After winning on Oscar for Black Panther and an Emmy for The Mandalorian, Swedish composer Ludwig Göransson is cementing a working relationship with Disney. He’s set to score Pixar’s upcoming Toronto-set animated film Turning Red and there is even more.
It was announced earlier in the month by Göransson to Variety, that he would be reuniting with director Ryan Coogler for Black Panther: Wakanda Forever and he’s even doing a second Star Wars show on top of that.
Film Music Reporter has revealed that the composer is also working on The Book of Boba Fett, the spinoff series of The Mandalorian focusing on the clone bounty hunter. The series wrapped months back with Lucasfilm previously announcing it will debut on Disney+ this December.
In the show, we’ll see further adventures of Boba Fett (played by Temuera Morrison) and his newly acquired partner Fennec Shand (Ming-Na Wen), the stinger teased he’ll attempt to either get revenge or take over the underworld returning to his gangster life.
We wouldn’t be shocked if Ludwig Göransson is also going to work on the third season of The Mandalorian or the Rosario Dawson spinoff Ahsoka, it’s only a matter of time before that is made official.
While it’s likely, a second season for The Book of Boba Fett hasn’t been hinted to or announced by Disney/Lucasfilm.
The Black Panther sequel will be released on July 8, 2022, with a returning cast that consists of Danai Gurira as Okoye, Letitia Wright as Shuri, Daniel Kaluuya as W’Kabi, Winston Duke as M’Baku, Lupita Nyong’o as Nakia, Florence Kasumba as Ayo, Angela Bassett as Romonda, and Martin Freeman as Everett K. Ross.
New additions to the cast for Black Panther: Wakanda Forever are expected to include Dominique Thorne (Judas & The Black Messiah) making her MCU debut as Riri Williams (getting her own Disney+ series Ironheart) alongside Emmy-winner Michaela Coel (I May Destroy You, Black Mirror) and Tenoch Huerta (Narcos: Mexico).
Big news was made yesterday when longtime producer Brad Winderbaum was promoted at Marvel Studios.
Winderbaum’s new role at the studio, according to The Hollywood Reporter, will be head of streaming, television, and animation. Essentially, overseeing all the work at Disney+ and other platforms that will be developing animation/television projects using their huge lineup of characters.
Kevin Feige will still keep his role of Marvel Studios head and chief creative officer at Marvel. This just allows someone else to do a lot of the day-to-day business on the television side of things and we have to assume that Winderbaum’s role will be similar to what Jeph Loeb did before Marvel Television was dissolved (rebranded as Marvel TV Studios after Loeb’s exit).
Variety also spoke to Winderbaum, who indicated multiple animated series were on the way and are in “various stages of development” at Disney+, although, no new titles were mentioned. He also indicated that Marvel Studios and Kevin Feige will continue to be closely involved with future projects.
“All of our animation ambitions are going to still be under Marvel Studios, which means they’re going to be produced by Kevin Feige and they’re going to be born of the same stuff that makes the rest of our content.”
Winderbaum also commented on the idea of working with Pixar and Disney Animation at some point, however, isn’t indicating that is something that is actively happening.
“It’s something that we’d be open to under the right circumstances. It all depends on the project.”
We already know that Captain Carter is returning for multiple seasons of What If…? and there had been previous reporting at HN Entertainment that a Power Pack animated series was heading to the streaming service.
Marvel Studios is expected to make a big announcement about their upcoming lineup in the near future and may include a heap of streaming projects alongside new movies.
Today, Pixar and Disney have released the first teaser trailer for their very next big feature film release. Apparently, won’t be dumped on Disney+ like Soul or Luca. Directed by Chinese-Canadian director Domee Shi, who won an Oscar for the Pixar short Bao, it focuses on a young teenage girl Mei Lee (voiced by Rosalie Chiang), who turns into a giant red panda when too excited.
It’s interesting that there are some clues to this potentially being a Pixar film that is set in Canada, mainly, because Mei is sporting a Canadian flag shirt in one scene and has a Canadian pin on her backpack. Worth pointing out the panda and logo are also using the Canadian flag colors. You can also see the CN Tower at one point which means this takes place in Toronto, Ontario, Canada. Yippie!
Canadian actress Sandra Oh (Killing Eve) voices Mei’s mother as well.
TURNING RED – Growing up is a beast. Check out the new trailer for the upcoming all-new original feature film “Turning Red” from Pixar Animation Studios’ director Domee Shi, who won an Oscar® for her 2018 short film, “Bao.” Young actress Rosalie Chiang lends her voice to Mei Lee, a 13-year-old who suddenly “poofs” into a giant red panda when she gets too excited (which is practically ALWAYS). Sandra Oh voices Mei Lee’s protective, if not slightly overbearing mother, Ming, who is never far from her daughter—an unfortunate reality for the teenager. Directed by Shi and produced by Lindsey Collins, Disney and Pixar’s “Turning Red” releases March 11, 2022.
As Disney is adjusting their 2021 release date, there is official word that their upcoming Pixar film Luca will be heading directly to Disney+ as an exclusive instead of becoming a hybrid release, which we saw with Raya & The Last Dragon.
It will still be coming out on June 18th.
Pixar’s Soul had a similar fate last year and seemed to a huge hit for Disney+.
LUCA – Set in a beautiful seaside town on the Italian Riviera, Disney and Pixar’s original feature film “Luca” is a coming-of-age story about one young boy experiencing an unforgettable summer filled with gelato, pasta and endless scooter rides. Luca shares these adventures with his newfound best friend, but all the fun is threatened by a deeply-held secret: they are sea monsters from another world just below the water’s surface.
Set in a beautiful seaside town on the Italian Riviera, Disney and Pixar’s original feature film “Luca” is a coming-of-age story about one young boy experiencing an unforgettable summer filled with gelato, pasta and endless scooter rides. Luca shares these adventures with his newfound best friend, but all the fun is threatened by a deeply-held secret: they are sea monsters from another world just below the water’s surface.
The Pixar film is directed by Enrico Casarosa and is coming June 18th.
Character information and a list of voice actors were also released by the studio as well.
Pixar invites you to dive into the world of “Luca,” its next animated original in which a boy finds a coming-of-age story in a beautiful Italian summer paradise, only to realize that his newfound best friend is a sea monster from a world just below the water’s surface.
Jacob Tremblay (“Room,” “Wonder”) lends his voice to title character Luca Paguro, a bright and inventive 13-year-old sea monster with endless curiosity–especially when it comes to the mysterious world above the sea.
Jack Dylan Grazer (“We Are Who We Are,” “Shazam”) voices Alberto Scorfano, the independent, free-spirited teenage sea monster with unbridled enthusiasm for the human world.
Emma Berman provides the voice of Giulia, an outgoing and charming adventurer who befriends Luca and Alberto.
Jim Gaffigan voices Lorenzo, Luca’s father. Rounding out the voice cast are Maya Rudolph and Marco Barricelli, who voices Giulia’s parents.
In a report from Deadline, Mike Fleming claims that Disney will make announcements at Investor Day 2020 on December 10th concerning new projects (theatrical films and television) from Marvel Studios, Lucasfilm, and Pixar.
Details aren’t mentioned or what those “new” projects will be.
Disney on December 10 will announce its upcoming slate. While the studio will solidify what Deadline revealed recently – that the Tom Hanks-starrer Pinocchio, Peter Pan and the Emma Stone-starrer Cruella will bypass movie theaters to become Disney+ releases, the studio will also announce new projects from Marvel, Lucasfilm and Pixar that will encompass TV as well as theatrical. It will be a gesture toward not abandoning the exhibitors.
Fans will be curious to hear if Disney will attempt a similar day-and-day model that was recently announced by WarnerMedia for their entire 2021 film slate, as delayed Marvel films such as Black Widow and Shang-Chi could be part of that hypothetical announcement seeing large theatrical films landing on Disney+.
Collider recently suggested that Disney might be considering merging Disney+ and mature content from Hulu into a single service, another big update from Disney that could be announced (if true) at Investor Day this week.
Kevin Feige would likely confirm castings concerning Oscar Isaac as Moon Knight and Tatiana Maslany as She-Hulk. A Nick Fury series was announced to be in develop, which we assume will star Samuel L. Jackson and possibly include Skrulls/S.W.O.R.D. but that would need to be confirmed. They could also announce their plans for an MCU reboot of Fantastic Four on the film side or updates concerning things we know are happening officially like Ant-Man 3, Captain Marvel 2, Black Panther 2, Deadpool 3 and Blade.
Concerning Lucasfilm, we know that Star Wars shows such as Boba Fett, Cassian Andor, Kenobi, The Mandalorian (Season 3), and a series coming from Leslye Headland are in varying stages of prep/production. There are a couple of films in development from Taika Waititi and Rian Johnson as well.
They’re also about to begin shooting their Willow sequel series in Wales with director Jon M. Chu (Crazy Rich Asians) and we might finally get a concrete update on James Mangold’s Indiana Jones 5.
Hopefully, we get some new details on December 10th and we’re not hearing new information for projects already made known.
Yesterday, the Walt Disney Company announced a new initiative to get more content going for its streaming services such as Disney+, ESPN+, and Hulu from its sports, television, and film divisions. The new division will be called The Media & Entertainment Distribution group led by Kareem Daniel.
It sounds like they’ll be dedicating a lot more resources and money than they have previously as means to compete with competitors like Netflix and Amazon. However, this announcement says nothing about them throwing their 2021 theatrical slate on Disney+ and never mention a thing about ending theatrical releases altogether only pushing to place more content on their streaming services.
We will get more details on these plans on December 10th.
During an interview with CNBC, Disney’s new CEO Bob Chapek was quick to point out that they aren’t looking to stop the theatrical experience and would be announcing further details.
Also, specifically downplayed COVID-19’s role in the decision.
CHAPEK: “I would not characterize it as a response to Covid. I would say Covid accelerated the rate at which we made this transition, but this transition was going to happen anyway. Because essentially what we want to do is separate out folks who make our wonderful content based on tremendous franchises from the decision making in terms of prioritization is on how it gets commercialized into the marketplace. And what we want to do is leave it to a group of folks you can really see objectively across all of the constituents we have and various considerations we’ve got and make the optimal decision for the company as opposed to having it predetermined that a movie is destined to theaters or that a TV show is destined for ABC. So what we really want to do is provide some level of objectivity and really make it a decision that benefits the overall company and its shareholders.”
When pressed on Disney’s commitment to the theatrical model Bob said the following that gives the impression they’re not giving up on the theatrical model just yet.
CHAPEK: “We’ve benefited from a tremendous relationship with theatrical exhibition for many many many years as dynamics change in the marketplace though we want to make sure that we are giving consumers who want to go to theaters to experience everything that a theatrical release can give them, we want to continue to give them that option but at the same time there are a lot of consumers that want to experience a movie in the safety, comfort, and convenience of their own home for whatever reasons they do.”
To me, it sounds like either they are going to pursue a shorter theatrical window or a mixed model of day-and-date which obviously the theater industry wouldn’t be terribly pleased about on either front.
Here is the official press release from the Walt Disney Company website that gets a little more into the weeds about what all this means.
In light of the tremendous success achieved to date in the Company’s direct-to-consumer business and to further accelerate its DTC strategy, The Walt Disney Company (NYSE: DIS) today announced a strategic reorganization of its media and entertainment businesses. Under the new structure, Disney’s world-class creative engines will focus on developing and producing original content for the Company’s streaming services, as well as for legacy platforms, while distribution and commercialization activities will be centralized into a single, global Media and Entertainment Distribution organization. The new Media and Entertainment Distribution group will be responsible for all monetization of content—both distribution and ad sales—and will oversee operations of the Company’s streaming services. It will also have sole P&L accountability for Disney’s media and entertainment businesses.
The creation of content will be managed in three distinct groups—Studios, General Entertainment, and Sports—headed by current leaders Alan F. Horn and Alan Bergman, Peter Rice, and James Pitaro. The Media and Entertainment Distribution group will be headed by Kareem Daniel, formerly President, Consumer Products, Games and Publishing. All five leaders will report directly to Bob Chapek, Chief Executive Officer, The Walt Disney Company. Disney Parks, Experiences and Products will continue to operate under its existing structure, led by Josh D’Amaro, Chairman, Disney Parks, Experiences and Products, who continues to report to Mr. Chapek. Rebecca Campbell will serve as Chairman, International Operations and Direct-to-Consumer. Bob Iger, in his role as Executive Chairman, will continue to direct the Company’s creative endeavors.
“Given the incredible success of Disney+ and our plans to accelerate our direct-to-consumer business, we are strategically positioning our Company to more effectively support our growth strategy and increase shareholder value,” Mr. Chapek said. “Managing content creation distinct from distribution will allow us to be more effective and nimble in making the content consumers want most, delivered in the way they prefer to consume it. Our creative teams will concentrate on what they do best—making world-class, franchise-based content—while our newly centralized global distribution team will focus on delivering and monetizing that content in the most optimal way across all platforms, including Disney+, Hulu, ESPN+ and the coming Star international streaming service.”
Under the new structure, the Company’s three content groups will be responsible and accountable for producing and delivering content for theatrical, linear and streaming, with the primary focus being the Company’s streaming services:
STUDIOS: Messrs. Horn and Bergman will serve as Chairmen, Studios Content, which will focus on creating branded theatrical and episodic content based on the Company’s powerhouse franchises for theatrical exhibition, Disney+ and the Company’s other streaming services. The group will include the content engines of The Walt Disney Studios, including Disney live action and Walt Disney Animation Studios, Pixar Animation Studios, Marvel Studios, Lucasfilm, 20th Century Studios and Searchlight Pictures.
GENERAL ENTERTAINMENT: Mr. Rice will serve as Chairman, General Entertainment Content, which will focus on creating general entertainment episodic and original long-form content for the Company’s streaming platforms and its cable and broadcast networks. The group will include the content engines of 20th Television, ABC Signature and Touchstone Television; ABC News; Disney Channels; Freeform; FX; and National Geographic.
SPORTS: Mr. Pitaro will serve as Chairman, ESPN and Sports Content, which will focus on ESPN’s live sports programming, as well as sports news and original and non-scripted sports-related content, for the cable channels, ESPN+, and ABC.
The Media and Entertainment Distribution group, led by Mr. Daniel, will be responsible for the P&L management and all distribution, operations, sales, advertising, data and technology functions worldwide for all of the Company’s content engines, and it will also manage operations of the Company’s streaming services and domestic television networks. The group will work in close collaboration with the content creation teams on programming and marketing.
It’ll be interesting to see if Disney+ will start mining IP from the 20th Century Studios side of things soon as Disney+ series and limited series focused on properties like Avatar and Planet of The Apes could be extremely successful. In the press release they suggest that they could end up making episodic projects based on 20th Century properties.
A live-action Flash Gordon series stands out as a property that Disney really could do justice with on Disney+ and be a counter of sorts to their Star Wars shows as it could be way more swashbuckling than the Lucasfilm property that was inspired by it. Taika Waititi (Thor: Ragnarok, Thor: Love & Thunder, Jojo Rabbit) is attached to direct an animated Flash Gordon film and at one time 20th Century was developing a live-action feature as well from directors Matthew Vaughn (X-Men: First Class, Stardust, Layer Cake) and Julius Avery (Overlord) involved at different points.
I wouldn’t even put it past Disney to reboot John Carter eventually given the Volume/StageCraft would allow them to make a series more cost effective that world like Flash Gordon is different enough from Star Wars it would be worth pursuing.
Of course, this could mean a major influx of more shows from Marvel, Star Wars, and Pixar universes but might also see Hulu getting a bump of adult content as well with franchises like Alien (Noah Hawley pitched an Alien series to FX) and Predator just collecting dust while they could be helpful to get more eyeballs on Hulu. HBO Max had recently crowed about Ridley Scott’s sci-fi series Raised By Wolves being the most popular original on their service when announcing they were moving forward with a Season 2 order.
Matthew Vaughn has also been talking up the idea of a Kingsman spinoff series that could fit nicely at Hulu.
Disney certainly has a massive gap in the adult market and places like Canada don’t have access to Hulu and that really needs to change if they want to compete with Netflix/Amazon on an international level as those services offer content to both kids and adults alike. Cornering the kid market just won’t be enough for Disney if they want to grow their streaming presence.
I guess we’ll have to wait for December 10th to get more concrete answers about what all this actually means for content that is already in the can or is about to begin filming.
THE RONIN 