‘Pacific Rim 2’: Guillermo del Toro Wanted Rinko Kikuchi & Donnie Yen To Lead His Sequel, Exited Due To Studio Losing Stages In Toronto

Sometimes when sequels are made they don’t often look like the original incarnation of that follow-up from the development stages and the same can be said about Legendary’s haphazard sequel to Guillermo del Toro‘s “Pacific Rim.” There had been an attempt by del Toro to return for the sequel but left due to some studio hijinks that left them without a stage facility to make the film in a timely manner. His exit from that kaiju-vs-robots sequel was a lot more avoidable than you might imagine.

While speaking with Collider recently, the filmmaker revealed that he ultimately didn’t return to make “Pacific Rim 2” because the studio, Legendary, according to del Toro, let their access to stages at Pinewood Studios Toronto (Where the first film had been shot) expire by not paying the deposit needed to hold them and would have further delayed production with the promise that they could simply shoot the film in China. However, del Toro wanted to do location shoots in China after scouting but mainly do that stage work in Toronto. Instead, del Toro passed after the studio lost the stages they needed in Toronto and moved on to his Oscar-winning film “The Shape of Water,” which as you might expect he shot in Toronto alongside Buffalo, New York.

The Mako Mori test | Karavansara

He revealed that Rinko Kikuchi‘s Mako Mori (Adopted daughter of Marshall Pentecost), the female lead of the previous installment was poised to take the reigns from Charlie Hunnam as the lead of del Toro’s version of “Pacific Rim 2.” Along with the aim to get Hong Kong action star Donnie Yen (“Rogue One,” “John Wick 4”) a key role as well. Yen and del Toro had previously worked together on “Blade II,” where the actor had played a member of the vampire black ops team, The Blood Pack, but didn’t last very long in that picture.

“The main character for me in many ways was Mako Maori…I wrote a phenomenal role for Donnie Yen, I wanted Donnie Yen. I wanted Donnie Yen to star in a damn mainstream movie, I was all for [filming in China]. We did scout in China and we were going to do location shooting [in China] but [for] stage I wanted to be in Toronto.”

Legendary decided not to use those actors in del Toro’s desired capacity. Pivoting to “Star Wars: The Force Awakens” actor John Boyega playing the never-mentioned son of Pentecost as our new main protagonist. The main leg of the sequel’s production took place in Australia with director Steven S. DeKnight (“Daredevil”) at the helm, making his feature film debut on a rather massive studio film which is infamously a make-or-break situation on such a large project.

Ultimately, “Pacific Rim: Uprising” wouldn’t be as much of a hit with critics or audiences as it only mustered $291 million which was $100 million less than the last movie had made ($411 million). Guillermo also admittedly never ended up watching the version the studio made and made a flowery comparison to “home movies from your ex-wife.” Adding, “They’re terrible if they’re good and worse if they’re bad.” That line got some chuckles from the audience at the Q&A that Collider was hosting.

Just the other day, del Toro had stated that Tom Cruise nearly had a big role in the original film and was wanted for Idris Elba‘s part but it ultimately didn’t work out.

You can watch that full exchange between del Toro and Collider’s Steve Weintraub below.

SOURCE: COLLIDER

EXCLUSIVE: Guillermo del Toro’s Longtime Cinematographer Guillermo Navarro Joins ’12 After Midnight’ Directing Team

Guillermo del Toro (The Shape of Water, Nightmare Alley) is behind a new horror anthology series at Netflix called Guillermo del Toro Presents 12 After Midnight (formerly 10 After Midnight), where he’ll write, produce, and even direct alongside others.

In this new genre-defining anthology series, acclaimed Academy Award-winning filmmaker Guillermo del Toro will present a collection of personally curated stories, that are both equally sophisticated and horrific. Creator and executive producer del Toro will bring his own visionary style as both a writer and director to certain episodes. In addition, he will handpick a team of the genre’s best writers and exciting new filmmakers to bring his selection of stories to life.

The Oscar-winning director is assembling a team of directors to work on the show and we’ve learned about a new addition to the directing team that already officially includes del Toro and Jennifer Kent (The Babadook, The Nightingale).

The Ronin can exclusively reveal that Guillermo Navarro (Godfather of Harlem, Cocaine Godmother, Narcos, Hannibal, Preacher, Luke Cage) has joined the growing group of handpicked directors working on the horror anthology series.

Navarro is mainly known as a cinematographer with a heap of credits such as Quentin Tarantino’s Jackie Brown, Desperado, From Dusk Till Dawn, The Long Kiss Goodnight, Four Rooms, and Spy Kids. He is the longtime cinematographer of del Toro working together on Cronos, The Devil’s Backbone, Hellboy, Pan’s Labyrinth, Hellboy II: The Golden Army, and Pacific Rim.

We previously reported that director David Prior (The Empty Man) is also working on the series.

There is an expectation the more directors will be named at some point and we will update when more names are announced.

The production team includes seasoned production designer Tamara Deverell (Star Trek: Discovery), who had recently worked with del Toro on his latest feature film Nightmare Alley and his vampire series The Strain. Deverell will work alongside art director Brandt Gordon (Nightmare Alley, Crimson Peak, Total Recall, Suicide Squad, Shazam!)

Plot details on the shows are unknown but we should learn more once the streaming service releases some footage. There is an expectation that 12 After Midnight won’t be dropped on Netflix until sometime in 2022.

We know that Guillermo del Toro is busy on other projects including his next studio release Nightmare Alley this December by Searchlight Pictures and is co-directing a stop-motion animated film based on the classic fairy tale of Pinocchio for Netflix. It’ll be interesting to see if del Toro will continue his relationship with Netflix on future films and television projects.

Guillermo del Toro’s Horror Anthology Series ’12 After Midnight’ Enlists ‘Nightmare Alley’ & ‘The Strain’ Production Designer; Jennifer Kent Also Directing

A new horror anthology from writer/producer Guillermo del Toro is coming to Netflix with the show titled Guillermo del Toro Presents 12 After Midnight (formerly 10 After Midnight), and it allows the filmmaker to honor the genre he loves. Guillermo del Toro is directing some episodes of the anthology alongside Australian director Jennifer Kent (The Nightingale, The Babadook). More directors will be announced later on. 

In this new genre-defining anthology series, acclaimed Academy Award-winning filmmaker Guillermo del Toro will present a collection of personally curated stories, that are both equally sophisticated and horrific. Creator and executive producer del Toro will bring his own visionary style as both a writer and director to certain episodes. In addition, he will handpick a team of the genre’s best writers and exciting new filmmakers to bring his selection of stories to life.

The Ronin can confirm that the horror series has added seasoned production designer Tamara Deverell (Star Trek: Discovery), who had recently worked with del Toro on his latest feature film Nightmare Alley and his vampire series The Strain. Deverell will work alongside art director Brandt Gordon (Nightmare Alley, Crimson Peak, Total Recall, Suicide Squad, Shazam!)

We’ve also learned that the production team will have visual effects supervisor Dennis Berardi, who has a fantastic body of work with projects such as Shazam!, Crimson Peak, Monster Hunter, Antlers, The Shape of Water, The Strain, Nightmare Alley, Vikings, and The Strain. 

Filming is already underway in Toronto, Ontario, Canada, and will wrap sometime in February. 

A longtime producing partner of del Toro, J. Miles Dale, is behind the series. His credits consist of Nightmare Alley, Antlers, Scary Stories To Tell In The Dark, The Shape of Water, The Strain, Mama, Shadowhunters, The Thing (2011), and Scott Pilgrim vs. The World. 

12 After Midnight will drop on Netflix sometime in 2022. 

James Gunn Reveals Universal Rejected His ‘Creature From The Black Lagoon’ Remake After The Success Of ‘Dawn Of The Dead’

Many know James Gunn thanks to directing credits on projects like Guardians of The Galaxy and his upcoming DC Comics film The Suicide Squad, but made waves because of his writing work on the hit Zack Snyder-directed zombie flick Dawn of The Dead, a remake of the classic George A. Romero movie.

During a fan Q&A on Instagram, James Gunn (taking a break from the filming of Peacemaker) revealed that in the wake of Dawn of The Dead’s success in 2004 he tried to get a Creature From The Black Lagoon remake (based on the 1954 film) that was ultimately turned down by Universal Pictures.

“I tried to do Creature From The Black Lagoon right after Dawn of The Dead, but they didn’t want me to do it,” James Gunn said when responding to a fan question on Instagram.

Remake plans at Universal go back to the early 1980s with various directors getting in the mix such as John Landis (An American Werewolf In London), John Carpenter (The Thing, Memoirs of An Invisible Man), Peter Jackson (The Frighteners, King Kong), Ivan Reitman (Ghostbusters), and Guillermo del Toro (Crimson Peak, Blade II).

More recently, the studio had directors Breck Eisner (The Crazies, The Last Witch Hunter, The Expanse) and Carl Rinsch (47 Ronin) attached at various stages. Back in 2015, there were rumors from The Tracking Board that actress Scarlett Johansson was wanted for a lead role with a script from Jeff Blitz, Gary Ross, Tedi Sarafian and Paul Schering.

After plans for their Dark Universe collapsed, there was chatter that the Universal was considering to continue with a Black Lagoon remake, but concrete updates haven’t been announced.

CREATURE FORM THE BLACK LAGOON – Remnants of a mysterious animal have come to light in a remote jungle, and a group of scientists intends to determine if the find is an anomaly or evidence of an undiscovered beast. To accomplish their goal, the scientists (Antonio Moreno, Richard Carlson, Richard Denning, Whit Bissell) must brave the most perilous pieces of land South America has to offer. But the terrain is nothing compared to the danger posed by an otherworldly being that endangers their work and their lives.

While Universal was twiddling their thumbs with those remake plans, Guillermo del Toro made his own creature feature for Searchlight Pictures, The Shape of Water, that ended up becoming a commercial success and landed Oscar statues for Best Picture and Best Director.

James Gunn would go on to direct Slither and Super before getting hired by Marvel Studios to help launch their successful Guardians of The Galaxy franchise. He recently completed work on The Suicide Squad that has an August 6 release date and will begin shooting Guardians of The Galaxy Vol.3 before the end of 2021.

SOURCE: JAMES GUNN

‘Shape of Water’ Plagiarism Lawsuit Against Guillermo del Toro Has Been Dismissed

Director Guillermo del Toro’s The Shape of Water was a lovely and horny love letter to the filmmaker’s passion for movie monsters. The off-beat genre flick was a hit earning an impressive 12 Oscar nominations leading to wins for Best Picture, Best Director, Best Production Design, and Best Original Score. Guillermo co-wrote The Shape of Water script with Vanessa Taylor, the pair landing a nomination for Best Original Screenplay.

THE SHAPE OF WATER – Elisa is a mute, isolated woman who works as a cleaning lady in a hidden, high-security government laboratory in 1962 Baltimore. Her life changes forever when she discovers the lab’s classified secret — a mysterious, scaled creature from South America that lives in a water tank. As Elisa develops a unique bond with her new friend, she soon learns that its fate and very survival lies in the hands of a hostile government agent and a marine biologist.

Making money, being popular, and becoming a multiple Oscar nominations led to a claim of plagiarism from David Zindel, the son of Let Me Hear You Whisper playwright Paul Zindel. With Zindel suggesting that Guillermo del Toro took from his father’s play for The Shape of Water and filing a copyright lawsuit back in February 2018, just before the Oscars ceremony that saw the film earn four awards. Fox called the claim baseless back in 2018 and there was an update on the upcoming trial.

LET ME HEAR YOU WHISPER – The play revolves around Helen, a recently hired scrub-woman, at the American Biological Association Development for the Advancement of Brain Analysis. During the course of her work, Helen learns the plight of an imprisoned intelligent dolphin that is being harshly studied by scientists.

Yesterday, it was announced via outlets such as The Hollywood Reporter that the lawsuit has been dismissed avoiding a trial that was said to begin in July.

Searchlight Pictures added this comment below on the lawsuit and suggests the two sides have agreed to simply end the dispute.

“David Zindel, the son of Paul Zindel, author of Let Me Hear You Whisper, acknowledges, based on confidential information obtained during the litigation process, that his claims of plagiarism are unfounded. He acknowledges Guillermo del Toro as the true creator of The Shape of Water.  Any similarity between the two works is coincidental.”

The next film from Guillermo del Toro is a remake of the thriller Nightmare Alley that is set to be released on December 3, 2021.

SOURCE: THE HOLLYWOOD REPORTER

Check Out Concept Art From James Cameron’s Unmade ‘Fantastic Voyage’ Remake – Did They Want To Cast Hugh Jackman?

The Ronin has uncovered a bunch of previously unseen concept artwork from the unmade Fantastic Voyage that was in development by Lightstorm Entertainment and 20th Century Fox. The project was a futuristic remake of the 1966 film based on the novel by science-fiction author Isaac Asimov (Foundation).

Fantastic Voyage (1966)

FANTASTIC VOYAGE – The brilliant scientist Jan Benes (Jean Del Val) develops a way to shrink humans, and other objects, for brief periods of time. Benes, who is working in communist Russia, is transported by the CIA to America, but is attacked en route. In order to save the scientist, who has developed a blood clot in his brain, a team of Americans in a nuclear submarine is shrunk and injected into Benes’ body. They have a finite period of time to fix the clot and get out before the miniaturization wears off.

Directors such as James Cameron (Aliens, Terminator 2: Judgement Day, Avatar), Roland Emmerich (Stargate, Universal Soldier, Independence Day), Paul Greengrass (Bourne Identity), and Shawn Levy (Free Guy, Real Steel, Stranger Things) had once been in the mix at different points of development. Cameron and Jon Landau would end up producing the film via Lightstorm Entertainment.

In 2010, screenwriter Laeta Kalogridis (Avatar, Alita: Battle Angel, Ghost In The Shell, Altered Carbon) was hired to do rewrites after director Roland Emmerich trashed the previous script in interviews.

In 2016, it was announced that Guillermo del Toro would be attached to direct with a script from Terminator: Dark Fate screenwriters David S. Goyer (Batman Begins, Blade, Blade II, Green Lantern Corps) and Justin Rhodes (RoboCop Returns, Green Lantern Corps) before he pivoted to passion projects like The Shape of Water and his current film Nightmare Alley.

There had been plans on shooting Guillermo’s version in Toronto, Ontario, Canada when had been assembling his production team development/pre-production stages.

While speaking with Screen Rant in the fall of 2017, del Toro suggested he was still keen on the project before moving on to Nightmare Alley.

DEL TORO: “That was on the calendar already. I announced the year in September, and if everything goes well and it happens, it would happen next September. We’d start prepping again. We had already delayed it. It is a very difficult movie, technically, and I needed to figure out a bunch of stuff. We’ve been doing R&D and we’ve been building stuff. I never know whether they’re going to happen or not. I’ve learned that, in 25 years. But, we’re still working on it.”

It remains to be seen if he’ll return to Fantastic Voyage in the future.

A batch of artwork from Shawn Levy’s incarnation (before Guillermo got involved) posted by production designer Tom Meyer (Real Steel, Spectral, BIOS) in a concept reel we spotted for the project features a bunch of concept artwork for the futuristic setting, animations, and storyboard animatics. Some plot details are also revealed in the video.

“Scaling” is the process of nano-sizing bio-technology hardware mechanisms. All illness has been eradicated through a vaccine of networked nano-implants. Hacking of the implant network is now our body’s primary threat.

Killing a pilot by hacking his implants with a “smart virus”, terrorists crash a jet into Washington D.C.’s icy Potomac.

One piece of artwork suggests that X-Men franchise actor Hugh Jackman was indeed wanted for a lead role as his likeness was used for one of the characters. It wouldn’t have been surprising given Shawn having worked with Hugh on Real Steel.

Deadline first connected him to the project back in 2011 and this artwork would support that reporting.

Here are the rest of images we captured from Tom’s concept reel.

Scaling Operating Room
Patient “0”
New Langley, N.S.A. – Implant Tracking Center
Is that William Fichtner on the right?
Main Ship Called Proteus During Scaling Ignition

Below is the reel posted by the film’s production designer Tom Meyer.

After Disney/21st Century Fox merger a handful of high-profile and expensive film projects were killed including Wes Ball’s Mouse Guard. There is a good chance that Disney might have squashed Fantastic Voyage as well.