Robert Rodriguez Would Love To Revisit ‘Desperado’ Franchise But Worries About Glorifying Gun Violence

Director Robert Rodriguez has been keeping himself extremely busy over the last decade with his kid films on Netflix such as the recently released “Spy Kids” reboot “Spy Kids: Armageddon,” tackling the “Star Wars” universe with “The Mandalorian” and his own spinoff series “The Book of Boba Fett,” the Ben Affleck thriller “Hypnotic,” and had worked with James Cameron by helming his ambitious cyberpunk adventure pic “Alita: Battle Angel,” a live-action adaptation of the popular Japanese manga series.

During a recent chat with The Wrap, Rodriguez states that he would be interested in returning to his El franchise, which consists of “El Mariachi,” “Desperado,” and “Once Upon A Time In Mexico.” That action-packed trilogy focused on a gun-toting Mexican folk hero, a former musician, going up drug cartels and corrupt military leaders. However, the director is a bit uncomfortable with the idea of glorifying gun violence given the current climate of shootings and other real-life violence connected to the cartels.

Rod-Tino Tuesday: Once Upon A Time In Mexico – Couch Cruisin'

“I would love to revisit the ‘Desperado’ series. I thought it was way ahead of its time. It’s really hard to do today, for me, anything with guns. Gun violence has gotten out of control. Even those are those are very tongue-in-cheek and kind of fun. It’s just hard to do. There’s always some terrible shooting and you just go, I don’t know if I can responsibly do anything with guns. I really love those films, they are so fun. They’re like ‘Spy Kids’ for grownups, with guitar cases that fired missiles and gadgets galore. It was still made by a kid. Still, the glorification of it would be hard for me to pull off responsibly.”

There is certainly some shared DNA between those fun shoot-em-up films and the four “John Wick” movies from Chad Stahelski, they both make a point to establish they’re not set in a grounded cinematic universe. Something that “Once Upon A Time In Mexico” fully leans into as it comes off more like an action film mixed with a fairytale with over-the-top characters and ridiculous plot points. Not unlike his two extremely violent “Machete” films that are glorious love letters to the exploitation genre.

Speaking of Machete, we’re still waiting on Rodriguez to round out his trilogy with “Machete In Space.”

There was also a brief update/comment on the status of the “Battle Angel” sequel. While there haven’t been any formal announcements from Disney/20th Century Studios concerning “Alita 2,” Rodriguez reiterates that he’s still been keeping in contact with Cameron about the potential sequel and is hopeful that the studio is willing to make it as post-acquisition 20th Century is making more of their own movies again.

“Yeah, Jim and I always talk about how we’d love to do another ‘Alita.’ That studio [20th Century] was bought by another studio [Disney]. They’re starting to make movies now. But that for a while 20th Century wasn’t making any of their movies. I think now you’re seeing a few rolling out. We would love to.”

Previously, there had been some indications that deals or ideas had been thrown around behind the scenes as “Alita: Battle Angel” ended on a cliffhanger revealing Edward Norton as Nova, the next big villain Alita would have to face. Originally, when Cameron was attached to direct the plan was to shoot and release a trilogy of films. The global box office take of $405 million on a budget of $170 million wasn’t exactly on the scale of “Avatar” but seemingly was still enough for the studio to consider at least making one more installment given the mostly positive reception from audiences that did end up seeing it.

Then again, it’s hard to ignore all of the would-be film projects Rodriguez has developed over the years that simply never crossed the finish line such as “Barbarella,” “Red Sonja,” “Fire & Ice,” “Escape From New York,” a revival of the animated anthology film “Heavy Metal” spearheaded by Tim Miller/David Fincher, and his live-action “Jetsons” movie. We’ll simply have to be patient to see what he does next.

SOURCE: THE WRAP

‘Hypnotic’: Robert Rodriguez Calls Next Film Starring Ben Affleck “A Hitchcock Thriller On Steroids” & Started Writing It In 2002

After tackling effects heavy projects like James Cameron’s Alita: Battle Angel and Lucasfilm’s Star Wars series The Mandalorian/The Book of Boba Fett, director Robert Rodriguez is set to direct Ben Affleck (The Accountant, The Town) and Alice Braga (Predators, Queen of The South, City of God) in a new crime thriller called Hypnotic.

A detective (Affleck) becomes entangled in a mystery involving his missing daughter and a secret government program while investigating a string of high-end crimes.

Speaking with Collider, Robert Rodriguez has revealed that filming on Hypnotic begins in six weeks (in Austin, Texas) and has been working on the project for nearly 20 years, starting the script back in 2002. Also, comparing to the thriller to an amped-up version of a Hitchcock film, which is certainly a way to get naysayers on board to the idea of Rodriguez making something less cartoony.

“It’s like a Hitchcock thriller on steroids. That’s all I can say. As soon as you see the first trailer, you’ll go ‘I got it. I’m there.’ It’s that kind of a movie. A lot of twists, a lot of turns. Very exciting. It’s a not everything you see is real-type movie and it’s got a great cast. It’ll be very energetic. It’s one of my favorite stories. I started writing it back in 2002. So it’s one of the ones I’ve had the longest that I’ve been wanting to do. I’m very excited that we finally might be making it.”

It’ll be interesting to see him tackle something a little more grounded and mature, while an action movie, Desperado is oddly enough one of his less silly/grounded pictures. He sort of went overboard with kiddie flicks, CGI experiments, and wacky exploitation projects over the last couple of decades. So, seeing Rodriguez make something more for adult viewers and not teenage boys or kids will be fun to see come together.

He’s already wrapped on The Book of Boba Fett, his Star Wars spinoff series that will debut on Disney+ in December. We’re hearing there is a good shot that Rodriguez is returning to direct an episode of The Mandalorian for Season 3 as well.

Hypnotic is expected to see the filmmaker reunite with veteran stunt coordinator Jeff Dashnaw, who has a wave of action film credits under his belt like Once Upon A Time In Mexico, Sin City, Planet Terror, Death Proof, Inglorious Basterds, Django Unchained, The Hateful Eight, Predators, A Good Day To Die Hard, Machete Kills, Sin City: A Dame To Kill For, The Magnificent Seven, and The Equalizer 2.

At one point, Rodriguez was hired by 20th Century Studios (prior to the merger) to remake John Carpenter’s Escape From New York, but remains to be seen if that will ever happen. Interestingly enough, The Book of Boba Fett features work from Escape From New York cinematographer Dean Cundey, who worked with Carpenter on a wave of his films such as Big Trouble In Little China, The Thing, The Fog, and Halloween.

SOURCE: COLLIDER

Robert Rodriguez Signs First-Look Deal With HBO & HBO Max: Will He Tackle DC Comics Projects?

WarnerMedia has announced via The Hollywood Reporter that they’ve striked a two year first-look deal with Robert Rodriguez and his Austin-based Troublemaker Studios. He’ll specifically develop various film and television projects for HBO/HBO Max.

The filmmaker had this to say about the deal:

“It’s intriguing to be able to tap into the wealth of iconic IP available across the WarnerMedia portfolio and explore new stories to tell. I’m looking forward to a meaningful collaboration with the high caliber creative talent at HBO and HBO Max who have proven they’re willing to take risks, challenge norms and tell inclusive stories while producing a wide breadth of quality content.”

We previously saw J.J. Abrams and Bad Robot’s deal with WarnerMedia leading to them tackle a wave of DC Comics projects such as Justice League Dark, Constintine, Madame X, and producing a new Superman film.

It wouldn’t be shocking to see Rodriguez/Troublemaker Studios attempt to adapt various comic book projects given their experience with existing material. They were behind films such as Predators, Sin City, Sin City: A Dame To Kill For, and Alita: Battle Angel. Robert was once approached by Ryan Reynolds and 20th Century Fox to direct the first installment of Deadpool, but declined.

Most recently Robert Rodriguez was working with Lucasfilm on Star Wars shows such as The Mandalorian and The Book of Boba Fett.

There are plenty DC Comics projects Rodriguez could end up bringing to life such as various movies that had been gestating at Warner Bros. for ages such as Lobo (Guy Ritchie formerly attached to direct), Sgt. Rock (Quentin Tarantino was offered it), and Deathstroke (The Raid’s Gareth Evans was developing at one point).

Hopefully, this is a sign that James Gunn’s The Suicide Squad is giving WarnerMedia the impression they can continue to keep making mature projects based on their IP.

Like Gunn, Rodriguez has a unique style and vision that clearly is imprinted on his inventive/energetic R-rated action projects such as Desperado, From Dusk Till Dawn, Once Upon A Time In Mexico, Planet Terror, Machete, and Machete Kills. Applying that to the DCEU could only make for exciting and entertaining adaptations.

SOURCE: THE HOLLYWOOD REPORTER

‘Planet Of The Apes 4’: Weta Digital Returning With ‘Alita: Battle Angel’ VFX Supervisor Tapped

It was heartbreaking to see Wes Ball’s (Maze Runner Trilogy) big special effects event film Mouse Guard getting scrapped as part of the wave of films that got cancelled in the wake of Disney’s merger with 21st Century Fox and taking oversight on feature films in development at 20th Century Fox (now 20th Century Studios).

Ball would instead be announced as the director and co-writer on a fourth installment in the modern Planet of The Apes franchise, the filmmaker assuring fans the project wouldn’t be a reboot but taking place in the same universe as the last three movies. The director co-writing the new film with Josh Friedman, who has worked on Steven Spielberg’s War of The Worlds, Brian De Palma’s The Black Dahlia, Terminator: Dark Fate, the Snowpiercer series, and Apple’s Foundation.

It looks like the next film should have the same level of impressive visual effects as previous installments.

The Ronin has learned that Weta Digital’s Phillip Leonhardt will be the visual effects supervisor on the untitled film having previously worked on Robert Rodriguez’s Alita: Battle Angel and Maze Runner: The Death Cure. Leonhardt is no stranger to the franchise with involvement on Matt Reeves’ War For The Planet of The Apes.

Weta Digital was working closely with Ball on Mouse Guard and Andy Serkis was going to have a role on that film, we would not be shocked if Serkis returned for Planet of The Apes 4. However, Serkis playing new chimpanzee role within the franchise could mimic how Roddy McDowall played both Cornelius and Caesar in the original string of films.

Folks unfamiliar with the original Planet of The Apes movies might be unaware that the modern trilogy really only covered pics such as Conquest of The Planet of The Apes and Battle For The Planet of The Apes, stories that don’t take place in the original timeline of the first two movies which is nearly 2,000 years in the future from the settings we’ve recently seen.

If I’m 20th Century Studios and Wes Ball, I would be ready at this point to make the true time jump to the point were the apes are running their own evolved society (less primitive and speaking) and potentially seeing a group of astronauts crash land on this planet having to navigate a setting where humans are no longer the dominate species. Beneath The Planet of The Apes revealed a secret group of mutated humans have gained the ability of telepathy (something that nobody has tackled since that installment), which could be an interesting spin as it’s not just a straight rehash of the original 1968 film and Tim Burton’s misguided reboot from 2001 starring Mark Wahlberg with fantastic makeup from Rick Baker.

Speaking of Wahlberg, we have our fingers crossed that Wes Ball hires someone with a little more age/skill to play a lead human role such as Pedro Pascal (The Mandalorian, Game of Thrones, The Last of Us) for potential roles of Colonel George Taylor or John Brent.

It was revealed he would be reuniting with production designer Daniel Dorrance ((A Good Day To Die Hard, Maze Runner: The Scorch Trials, Maze Runner: The Death Cure, The Expendables 3) on Planet of The Apes 4.

We have to assume that Ball will also bring on Maze Runner: The Death Cure cinematographer Gyula Pados (Predators, Jumanji: Welcome To The Jungle, Jumanji: The Next Level), who has been working on David F. Sandberg’s DC Comics sequel Shazam! Fury of The Gods in Atlanta. Pados having extensive experience with exterior shoots would certainly make his addition to the project an asset.

How far along Planet of The Apes 4 is at the moment is unknown and when they hope to begin shooting.

‘John Wick 4’ Adds Chilean Martial Arts Actor Marko Zaror From ‘Machete Kills’ & ‘Alita: Battle Angel’

Production is currently under way in Germany on John Wick 4 starring Keanu Reeves and director Chad Stahelski behind the camera.

John Wick: Chapter 3 – Parabellum ended with John Wick surviving the fall from the roof of The Continental hotel after Ian McShane’s Winston shot him. Winston’s motivations weren’t entirely clear as he didn’t seem shocked that Mr. Wick got away and could be giving The High Table a false sense of security. Wick eventually lands at the feet of Laurence Fishburne’s Bowery King, who had his organization taken away from him by The High Table and convinces John to go to war with him against the mysterious group of criminal syndicate puppet masters. 

There is yet another martial arts trained actor joining the fourth installment, as Deadline reports that Chilean actor Marko Zaror (Machete Kills, Undisputed III: Redemption, Alita: Battle Angel, From Dusk Till Dawn) is in talks for an undisclosed role that might be villainous in nature.

The franchise’s newest additions joining for the fourth film include Japanese action star Horiyuki Sanada as Watanabe, Hong Kong action star Donnie Yen playing Wick’s old pal, British martial artist Scott Adkins (The Expendables 2, Doctor Strange), Atomic Blonde’s Bill Skarsgard, Stowaway’s Shamier Anderson, and the film’s female lead played by Japanese-British singer Rina Sawayama. 

Returning actors include Ian McShane as Winston, Lance Reddick as Charon, and Laurence Fishburne back as the Bowery King.

We’re still in the dark about established characters played by Halle Berry, Asia Kate Dillion, John Leguizamo, Peter Stormare, Common, Jason Mantzoukas, Anjelica Huston, Said Taghmaoui, Yayan Ruhian, and Cecept Arif Rahamn making an appearance in John Wick 4.

The Ronin first reveled and confirmed cinematographer Dan Laustsen would be back behind the camera.

John Wick 4 will hit the big screen on May 27, 2022 and Lionsgate had confirmed plans to make John Wick: Chapter 5, but will no longer shoot back-to-back with the next installment. Franchise creator and architect, Derek Kolstad, stated that he won’t be involved in the next two films and suggested John Wick 5 could be the final pic.

SOURCE: DEADLINE

‘Predators’ Actress Alice Braga Joins Ben Affleck In Action Thriller ‘Hypnotic’ Directed By Robert Rodriguez – Shoots This September In Austin

Director Robert Rodriguez is in high demand these days after helming Alita: Battle Angel for James Cameron, then jumping into the world of Star Wars with Season 2 of The Mandalorian and then being behind the Boba Fett spinoff series The Book of Boba Fett for Lucasfilm.

His next big project is an action thriller, titled Hypnotic, that stars Ben Affleck as a “detective who becomes entangled in a mystery involving his missing daughter and a secret government program while investigating a string of high-end crimes.”

Deadline has a casting update mentioning that Brazilian actress Alice Braga has taken a role in the film. Braga has a connection to Rodriguez as she had a lead role in Predators, the third film in the Predator franchise was developed and produced by the filmmaker. Her other credits include I Am Legend, Repo Men, New Mutants, Queen of The South, and James Gunn’s The Suicide Squad.

They also state that production will begin again on September 20 in Austin, Texas, where Robert’s own studio facility, Troublemaker Studios, is located.

Affleck is currently working on The Flash, reprising his Batman/Bruce Wayne role alongside fellow Caped Crusader alumni Michael Keaton. He also wrapped work on the George Clooney-directed drama The Tender Bar.

SOURCE: DEADLINE

‘Spy Kids’: Director Robert Rodriguez Rebooting The Kid-Friendly Action Franchise With New Movie

Robert Rodriguez is working on yet another new project!

Deadline reports that Robert has signed-on to write and direct a reboot of his Spy Kids franchise for Skydance Media and Spyglass Media. Robert attempted a soft-reboot of sorts with Spy Kids: All The Time In The World but Carmen and Juni still appeared connecting it to the previous three movies, it’s unknown if this will be another hard-reboot or expansion simply with a new family/kids.

Rodriguez is also working on is the Star Wars series The Book of Boba Fett, a spinoff set in The Mandalorian timeline starring Temuera Morrison and Ming-Na Wen that is said to be currently filming California for debut on Disney+ in December 2021. He wrapped the Ben Affleck thriller Hypnotic and recently got a sequel to We Can Be Heroes greenlit by Netflix.

SPY KIDS – Two young kids become spies in attempt to save their parents, who are ex-spies, from an evil mastermind. Armed with a bag of high tech gadgets and out-of-this world transportation, Carmen (Alexa Vega) and Juni (Daryl Sabara) will bravely jet through the air, dive under the seas and crisscross the globe in a series of thrilling adventures on a mission to save their parents … and maybe even the world.

SOURCE: DEADLINE

Robert Rodriguez Open To ‘Alita: Battle Angel’ Sequel Heading To Disney+ – “It’s Not A Bad Idea”

Fans of Alita: Battle Angel have been hoping that with Disney taking over 20th Century Studios they’d end up landing sequel given the built-in franchise potential of the sci-fi movie adapted from the Japanese manga. The James Cameron project had been always envisioned as a trilogy as the source material allowed for that to happen.

There had been some optimistic comments from producer Jon Landau about a sequel last year talking with CinemaBlend.

LANDAU: “Absolutely. … When Jim [Cameron] was going to direct us, which he was at point, in his mind he had plotted out two additional stories of where we would go very specifically.

“Well, I won’t speak specifically about Alita. I would just tell you that I think Jim [Cameron] and I love the opportunities that streaming and these other avenues of distribution are offering people today. And you know, we would love to get into those playgrounds and play in them, no matter what the title is.

Now while speaking with Forbes to promote his Netflix film We Can Be Heroes, director Robert Rodriguez revealed he’d be open to make a Alita: Battle Angel sequel even if it landed at Disney+ as Robert has an established with Disney/Disney+ via The Mandalorian and the upcoming series The Book of Boba Fett.

RODRIGUEZ: “I think anything is possible. Disney bought Fox, and they have Disney+, so that is worth the conversation. I know other people would love to see another, and I would love to do another one. As far as where it would go or how it would be made, I think streaming has opened up many opportunities such as sequels. It’s already a pre-sold concept, it’s already got a built-in audience that wants to see it, and then it’s delivered to them in a way that’s the easiest for them to consume. So, it’s not a bad idea.”

As far we know, there aren’t plans at Disney/20th Century to make any new Alita project but it’s worth mentioning that Rodriguez is busy with his Star Wars series The Book of Boba Fett currently shooting along with his Ben Affleck thriller Hypnotic on the horizon.

I personally enjoyed the film even in the final third act spent most of that time setting up a sequel instead having a standalone conclusion. Hopefully, something comes together eventually given the first installment ended on a cliffhanger and introducing Edward Norton‘s Nova as a main antagonist.

SOURCE: FORBES

Patty Jenkins and Gal Gadot Reunite For Paramount’s ‘Cleopatra’ Movie – Written By ‘Alita: Battle Angel’ Screenwriter Laeta Kalogridis

Deadline has some interesting news this weekend as Wonder Woman duo of director Patty Jenkins and actress Gal Gadot are set to reunite on a Cleopatra biopic film written by Laeta Kalogridis (Avatar, Alita: Battle Angel, Altered Carbon, Shutter Island) for Paramount Pictures. The studio won a biding war that included contenders such as Warner Bros., Netflix, Universal, and Apple.

It most recently had Dune and Blade Runner 2049 director Denis Villeneuve attached for a time before it eventually moved to Jenkins.

Cleopatra is the daughter of Ptolemy, ancestor of the leader of Alexander the Great’s army. When Rome’s ruler Julius Caesar’s mentor-turned-rival Pompey fled to Egypt after a brutal war for control of the empire, Egypt became a fixation of Roman rulers. Two siblings battled for the throne of Egypt. After winning that internal struggle by appealing personally to Caesar, Cleopatra had a complicated relationship with Rome, becoming the lover of Caesar and later Marc Antony. The latter alliance would become the undoing of both Antony and Cleopatra.

While Jenkins is currently known for directing Wonder Woman and the upcoming Wonder Woman 1984, she has tackled mostly serious features including the serial killer film Monster that earned Charlize Theron a Best Actress Oscar.

Laeta Kalogridis’ background in the action genre would suggest that the film could be more than strictly a period drama.

When filming is expected to begin is a little unclear at the moment as Gal is currently shooting Netflix’s Red Notice and has other projects in the works as well.

SOURCE: DEADLINE

Robert Rodriguez Thriller ‘Hypnotic’ Starring Ben Affleck To Begin Shooting July 27th At Troublemaker Studios In Austin

Despite Robert Rodriguez’s original intention to shoot his next film Hypnotic in California, the film starring Ben Affleck is instead reportedly heading to Austin, Texas. 

Even though Texas has become a new hot-spot in the United States for coronavirus, the Austin Chronicle is reporting that the Affleck project is going to attempt to begin shooting next month in the state at Robert’s Troublemaker Studios facility located in East Austin around July 27th. 

The high-end estimates of Hypnotic’s budget are said to be in the range of $80 million. However, with the explosion of new cases in Texas, I wouldn’t be shocked if the shoot is delayed beyond the summer. Production was originally planned to begin in late April.

The film’s script was penned by Rodriguez and Monsterverse screenwriter Max Borenstein (Godzilla, Kong: Skull Island, Godzilla: King of The Monsters, Godzilla vs Kong). 

Ben Affleck has been set to star in Robert Rodriguez’s action-thriller Hypnotic, playing a detective who, while investigating a string of impossible high-end heists, becomes entangled in a mystery involving his missing daughter and a secret government program.

Robert recently worked on the Netflix superhero film We Can Be Heroes along with directing on Season 2 of the Star Wars live-action series The Mandalorian for Lucasfilm/Disney. He also released the cyberpunk film Alita: Battle Angel last year for 20th Century Studios, the manga adaption was a collaboration with blockbuster filmmaker and producer James Cameron. 

I’ve learned that cinematographer David Klein, who worked with Robert on The Mandalorian, is expected to reunite with him on Hypnotic. 

If they do end up starting production this summer or fall there is a good shot that it’ll be ready for release sometime next year.

Affleck had wrapped his erotic thriller Deep Water with co-star Ana de Armas and had been shooting a smaller role in Ridley Scott’s period drama The Last Duel before the production shutdown earlier this year.

SOURCE: AUSTIN CHRONICLE