Despite the death of Peggy Carter in Captain America: Civil War, we’ve kept getting more Hayley Atwell brief cameos in Avengers: Endgame when Steve Rogers did his time-traveling and now we’ll be seeing a Multiverse incantation in the upcoming What If…? series that will debut on Disney+ on August 11.
Peggy Carter is the one who is selected for the super-soldier program and leads a team that includes Steve Rogers, who pilots the HYDRA stomper armored suit.
This has lead to rumors from The DisInsider that Atwell might be seeing her Multiverse incarnation, Captain Carter, appear in Sam Raimi’s Doctor Strange In The Multiverse of Madness. If they’re indeed keen on bringing her back to the live-action corner of the Marvel Cinematic Universe, it would be the perfect excuse to tackle another period adventure but with Captain Carter and various characters from her timeline/universe.
Producer Brad Winderbaum revealed to Deadline recently that Marvel has plans to bring her back for multiple seasons of What If…?, which could make fans extremely happy and that could help signal the studio’s desire to do more with her in the future.
One idea I’ve had about future projects that has been growing like a germ for months is that Marvel Studios finally attempt a version of The Invaders. The other team Steve Rogers led in the comic books alongside his trusty side-kick Bucky Barnes. That lineup also consists of android John Hammon aka Human Torch (Easter Egg in Captain America: The First Avengers), Namor The Sub-Mariner (expected to be coming soon), Joey Chapman aka Union Jack (raced against Tony Stark in Iron Man 2), Jacqueline Falsworth aka Spitfire, and many many more WWII era characters that may never see the light of day (Wolverine and Captain Britain could easily join those allied ranks too).
Captain Carter leading an incarnation of The Invaders during WWII, the Cold War (could add members of Agents of Atlas), or in present time could be worth turning into a live-action series on Disney+ given how hungry Disney has been to adding multiple new shows to the streaming series. Seeing Marvel tackle off-shoot Multiverse projects on Disney+ feels like a better way to tackle this stuff instead of overloading audiences with feature film explorations.
Chris Evans has seemingly bowed-out from the MCU and Peggy Carter could be the one to lead Invaders, if Evans stays away (despite reports of a return that have been denied) and the studio wants to pursue a live-action Carter project.
We know that actress Hayley Atwell was willing to return for more seasons of Agent Carter, but if they’re focusing on new television projects at Marvel Studio. It also doesn’t hurt that she’ll be starring alongside with Tom Cruise in Mission: Impossible 7 and Mission: Impossible 8, highlighting that the actress is still interested in action roles and Marvel should capitalize on that sooner rather than later.
Actor Stephen Dorff recently worked with Oscar-winner Mahershala Ali on third season of HBO’s True Detective, but it sounds like the former Blade actor wouldn’t have advised Ali to take on the Blade mantle. Dorff spoke with The Indepenent (via The Hollywood Reporter) and proceeded to hammer the modern Marvel Studios movies, specifically, Scarlett Johansson’s Black Widow solo film.
“I still hunt out the good shit because I don’t want to be in Black Widow. It looks like garbage to me. It looks like a bad video game. I’m embarrassed for those people. I’m embarrassed for Scarlett! I’m sure she got paid five, seven million bucks, but I’m embarrassed for her. I don’t want to be in those movies. I really don’t. I’ll find that kid director that’s gonna be the next [Stanley] Kubrick and I’ll act for him instead,” Stephen Dorff said.
Mr. Dorff had played vampire villain Decaon Frost in 1998’s Blade, the successful R-rated film led by Wesley Snipes and directed by Stephen Norrington that was released two years before Fox’s X-Men. It’s regarded as the film that proved to Marvel that they could make successful films with their popular and obscure characters.
I guess fans that wanted Stephen Dorff to play the MCU’s Wolverine might want to pump those breaks. Then again, Ethan Hawke had a similar opinion only to join the Disney+ series Moon Knight, starring opposite with Oscar Isaac.
BLACK WIDOW –In Black Widow, Natasha Romanoff confronts the darker parts of her ledger when a dangerous conspiracy with ties to her past arises. Pursued by a force that will stop at nothing to bring her down, Natasha must deal with her history as a spy and the broken relationships left in her wake long before she became an Avenger. Directed by Cate Shortland and produced by Kevin Feige, the movie stars Scarlett Johansson reprising her role as Natasha Romanoff. Florence Pugh stars as Yelena Belova, David Harbour as Alexei Shostakov aka Red Guardian, and Rachel Weisz as Melina Vostokoff.
Earlier in the week, I mentioned a desire to see Loki series director Kate Herron tackle Marvel’s X-Men reboot. Keeping with the mutant topic, I’ve been watching the Aussie hitman series Mr. Inbetween from FX (now it’s in it’s third season) lately and I can’t help to get huge Wolverine vibes from this show. I’m come to the conclusion that the show’s creator/writer Scott Ryan (also stars as Ray) and director Nash Edgerton (brother of actor Joel Edgerton) could be the perfect duo to bring a solo Wolverine series to life for Marvel Studios.
The show is dark, emotional, funny and action-packed something that I believe would be extremely attractive to Marvel. Nash Edgerton, like the John Wick fellas Chad Stahelski and David Leitch, is a director with a background as a stuntman.
If you’re unfamiliar with the show here’s a rundown and trailer from Mr. Inbetween.
Mr. Inbetween stars Scott Ryan as Ray Shoesmith, a hitman for hire who makes a life out of balancing his criminal activities with his obligations to friends and family. He tries to be a father to Brittany (Chika Yasumura), his daughter with his ex-wife, a loving boyfriend to Ally (Brook Satchwell), and a good caretaker to his sick brother Bruce (Nicholas Cassim). Ray also covers for his friend Gary (Justin Rosniak) when needed, and follows his boss Freddy’s (Damon Herriman) orders without question.
Marvel hasn’t officially announced any upcoming plans for any Wolverine projects despite online rumors of a Wolverine show potentially being in the works. Officially, they are indeed moving forward Ryan Reynolds’ Deadpool 3 with writers working on the script and lacking any real updates are expected to reboot the X-Men movies sometime in the future.
Giving Wolverine his own series could be a way to properly tackle his military service during World War II that has been teased a couple of times, a real version of the Weapon X Program, Logan’s connections to Department H/Alpha Flight, his time in Japan/Madripoor, and potentially what he was up to during the Cold War against the Soviet Union. It could also help give other characters on the X-Men roster to take more leading roles in the MCU reboot.
We don’t have any idea who’ll ultimately take the Wolverine role from Hugh Jackman, but I’m leaning towards former Batman contender Cillian Murphy (The Dark Knight Trilogy, Peaky Blinders, 28 Days Later, Dunkirk, A Quiet Place Part II). The Irish actor has rubbed shoulders with plenty of MCU stars co-starring with Brie Larson in Free Fire, Chris Evans in the sci-fi thriller Sunshine alongside appearing with Thor’s Chris Hemsworth and Spider-Man’s Tom Holland in Ron Howard’s In The Heart of The Sea.
He’s a little bit older, however, not too much older than Moon Knight’s Oscar Isaac (42) or Doctor Strange’s Benedict Cumberbatch (44). While Cillian is slightly younger than Marvel’s new Blade actor Mahershala Ali (47).
Murphy is one of the few cast members from Danny Boyle’s Sunshine that hasn’t landed an MCU role as Chris Evans became Captain America, Benedict Wong plays Doctor Strange pal Wong, Hiroyuki Sanada briefly appeared as sword wielding Yaukza boss killed by Clint Barton in Avengers: Endgame, and Michelle Yeoh will be seen in Shang-Chi this September.
If they wanted to hire a younger actor, Aussie lad Dacre Montgomery (Power Rangers, Stranger Things, Baz Lurman’s Elvis Biopic) wouldn’t be a horrible choice and he happens to have family connection to Canada. His Power Rangers co-star Naomi Scott took the Princess Jasmine role in Disney’s live-action Aladdin movie with Stranger Things leads playing Marvel characters as David Harbour is The Red Guardian in Black Widow and Charlie Heaton played Cannonball in The New Mutants.
I can’t help but be reminded that Legion and Fargo showrunner Noah Hawely was developing a Doctor Doom film for 20th Century Fox before the merger, who knows if that will ever see the light of day. However, Hawley has since pivoted to an Earthbound series set within the Alien universe for FX On Hulu that has Ridley Scott (Raised By Wolves, Prometheus, Alien, Blade Runner, Alien: Covenant) attached to produce. I wouldn’t be shocked if we eventually saw Marvel Studios also look at the creatives at FX and Hulu to develop shows for them like Scott Ryan and Nash Edgerton.
Hiring a couple of Aussies could help the idea of shooting a would-be Wolverine series at Fox Studios Australia in Sydney, New South Wales, Australia. Fox Studios also happens to be where Mr. Inbetween is shot.
It’s the same studio facility used for The Matrix, Star Wars: Attack of The Clones, Star Wars: Revenge of The Sith, Superman Returns, X-Men Origins: Wolverine, The Wolverine, Mad Max: Fury Road, Alien: Covenant, Shang-Chi & The Legend of The Ten Rings, Thor: Love & Thunder, and George Miller’s upcoming Mad Max: Fury Road prequel Furiosa.
Anyways, we’ll keep our fingers crossed Marvel will consider them for a hypothetical Wolverine series.
When the Walt Disney Company acquired 21st Century Fox, the rights to Marvel Comics projects such as Fantastic Four, X-Men, and Silver Surfer returned to Marvel. We know that Jon Watts (Spider-Man: Homecoming, Spider-Man: Far From Home, Spider-Man: No Way Home, Cop Car) is attached to direct their Fantastic Four reboot, Ryan Reynolds’ Deadpool 3 is officially in the works with The Molyneux (Bob’s Burgers) handling the script, and writer/director Adam McKay (The Big Short, Vice, Ant-Man, Don’t Look Up) has been publicly interested in tackling a solo Silver Surfer movie.
What seems to be something that won’t be anytime soon is their X-Men reboot, which likely won’t get a release date before 2025, as hinted to by Marvel Studios’ Kevin Feige. How they’re going about with Fantastic Four could suggest that Marvel Studios may end up looking at their existing director lineup to handle the X-Men reboot.
A director that is quickly becoming a strong standout is Loki’s Kate Herron, as the series has a strong cinematic feeling and look despite being a Disney+ series. It also echos what Jon Favreau and Dave Filoni are doing with The Mandalorian slightly more than the two previous Marvel/Disney+ shows.
I bring up Kate Herron because she recently revealed in an interview with Trey Mangum that her first introduction to Marvel was the X-Men cartoon series that originally aired domestically on Fox in the 1990s.
“Basically, my first introduction to Marvel was that I loved the X-Men cartoons growing up, I was obsessed with it. I remember trying to turn my dolls into Storm…but I’d always play X-Men with my toys. I think loved it because they were outsiders and I connected with that, I was really drawn into that story,” Kate Herron said.
Having a director with that sort of connection with X-Men would be the complete opposite of Bryan Singer, who was notoriously ignorant of the source material (altering characters at whim) and according to Hugh Jackman, actively banned the comics from the set. Herron has proven she has a visually striking eye and the ability to have the scope needed for a project as big as X-Men, also being able to juggle a good amount of characters as each episode of Loki adds more players into the mix.
It wouldn’t hurt to have someone that might champion the Jim Lee era costumes that were highlighted in the Fox Kids cartoon. Going that route with the character designs would also help separate itself from the Fox films and allow Marvel Studios have their own stamp on the live-action X-Men.
I also think one key element of the X-Men franchise is the high-volume of female characters on the roster, something that wasn’t always handled properly with Fox’s era of the franchise as Bryan Singer/writers/producers took liberties with characters like Rogue and Storm. Those characters alongside Psylocke didn’t get proper adaptations with the previous incarnations. Herron’s Loki series has a strong/diverse female presence and those characters have been given a little more depth, there is hope that she could give a bigger stage to female members of the team.
While some fans will likely be keen to see The Russo Brothers return to the Marvel Cinematic Universe for X-Men, they’ve been clear that what they actually want to tackle is Wolverine and Secret Wars. If they were to oversee the Secret Wars event, the X-Men would likely be involved and scratch that Wolverine itch.
I could see Kate Herron fitting nicely as the architect or godmother of the new era of the X-Men and fans like myself may feel more comfortable with the franchise in her hands after seeing her impressive work on Loki.
With Scarlett Johansson’s Black Widow covering the events between the end of Captain America: Civil War and the start of Avengers: Infinity War. Not to mention, her Russian roots that are at the center of the new film. There has been some curiosity from fans if Marvel Studios would attempt to explore more prequel projects or do deep dives into the past of certain superheroes.
Well, while speaking during Black Widow’s virtual press conference (via The Direct), Marvel Studios’ Kevin Feige was asked just that
“Well, certainly this film and this story is a particular case for Natasha, but the notion of exploring the past, present, and future of the MCU is certainly in the cards for all of our characters. This particular story, this particular cast, is very personal, very specific, to Natasha,” Kevin Feige said during a virtual press conference.
It’s not really a ringing endorsement or even giving us any insight to where they could be going next, but it does sounds like they’re keeping the door open and won’t end that notion with Black Widow’s release on July 9.
There are a couple of examples that come to mind such as the events between Steve Rogers meeting up with Peggy Carter in the late 1940s and when Old Man Steve gives Sam Wilson the shield. It’s a possibility that Marvel could explore a 1950s or 1960s incarnation of S.H.I.E.L.D. with Rogers leading his other well-established comic book superhero team, The Invaders.
It’s also hard to ignore that X-Men’s Wolverine (barely ages if at all) could certainly have his origin told in prequel projects set during World War II or the Cold War with the Soviet Union, finally giving fans a more authentic version of the Weapon X Program and his extensive military service as the studio plans to reboot the franchise alongside Fantastic Four.
I guess we’ll have to wait and see.
BLACK WIDOW –In Black Widow, Natasha Romanoff confronts the darker parts of her ledger when a dangerous conspiracy with ties to her past arises. Pursued by a force that will stop at nothing to bring her down, Natasha must deal with her history as a spy and the broken relationships left in her wake long before she became an Avenger. Directed by Cate Shortland and produced by Kevin Feige, the movie stars Scarlett Johansson reprising her role as Natasha Romanoff. Florence Pugh stars as Yelena Belova, David Harbour as Alexei Shostakov aka Red Guardian, and Rachel Weisz as Melina Vostokoff.
Back in 2019, there were rumblings that Marvel Studios was potentially considering an X-Men series for Disney+ that would include a faithful origin of a popular mutant character, the assumption was this could be Wolverine and his time in the Weapon X Program.
Well, it’s 2021 and the rumor has resurfaced over at That Hashtag Show. They’re adding that it’s in development at Marvel Studios taking an anthology angle and claim the first season will tackle Weapon X. The black ops weapons program that gives Logan his adamantium skeleton and claws could make for a compelling series.
However, we can exclusively share that Marvel is in early development on a series for Disney+. This series would be an anthology series based on the character of Wolverine. Since Wolverine is immortal and has a multitude of stories to tell, each season will focus on a particular story within the Wolverine mythos. Think like American Horror Story, where there’s a season long plot and then it resets. Only in this, you’ll have the center of Wolverine.
I’ve learned that while early in development, Marvel is aiming to adapt the famous Weapon X story arc for the first season.
Over the weekend, I mentioned in a feature article about Marvel rebooting/recasting the Wolverine role could lead to a Disney+ series as it would allow the studio to tackle multiple points in Logan’s life without overshadowing the new X-Men reboot film or other mutant team members. Covering things such as his service in WWII/Cold War, the Weapon X program, connections to Alpha Flight, fights with Hulk, and adventures in Japan/Madripoor.
Mark Ruffalo has talked-up multiple times his desire to see Wolverine and Hulk finally interact with each other, as Wolverine debuted in the pages of the Hulk comics before joining the X-Men. Ruffalo himself is going to be part of the cast of She-Hulk, another series on Disney+ that will focus on Bruce Banner’s lawyer cousin Jennifer Walters.
Wolverine’s Weapon X origin was explored in the forgettable mess X-Men Origins: Wolverine and there was a second attempt with a more faithful version with an action sequence in X-Men: Apocalypse. A new definitive take on Weapon X set within the Marvel Cinematic Universe could be a good way to reintroduce the character to audiences alongside the new actor.
Marvel Studios is developing Deadpool 3 but haven’t officially announced any other plans for their mutant lineup or who is creatively involved with the X-Men reboot. The studio hasn’t chosen a new actor to play Wolverine which means we’ll have to wait for Marvel to confirm this is actually happening.
The fictional X-Men location Madripoor had been introduced in The Falcon & The Winter Soldier, which has been a stomping-ground for Wolverine adventures and could be seen again in future X-Men projects. Outside of the Princess Bar making a cameo, it’s unlikely that Wolverine himself will be appearing in the final two episodes of the MCU series.
Logan was R-rated but normally the originally programming on Disney+ has been PG-13, which would suggest this wouldn’t be as violent as Hugh Jackman’s final outing as the popular mutant hero. Star has been recently added to Disney+ in various international markets allowing mature content from Hulu, FX, and 20th Century Studios to be streamed on the service that had been originally imagined for families.
After the merger between Disney and 21st Century, the film and television rights to live-action X-Men projects reverted back to Marvel. This has led to the announcement of Jon Watts directing a reboot of The Fantastic Four, another group of characters that came home to Marvel in the wake of the merger. Marvel Studios doesn’t seem to be in any rush to introduce mutants into the Marvel Cinematic Universe, but the biggest task they’ll have is recasting the Wolverine role.
Getting the X-Men and Wolverine on the big screen took a bit longer than you might imagine. Apparently, development goes back to 1984 as Wolverine co-creator Roy Thomas (Conan The Barbarian, Conan The Destroyer, Red Sonja) and Punisher co-creator Gerry Conway (Fire & Ice, Conan The Destroyer) wrote an X-Men film for Orion Pictures before the studio had financial issues.
Another incarnation had James Cameron producing a version with Near Dark director Kathryn Bigelow (Point Break, Zero Dark Thirty, The Hurt Locker) and a script titled Wolverine & The X-Men was penned by Gary Goldman (Total Recall, Big Trouble In Little China, Navy Seals) around 1991 for Cameron’s Lightstorm Entertainment and Carolco Prictures. When Carolco went bankrupt the project was essentially dead.
In 1994, producer Lauren Shuler Donner got her hands on the X-Men rights and brought it to 20th Century Fox hiring screenwriter Andrew Kevin Walker (Seven, The Wolfman, 8mm, Sleepy Hollow, Fight Club, Event Horizon, The Game) to work on a script, he was also assigned to write a Silver Surfer movie for the studio that never saw the light of day. After multiple tweaks to the X-Men script from various writers (some uncredited like Christopher McQuarrie and Ed Solomon), David Hayter would eventually get the screenwriting credit. It was eventually shot in 1999-2000 in Toronto/Hamilton/Burlington, Ontario, Canada by director Bryan Singer (attached since 1996) and released in 2000 earning an impressive $296.3 million globally on a budget of $75 million.
The Hugh Jackman era was certainly a bumpy road as the Australian actor was a last minute replacement for the Wolverine role as Scottish actor Dougray Scott had a scheduling conflict as he was busy shooting John Woo’s Mission: Impossible II. During the Cameron/Bigelow incarnation, Bob Hoskins had been considered. Much later on actors such as Russell Crowe, Viggo Mortensen, and Keanu Reeves had been in the mix for Wolverine.
The commercial success of the first X-Men movie is often cited by many as the turning point for Marvel projects being appealing to wide-range of audiences. Alongside Blade, proved to Marvel that people were willing to go see popcorn films featuring their characters which at the time had been considered a niche audience as a multitude of comic book movies had failed to make money in the 1990’s. Many studios tried to chase the box office returns achieved by Tim Burton’s Batman movies only to lose a lot of money in the process.
Due to Wolverine’s popularity he ended up landing his own film trilogy at 20th Century Fox starting with the forgettable mess, X-Men Origins: Wolverine that was plagued with studio brass,Tom Rothman, meddling with production and threatening to fire director Gavin Hood. A workprint of the film had been leaked online ahead of the officially release with incomplete visual effects and wasn’t much better than the theatrical version, as it clearly had half-cooked effects and godawful digital claws. The horrible effects only highlighted how bland the film was.
Luckily, The Wolverine was helmed by James Mangold (replacing Darren Aronofsky) and became one of the better films of the X-Men franchise and led to a stellar final bow for Hugh Jackman in the sequel Logan. Hugh would announce his retirement as Wolverine following the success of Logan, even turning down multiple pleas from Ryan Reynolds to make a Wolverine vs Deadpool movie.
Marvel Studios is now in the perfect position to reboot the X-Men and remove all the silly timeline issues along with the character deviations that started with Singer’s first installment giving us faithful versions of the mutants. The only mutant project they’re currently working on is the R-rated Deadpool 3 starring Ryan Reynolds as they recently hired Wendy Molyneux and Lizzie Molyneux-Loeglin to write it.
The Falcon & The Winter Soldier has introduced Logan’s stomping-ground Madripoor and I hope we’ll see the location in future X-Men projects. I’d love to see Marvel give Wolverine a faithful origin covering his adventures during WWII/Cold War, confrontations with Mark Ruffalo’s Hulk, connections to the Canadian mutant team Alpha Flight or in the Weapon X Program as Marvel Studios would likely be able to explore this stuff in a Disney+ series as not to distract from the main X-Men team.
We’re still waiting on Marvel to announce the creative team working on their X-Men reboot.
Hiring the next Wolverine is gong to be a pivotal moment for Marvel Studios because Hugh Jackman has been the face of Logan for over 20 years and to some fans their entire lives. It’s sort of tough coming up with the “perfect list” of casting hopefuls to play the MCU’s Wolverine because those are big shoes to fill. However, I came up with a group that might skew a little older but I felt had the well-rounded careers that could be solid enough to be in consideration along with being names that I assume Marvel would want to target. Given that Moon Knight’s Oscar Isaac is in his forties it wouldn’t be that hard to imagine older/seasoned contenders for Wolverine.
HENRY CAVILL (AGE 37): Mission: Impossible – Fallout, The Witcher, Man of Steel, The Count of Monte Cristo, Stardust, Immortals, The Man From U.N.C.L.E., Enola Holmes, Batman v Superman: Dawn of Justice, and Justice League.
CHRIS PINE (AGE 40): Star Trek, Star Trek Into Darkness, Star Trek Beyond, Wonder Woman, Wonder Woman 1984, Hell or High Water, Outlaw King, Jack Ryan: Shadow Recruit, Unstoppable, Smokin’ Aces, This Means War, and The Finest Hours.
TOM HARDY (AGE 43): Band of Brothers, RocknRolla, Black Hawk Down, Locke, Taboo, Inception, The Dark Knight Rises, Venom, Venom: Let There Be Carnage, Peaky Blinders, Dunkirk, Legend, The Revenant, The Drop, Lawless, Warrior, Tinker Tailor Soldier Spy, Bronson, Marie Antoinette, Star Trek: Nemesis, and Layer Cake.
CILLIAN MURPHY (AGE 44): 28 Days Later, Inception, Batman Begins, The Dark Knight, Peaky Blinders, Red Eye, Sunshine, Dunkirk, Free Fire, TRON: Legacy, Cold Mountain, The Wind That Shakes The Barley, and A Quiet Place II.
During the TCA (via Deadline), Marvel’s Kevin Feige talked a little about Deadpool 3 and the reasoning behind keeping an R-rating that was previously established with the first two films. He seems to allude that they’re not rushing out to make a whole bunch of mature projects but if that something deserves it they’ll have discussions.
FEIGE: “I think we target everything we’re doing for kids and adults, so I think your question is more adult or R-rated. Other than Deadpool, which has already established itself as a certain genre and a certain rating, that we already said we would not mess with when we started working on Deadpool — which we have — other than that, we haven’t encountered a story or a storyline or a character’s journey that a PG-13, or the tone, or the ratings we’ve been using up to this point has prevented us. We haven’t been held back by. If we ever are, than certainly there can be a discussion that can be had now that there’s other outlets like Star. But that just hasn’t been the case. We’ve told all the stories that we wanted to with the tonality and the rating we have now.”
I think Star certainly opens the door for mature series in the future but I don’t think we’ll see PG-13 characters make the jump to R out of the blue.
However, the way Kevin Feige talks about audiences having expectations about future Deadpool movies being mature feels like that point of view could be applied to the Blade franchise too. It was recently announced that the Blade reboot, titled Blade, The Vampire Hunter, nabbed a screenwriter Stacy Osei-Kuffour (Hunters, Watchmen), but it hasn’t been officially confirmed if they’ll be aiming for a PG-13 or R-rating.
I think it’s worth considering that all three Blade movies are mature (Feige was a producer on Blade: Trinity) and given that Eric Brooks essentially murderers blood drinking vampires an R-rating just might be needed due the nature of the Vampire Nation and the violence the franchise is know for, not unlike the Deadpool films.
Blade really should be essentially an action-horror version of John Wick, but watering down the violence or horror stuff for a PG-13 rating feels like a really bad idea on Marvel’s part. I love the Blade franchise but the films aren’t exactly character driven and while Marvel Studios will likely add that element taking away things we expect seems wrong.
A scene like the blood rave just couldn’t happen in a PG-13 film because of how the MPAA punishes movies for their use of blood. Marvel Studios movies certainly have their fair share of violence but nothing that compares to Blade.
While promoting their upcoming film Cherry, directors Joe and Anthony Russo spoke with the Lights Camera Barstool podcast (spotted and transcribed by The Playlist) and revealed they’d still love to get their hands on Marvel’s reboot of Wolverine. The pair continually brings up Wolverine and Secret Wars as things that could draw them back to Marvel Studios.
JOE RUSSO: “Wolverine has always been such a special character for me. To realize him on screen, it’s very hard because Hugh Jackman‘s performance is definitive. It’s like Batman; you have to really think of a way to, you have to really find the right actor to come in and give a really different take to that character. But I would really love to see him on screen.”
However, Joe advises that the studio give the franchise some time before jumping into a reboot.
JOE RUSSO: “I think the best thing is to take a break, without question. You need a [palate cleanser], you need to rinse the towel a little bit, let everyone enjoy what was, and then come up with something new. But I’d love to take a crack at Wolverine at some point.”
We already got some signs from Marvel’s Kevin Feige they’re not in any rush to reboot as they’ve chosen to go with Fantastic Four first. It’s still unknown what they ultimately plan to do with Wolverine and the X-Men reboots. Even though, they’ve introduced things like S.W.O.R.D. and Madripoor that are directly connected to the X-Men comics.
There is a good chance they could be able to convince Marvel Studios to allow them direct a Wolverine or X-Men project if they’re that persistent about being able to play with the characters. They were able to bring new blood to both the Captain America and Avengers franchises, with the latter Marvel now hold the box office record for the highest grossing film as Avengers: Endgame toppled James Cameron’s Avatar.
Given their experience working with large groups of heroes and villains, The Russo Brothers could be alongside screenwriters Stephen McFeely and Christopher Markus might be the team to reboot the X-Men. We’ve already seen Marvel look at their existing directing bench for the Fantastic Four reboot as they announced in December that Spider-Man 3 director Jon Watts would be tackling it.
Wolverine certain could deserve to have his origin retold for the Marvel Cinematic Universe either connected to Alpha Flight or the Weapon X Program. I also believe that a project set during WWII giving them an excuse to have Wolverine in a period action-film. A solo project could give a new actor a great entry point and give the main X-Men reboot some space, as one of the big gripes that fans had with the Fox franchise is that Wolverine was the predominate character when he isn’t supposed to be.
Ryan Reynolds revealed on Twitter last month that one of the ideas they had for Deadpool 3 before the merger was convincing Hugh Jackman to end his retirement as they wanted Logan and Wade to do a road trip movie. They could also eventually meet up in an X-Force film.
It’s critical to have open, honest and healthy discussions around mental health. By retweeting #BellLetsTalk you can make a difference. In case that’s not enough, before Disney bought Fox, Deadpool 3 was gonna be a road trip between Deadpool and Logan. Rashomon style. For real.
Yesterday, it was revealed by Deadline that Chris Evans was nearing a deal to reprise SteveRogers aka Captain America in a small supporting role (similar to Robert Downey Jr. in Spider-Man: Homecoming) for an undisclosed MCU project. They also mention Evans might be returning for second thing, possibly a film but didn’t reveal what that could be either.
There are a couple of obvious options such as old Steve Rogers becoming a mentor to Sam Wilson in Captain America 4 as he takes over the mantle. Also, seeing what Steve was up to while hiding between Captain America: Civil War to Avengers: Infinity War, not unlike where Black Widow takes place in the MCU timeline. There is the multiple years between Avengers: Infinity War and Avengers: Endgame, I’m sure there would still be threats in the wake of Thanos’ snap.
There is another option to add. Thanks to Avengers: Endgame, that Steve was able to go back in time to be with Peggy Carter and stayed there starting in 1948 just when The Cold War begins. Steve as an old man ends up handing Sam Wilson the shield at the end of the film and launching the events that will be covered in The Falcon & The Winter Soldier.
The Multiverse also opens the door to other timelines allowing to them return to WWII.
I think it’s hard to imagine with all the threats surrounding him during that timeline and Peggy Carter’s work at S.H.I.E.L.D. that he doesn’t eventually jump back into the fray between his return and Avengers: Endgame. What would make a lot of sense would be Rogers leading his own team which has previously happened with The Invaders, a group mostly made up of WWII era heroes such as Namor McKenzie aka The Sub-Mariner, Union Jack, Spitfire, the original android version of The Human Torch aka Jim Hammond, Blazing Skull, and multiple other wartime heroes that could get some live-action love.
It’s worth noting that Wyatt Russell’s John Walker aka U.S. Agent, Anthony Mackie’s Sam Wilson, and Sebastian Stan’s Bucky Barnes have been established members on the roster.
There is another superhero that was kicking around during WWII and The Cold War that has teamed-up with Captain America the comics that could make for another excellent addition to those ranks, that being the Canadian super-soldier Wolverine.
Luckily, since Logan doesn’t really age he can be able to time-hop to various eras of the MCU including something like WWII or even futuristic setting like with Old Man Logan.
Rebooting Wolverine is clearly a huge priority to the studio alongside the X-Men and having the anti-hero connect to various MCU characters beforehand wouldn’t be shocking since he’s, like Steve Rogers, he is part of a super-soldier program via Weapon. When his origin takes places in the MCU doesn’t seem to be set in stone and Marvel can certainly tinker with it to fit their needs but I’d personally like to see him running around WWII without his indestructible skeleton and then get it during The Cold War.
It might be a good idea to introduce Wolverine as a supporting character elsewhere so that he doesn’t dominate the main X-Men films as much. The fictional X-Men locale of Madripoor is going to be introduced in The Falcon & The Winter Soldier, which had many fans jump to conclusions that Wolverine is connected to the Disney+ series, although, there hasn’t been credible information backing up these fan desires. However, it becoming a stomping ground for the mutant eventually wouldn’t a surprise.
If they’re genuinely going to bring Chris Evans back I think it is worth considering giving him another period project since while Captain America: The First Avenger canonically takes place during WWII, it felt like they copped-out by limiting how much fighting he did against the actual Axis. The Cold War era could be another fine option as Steve combating the new threat of The Soviet Union during the height of the nuclear arms race feels just as a plausible of a setting for another adventure.
X-Men villain Omega Red could be a good baddie to use as well given his connections to Soviet Union super-soldier experiments.
It’s worth mentioning we’ve previously seen Easter Eggs to canonical members of The Invaders lineup in previous Marvel Studios films.
Union Jack was teased via Iron Man 2 as Joey Chapman was listed as one of the racers going head-to-head with Tony Stark. The Human Torch is seen encased in glass and Namor’s Atlantis was briefly teased in Captain America: The First Avenger at the Stark Expo (blink and you’ll miss the underwater city nod). The S.H.I.E.L.D. boat called The Lemurian Star in Captain America: The Winter Soldier is a direct nod to Namor villains The Lemurians, a sign that something nefarious was happening onboard.
I’m sure we’ll start to get confirmation what Evans is actually going to show up in but I think fans are also quite comfortable leaving old Rogers alone as well given his satisfying ending.
THE RONIN 