While speaking during Disney+’s virtual panel at TCA (via Deadline), Marvel’s Kevin Feige says the studio doesn’t have plans to give WandaVision a second season, despite it’s huge popularity. The idea was for the show to directly lead into Doctor Strange In The Multiverse of Madness, currently filming in London. However, Kevin doesn’t rule-out making a second season at some point.
FEIGE: “I’ve been at Marvel too long to say a definite ‘No’ to anything as far as a second season of WandaVision.”
“The fun of the MCU is obviously all the crossover we can do between series, between films. So it will vary based on the story. Sometimes it will go into a season 2, sometimes it will go into a feature and back into a series…Sometimes, and yet to be announced, we’re thinking of and planning second seasons for some of the upcoming series.”
The LLC for the Loki series hinted to the series getting multiple seasons and we already know that Michael Waldron will be back for Season 2. Other Disney+ shows such as Ms. Marvel and She-Hulk feel like shows that could also get multiple seasons.
We knew that a Nick Fury series was on the way from Marvel Studios and it was confirmed during the Disney Investor Day event as Secret Invasion starring Samuel L. Jackson and Ben Mendelsohn returning as Skrull leader Talos.
The Secret Invasion is a story in Marvel Comics that reveals various characters had replaced with the alien baddies Skrulls leading to a huge clash between superpowered Skrulls mimicking the powers of many Marvel heroes and villains. This element had been directly connected to the Fantastic Four rights via the Super-Skrull, but with those rights finally returning to Marvel it allows them to use those other Skrull abilities beyond shapeshifting.
In the comics, it’s a massive event on the level of Avengers: Endgame but the series seemingly won’t be on that scale according to Kevin Feige while speaking with Comic Book to promote WandaVision‘s debut on Disney+ later this month. Revealing that fans shouldn’t expect the volume of characters in the show as the comic since they’ll be focusing on Sam and Ben’s characters.
FEIGE: “Well, there were more characters in the Secret Invasion comic series than there were in Endgame so, no. It’s not that but it very much is a showcase for Sam Jackson and Ben Mendelson and tapping into the paranoia elements of the Secret Invasion comic series that was great with the twists and turns that that took. So, that’s certainly our focus more than, ‘Can we cram in more characters than Endgame? like publishing?'”
Expectations certainly need to be tempered a bit considering that the Marvel series will have more limitations with more targeted casting than the films because the time commitment to a series is likely a lot more of an ask than with a feature film with a runtime of two-plus hours.
S.W.O.R.D. is all but assumed to be involved in the series and will be introduced in WandaVision.
The series is expected to shoot around the same time as Nia DaCosta’s Captain Marvel 2 in the United Kingdom, so there is a good shot that there could be some crossover with those characters rather than others that might be harder to connect. We’ll be excited to hear if the project will indeed have a direct crossover with Olivia Wilde‘s Spider-Woman film given that Jessica Drew has a role to play in Secret Invasion.
Stay tuned for more information on the Skrull event in the coming months.
Yesterday, the Walt Disney Company announced a new initiative to get more content going for its streaming services such as Disney+, ESPN+, and Hulu from its sports, television, and film divisions. The new division will be called The Media & Entertainment Distribution group led by Kareem Daniel.
It sounds like they’ll be dedicating a lot more resources and money than they have previously as means to compete with competitors like Netflix and Amazon. However, this announcement says nothing about them throwing their 2021 theatrical slate on Disney+ and never mention a thing about ending theatrical releases altogether only pushing to place more content on their streaming services.
We will get more details on these plans on December 10th.
During an interview with CNBC, Disney’s new CEO Bob Chapek was quick to point out that they aren’t looking to stop the theatrical experience and would be announcing further details.
Also, specifically downplayed COVID-19’s role in the decision.
CHAPEK: “I would not characterize it as a response to Covid. I would say Covid accelerated the rate at which we made this transition, but this transition was going to happen anyway. Because essentially what we want to do is separate out folks who make our wonderful content based on tremendous franchises from the decision making in terms of prioritization is on how it gets commercialized into the marketplace. And what we want to do is leave it to a group of folks you can really see objectively across all of the constituents we have and various considerations we’ve got and make the optimal decision for the company as opposed to having it predetermined that a movie is destined to theaters or that a TV show is destined for ABC. So what we really want to do is provide some level of objectivity and really make it a decision that benefits the overall company and its shareholders.”
When pressed on Disney’s commitment to the theatrical model Bob said the following that gives the impression they’re not giving up on the theatrical model just yet.
CHAPEK: “We’ve benefited from a tremendous relationship with theatrical exhibition for many many many years as dynamics change in the marketplace though we want to make sure that we are giving consumers who want to go to theaters to experience everything that a theatrical release can give them, we want to continue to give them that option but at the same time there are a lot of consumers that want to experience a movie in the safety, comfort, and convenience of their own home for whatever reasons they do.”
To me, it sounds like either they are going to pursue a shorter theatrical window or a mixed model of day-and-date which obviously the theater industry wouldn’t be terribly pleased about on either front.
Here is the official press release from the Walt Disney Company website that gets a little more into the weeds about what all this means.
In light of the tremendous success achieved to date in the Company’s direct-to-consumer business and to further accelerate its DTC strategy, The Walt Disney Company (NYSE: DIS) today announced a strategic reorganization of its media and entertainment businesses. Under the new structure, Disney’s world-class creative engines will focus on developing and producing original content for the Company’s streaming services, as well as for legacy platforms, while distribution and commercialization activities will be centralized into a single, global Media and Entertainment Distribution organization. The new Media and Entertainment Distribution group will be responsible for all monetization of content—both distribution and ad sales—and will oversee operations of the Company’s streaming services. It will also have sole P&L accountability for Disney’s media and entertainment businesses.
The creation of content will be managed in three distinct groups—Studios, General Entertainment, and Sports—headed by current leaders Alan F. Horn and Alan Bergman, Peter Rice, and James Pitaro. The Media and Entertainment Distribution group will be headed by Kareem Daniel, formerly President, Consumer Products, Games and Publishing. All five leaders will report directly to Bob Chapek, Chief Executive Officer, The Walt Disney Company. Disney Parks, Experiences and Products will continue to operate under its existing structure, led by Josh D’Amaro, Chairman, Disney Parks, Experiences and Products, who continues to report to Mr. Chapek. Rebecca Campbell will serve as Chairman, International Operations and Direct-to-Consumer. Bob Iger, in his role as Executive Chairman, will continue to direct the Company’s creative endeavors.
“Given the incredible success of Disney+ and our plans to accelerate our direct-to-consumer business, we are strategically positioning our Company to more effectively support our growth strategy and increase shareholder value,” Mr. Chapek said. “Managing content creation distinct from distribution will allow us to be more effective and nimble in making the content consumers want most, delivered in the way they prefer to consume it. Our creative teams will concentrate on what they do best—making world-class, franchise-based content—while our newly centralized global distribution team will focus on delivering and monetizing that content in the most optimal way across all platforms, including Disney+, Hulu, ESPN+ and the coming Star international streaming service.”
Under the new structure, the Company’s three content groups will be responsible and accountable for producing and delivering content for theatrical, linear and streaming, with the primary focus being the Company’s streaming services:
STUDIOS: Messrs. Horn and Bergman will serve as Chairmen, Studios Content, which will focus on creating branded theatrical and episodic content based on the Company’s powerhouse franchises for theatrical exhibition, Disney+ and the Company’s other streaming services. The group will include the content engines of The Walt Disney Studios, including Disney live action and Walt Disney Animation Studios, Pixar Animation Studios, Marvel Studios, Lucasfilm, 20th Century Studios and Searchlight Pictures.
GENERAL ENTERTAINMENT: Mr. Rice will serve as Chairman, General Entertainment Content, which will focus on creating general entertainment episodic and original long-form content for the Company’s streaming platforms and its cable and broadcast networks. The group will include the content engines of 20th Television, ABC Signature and Touchstone Television; ABC News; Disney Channels; Freeform; FX; and National Geographic.
SPORTS: Mr. Pitaro will serve as Chairman, ESPN and Sports Content, which will focus on ESPN’s live sports programming, as well as sports news and original and non-scripted sports-related content, for the cable channels, ESPN+, and ABC.
The Media and Entertainment Distribution group, led by Mr. Daniel, will be responsible for the P&L management and all distribution, operations, sales, advertising, data and technology functions worldwide for all of the Company’s content engines, and it will also manage operations of the Company’s streaming services and domestic television networks. The group will work in close collaboration with the content creation teams on programming and marketing.
It’ll be interesting to see if Disney+ will start mining IP from the 20th Century Studios side of things soon as Disney+ series and limited series focused on properties like Avatar and Planet of The Apes could be extremely successful. In the press release they suggest that they could end up making episodic projects based on 20th Century properties.
A live-action Flash Gordon series stands out as a property that Disney really could do justice with on Disney+ and be a counter of sorts to their Star Wars shows as it could be way more swashbuckling than the Lucasfilm property that was inspired by it. Taika Waititi (Thor: Ragnarok, Thor: Love & Thunder, Jojo Rabbit) is attached to direct an animated Flash Gordon film and at one time 20th Century was developing a live-action feature as well from directors Matthew Vaughn (X-Men: First Class, Stardust, Layer Cake) and Julius Avery (Overlord) involved at different points.
I wouldn’t even put it past Disney to reboot John Carter eventually given the Volume/StageCraft would allow them to make a series more cost effective that world like Flash Gordon is different enough from Star Wars it would be worth pursuing.
Of course, this could mean a major influx of more shows from Marvel, Star Wars, and Pixar universes but might also see Hulu getting a bump of adult content as well with franchises like Alien (Noah Hawley pitched an Alien series to FX) and Predator just collecting dust while they could be helpful to get more eyeballs on Hulu. HBO Max had recently crowed about Ridley Scott’s sci-fi series Raised By Wolves being the most popular original on their service when announcing they were moving forward with a Season 2 order.
Matthew Vaughn has also been talking up the idea of a Kingsman spinoff series that could fit nicely at Hulu.
Disney certainly has a massive gap in the adult market and places like Canada don’t have access to Hulu and that really needs to change if they want to compete with Netflix/Amazon on an international level as those services offer content to both kids and adults alike. Cornering the kid market just won’t be enough for Disney if they want to grow their streaming presence.
I guess we’ll have to wait for December 10th to get more concrete answers about what all this actually means for content that is already in the can or is about to begin filming.
Samuel L. Jackson will return to the Nick Fury role for an unnamed Marvel Studios series for Disney+ according to a report from Variety. Kyle Bradstreet will write and executive produce. His television credits include Mr. Robot, Berlin Station, and Cooper.
The exact plot details of the show are being kept under wraps, but multiple sources say Jackson is attached to star with Kyle Bradstreet attached to write and executive produce. Like all the other Marvel shows at Disney Plus, Marvel Studios will produce.
Variety stops short from saying what the new series which most likely is the rumored S.W.O.R.D. series. The last time we saw Nick Fury was on a space station being built by Skrulls in outer space and we’ll see S.W.O.R.D. introduced later this year in WandaVision with what looks like Monica Rambeau is an Agent of S.W.O.R.D.
S.W.O.R.D. could become the Phase 4 replacement of S.H.I.E.L.D. given that future threats in the MCU are most likely going to be coming from beyond the stars and the Multiverse. With Skrulls on Earth and established there is also the possibility that a version of the Secret Invasion could also be explored.
I’m sure fans will be hopeful that if this turns out to be a S.W.O.R.D. series that characters such as Abigail Brand will be involved and with Cobie Smulder’s television series Stumptown being cancelled I wouldn’t be shocked if Maria Hill is eventually attached.
Captain Marvel 2 has director Nia DaCosta attached and there is an expectation that S.W.O.R.D. will have large presence for Earthbound scenes in that sequel allowing for Fury, Monica Rambeau, and even possibly Ms Marvel aka Kamala Khan to get involved.
The Ronin has caught-wind of some interesting developments concerning the releases of the first two Disney+ shows from Marvel Studios and the potential production order of the ones that haven’t started to begin shooting.
First, it seems like WandaVision may indeed be finished enough to debut before the end of the year. We know that the series is still planning to do some pick-up shots or reshoots but it doesn’t seem like it will be enough to hinder a 2020 release.
However, The Falcon & The Winter Soldier is expected to have been pushed back to 2021.
Disney has yet to make solid announcements recently about when either show will be released other than reaffirming that Season 2 of The Mandalorian will be ready to go in October.
One big reason for the delay might not even be related to The Falcon‘s production pause, as it’s been months since Disney+ content has been shot due to the pandemic and that will leave a content gap next year for many streaming services. This could see places being a little more reserved and Disney dropping two Marvel shows alongside The Mandalorian might be a little too much at once.
Loki was always set to be released in 2021, so that doesn’t seem to have changed in any major way.
Also, while this could change due to COVID-19 and location scheduling, below seems to be the current production order of the new shows that haven’t started shooting.
Hawkeye
Ms. Marvel
Moon Knight
She-Hulk
This does make sense since Hawkeye and Ms. Marvel are further along in the casting process. Then again, multiple Marvel shows were in production in Atlanta at the same time, so the start dates might not be as staggered as they are with the feature films.
She-Hulk might be done with their scripts but it’s possible that Mark Ruffalo’s schedule is a factor, if he has indeed signed-on as expected.
On the film side, release dates are influx as there is a very good shot that Shang-Chi & The Legend of The Ten Rings might not make it’s May 7th, 2021 release because of the production delays in Australia shortening the post-production window.
It’s unknown if Black Widow will stick to it’s November 6th theatrical release date or will be bumped to Eternals‘ February 12th, 2021 spot instead. There has been plenty of fan speculation it’ll simply be dumped on Disney+’s Premier Access section like Mulan, but little evidence to support it.
It is a little upsetting that without San Diego Comic-Con Marvel hasn’t made any big announcements. Hopefully, they’ll give some updates in the very near future taking cues from the upcoming event DC FanDome and doing their own in-house version of it.
THE RONIN 