‘Jurassic World 4’: Amblin/Universal Select ‘Rogue One’ & ‘The Creator’ Director Gareth Edwards For Next Installment

The Ronin can independently confirm THR/Deadline’s recent report that Gareth Edwards has been hired to direct “Jurassic World 4,” aka, “Jurassic Park 7.” We had been tipped off just before the outlet dropped their report on the hiring. Edwards isn’t a stranger to working on existing studio IP he previously worked on “Godzilla” for Legendary helping them launch their Monsterverse lineup of films and did the “Star Wars” prequel film “Rogue One: A Star Wars Story” that spawned into two seasons of “Andor” on Disney+. The filmmaker also has an established working relationship with ILM, the visual effects company that works on the “Jurassic” franchise. Their recent film together, “The Creator,” was nominated for the Best Achievement In Visual Effects Oscar at this year’s Academy Awards ceremony going up against the likes of the scrappy Japanese film “Godzilla Minus One.”

The news comes after David Leitch (“Deadpool 2”), who has a first-look deal with Universal Pictures, was in talks but eventually backed out over creative differences with the studio. “Jurassic World 4” is expected to be a soft-reboot of the franchise without any returning cast members and a script coming from veteran screenwriter David Koepp (“Mission: Impossible”), who previously wrote Steven Speilberg‘s “Jurassic Park” and “Jurassic Park: The Lost World.”

UPDATE: Collider was able to get this quote from Edwards last night at their FYC event saying “This opportunity is like a dream” and said this was the only thing that would make him “drop everything” including his next movie idea.

“I was about to take a break and I started writing my next idea for a film and this is the only movie that would make me drop everything like a stone and dive right in. I love ‘Jurassic Park.’ I think the first movie is a cinematic masterpiece…so this opportunity is like a dream to me. And to work with Frank Marshall and Universal and David Koepp, who’s writing the script, I think they’re all legends. So I’m just very excited.”

Author Michael Crichton is the creator of “Jurassic Park” with two novels published before his death. The franchise focuses on a bio-engineering company that discovers a way to clone dinosaurs for a new amusement park attraction until human error leads to the aggressive creatures being freed from their electrified cages/pens. “Jurassic World: Dominion” had dinosaurs living off the island and cohabitating with humans in different parts of the world. We’re still waiting on concrete plot details but we likely won’t have to too much longer with an expected summer production to meet Universal’s set release date of July 2, 2025. Although, given that both “Fantastic Four” and “Superman: Legacy” are taking spots in that month, we suspect that Universal will either move up or delay the film’s release, It all depends on when filming actually begins as Edwards will now have to jump feet first into production design and prep for this next installment.

Amazon’s ‘Lord of The Rings’ Series May Deviate Visually From The Middle-Earth Established By Peter Jackson

Filming on Amazon’s new Lord of The Rings series finally kicked-off on Monday according to a report from Deadline and while most Tolkien fans like myself are eager to see what they’re cooking up it is starting to sound like the new series might not look as familiar as we had hoped. 

There are some signs that Amazon could be going a slightly different route with how they want to tackle their version of J.R.R. Tolkien’s Middle-Earth for the series and might deviate from the Peter Jackson trilogies. 

One of the main issues for me is that while they’re filming in Auckland, New Zealand there haven’t been any grand announcements that either Weta Digitial or Weta Workshop would be returning to work on the series. This doesn’t mean they 100% aren’t helping out but you’d think they would want to make everyone aware of their involvement if they were and the longer they do not mention them the more likely they just aren’t working on it. 

It’s worth noting that Stone Street Studios in Wellington has been busy with the Avatar sequels and could be a reason why they opted to shoot in Auckland instead. 

However, Jason Smith is listed as the visual effects supervisor on a couple of episodes which is a little odd given that Smith came from ILM and could be another sign that Weta Digital is sitting this one out.

Smith previously working on Bumblebee, Transformers: The Last Knight, and Warcraft. The latter did have work from Weta Workshop so there is a glimmer of hope they have the sense to at least have them come back even if Weta Digital isn’t. 

If they ultimately change from Weta Digital to ILM there is going to be a difference stylistically between the two groups of artists given you’ll likely have different people calling the creative shots as well that may want to do something new for Amazon. 

However, another division at Amazon might give us some clues. 

Here is a job description from Amazon Games Studios, specifically, for their upcoming Middle-Earth/Lord of The Rings game. The language here would outline that a Character Concept Artist would be aiming to create a “fresh” take on the world from the previous games and movies. We’ve been mostly in the dark about how Amazon ultimately plans to connect to the Peter Jackson films, if at all. 

This position will work with the Art Director and the rest of the Concept team to build a visual library of the characters and creatures that inhabit Middle-Earth.

We’re seeking an art style for our game that is “different at a glance” from the games and movies that have come before us. We need an artist with bravery and artistic skills to help us do something new.

In this role you will have the huge responsibility of bringing a fresh interpretation to Tolkien’s work. You work will bridge between the vision of the Art Director and the implementation team of character artists, tech artists and animators.

If they are planning on a new look for the game, why wouldn’t they do the same for the series?

I’ve also heard some rumblings behind the scenes that they are indeed changing certain looks from how they were done in the Jackson films for the new series. We’ll have to see set photos, stills, concept artwork, or the final version of the series to make any real judgments on how different they have gone. 

Taking place during The Second Age does give them some wiggle-room concerning trying new things, but there are also locations, characters, and creatures from Peter’s films that are expected to inhabit this era as well. The Dark Lord Sauron is a looming force during the entire Second Age and there are plenty of elves from the original films that are alive during this time too. 

It remains to be seen if any of the original actors will be involved. 

Despite unconfirmed rumors that his character Elrond would be in the upcoming series, film franchise actor Hugo Weaving recently stated to Variety he had zero intention of reprising the role again. 

WEAVING: “Matrix might have happened. But Lord of the Rings, no, I would never — I’m not interested in that at all. Look, I loved being in New Zealand with all those great people, and it was like going back to a family but actually, to be honest, I think everyone had more than enough of it.”

“They have to be something really interesting, with a different twist to make me really keen to do it.”

“I’m not saying ‘no’ [to those kinds of tentpole films] because I’m sort of open to anything,” he says. “But I suppose my interests have always lay with this country and trying to find really interesting projects out here. That’s my primary focus.”

Amazon wanting to do their own thing would be certainly commendable from a creative standpoint but that seems like a huge risk given how large the Tolkien fandom has become and their expectations that the series will look like the live-action incarnations they have become familiar with.

We’ll have to wait and see if set photos reveal a drastic change between the Jackson trilogies and this new series. 

ILM’s StageCraft VFX Will Be Implemented For Marvel’s ‘Thor: Love & Thunder’ In Australia – ‘Ant-Man 3’ Will Most Likely Use It At Pinewood Studios UK

In a post-COVID-19 world, it looks like Disney is looking to adopt safer methods of production which includes expanding the use of the StageCraft technology used to shoot the first two seasons of The Mandalorian. Using this technology means less production crew would be potentially put in harm’s way for set construction and also limit the number of secondary exterior locations as productions traveling to multiple countries might not be the wisest idea at the moment. 

The Hollywood Reporter has revealed that ILM’s StageCraft technology will be used for Marvel Studios’ Thor: Love & Thunder (MCU Cosmic mentioned this previously) at Fox Studios Australia in Sydney, New South Wales, Australia.

This comes after writer and director Taika Waititi had used the technology when filming the final episode of the first season of Lucasfilm’s Star Wars series The Mandalorian. 

There has been an expectation that Thor: Love & Thunder will begin shooting sometime between January-February of next year as director Destin Daniel Cretton is trying to finish up production on Shang-Chi & The Legend of The Ten Rings allowing Taika to move in for the Thor sequel. 

THR adds that they’ll also be adding StageCraft to the Pinewood Studios UK facility. 

 In addition, ILM is building a StageCraft volume at Pinewood Studios in London (expected to open in February), and a larger custom volume at Fox Studios Australia that will be used for Thor: Love and Thunder. Waititi previously used virtual production when he helmed the final episode of The Mandalorian season one.

Actor Ewan McGregor previously confirmed that his Star Wars series Kenobi directed by Deborah Chow (The Mandalorian) would be implementing the technology during an interview with Ace Universe back in June. 

The next Marvel Studios feature film to shoot at Pinewood Studios UK is expected to be Peyton Reed’s Ant-Man 3, who happened to direct an episode of The Mandalorian for Season 2 just like Taika and may also be familiar with StageCraft after his own experience with that show. 

Yesterday, I posted an update of sorts on Ant-Man 3 via Twitter that they are deep in pre-production and that we should expect some massive action sequences given they’ll be moving filming from Pinewood Atlanta Studios to Pinewood Studios UK, the latter facility has been used for the Star Wars films and traditional all of the James Bond movies as well. 

We should expect this installment to feel more like an event. 

I was also able to confirm Marvel/Disney is aiming to release the film sometime in 2020, however, release dates for the next little while will be in flux and most will unlikely be set-in-stone for the foreseeable future given multiple projects will begin production in 2021 meaning that some projects may have be delayed to 2023.

Peyton Reed recently mentioned that the film would be “bigger” and “sprawling” while speaking on The Jess Cagle Show and reaffirmed via Yahoo! Entertainment that Evangeline Lily’s Wasp would be getting equal billing on the sequel. 

REED: “They’re a partnership, and she’s a very, very important part of that. And that was a very gratifying thing, I guess technically we were the first Marvel movie with a female hero in the title of the movie. Finding that balance in that movie, that’s very important to me because that’s very much a men’s playing field, historically. But that’s really, really changing now in a great way.”

I’m personally holding out the hope that we’ll see the film morph into some sort of MCU version of Guillermo del Toro’s Pacific Rim as Peyton Reed hasn’t been shy about how the films have been influenced by Japanese kaiju projects like Ultraman. Moving the setting of the film outside of San Francisco might also help shake things up given that Scott Lang might be allowed to move a little more freely around the world after the events of Avengers: Endgame.

Most recently the Pinewood facility has been used for Black Widow and Eternals both films are expected to be larger in scale than Ant-Man or Ant-Man & The Wasp. There is also an expectation that the Moon Knight series will spend some time there as well and we should be getting some updates on that show in the near future. 

Doctor Strange In The Multiverse of Madness is confirmed for Longcross Studios in Surrey, England and it’s unknown at this point if they’ll have access to the StageCraft tech, but it’s possible. 

This new technology certainly would cut-down costs and post-production time, the safety element is simply a massive benefit.