the week, the National Association of Theater Operators told Business Insider they expect to have 90% of theaters open by mid-July.
The assumption is that this could allow Warner Bros. to open Christopher Nolan’s Tenet as planned on July 17th. However, a recent trailer meant to promote Tenet’s release didn’t mention a date or season, just the vague statement “Coming To Theaters”.
The vague promotion for the first “big summer blockbuster” led many of us to consider that Warner Bros. might be delaying the release like their other films but is holding back on announcing a new date.
There was a recent announcement that Cinemark, the third-largest theater chain in the United States would be forgoing requirements for guests to wear masks in their theaters via The Wrap. Only requiring their employees to do so and are said to be opening a handful of locations in Texas on June 19th for their “test phase”.
The bizarre mask policy is simply puzzling given this would put not only put costumers at risk but puts their employees in harm’s way too, as it’s been pointed out by medical experts that masks only prevent the wearer from spreading droplets themselves. It has been pointed out that masks don’t completely protect from droplet exposure from others if they cough or sneeze indoors and it is even worse if guests aren’t wearing them when sitting a room amongst each other.
High-traffic places like grocery stores (theaters will likely be selling food and drink when they reopen) are mostly requiring customers to wear masks, so it’s odd that theaters where people won’t be in-and-out but stilling in place for multiple hours with strangers they’re not taking the CDC recommendations into consideration. Hopefully, they will reconsider given the reactions I’ve seen from industry people and normal moviegoers.
We’re indeed seeing some places in America having a decrease in new COVID cases, which is good news when we’re struggling to find tidbits given current events. Yet, the country is still open for domestic travel between states and this means plenty of asymptomatic citizens are moving about city-to-city/state-to-state then returning to their communities. Other places in the country are seeing increases.
COVID-19 is neither under control or defeated. That seems to be an assumption made because the news coverage hasn’t been as focused on the pandemic, for obvious reasons. The protests could realistically lead to spikes alongside places that attempted to reopen or simply didn’t really put any social distancing or stay at home orders in place, to begin with.
Having large crowds gathering so frequently over the last couple of days alone should make exhibitors nervous about reopening given that new cases could be going unreported/tested, large crowds are hardly social distancing and many people aren’t wearing masks. The assumption being that we could see spikes all over the country in the next two weeks.
What could be worse than not reopening over the summer for the industry?
Cinemark’s push to get their locations open isn’t without cause. There some experts that are claiming AMC is on the brink of bankruptcy and it’s possible could have to be sold-off to survive. It’s a crystal clear example that the larger chains are going to be in more trouble in the long-term.
Fears of chains going under aren’t unfounded.
However, opening too soon or pushing forward with laissez-faire safety measures could lead to multiple outbreaks and clusters. Another true concern is that theaters could be a hot-spot for the resurgence and spread of COVID-19.
I’m curious if that risk is worth the terrible PR of people getting sick at establishments and potentially dying. Stories like that could end up scaring people away already on-the-fence about returning to a closed space like that for a prolonged period of time. As patrons might leave to never return at all once you lose their trust.
I doubt Regal, AMC, or Cinemark want their brands to be connected to a public outbreak of Coronavirus via contact tracing or worse leading to multiple deaths. Clusters and spikes could even contribute to a second wave of the Coronavirus, going back to square one over the summer could be devastating given how much it has already cost in the way of jobs and lives.
I think we’re all eager to get back to normality and plenty of people are ready to get back to malls/theaters even if they’re willing to accept the risk. I’m curious if they’re considering the multiple people that will come in contact with them that didn’t agree to that risk.
Solutions?
I know it can sound overwhelming negative to hear someone with the position it’s too soon. But I’m also bringing a couple of ideas to the table. The easiest thing to do is simply wait a little longer, potentially sometime in the fall, until things have genuinely quieted down and also beef-up safety standards just in case.
I’ve suggested in the past bringing back the classic drive-in format and it’s actually a solid way for people to social distance than you would in a traditional indoor location. I know it sounds like a retro idea but its the best amount of separation between moviegoers. Plastic barriers and spread out seats aren’t going to mean much if droplets linger in the air, it’s more of an illusion of safety if we’re being honest.
Plenty of theaters have existing parking lots, you just have to set up a screen, and a way to stream the audio into vehicles via an app or radio.
Because patrons are expected to stick to their own vehicle masks don’t really factor in unless you have people not living together sharing close space in a vehicle and they’d likely be doing that regardless. The only real issue I would see with that could be restroom access and if you’d have to set up some sort of drive-thru concession stand.
Stricter protection measures could also be another common-sense idea. Requiring masks and potentially providing them for guests (free of charge) that might find it cumbersome to get their own.
I’m a moviegoer just like many of you, however, I will be patiently waiting until the fall/winter to see how things go with the second wave before jumping into the deep end concerning seeing a film in a traditional theater at the moment. I don’t really feel like being a guinea pig for the film industry and I get the impression others will simply wait it out as well.
While I miss the experience I feel like I’d miss my loved ones more or putting my own health in a compromised position for something as arbitrary as a night out at the movies isn’t terribly appealing to me.