Quentin Tarantino Wanted An All-Black Cast For His ‘Reservoir Dogs’ Remake; Could End Up Becoming A Stage Play Instead

Not too long ago, Quentin Tarantino revealed that one of the early ideas he was considering for his tenth and final film was a remake of his 1992 hit film Reservoir Dogs, but he abandoned the idea and promised that it wouldn’t end up doing it as he decided against it but mulled over turning it into a novel

However, while speaking with CinemaBlend’s Reel Blend Podcast (via The Playlist) the filmmaker dished that the crux of the remake was having a fresh perspective by having an all-black cast and added that he might consider doing it as a stage play instead. 

“I didn’t get that far in it, but I’ve decided that if I wanted to do something like that I would do it more onstage. I think that would be cool, but my thought process was, well, if it’s a strong piece of material, it would work doing it any time, it does seem timeless, and with a new group of actors, it would have a new life and it would have a new life because of the fact that I didn’t really know what the hell I was doing when I did Reservoir Dogs, and now I know what I’m doing a little bit more so that could be interesting. I won’t have the youthful exuberance that I had, but we’ll see how much that accounts for anything,” Tarantino said of remaking the film because of his years of experience being applied to that original idea. 

The filmmaker continued revealing that he wanted to cast black actors, “At the time, I was considering doing it as a movie, making it as an all-Black cast, that would have been my twist on it as far as making it a different movie. Nah, I don’t think I took it that far,” he said when asked about a potential cast for the remake. “I think part of the idea to open up would be just to see who responded to it and figure it out that way.”

Tarantino’s stage play idea isn’t a new thing as when his Hateful Eight script leaked online he cancelled the film, only to do a play version that eventually inspired him to return to the feature film incarnation after having a bunch of much fun dong it live with an audience.

Considering that he didn’t get that far with coming up with ideas for the new cast. I figured I’d come up with my dream cast after re-watching the film and trying to figure out, who would likely work for the characters and also be people that Tarantino would want to work with given their body of work. 

  • Don Cheadle – Mr. White
  • Daniel Kaluuya – Mr. Orange
  • Jamie Foxx – Mr. Blonde
  • Brian Tyree Henry – Mr. Pink
  • Samuel L. Jackson – Joe Cabot
  • Craig Robinson – Nice Guy Eddie
  • Jonathan Majors – Mr. Brown
  • Laurence Fishburne – Mr. Blue
  • Jake Gyllenhaal – Officer Marvin Nash
  • Walton Goggins – Detective Holdaway

I’d also like to see a setting and era switch-up, possibly seeing this crew stealing from Al Capone during the height of the gangster’s empire of crime in Chicago in the 1920s (the 1970s could work too). That would allow Tarantino to make his large scale gangster film just like his directing heroes Brian De Palma (The Untouchables) and Sergio Leone (Once Upon A Time In America).

SOURCE: REEL BLEND PODCAST

Quentin Tarantino Might Finish A ‘Reservoir Dogs’ Novel After Writing Two Chapters

Quentin Tarantino is doing a bunch of interviews to help promote the publishing of a novelization of his Oscar-winning film Once Upon A Time Hollywood, expanding upon those characters and events from the film. However, Tarantino might not stop there as he revealed to The Big Picture podcast (via Slash Film) that he started out writing two chapters of a Reservoir Dogs novel before pivoting to Once Upon A Time In Hollywood instead.

“I thought to myself, ‘Well shit, I ought to do one of these for one of my movies. So my first thought was Reservoir Dogs, because there’s a mystery/crime section in the bookstore…I mean, it’s right there. And I even wrote, like, two chapters of a Reservoir Dogs novelization. But then I thought, ‘Wait a minute. What the fuck am I doing? The last movie I did was Once Upon a Time in Hollywood. I have tons of material that never saw the light of day – material that I never even typed up because it’s not going to be in the movie, it was just edification for me. And people seem to like it.’ So it just seemed like this could do really well,” Tarantino said about the creative process of how he wrote his novelization of Once Upon A Time In Hollywood.

The filmmaker mused about doing more writing and even finishing his Reservoir Dogs novel, “Hopefully, I’ll do this quite a bit. I can see myself – I don’t know if I’m going to do every movie I’ve ever done, but I can definitely see the idea of a Reservoir Dogs novel. That could be really cool. And then [I’m working on] an original. It’s kinda pulpy. I’ve got a western idea, and I’ve written about two chapters of an original western novel.”

Maybe, we’ll find out what happened to Steve Buscemi’s Mr. Pink, as he believes the character became the Buddy Holly waiter in Pulp Fiction.

RESERVOIR DOGS – Six criminals with pseudonyms, and each strangers to one another, are hired to carry out a robbery. The heist is ambushed by police and the gang are forced to shoot their way out. At their warehouse rendezvous, the survivors, realizing that they were set up, try to find the traitor in their midst.

SOURCE: THE BIG PICTURE PODCAST

Steve Buscemi Theorizes Mr. Pink From ‘Reservoir Dogs’ Got Away & Became The Buddy Holly Waiter In ‘Pulp Fiction’

Quentin Tarantino recently mused about remaking his first big directorial effort Reservoir Dogs as his final feature film, but also dismissed the idea in the same breath.

Cast member Steve Buscemi appeared on The Late Late Show With James Corden and revealed his own theory about the fate of his character Mr. Pink, the one character that seemingly got away from both the shootout and cops. What happened to Mr. Pink has long been a creative exercise but Buscemi is echoing a theory that sees him having a direct connection to Tarantino’s follow-up Pulp Fiction.

“I don’t know if anyone else thinks about this, but because my character of Mr. Pink in Reservoir Dogs was such a cheapskate, and he didn’t like to tip, I thought it was poetic justice that my next film with Quentin, I play a waiter. I even like to think that maybe Mr. Pink got away somehow in Reservoir Dogs and he’s hiding out as the Buddy Holly waiter. And he probably gets tipped terribly. That’s his fate,” Steve Buscemi told the late night host.

It’s certainly poetic justice, however, Mr. Pink would have had the diamonds from the heist, so there would have to be some extra explanation about what happened to the stolen goods that led him to become a waiter. Maybe, he’s a huge gambler and blew all the money making horrible bets or a rough weekend in Las Vegas. Then again, if he’s a cheapskate he could have a mental thing about spending that money.

RESERVOIR DOGS – Six criminals with pseudonyms, and each strangers to one another, are hired to carry out a robbery. The heist is ambushed by police and the gang are forced to shoot their way out. At their warehouse rendezvous, the survivors, realizing that they were set up, try to find the traitor in their midst.

SOURCE: THE LATE LATE SHOW WITH JAMES CORDEN

Quentin Tarantino Once “Considered” Remaking His Iconic Robbery Thriller ‘Reservoir Dogs’ As His Last Movie; “I Won’t Do It, Internet”

Quentin Tarantino is making the press rounds to promote his new novelization of Once Upon A Time In Hollywood that expands upon the Oscar-winning pic and stopped by the stages of Real Time With Bill Maher last night. The director briefly reiterated his plan to retire after completing his tenth and final feature film, while also teasing something interesting at the same time.

Tarantino revealing that, at one time, he considered remaking Reservoir Dogs as his tenth and final movie.

“I’ve actually considered about doing a remake of Reservoir Dogs as my last movie. I won’t do it, internet, alright, but I considered it,” Tarantino said when asked if Reservoir Dogs would be different if he had made the film with his current level of experience as a filmmaker.

RESERVOIR DOGS – Six criminals with pseudonyms, and each strangers to one another, are hired to carry out a robbery. The heist is ambushed by police and the gang are forced to shoot their way out. At their warehouse rendezvous, the survivors, realizing that they were set up, try to find the traitor in their midst.

It’s interesting because he’s been talking up a Vega Brothers movies for decades, but since Michael Madsen’s Vic Vega and John Travolta’s Vincent Vega were killed in their respective movies it would make things unbelievable as the actors are much much older at this point. A remake could have potentially scratched that itch.

He’s mentioned in the past his desire to return the world of gangsters and thieves, with a Pretty Boy Floyd-type film, but never executed on that idea. His favorite director Sergio Leone tackled the genre with Once Upon A Time In America starring Robert De Niro, the title of Tarantino’s last film was an obvious nod to both Leone’s western Once Upon A Time In The West and the aforementioned gangster flick.

Tarantino has previously said he’s written but a bunch of episodes of his Bounty Law spinoff series, and has suggested he’ll tackle that before attempting his final movie. Although, retirement to Quentin Tarantino is likely going to look a little different than what most would imagine, as he plans to write books and potentially write/produce/direct television projects.

Reservoir Dogs was my first introduction to Quentin Tarantino slightly before Pulp Fiction landed in rental stores and cable. I have a huge attachment to Tarantino’s first directorial debut but can also see how it could be improved or expanded with a reboot, given it’s scope could have been more on the level of a Martin Scorsese gangster epic if it had a larger budget to work with. However, the original is still extremely charming and even more impressive when you learn it was only made for $1.2 million when it feels like it cost significantly more.

He wouldn’t be the first filmmaker to attempt to revisit or reboot their own material, director Michael Mann famously turned his television pilot L.A. Takedown into the fantastic Al Pacino and Robert De Niro flick Heat. The latter is obviously the superior of the two, becoming one of the best crime films ever made and Heat is easily one of the films that Mann is best known for.

It is worth noting that he’s talked about these projects and nothing really becomes of them. Something like Kill Bill 3 has been another thing he’s talked-up for ages and was said to be speaking with Uma Thurman about it not too long ago. I still have major doubts it’ll ever get made outside of a book or series.

Tarantino had been working with screenwriter Mark L. Smith (The Revenant) on a Star Trek film at Paramount Pictures, but seemingly won’t be happening as development has stalled.

SOURCE: REAL TIME WITH BILL MAHER