‘Pacific Rim 2’: Guillermo del Toro Wanted Rinko Kikuchi & Donnie Yen To Lead His Sequel, Exited Due To Studio Losing Stages In Toronto

Sometimes when sequels are made they don’t often look like the original incarnation of that follow-up from the development stages and the same can be said about Legendary’s haphazard sequel to Guillermo del Toro‘s “Pacific Rim.” There had been an attempt by del Toro to return for the sequel but left due to some studio hijinks that left them without a stage facility to make the film in a timely manner. His exit from that kaiju-vs-robots sequel was a lot more avoidable than you might imagine.

While speaking with Collider recently, the filmmaker revealed that he ultimately didn’t return to make “Pacific Rim 2” because the studio, Legendary, according to del Toro, let their access to stages at Pinewood Studios Toronto (Where the first film had been shot) expire by not paying the deposit needed to hold them and would have further delayed production with the promise that they could simply shoot the film in China. However, del Toro wanted to do location shoots in China after scouting but mainly do that stage work in Toronto. Instead, del Toro passed after the studio lost the stages they needed in Toronto and moved on to his Oscar-winning film “The Shape of Water,” which as you might expect he shot in Toronto alongside Buffalo, New York.

The Mako Mori test | Karavansara

He revealed that Rinko Kikuchi‘s Mako Mori (Adopted daughter of Marshall Pentecost), the female lead of the previous installment was poised to take the reigns from Charlie Hunnam as the lead of del Toro’s version of “Pacific Rim 2.” Along with the aim to get Hong Kong action star Donnie Yen (“Rogue One,” “John Wick 4”) a key role as well. Yen and del Toro had previously worked together on “Blade II,” where the actor had played a member of the vampire black ops team, The Blood Pack, but didn’t last very long in that picture.

“The main character for me in many ways was Mako Maori…I wrote a phenomenal role for Donnie Yen, I wanted Donnie Yen. I wanted Donnie Yen to star in a damn mainstream movie, I was all for [filming in China]. We did scout in China and we were going to do location shooting [in China] but [for] stage I wanted to be in Toronto.”

Legendary decided not to use those actors in del Toro’s desired capacity. Pivoting to “Star Wars: The Force Awakens” actor John Boyega playing the never-mentioned son of Pentecost as our new main protagonist. The main leg of the sequel’s production took place in Australia with director Steven S. DeKnight (“Daredevil”) at the helm, making his feature film debut on a rather massive studio film which is infamously a make-or-break situation on such a large project.

Ultimately, “Pacific Rim: Uprising” wouldn’t be as much of a hit with critics or audiences as it only mustered $291 million which was $100 million less than the last movie had made ($411 million). Guillermo also admittedly never ended up watching the version the studio made and made a flowery comparison to “home movies from your ex-wife.” Adding, “They’re terrible if they’re good and worse if they’re bad.” That line got some chuckles from the audience at the Q&A that Collider was hosting.

Just the other day, del Toro had stated that Tom Cruise nearly had a big role in the original film and was wanted for Idris Elba‘s part but it ultimately didn’t work out.

You can watch that full exchange between del Toro and Collider’s Steve Weintraub below.

SOURCE: COLLIDER

‘Too Old To Die Young’ Cinematographer Diego Garcia Worked On Michael Mann’s HBO Max Crime Series ‘Tokyo Vice’

Originally, filmmaker Destin Daniel Cretton was attached to direct a Japanese-set crime series based on the non-fiction novel Tokyo Vice by journalist Jake Adelstein, but had to exit due to scheduling conflicts with his Marvel Studios film Shang-Chi & The Legend of The Ten Rings, that was shooting in Australia. Instead, HBO Max ended up hiring the best replacement imaginable for a crime series, Michael Mann. Since he was the creative force behind the original Miami Vice series.

The Ronin has been able to confirm that one of the show’s cinematographers is Diego Garcia, who worked on the Nicolas Winding Refn thriller series Too Old To Die Young and the upcoming Jennifer Lawrence drama at A24 from director Lila Neugebauer.

One of the other names mentioned for the series has been Westworld cinematographer John Grillo.

After a long pause in 2020, production resumed in November despite allegations of sexual assault against the show’s lead actor Ansel Elgort (Westside Story, Baby Driver) from last summer as the American actor wasn’t replaced.

Tokyo Vice is a firsthand account of a young American journalist (Elgort) working the Tokyo Metropolitan Police beat. Elgort stars as Adelstein as he embeds himself into the Tokyo Vice police squad to reveal corruption. The series chronicles Adelstein’s daily descent into the sordid underbelly of Tokyo, where nothing and no one is truly what or who they seem.

Ken Watanabe, Rinko Kikuchi, Rachel Keller, and Ella Rumpf also have key roles.

Tokyo Vice’s production resuming happened to take place around the same time Destin Daniel Cretton was finishing up principal photography on Shang-Chi and moving into post-production. Cretton remains as the show’s executive producer alongside Michael Mann and series leads Ken Watanabe and Ansel Elgort.

Director Michael Mann is best known for his impressive body of work that consists of Thief, Manhunter, Heat, The Insider, Collateral, Miami Vice, Public Enemies, and Blackhat. Oddly enough, he never directed an episode of the Miami Vice series but did helm a single episode of the Chicago-set show Crime Story starring the late Dennis Farina.

The impressive part of the series is that they’ve done a lot of filming in country in Japan, which is notoriously expensive for foreign/western productions because of the endless red tape and scheduling that is involved. I also can’t imagine the added costs with pandemic delays and protocols thrown into the mix.