The Ronin has exclusively learned that screenwriter Graham Moore is expected to make his directorial debut for a new project at FilmNation Entertainment titled The Outfit. Moore won an Oscar for Best Adapted Screenplay thanks to his work on the WWII tech-drama The Imitation Game.
Plot details concerning The Outfit are currently unknown but is aiming to shoot sometime in 2021 as Moore is assembling his production team.
THE IMITATION GAME – In 1939, newly created British intelligence agency MI6 recruits Cambridge mathematics alumnus Alan Turing (Benedict Cumberbatch) to crack Nazi codes, including Enigma — which cryptanalysts had thought unbreakable. Turing’s team, including Joan Clarke (Keira Knightley), analyze Enigma messages while he builds a machine to decipher them. Turing and team finally succeed and become heroes, but in 1952, the quiet genius encounters disgrace when authorities reveal he is gay and send him to prison.
Moore had been previously set to direct a sci-fi thriller titled Naked Is The Best Disguise for Studio8 according to a 2018 article from The Hollywood Reporter. The project based on Graham’s spec-script would have been his directorial debut, but the sci-fi movie seemingly never materialized.
Disguise, which takes place over the course of one night, is set in a near future in which new technology allows one person’s memories to be extracted and inserted into someone else. It centers on an illegal memory dealer who is accused of murdering a man who she does not believe she even knows.
Almost a decade ago, Graham Moore was tapped to adapt the Leonardo DiCaprio and Martin Scorsese serial killer project The Devil In The White City based on the novel by Erik Larson before it pivoted from a feature film to a television series for Paramount Television/Hulu.
FilmNation is behind films such as Promising Young Woman, Logan Lucky, The Nest, The Greyhound, The 355, The Big Sick, Suspiria remake, and the Emmy-winning HBO series I Know This Much Is True starring Mark Ruffalo as twin brothers.
In a report coming from the Wall Street Journal, there are claims that MGM Holdings Inc. aka MGM Studios is now exploring the idea of a sale which includes their massive film library and involvement in the billion-dollar James Bond franchise (working with EON on the films as co-owners of the rights). Mentioning that the company is currently valued at $5.5 billion which could give you an idea of what their asking price might be.
MGM Holdings Inc., the movie studio behind the James Bond franchise, is exploring a sale, according to people familiar with the matter, betting that its library of content will prove attractive to companies pursuing growth in streaming video.
The company has a market value of around $5.5 billion, based on privately traded shares and including debt, some of the people said.
They don’t name potential suitors but allude to their valuation and attractiveness due to streaming services. Netflix and Disney are dealing with a crazy amount of debt which might put them out of the running. While Apple seems like a rational option, they recently backed-out on an offer to buy the exclusive rights to No Time To Die because MGM/EON asked too much, so those deep pockets have a limit. Not every streamer is going to have $5+ billion laying around when the pandemic has hit most entertainment companies hard.
I’m curious what this would mean for EON, who are traditionalists and have a controlling interest in the James Bond franchise and likely wouldn’t be terribly keen on turning their IP into some streaming film franchise. They’d likely want assurances that theatrical would still be on the table or it could turn into a messy legal fight, I would assume any sale would have to need EON’s blessing because the Bond stuff would be the more attractive aspect.
Here is how EON describes their relationship with MGM.
EON Productions Limited and Danjaq LLC are wholly owned and controlled by the Wilson/Broccoli family. Danjaq is the US based company that co-owns, with Metro-Goldwyn-Mayer Studios, the copyright to the existing James Bond films and controls the right to produce future James Bond films.
We’ll have to wait and see to if things will materialize next year.
Marvel Studios had a rather large presentation at last week’s Disney Investor Day event and Kevin Feige had a lot of information to share in such a short period. Below is a rundown of most of the new information and adjusted release dates.
What seemed like the biggest announcement made during the massive amount of information was that director Jon Watts has been selected by the studio to reboot The Fantastic Four for them. Watts having worked with Marvel Studios to reboot the Spider-Man franchise with Spider-Man: Homecoming, Spider-Man: Far From Home, and the untitled Spider-Man 3 (currently filming in Atlanta as The November Project).
When Fantastic Four will begin shooting is unknown as Jon will be busy with Spider-Man 3 until it’s release in 12 months and they failed to mention any screenwriters. This will mark the first Marvel film for Watts that won’t have Sony Pictures’ involvement and might suggest that he won’t be coming back for Spider-Man 4.
Fandom has collectively chosen to campaign for John Krasinski and Emily Blunt to play the roles of Mister Fantastic and The Invisible Woman, however, there hasn’t been any concrete casting news concerning the project as it only just got confirmed.
Feige had telegraphed back at San Diego Comic-Con 2019 that Fantastic Four was the priority former Fox property they were aiming to reboot ahead of the X-Men. There is a possibility that Dr. Reed Richards, Sue Storm, Johnny Storm, and Ben Grimm could appear in other films first.
One of the more frustrating things concerning Shang-Chi & The Legend of The Ten Rings is that they kept most of the cast unofficial for the entirety of the shoot but they’ve now announced a good chunk of the cast, while not all of them. The cast so far includes actors Simu Liu as Shang-Chi, Tony Leung as Wenwu aka The Mandarian, Awkwafina as Katy, Meng’er Zhang as Xialing, Michelle Yeoh as Jiang Nan, Ronny Chieng as Jon Jon, Fala Chen as Jiang Li, and Florian Munteanu as villain William Young aka Razor Fist.
Shang-Chi along with Black Widow are still set to be released in theaters, not on Disney+, with the Destin Daniel Cretton martial arts action film set for July 9, 2021.
Director Sam Raimi has started filming Doctor Strange In The Multiverse of Madness is officially shooting and will not only connect to WandaVision but also Jon Watts’ Spider-Man 3. While Kevin didn’t confirm it, there is a good chance that Tom Holland‘s Peter Parker and other characters carrying over to the Doctor Strange sequel.
However, he did confirm that that Xochitl Gomez will be playing America Chavez aka Miss America. The young newcomer joins Benedict Cumberbatch, Elizabeth Olsen, Rachel McAdams, Benedict Wong, and Chiwetel Ejiofor as villain Baron Mordo.
It’s release date is set for March 25, 2022.
We finally know Christian Bale‘s character in Thor: Love & Thunder as he’ll play the film’s villain Gorr The God Butcher. A role we assume will be done with motion-capture given the design of his comic book counterpart.
Deadline recently reported that Jaimie Alexander will reprise the role of Lady Sif.
The rest of the cast consists of Chris Hemsworth, Natalie Portman, Tessa Thompson, Chris Pratt as Star-Lord, and director Taika Waititi will return to the role of Korg.
Filming begins next month in Australia and it’s release date has been moved once more to May 6, 2022.
Captain Marvel 2 director Nia DaCosta was finally confirmed alongside the return of Brie Larson as Carol Danvers. New additions to the franchise are Ms. Marvel‘s Iman Vellani co-starring as Kamala Khan and WandaVision actress Teyonah Parris as the adult version of Monica Rambeau aka Spectrum.
There is a good chance that it will connect to Secret Invasion as it will also shoot in the United Kingdom.
The film’s date was bumped to November 11th, 2021.
Marvel revealed the title for Ant-Man 3 will be Ant-Man & The Wasp: Quantumania. Peyton Reed will be back as director with Paul Rudd, Evangeline Lily, Michael Douglas, and Michelle Pfeiffer returning as part of the main cast. The title suggesting the film will be entering the Quantum Realm or have strange things come out it.
The big announcement concerning the film is that Kathryn Newton (Freaky) has been recast as Cassie Lang aka Stature with rising-star Jonathan Majors (Lovecraft Country) confirmed as villain Kang The Conqueror. It remains to be seen if the third installment will help introduce The Fantastic Four before their own solo film from Jon Watts given Kang’s connection to the former 20th Century Fox heroes.
A release date wasn’t mentioned but is expected something in 2022.
James Gunn is officially back for Guardians of The Galaxy Vol.3 with them aiming for a 2023 release date. They’re also developing a holiday special and Groot shorts for Disney+.
Kevin Feige didn’t give much in the way of details for Black Panther 2 but revealed they would not be recasting Chadwick Boseman‘s role of T’Challa. He stopped short from explaining what they are doing with the sequel and reaffirmed that writer/director Ryan Coogler is still working on the film.
While we suspect potential delays on the project, they announced the film is coming July 8th, 2022. The spot was previously held by Captain Marvel 2.
Marvel also announced another round of Disney+ shows.
The Nick Fury series was confirmed to be an adaption of Secret Invasion, which involved a bunch of humanity revealed as being replaced with Skrulls. In the comics, it was revealed that a bunch of Avengers were uncovered to be Skrulls too. As assumed, Samuel L. Jackson will reprise the Fury role with Ben Mendelsohn back as Skrull leader Talos.
The Fox portion of the Skrull rights via Fantastic Four are now in the hands of Marvel and could allow for Super-Skrulls to come into play becoming a big threat as they mimic superpowers of various Marvel Comics heroes.
It had been reported that Kyle Bradstreet would be developing the show.
There are signs the series will shoot in the United Kingdom around the same time as Captain Marvel 2, which could suggest a direct connection via S.W.O.R.D. and the Skrulls.
Olivia Wilde is reportedly directing a Spider-Woman film for Sony Pictures. It’s worth mentioning that Jessica Drew is an Agent of S.W.O.R.D. and is one of the characters in the comics revealed to be a Skrull (Veranke The Skrull Queen). Marvel’s participation on that film while assumed hasn’t been made official.
Don Cheadle will lead his own Disney+ series as War Machine titled Armor Wars.
If the series takes cues from the comic book series we could see the return of Sam Rockwell‘s Justin Hammer, another fan-favorite that is still kicking around in the MCU.
We could also see the addition of unused Iron Man villains such as the Crimson Dynamo, Titanium Man, and others.
An Ironheart series will star Dominique Thorne as whiz-kid Riri Williams, who creates her own advance armor. I wouldn’t be shocked if there happens to be a crossover with Armor Wars.
They revealed new trailers for their upcoming slate of Disney+ series including WandaVision (coming January 15,2021), The Falcon & The Winter Soldier (coming March 19, 2021), Loki (coming May 2021), and their animated series What If…? (coming summer 2021). The trailers give us the first look at X-Men location Madripoor in Falcon and the scale of the Loki series with teases of his return to Asgard.
Additional information concerning the upcoming shows includes that Ms. Marvel and Hawkeye will indeed be aiming for a 2021, something The Ronin reported on earlier this month. Kevin Feige providing an sizzle footage for the former which is impressive given it only recently started shooting in Atlanta.
With She-Hulk, Kevin confirmed that the cast will include Tatiana Maslany as Jennifer Walters aka She-Hulk, Mark Ruffalo as Bruce Banner/Hulk, and the return of Tim Roth‘s Abomination. The latter addition could help support previous chatter that we might see William Hurt‘s Thunder Bolt Ross and Liv Tyler‘s Betty Ross in the series as well bring most of The Incredible Hulk cast back.
I’m sure there are more things to be announced in the future as they hinted to upcoming news concerning Mahershala Ali‘s Blade. Although, I’m sure fans were a little upset they left-out Ryan Reynolds‘ Deadpool 3 or an update on the X-Men reboot. There is now overwhelming evidence that The Young Avengers are coming at some point given that most have been cast already.
On Thursday we got a massive amount of information all at once and one of the big highlights was all the Star Wars updates from Lucasfilm head Kathleen Kennedy. The news included brand new films and television shows along with the official return of prequel actor Hayden Christiensen in the role of Darth Vader.
Here is a rundown of the big news revealed at the event by Kennedy and Lucasfilm.
ROGUE SQUADRON – The next Star Wars feature film will be Rogue Squadron — directed by Patty Jenkins (Wonder Woman franchise). The story will introduce a new generation of starfighter pilots as they earn their wings and risk their lives in a boundary-pushing, high-speed thrill-ride, and move the saga into the future era of the galaxy.
I’ll be hopeful that Legends pilot Dash Rendar from Star Wars: Shadows of The Empire is considered for the project given he used the call-sign Rogue Twelve and can finally join Star Wars canon.
Rogue Squadron is set for release on December 22, 2023.
KENNEDY: “Patty has established herself as one of the top directors working in the film industry today. She’s a visionary who knows how to strike the balance between action and heart, and I can’t wait to see what she does in the Star Wars galaxy.”
JENKINS: “It’s been a lifelong dream as a filmmaker to one day make a great fighter pilot film. As the daughter of a great fighter pilot myself, some of the best memories of my life are of seeing my father’s squadron take off in their F4s every morning, and hearing and feeling the awe-inspiring power and grace. When he passed away in service to this country it ignited a burning desire to one day channel all of those emotions into one great film. When the perfect story arrived in combination with another true love of mine, the incomparable world of Star Wars, I knew I’d finally found my next film. I’m extremely honored and excited to take it on, and grateful to Lucasfilm, Disney, and the fans for extending that thrill to me.”
OBI-WAN KENOBI –Ewan McGregor returns in the iconic role of Jedi Master Obi-Wan Kenobi for a special event series on Disney+. Officially titled Obi-Wan Kenobi, the series begins 10 years after the dramatic events of Star Wars: Revenge of the Sith where he faced his greatest defeat, the downfall and corruption of his best friend and Jedi apprentice, Anakin Skywalker turned evil Sith Lord Darth Vader. The series is directed by Deborah Chow, who helmed memorable episodes of The Mandalorian,Season 1, and features the return of Hayden Christensen as Darth Vader.
Despite previous rumblings of filming starting next month, Kennedy confirmed it won’t begin until March.
CHRISTIENSEN: “It was such an incredible journey playing Anakin Skywalker. Of course, Anakin and Obi-Wan weren’t on the greatest of terms when we last saw them… It will be interesting to see what an amazing director like Deborah Chow has in store for us all. I’m excited to work with Ewan again. It feels good to be back.”
AHSOKA – After making her long awaited live-action debut in The Mandalorian, Ahsoka Tano’s story, written by Dave Filoni, will continue in a limited series starring Rosario Dawson and executive produced by Dave Filoni and Jon Favreau.
After appearing in The Mandalorian, she revealed a search for Star Wars: Rebels villain Grand Admiral Thrawn and this likely means he could be part of show alongside the return of characters like Sabine Wren and Ezra Bridger. We wouldn’t be shocked if Filoni ends up directing the bulk of the episodes.
ANDOR –Andor, a tense nail-biting spy thriller created by Tony Gilroy, is set to arrive on Disney+ in 2022. Diego Luna, reprising the role of rebel spy Cassian Andor from Rogue One, will be joined by a fantastic new cast that includes Stellan Skarsgard, Adria Arjona, FionaShaw, Denise Gough, Kyle Soller, and Genevieve O’Reilly as Mon Mothma. Production kicked off three weeks ago in London.
They showed a sizzle reel that had behind the scenes footage and concept artwork.
THE ACOLYTE – Leslye Headland, Emmy Award-nominated creator of the mind-bending series Russian Doll, brings a new Star Wars series to Disney+ with The Acolyte. The Acolyte is a mystery-thriller that will take the audience into a galaxy of shadowy secrets and emerging dark side powers in the final days of the High Republic era.
I’ll be keeping my fingers-crossed that this potential Sith-focused series with a female lead means we’ll finally be getting Darth Talon or reason to include a version of her.
LANDO – Everyone’s favorite scoundrel Lando Calrissian will return in a brand-new event series for Disney+. Justin Simien, creator of the critically-acclaimed Dear White Peopleand a huge Star Warsfan, is developing the story.
Kathleen Kennedy stopped short from confirming the return of Donald Glover.
A Legends character like Mara Jade could be an interesting addition for the Lando series as before she joined the Empire she was smuggler.
RANGERS OF THE NEW REPUBLIC – Set within the timeline of The Mandalorian, this new live-action series from executive producers Jon Favreau and Dave Filoni will intersect with future stories and culminate into a climactic story event.
TAIKA WAITITI’S UNTITLED STAR WARS MOVIE – A brand-new Star Wars feature with acclaimed filmmaker and Academy Award-winner Taika Waititi is in development.
KENNEDY: “Taika’s approach to Star Wars will be fresh, unexpected, and…unique. His enormous talent and sense of humor will ensure that audiences are in for an unforgettable ride.”
Although, it was noticeable that co-writer Krysty Wilson-Cairns is absent from the update, despite being mentioned in the original announcement.
Taika begins shooting Marvel’s Thor: Love & Thunder next month in Australia.
THE BAD BATCH – The series follows the elite and experimental clones of the Bad Batch (first introduced in The Clone Wars) as they find their way in a rapidly changing galaxy in the immediate aftermath of the Clone War. Members of Bad Batch — a unique squad of clones who vary genetically from their brothers in the Clone Army — each possess a singular exceptional skill which makes them extraordinarily effective soldiers and a formidable crew. In the post-Clone War era, they will take on daring mercenary missions as they struggle to stay afloat and find new purpose.
They dropped a sizzle reel for the upcoming Disney+ series.
STAR WARS: VISIONS– Presenting all-new, creative takes on the galaxy far, far away, Star Wars: Visions will be a series of animated short films celebrating Star Wars through the lens of the world’s best anime creators. The anthology collection will bring 10 fantastic visions from several of the leading Japanese anime studios, offering a fresh and diverse cultural perspective to Star Wars.
STAR WARS: A DROID STORY –As Lucasfilm continues to develop new stories, the intersection of animation and visual effects offers new opportunities to explore. Lucasfilm Animation will be teaming up with Lucasfilm’s visual effects team, Industrial Light & Magic, to develop a special Star Wars adventure for Disney+, A Droid Story. This epic journey will introduce us to a new hero, guided by legendary duo R2-D2 and C-3PO.
The craziest part is that they’re developing even more projects that they didn’t announce or give updates for such as Rian Johnson‘s all-new trilogy.
We’ve already heard from Deadline that Disney’s Investor Day 2020 event tomorrow will reveal a wave of new film/television projects from Marvel Studios, Lucasfilm, and Pixar.
The New York Times is echoing this sentiment and adds the following concerning potential Star Wars announcements.
A significant expansion of the Star Wars universe.
Neither outlet are ready to give out specifics on what the announcements will be but there are plenty of candidates are known and unknown. We have a better idea what the Marvel Studios announcements will look like as a bunch of the films haven’t been announced officially.
The main thing I’m expecting is Lucasfilm to announce the next wave of Star Wars shows for Disney+ which should include the Boba Fett series that Deadline reported is already filming. I’m sure fans are keeping their fingers-crossed that Ahsoka Tano and Bo-Katan will get their own spinoffs.
We still have two more episodes of The Mandalorian left and Jon Favreau confirmed they’re trying to get production started on Season 3 as soon as possible.
In a report from Deadline, Mike Fleming claims that Disney will make announcements at Investor Day 2020 on December 10th concerning new projects (theatrical films and television) from Marvel Studios, Lucasfilm, and Pixar.
Details aren’t mentioned or what those “new” projects will be.
Disney on December 10 will announce its upcoming slate. While the studio will solidify what Deadline revealed recently – that the Tom Hanks-starrer Pinocchio, Peter Pan and the Emma Stone-starrer Cruella will bypass movie theaters to become Disney+ releases, the studio will also announce new projects from Marvel, Lucasfilm and Pixar that will encompass TV as well as theatrical. It will be a gesture toward not abandoning the exhibitors.
Fans will be curious to hear if Disney will attempt a similar day-and-day model that was recently announced by WarnerMedia for their entire 2021 film slate, as delayed Marvel films such as Black Widow and Shang-Chi could be part of that hypothetical announcement seeing large theatrical films landing on Disney+.
Collider recently suggested that Disney might be considering merging Disney+ and mature content from Hulu into a single service, another big update from Disney that could be announced (if true) at Investor Day this week.
Kevin Feige would likely confirm castings concerning Oscar Isaac as Moon Knight and Tatiana Maslany as She-Hulk. A Nick Fury series was announced to be in develop, which we assume will star Samuel L. Jackson and possibly include Skrulls/S.W.O.R.D. but that would need to be confirmed. They could also announce their plans for an MCU reboot of Fantastic Four on the film side or updates concerning things we know are happening officially like Ant-Man 3, Captain Marvel 2, Black Panther 2, Deadpool 3 and Blade.
Concerning Lucasfilm, we know that Star Wars shows such as Boba Fett, Cassian Andor, Kenobi, The Mandalorian (Season 3), and a series coming from Leslye Headland are in varying stages of prep/production. There are a couple of films in development from Taika Waititi and Rian Johnson as well.
They’re also about to begin shooting their Willow sequel series in Wales with director Jon M. Chu (Crazy Rich Asians) and we might finally get a concrete update on James Mangold’s Indiana Jones 5.
Hopefully, we get some new details on December 10th and we’re not hearing new information for projects already made known.
Disney has had huge success with their family-friendly streaming service Disney+, however, the service is indeed geared towards families and younger audiences which means other Disney-owned content can’t really appear there.
A new report from Collider claims things might be changing soon with sources suggesting that their domestic service Hulu is being prepared to be folded into Disney+, Disney is a majority owner of Hulu and plenty of people have suggested this becoming an option given that Hulu doesn’t have an international presence being a domestic service but could with some help from Disney/Disney+ take the leap into the global realm like Netflix.
Sources say Disney is looking to combine its two streaming services into a single juggernaut.
For more than a year now, there has been speculation that Disney might one day fold Hulu into its Disney+ streaming service, and sure enough, Collider is hearing that multiple Hulu executives have been leaving or let go from the streaming service in anticipation of the move, which makes a lot of sense from a business perspective.
They phrase the report’s headline as a question which could mean this might be more of a rumor circulating among reliable people they’re talking to.
If this officially happens, Disney+ adding Hulu’s content, the 20th Century Studios library and their multiple television offerings from 20th Television/FX would add a massive under served demographic to their international streaming service. Another upside is that Disney might be forced into developing mature content with the Disney branding moving into the 21st Century as the media company will need to attract adult audiences as well and move beyond children’s entertainment.
We’ve already seen this with 20th Century Studios moving forward with Predator 5 and Marvel Studios hiring screenwriters for Ryan Reynolds’ Deadpool 3, both expected to be R-rated offerings. This could be a way for Disney+ to start making mature shows using their budgets that they’ve used for Star Wars and Marvel series. I’m sure that Alien series that Noah Hawley (Fargo, Legion) wanted to make wouldn’t have as much trouble getting the budget it would need to look proper. It also gives a home to franchise films like Die Hard, Alien/Predator franchises, Logan, and Deadpool.
Netflix and Amazon’s Prime Video are doing a lot to attract older subscribers with original content which to some extent HBO/HBO Max is doing as well but like Hulu isn’t on the global stage.
Speaking of HBO Max, does this mean Disney announces this and then throws their entire 2021 slate of films on the combined service? We don’t really know if they’re going to mirror HBO Max’s new release model for 2021 and if this happens it could be another ding on the theatrical runs of future films. Alongside their potential to earn the billions at the box office that Disney is accustomed to. Hulu could be placed in an odd spot here and might see massive layoffs as jobs become redundant.
Yesterday, the Walt Disney Company announced a new initiative to get more content going for its streaming services such as Disney+, ESPN+, and Hulu from its sports, television, and film divisions. The new division will be called The Media & Entertainment Distribution group led by Kareem Daniel.
It sounds like they’ll be dedicating a lot more resources and money than they have previously as means to compete with competitors like Netflix and Amazon. However, this announcement says nothing about them throwing their 2021 theatrical slate on Disney+ and never mention a thing about ending theatrical releases altogether only pushing to place more content on their streaming services.
We will get more details on these plans on December 10th.
During an interview with CNBC, Disney’s new CEO Bob Chapek was quick to point out that they aren’t looking to stop the theatrical experience and would be announcing further details.
Also, specifically downplayed COVID-19’s role in the decision.
CHAPEK: “I would not characterize it as a response to Covid. I would say Covid accelerated the rate at which we made this transition, but this transition was going to happen anyway. Because essentially what we want to do is separate out folks who make our wonderful content based on tremendous franchises from the decision making in terms of prioritization is on how it gets commercialized into the marketplace. And what we want to do is leave it to a group of folks you can really see objectively across all of the constituents we have and various considerations we’ve got and make the optimal decision for the company as opposed to having it predetermined that a movie is destined to theaters or that a TV show is destined for ABC. So what we really want to do is provide some level of objectivity and really make it a decision that benefits the overall company and its shareholders.”
When pressed on Disney’s commitment to the theatrical model Bob said the following that gives the impression they’re not giving up on the theatrical model just yet.
CHAPEK: “We’ve benefited from a tremendous relationship with theatrical exhibition for many many many years as dynamics change in the marketplace though we want to make sure that we are giving consumers who want to go to theaters to experience everything that a theatrical release can give them, we want to continue to give them that option but at the same time there are a lot of consumers that want to experience a movie in the safety, comfort, and convenience of their own home for whatever reasons they do.”
To me, it sounds like either they are going to pursue a shorter theatrical window or a mixed model of day-and-date which obviously the theater industry wouldn’t be terribly pleased about on either front.
Here is the official press release from the Walt Disney Company website that gets a little more into the weeds about what all this means.
In light of the tremendous success achieved to date in the Company’s direct-to-consumer business and to further accelerate its DTC strategy, The Walt Disney Company (NYSE: DIS) today announced a strategic reorganization of its media and entertainment businesses. Under the new structure, Disney’s world-class creative engines will focus on developing and producing original content for the Company’s streaming services, as well as for legacy platforms, while distribution and commercialization activities will be centralized into a single, global Media and Entertainment Distribution organization. The new Media and Entertainment Distribution group will be responsible for all monetization of content—both distribution and ad sales—and will oversee operations of the Company’s streaming services. It will also have sole P&L accountability for Disney’s media and entertainment businesses.
The creation of content will be managed in three distinct groups—Studios, General Entertainment, and Sports—headed by current leaders Alan F. Horn and Alan Bergman, Peter Rice, and James Pitaro. The Media and Entertainment Distribution group will be headed by Kareem Daniel, formerly President, Consumer Products, Games and Publishing. All five leaders will report directly to Bob Chapek, Chief Executive Officer, The Walt Disney Company. Disney Parks, Experiences and Products will continue to operate under its existing structure, led by Josh D’Amaro, Chairman, Disney Parks, Experiences and Products, who continues to report to Mr. Chapek. Rebecca Campbell will serve as Chairman, International Operations and Direct-to-Consumer. Bob Iger, in his role as Executive Chairman, will continue to direct the Company’s creative endeavors.
“Given the incredible success of Disney+ and our plans to accelerate our direct-to-consumer business, we are strategically positioning our Company to more effectively support our growth strategy and increase shareholder value,” Mr. Chapek said. “Managing content creation distinct from distribution will allow us to be more effective and nimble in making the content consumers want most, delivered in the way they prefer to consume it. Our creative teams will concentrate on what they do best—making world-class, franchise-based content—while our newly centralized global distribution team will focus on delivering and monetizing that content in the most optimal way across all platforms, including Disney+, Hulu, ESPN+ and the coming Star international streaming service.”
Under the new structure, the Company’s three content groups will be responsible and accountable for producing and delivering content for theatrical, linear and streaming, with the primary focus being the Company’s streaming services:
STUDIOS: Messrs. Horn and Bergman will serve as Chairmen, Studios Content, which will focus on creating branded theatrical and episodic content based on the Company’s powerhouse franchises for theatrical exhibition, Disney+ and the Company’s other streaming services. The group will include the content engines of The Walt Disney Studios, including Disney live action and Walt Disney Animation Studios, Pixar Animation Studios, Marvel Studios, Lucasfilm, 20th Century Studios and Searchlight Pictures.
GENERAL ENTERTAINMENT: Mr. Rice will serve as Chairman, General Entertainment Content, which will focus on creating general entertainment episodic and original long-form content for the Company’s streaming platforms and its cable and broadcast networks. The group will include the content engines of 20th Television, ABC Signature and Touchstone Television; ABC News; Disney Channels; Freeform; FX; and National Geographic.
SPORTS: Mr. Pitaro will serve as Chairman, ESPN and Sports Content, which will focus on ESPN’s live sports programming, as well as sports news and original and non-scripted sports-related content, for the cable channels, ESPN+, and ABC.
The Media and Entertainment Distribution group, led by Mr. Daniel, will be responsible for the P&L management and all distribution, operations, sales, advertising, data and technology functions worldwide for all of the Company’s content engines, and it will also manage operations of the Company’s streaming services and domestic television networks. The group will work in close collaboration with the content creation teams on programming and marketing.
It’ll be interesting to see if Disney+ will start mining IP from the 20th Century Studios side of things soon as Disney+ series and limited series focused on properties like Avatar and Planet of The Apes could be extremely successful. In the press release they suggest that they could end up making episodic projects based on 20th Century properties.
A live-action Flash Gordon series stands out as a property that Disney really could do justice with on Disney+ and be a counter of sorts to their Star Wars shows as it could be way more swashbuckling than the Lucasfilm property that was inspired by it. Taika Waititi (Thor: Ragnarok, Thor: Love & Thunder, Jojo Rabbit) is attached to direct an animated Flash Gordon film and at one time 20th Century was developing a live-action feature as well from directors Matthew Vaughn (X-Men: First Class, Stardust, Layer Cake) and Julius Avery (Overlord) involved at different points.
I wouldn’t even put it past Disney to reboot John Carter eventually given the Volume/StageCraft would allow them to make a series more cost effective that world like Flash Gordon is different enough from Star Wars it would be worth pursuing.
Of course, this could mean a major influx of more shows from Marvel, Star Wars, and Pixar universes but might also see Hulu getting a bump of adult content as well with franchises like Alien (Noah Hawley pitched an Alien series to FX) and Predator just collecting dust while they could be helpful to get more eyeballs on Hulu. HBO Max had recently crowed about Ridley Scott’s sci-fi series Raised By Wolves being the most popular original on their service when announcing they were moving forward with a Season 2 order.
Matthew Vaughn has also been talking up the idea of a Kingsman spinoff series that could fit nicely at Hulu.
Disney certainly has a massive gap in the adult market and places like Canada don’t have access to Hulu and that really needs to change if they want to compete with Netflix/Amazon on an international level as those services offer content to both kids and adults alike. Cornering the kid market just won’t be enough for Disney if they want to grow their streaming presence.
I guess we’ll have to wait for December 10th to get more concrete answers about what all this actually means for content that is already in the can or is about to begin filming.
Sad news this morning as the passing of actor Chadwick Boseman was announced by his family last night. Chadwick at the age of 43 lost his 4-year battle with cancer first being diagnosed with stage III colon cancer back in 2016, something that wasn’t made public as he attempted to tackle it privately even shooting films between surgeries and chemotherapy.
His family who was by his side when he passed in Los Angeles made the following statement via social media.
It is with immeasurable grief that we confirm the passing of Chadwick Boseman.
Chadwick was diagnosed with stage III colon cancer in 2016, and battled with it these last 4 years as it progressed to stage IV.
A true fighter, Chadwick persevered through it all, and brought you many of the films you have come to love so much. From Marshall to Da 5 Bloods, August Wilson’s Ma Rainey’s Black Bottom and several more, all were filmed during and between countless surgeries and chemotherapy.
It was the honor of his career to bring King T’Challa to life in Black Panther.
He died in his home, with his wife and family by his side.
The family thanks you for your love and prayers, and asks that you continue to respect their privacy during this difficult time.
Chadwick, a graduate from Howard University was born in South Carolina and first made waves in Hollywood playing baseball legend Jackie Robinson in the biopic 42, who first crossed the color barrier.
His passing happened to take place when Major League Baseball was celebrating Jackie Robinson Day.
We are devastated by the tragic loss of Chadwick Boseman. His transcendent performance in “42” will stand the test of time and serve as a powerful vehicle to tell Jackie’s story to audiences for generations to come. pic.twitter.com/8oU7QpdLSE
Boseman was best known internationally as the actor who portrayed T’Challa in Marvel’s Black Panther along with other Marvel Cinematic Universe features such as Captain America: Civil War, Avengers: Infinity War, and Avengers: Endgame.
Black Panther became a monster box office hit earning an impressive $1.3 billion and that success broke down longstanding Hollywood myths about how international audiences would react to a blockbuster with a majority black cast.
He also starred in Get On Up, Marshall, 21 Bridges, Message From The King, and most recently the Spike Lee movie Da 5 Bloods.
This news is just heartbreaking and we hope that you’ll consider getting yourselves checked regularly for cancer via cancer screenings along with donating to local or national cancer charities in Chadwick’s name.
Men’s health is something that isn’t nearly brought up often enough and making sure you’re getting screened for cancers is an important part of that, as many know that men can put off going to the doctor or seeking regular check-ups simply out of fear or pride.
Chadwick will be greatly missed and our hearts go out to his family during their time of mourning.
Another blow to the entertainment industry is on the way.
On Monday, it was revealed that WarnerMedia would be moving forward with massive layoffs with the “first wave” said to be around 600 according to a report from THR.
The layoffs are being attributed to the damage inflicted by the Coronavirus pandemic.
The laid-off employees include Warner Bros. CFO Kim Williams, Warner Bros. Worldwide Television Distribution president Jeff Schlesinger and Ron Sanders, Warner Bros. president, Worldwide Theatrical Distribution & Home Entertainment and Executive Vice President, International Business Operations.
Yesterday, news hit that the comics side of the company would be taking a huge hit as well.
The Hollywood Reporter included a list of people at DC Comics publishing that are expected to go as well such as editor-in-chief Bob Harris, Hank Kanalz, Jonah Weiland, Bobbie Chase, Brian Cunningham, and Mark Doyle.
Among those said to be losing their positions are editor-in-chief Bob Harris, senior VP of publishing strategy and support services Hank Kanalz, VP of marketing and creative services Jonah Weiland, VP global publishing initiatives and digital strategy Bobbie Chase, senior story editor Brian Cunningham, and executive editor Mark Doyle, who oversaw the rollout of the Black Label graphic novels. Jim Lee remains the CCO.
They also point out that a “majority” of people at the DC Comics centric streaming service DC Universe will also see layoffs.
There had been plenty of signs recently that DC Universe was on borrowed time after their talk show The Daily DC was canceled and multiple shows moved to other WarnerMedia services slowly making the streaming service less relevant.
This news comes days before WarnerMedia’s big star-studded DC Fandome event on August 22nd is likely going to leave fans a little sour given the state DC Comics and DC Universe will be in.
We had previously seen a bunch of layoffs at 20th Century Studios (formerly 20th Century Fox) because of some job redundancies post-merger with the Walt Disney Company, which regularly happens when media companies combine. Equally as sad but that was slightly more expected in the wake of the merger and was one of the reasons many Fox employees were quitting before the merger had even completed.
WarnerMedia recently launched HBO Max back on May 27th and seemingly hasn’t seen the growth they expected alongside the pandemic essentially stalling a majority of their various productions around the globe making.
I’m sure everyone is interested to see if AT&T/WarnerMedia will keep divisions after the cuts to staffing or instead attempt to sell them off. There had been reports that they were trying to offload Warner Bros. Interactive, their profitable video games division, but some have had the assumption that these layoffs may delay that sale.
THE RONIN 