Tag: Noah Hawley

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EXCLUSIVE: Noah Hawley’s Earthbound ‘Alien’ Series Adds ‘Foundation’ & ‘I Am Mother’ Cinematographer Steve Annis

FX/Hulu, 20th Century Studios, and Ridley Scott’s Scott Free Productions have come together alongside creator/showrunner Noah Hawley (“Legion,” “Fargo”) to make a series set within the “Alien” universe. Filming has been underway in Thailand after a production pause due to last year’s strikes and we have a small tidbit to share.

The Ronin can confirm that director of photography Steve Annis (“I’m A Virgo”) is part of the show’s crew working on the Earthbound series that takes place before the events of the mainline film franchise. Annis is best known for the Apple TV+ series “Foundation,” the Netflix movie “I Am Mother,” the Nicolas Cage sci-fi horror flick “Color of Space,” and recently worked on Lionsgate’s remake of “The Crow.” We previously revealed that “Fargo” director Dana Gonzales would be helming an unknown number of episodes alongside Hawley and that production designer Andy Nicholson (“Captain Marvel,” “Gravity”) would be working on the show as well.

The “Alien” series has a cast that consists of Sydney Chandler, Alex Lawther, Kit Young, Essie David, Samuel Blenkin, David Rysdahl, Adarsh Gourav, Babou Ceesay, Jonathan Ajayi, Erana James, Lily Newmark, Diêm Camille, Moe Bar-El, and Adrian Edmondson. One of the more recent additions has been Timothy Olyphant (“Justified”) who is said to be playing an android character. “Synthetics” in the “Alien” franchise have been both friends (Walter, Bishop, Call) and foes (Ash, David) to our human leads.

This isn’t the only “Alien” project on the horizon with Fede Alvarez’s “Alien: Romulus” being released on August 16, 2024, that will focus on a group of young human colonists on an off-world facility. Actress Cailee Spaeny confirmed that “Romulus” takes place between the events of the first two movies within the franchise timeline, suggesting a potential link to “Aliens” and the Hadley’s Hope outbreak on LV-426.

We also got some promising news about the “Predator” franchise as director Dan Trachtenberg (“Prey”) is set to return for a future-set film called “Badlands“ with a bunch of other projects in development including “Prey 2.” Hopefully, “Badlands” and “Romulus” end up planting seeds for a faithful feature/series incarnation of “Aliens vs Predator” that takes place in a futuristic off-world setting for that fray with the return of Colonial Marines. The lackluster “AVP” movies were some of the less interesting entries due to their contemporary Earthbound settings and the thinking is that 20th Century Studios may attempt to resurrect the comic book/video game crossover down the line.

Earlier this month it was revealed that the “Alien” series is aiming to debut sometime in 2025.

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‘Alien’ Series: Timothy Olyphant Reportedly Playing An Android In New Earthbound Show From Noah Hawley

As production on the new “Alien” series is expected to resume in the new year according to creator/showrunner/director Noah Hawley, a big casting addition has been revealed by Deadline. The outlet reports that veteran actor Timothy Olyphant (“Justified”) has joined the sci-fi horror series that had been shooting in Thailand and is said to be playing an android character. Synthetic characters in the “Alien” franchise have been both friends (Walter, Bishop, Call) and foes (Ash, David) to our human leads.

Olyphant and Hawley previously worked together on the fourth season of “Fargo.”

The rest of the cast consists of Sydney Chandler, Alex Lawther, Samuel Blenkin, Essie Davis, Adarsh Gourav, and Kit Young.

While we’re waiting on more concrete plot details the show is expected to take place in the events of the original “Alien” from 1979 and specifically is set on Earth, the first installment of the main franchise to do so. Outside of Paris scenes in “Alien Resurrection” and the opening of “Prometheus.” There is an expectation it will focus on the greedy and evil corporation Weyland Industries/Weyland-Yutani, who act as the secondary antagonists that throw various expendable crew members into the meat grinder in an attempt to secure the Xenomorph for their biological weapons program.

Meanwhile, on the film front, we’re expected to have “Alien: Romulus” by director Fede Alvarez released on August 16, 2024. That pic is said to be focused on a young group of off-world colonists that are forced to confront the Xenomorph/Xenomorphs.

SOURCE: DEADLINE

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Noah Hawley’s Earthbound ‘Alien’ Series Will See ‘Fargo’ Director Dana Gonzales Tackle Episodes

The “Alien” franchise is undergoing a bit of a stress test since the reigns have moved over to Disney post-merger and with a new feature film heading to theaters next summer it does certainly feel like the brass running 20th Century Studios actually is trying its best to reinvest into the sci-fi horror genre. We’re not only getting a new movie but FX/Hulu and Scott Free are behind an Earthbound prequel series as well that had been filming in Thailand earlier in the year. With the strikes resolved, it was recently revealed to The Wrap by the show’s creator/director Noah Hawley (“Legion,” “Fargo”) that the show is aiming for release sometime in 2025 with the production expected to ramp back up in February.

The Ronin can share a small update on the untitled “Alien” series. Executive producer Dana Gonzales had been previously linked as one of the show’s cinematographers (latest credit being “The Toxic Avenger”) and will direct an unknown amount of episodes alongside Hawley. His directing credits include “Legion,” “The Handmaid’s Tale,” “The Changeling,” and two upcoming episodes from Season 5 of “Fargo.”

We’re still waiting for more concrete plot details about the sci-fi horror series but it is expected to take place before the events of the original 1979 film and out-of-character for the franchise will mostly be set on Earth with the potential of Weyland Industries/Weyland-Yutani (the secondary villain of the franchise) being at the core of it. The cast of the “Alien” series includes Sydney Chandler (“Don’t Worry Darling”), Alex Lawther (“Andor,” “Black Mirror”), Samuel Blenkin (“Black Mirror,” “The Sandman”), Essie Davis, and Adarsh Gourav.

This is how Hawley described the show to Esquire back in 2022:

“It’s set on Earth of the future. At this moment, I describe that as Edison versus Westinghouse versus Tesla. Someone’s going to monopolize electricity. We just don’t know which one it is … In the movies, we have this Weyland-Yutani Corporation, which is clearly also developing artificial intelligence but what if there are other companies trying to look at immortality in a different way, with cyborg enhancements or transhuman downloads? Which of those technologies is going to win?”

On the film front, director Fede Álvarez‘s “Alien: Romulus” has a tentative release date of August 16, 2024, and according to the filmmaker, his director’s cut of the pic got the seal of approval from producer Ridley Scott. There is an expectation that the movie will focus on an off-world colony inhabited by a group of young human colonists. Given that a director’s cut is already being put together we shouldn’t be that shocked if some teaser images or footage is released by 20th Century between now and CinemaCon 2024.

When exactly the new “Alien” series will drop in 2025 remains to be seen as we’ll likely get a release window closer to when the show actually completes filming.

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Earthbound ‘Alien’ Series Filming Moving Ahead In Thailand Despite Strike, Adds ‘Andor’ Actor Alex Lawther

Between the WGA and SAG-AFTRA strike, there isn’t much in the way of productions going on in the United States as film/television workers are looking to get a fair deal in the wake of streaming and the increasing threat of artificial intelligence. While multiple shows and movies have halted some are pushing through such as the upcoming/untitled Earthbound “Alien” prequel streaming series coming from Noah Hawley (“Fargo,” “Legion”)

A new report from Deadline is now confirming that filming in Thailand is going ahead as planned with the addition of actors such as “Andor” supporting cast member Alex Lawther (“Black Mirror”) and Samuel Blenkin (“Black Mirror,” “The Sandman”). The rest of the cast includes Sydney Chandler (“Don’t Worry Darling”), Essie Davis, and Adarsh Gourav. All the deals had reportedly been secured before the strike and Equity performers (the UK union for actors) have been told if they walk they would be sued. Sounds like a totally normal and not all bizarre environment to be shooting a show in.

The outlet adds shooting has already started this week with none of the actors on set being SAG-AFTRA, which allows them to shoot the show without crossing the picket line. Actors like Chandler, who are part of the union, are said to be not involved in the current round of filming as it’s expected their scenes will be shot at a later date once the actors’ strike is resolved.

Of course, is sort of an odd time for the “Alien” franchise as the newest feature film from filmmaker Fede Alvarez had recently wrapped filming as that project had been upgraded from a Hulu-exclusive to landing a prime August 16, 2024, theatrical release date from 20th Century Studios/Disney. The thinking likely is that given how big of a hit “Prey” has been they didn’t want to lose an opportunity to actually make some cash off the sci-fi horror film.

It’s still unclear when the FX on Hulu series will be airing as the scheduling for shooting scenes with the attached SAG-AFRTRA actors will likely be determined by how long the strike goes on back in the United States. What hypothetically could end up happening if the studio runs out of patience is that those striking actors could end up being recast, although, that seems like an extremely stupid move on their part.

SOURCE: DEADLINE

Posted on in Television News

EXCLUSIVE: FX’s ‘Alien’ Series Adds ‘Gravity’ Production Designer Andy Nicholson

The Ronin can exclusively reveal a nifty department head hiring for the upcoming Alien series on FX that hails from showrunner Noah Hawley with Ridley Scott‘s involvement via his production company Scott Free. We’ve been able to confirm that production Designer Andy Nicholson has been tasked for the Earthbound prequel series.

The spinoff Alien series is expected to take place before the events of the main canonical Alien films, which should be interesting since neither the original Ripley films or Scott’s two prequels featuring the homicidal android David have never hinted or established that the xenomorph had ever been on Earth (The AVP movies aren’t really considered canonical) or experimental on by humans.

Nicholson’s career as a production designer spans across all sorts of films such as Gravity, Captain Marvel, Jurassic World: Fallen Kingdom, Assassin’s Creed, and the Netflix action-comedy Red Notice.

Hawley is no stranger to genre television working on series like the massively popular Fargo (loosely inspired by the Coen Brothers film) and the mind-bending X-Men series, Legion. What’s interesting is we still haven’t heard any real concrete casting announcements, but that is expected to change as production ramps up.

This isn’t the only Alien project on the horizon either, a new feature film is also on the way as a Hulu exclusive with both Scott Free and 20th Century Studios partnering. The project is expected to be a streaming only venture, although, after the demand to see their Predator prequel Prey on the big screen the studio might reconsider giving the new pic a short theatrical run.

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Ridley Scott Already Taking Shots At Noah Hawley’s ‘Alien’ Series: “It’ll Never Be As Good As The First One”

Last December, it was made official by Disney that Noah Hawley (Legion, Fargo) would be making an Earthbound series set within the Alien franchise for FX On Hulu with Ridley Scott taking a producing role (Scott being the gatekeeper of the Alien franchise via Scott Free).

While speaking with The Independent, Ridley Scott gives the impression he might be more hands-off than we previously expected and proceeded to theorize the show will “never” be as good as his original 1979 film, which comes off as more of a dig towards Hawley than trying to motivate the successful creator of FX’s Legion and Fargo to outshine Alien.

“Wherever [the series goes], whatever they do, ‘It’ll never be as good as the first one,’ [Scott grins] ‘That’s what I’ll say.’”

These somewhat passive-aggressive comments aren’t terribly shocking given that Ridley Scott seems to big his own biggest cheerleader and believing he alone knows what is best for the Alien franchise. Then again, Alien: Covenant ended up one of the biggest misfires in the franchise and due to it’s weak audience response, the cliffhanger ending never paid off similar to Prometheus.

When Neill Blomkamp got candid about Alien 5 over the summer, the director cited Ridley Scott as the reason his movie never went into production and how he basically intervened with the studio to have him thrown off Alien 5, potentially because of Chappie.

“At the end of the day even though Ridley Scott is producing it, he brought that to the world, so if he changes his mind or if there is a director on it he doesn’t want, whatever it may be, it’s his. I understand that, it makes logical sense to me.”

“It’s possible that Ridley watched Chappie and he was like, this guy can’t do Alien so let’s just go ahead and move on.”

Scott already taking minor shots on the series in the press isn’t all that surprising, hopefully, he won’t throw his weight around for a second time to get another Alien project killed/blocked.

The director has The Last Duel and House of Gucci hitting theaters alongside period dramas Kitbag and a sequel to Gladiator on the horizon to go behind cameras in the near future. While he’s teased talks with 20th Century Studios about a third Alien prequel, that hasn’t been made official or greenlit.

FX boss John Landgraf previously indicated back in August that the show could be ready for 2023 (possible 2022 shoot) and will feel like it is part of the cinematic universe.

“I think you’ll also see that the show will feel like a part of the cinematic universe you’re familiar with in terms of Alien. I have optimism that that show may well roll out in 2023. It will probably roll out 2023, but we want to get it right.”

Noah Hawley is also busy lining up an untitled heist thriller at Netflix starring Rege-Jean Page and will be produced by The Russo Brothers.

Granted, Alien is an amazing movie, but it comes off as reductive and childish for Scott to dismiss the potential of the series before it’s even started filming.

SOURCE: THE INDEPENDENT

Posted on in Film News, News

Rege-Jean Page & Noah Hawley Team For Untitled Netflix Heist Thriller Produced By Russo Brothers

British actor Rege-Jean Page left the hit Netflix series Bridgerton to pursue a Hollywood film career and it seemingly has already come full circle with him returning to the streaming giant for a new project.

Variety reports that Page has landed a lead role in an untitled heist film that will be written and directed by Noah Hawley (Lucy In The Sky, Legion, Fargo) with AGBO producing, the production company from Joe and Anthony Russo.

The Russo Brothers are also behind Netflix’s most expensive film The Gray Man that features Rege-Jean Page on the call-sheet alongside Ryan Gosling (The Nice Guys, Drive, Blade Runner 2049), Chris Evans (Snowpiercer, Captain America 1-3, Avengers 1-4), Ana De Armas (No Time To Die, Blade Runner 2049, Knives Out), Wagner Moura (Narcos), Jessica Henwick, Dhanush, Billy Bob Thornton (Fargo), Alfre Woodard (Luke Cage), Julia Butters (Once Upon A Time In Hollywood), Eme Ikwuakor (Inhumans, Moonfall) and Scott Haze (Venom, Jurassic World: Dominion, Minari).

To those who lurk in the shadows, he’s known as the Gray Man. He is a legend in the covert realm, moving silently from job to job, accomplishing the impossible and then fading away. And he always hits his target. Always. But there are forces more lethal than Gentry in the world. Forces like money. And power. And there are men who hold these as the only currency worth fighting for. And in their eyes, Gentry has just outlived his usefulness. But Court Gentry is going to prove that, for him, there’s no gray area between killing for a living and killing to stay alive…

Page recently wrapped on Dungeons & Dragons and is attached to star in The Saint reboot, replacing Chris Pine.

Meanwhile, Noah Hawley was officially announced back in December as working on a FX on Hulu series set in the Alien universe with Ridley Scott set as the Earthbound show’s producer.

It’s also unclear when this heist project will begin shooting.

SOURCE: VARIETY

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‘Alien’: FX Says Noah Hawley’s “Very Grounded” Series Could Release In 2023 & Will Feel Part Of The Cinematic Universe

We’re all excited to see Noah Hawley’s latest entry in the Alien franchise with his FX series that will be produced by Ridley Scott. FX boss John Landgraf spoke at the TCA presentation via Deadline and gave some brief updates on the Earthbound show he’s calling “very grounded.”

First, Landgraf made it clear that the “beast” of a show will feel familiar to fans.

“I think you’ll also see that the show will feel like a part of the cinematic universe you’re familiar with in terms of Alien.”

He also teased a potential release in 2023.

“I have optimism that that show may well roll out in 2023. It will probably roll out 2023, but we want to get it right.”

Noah Halwey has talked up the idea of an Alien story focusing on the humanity/company angle previously and told Vanity Fair the following:

“Those are great monster movies, but they’re not just monster movies. They’re about humanity trapped between our primordial, parasitic past and our artificial intelligence future—and they’re both trying to kill us. Here you have human beings and they can’t go forward and they can’t go back. So I find that really interesting…It’s a story that’s set on Earth also. The alien stories are always trapped… Trapped in a prison, trapped in a space ship. I thought it would be interesting to open it up a little bit so that the stakes of ‘What happens if you can’t contain it?’ are more immediate.”

“On some level it’s also a story about inequality. You know, one of the things that I love about the first movie is how ’70s a movie it is, and how it’s really this blue collar space-trucker world in which Yaphet Kotto and Harry Dean Stanton are basically Waiting for Godot. They’re like Samuel Beckett characters, ordered to go to a place by a faceless nameless corporation. The second movie is such an ’80s movie, but it’s still about grunts. Paul Reiser is middle management at best. So, it is the story of the people you send to do the dirty work…In mine, you’re also going to see the people who are sending them. So you will see what happens when the inequality we’re struggling with now isn’t resolved. If we as a society can’t figure out how to prop each other up and spread the wealth, then what’s going to happen to us? There’s that great Sigourney Weaver line to Paul Reiser where she says, ‘I don’t know which species is worse. At least they don’t fuck each other over for a percentage.’”

It’ll be interesting who they will ultimate cast and might end up start production sometime in 2022, given that 2023 target mentioned for a release.

SOURCE: DEADLINE

Posted on in Film News

‘WandaVision’s Matt Shakman Becomes Third Director Hired For ‘Star Trek 4’; Paramount Aims For Spring 2022 Production Start

Paramount Pictures released Star Trek Beyond in 2016 and has been mulling over the next steps for Star Trek 4 for ages now. They’ve been churning-out multiple Star Trek series but for some reason just couldn’t settle with the right incarnation for the fourth installment, directors S.J. Clarkson (Jessica Jones) and Noah Hawley (Fargo, Legion) previously being attached to helm the sequel.

Deadline is now reporting a third candidate has stepped in, as Paramount has hired WandaVision director Matt Shakman to hopefully bring Star Trek 4 past the finish line after various hiccups uring the project’s development. The outlet adds that a new script has been penned by Lindsey Beer and Geneva Robertson-Dworet with an aim to get cameras rolling by next spring.

This announcement would seemly nudge to us that Hawley has joined Clarkson by exiting.

J.J. Abrams and Bad Robot are returning to produce. It’s also assumed that we’ll see the return of Chris Pine, Zachary Quinto, Zoe Saldana, Karl Urban, Simon Pegg, and new addition Sofia Boutella as well.

An earlier incarnation was going to involve time-travel and allow Pine’s Captain Kirk interact with his father George Kirk, who was played by a young Chris Hemsworth before he was cast by Marvel for Thor. Apparently, contract negotiations fell apart leading to the project dissolving.

Quentin Tarantino and Mark L. Smith (The Revenant) had been developing their own film based on the gangster episode of the original series. However, that project doesn’t seem like it will be happening.

Star Trek 4 likely won’t be ready for release until spring or summer of 2023.

STAR TREK BEYOND – A surprise attack in outer space forces the Enterprise to crash-land on a mysterious world. The assault came from Krall (Idris Elba), a lizard-like dictator who derives his energy by sucking the life out of his victims. Krall needs an ancient and valuable artifact that’s aboard the badly damaged starship. Left stranded in a rugged wilderness, Kirk (Chris Pine), Spock (Zachary Quinto) and the rest of the crew must now battle a deadly alien race while trying to find a way off their hostile planet.

SOURCE: DEADLINE

Posted on in Television News

Noah Hawley Reveals His Earthbound ‘Alien’ Series Is Returning To Franchise Roots By Tackling Class Warfare Again; “A Story About Inequality”

In December, FX confirmed they were indeed moving forward with an original series set within the Alien universe with Noah Hawley (Fargo, Legion) and producer Ridley Scott. However, the project wasn’t going to be a continuation of the David or Ripley stories, as it would be taking place on Earth.

During a new interview with Vanity Fair, Noah Hawley is giving tiny tidbits about the project and reaffirming his plans to take more of human angle with the show. Something that sort has got lost with Scott’s wishy-washy prequels and the horrible cash-grab Alien vs. Predator films.

“Those are great monster movies, but they’re not just monster movies. They’re about humanity trapped between our primordial, parasitic past and our artificial intelligence future—and they’re both trying to kill us. Here you have human beings and they can’t go forward and they can’t go back. So I find that really interesting…It’s a story that’s set on Earth also. The alien stories are always trapped… Trapped in a prison, trapped in a space ship. I thought it would be interesting to open it up a little bit so that the stakes of ‘What happens if you can’t contain it?’ are more immediate,” Hawley told Vanity Fair.

He also brought-up returning to the franchise’s main dynamic between the greedy corporation (Weyland-Yutani) exploiting it’s workforce, something that was a key element of the first three Alien movies.

Hawley states the show will focus on the human dynamics, “On some level it’s also a story about inequality. You know, one of the things that I love about the first movie is how ’70s a movie it is, and how it’s really this blue collar space-trucker world in which Yaphet Kotto and Harry Dean Stanton are basically Waiting for Godot. They’re like Samuel Beckett characters, ordered to go to a place by a faceless nameless corporation. The second movie is such an ’80s movie, but it’s still about grunts. Paul Reiser is middle management at best. So, it is the story of the people you send to do the dirty work…In mine, you’re also going to see the people who are sending them. So you will see what happens when the inequality we’re struggling with now isn’t resolved. If we as a society can’t figure out how to prop each other up and spread the wealth, then what’s going to happen to us? There’s that great Sigourney Weaver line to Paul Reiser where she says, ‘I don’t know which species is worse. At least they don’t fuck each other over for a percentage.'”

Folks seem to be losing their minds about these comments, however, I have to question if they have actually watched the Ellen Ripley movies that mainly focused on the rich exploiting the poor workforce to get their hands on the xenomorph to make billions off it by turning it into a bio-weapon.

The original film saw the company secretly install a robot (Ash) and direct the Nostromo crew to the derelict ship, Ripley discovers the company sees the crew is expendable (seen as glorified space truckers) and Ash tries to kill her when she discovers the company is willing to sacrifice them all to get their hands on the alien. Walter Hill and David Giler (did rewrites on Alien and co-wrote Aliens with James Cameron) seemingly took elements directly from the Joseph Conrad (his book Heart of Darkness inspired Vietnam War film Apocalypse Now) novel Nostromo, that was about human greed connected to a fictional silver operation in South America.

Parallels of greed from Nostromo was doubled-down in Aliens (Sulaco name came from the book too), as seen when Ellen Ripley tries to explain what happened to the ship and crew they simply dismiss her story. Carter Burke, a Weyland-Yutani suit, pretends to be concerned about Ripley as a manipulation tactic and it’s discovered that he personally got all the colonists on LV-426 killed (colonists and Newt’s parents shown in the director’s cut) without warning them about the alien. Not only that, he also was willing to kill the Marines (sabotaging their freezers on the trip home) alongside turning Ripley and Newt into hosts to bring back the xenomorph back to Earth for the company’s weapons program. Silver being replaced with the promise of a perfect bio-weapon. When he was caught by Ripley, he tries to rationalize his greed and when that doesn’t work he unleashes facehuggers upon her.

https://www.youtube.com/watch?v=casQQhO1jkw

In David Fncher’s Alien 3, Ripley crash lands on a prison colony planet and the Warden blindly is following orders from the company only for her to warn them that they might kill everyone in the installation just for witnessing the xenomorph to keep it a secret as the previous two movies backed-up that conclusion.

Lastly, Alien Resurrection saw a black site military operating trying to clone an alien queen, then hiring space pirates to hijack a transport full of innocent workers kidnapping them to become hosts (essentially killing them) for soldier aliens before everything hits the fan. Yet, another attempt to get a bio-weapons program going.

To say the Alien franchise isn’t about politics is complete ignorance.

SOURCE: VANITY FAIR