British actor Rege-Jean Page left the hit Netflix series Bridgerton to pursue a Hollywood film career and it seemingly has already come full circle with him returning to the streaming giant for a new project.
Variety reports that Page has landed a lead role in an untitled heist film that will be written and directed by Noah Hawley (Lucy In The Sky, Legion, Fargo) with AGBO producing, the production company from Joe and Anthony Russo.
The Russo Brothers are also behind Netflix’s most expensive film The Gray Man that features Rege-Jean Page on the call-sheet alongside Ryan Gosling (The Nice Guys, Drive, Blade Runner 2049), Chris Evans (Snowpiercer, Captain America 1-3, Avengers 1-4), Ana De Armas (No Time To Die, Blade Runner 2049, Knives Out), Wagner Moura (Narcos), Jessica Henwick, Dhanush, Billy Bob Thornton (Fargo), Alfre Woodard (Luke Cage), Julia Butters (Once Upon A Time In Hollywood), Eme Ikwuakor (Inhumans, Moonfall) and Scott Haze (Venom, Jurassic World: Dominion, Minari).
To those who lurk in the shadows, he’s known as the Gray Man. He is a legend in the covert realm, moving silently from job to job, accomplishing the impossible and then fading away. And he always hits his target. Always. But there are forces more lethal than Gentry in the world. Forces like money. And power. And there are men who hold these as the only currency worth fighting for. And in their eyes, Gentry has just outlived his usefulness. But Court Gentry is going to prove that, for him, there’s no gray area between killing for a living and killing to stay alive…
Page recently wrapped on Dungeons & Dragons and is attached to star in The Saint reboot, replacing Chris Pine.
Meanwhile, Noah Hawley was officially announced back in December as working on a FX on Hulu series set in the Alien universe with Ridley Scott set as the Earthbound show’s producer.
It’s also unclear when this heist project will begin shooting.
Legendary finally has made their Toxic Avenger film reboot after ages of development.
The Toxic Avenger was essentially Deadpool before the mutant merc-with-a-mouth was ever a notion at Marvel Comics. The hyper-violent comic book hero parody debuted in 1984 and suddenly became a cult hit with multiple sequels, landing a short-lived comic book published by Marvel, the Toxic Crusaders cartoon, and a kids toyline connected to the show.
This is the story of Melvin, the Tromaville Health Club mop boy, who inadvertently and naively trusts the hedonistic, contemptuous and vain health club members, to the point of accidentally ending up in a vat of toxic waste. The devastating results then have a transmogrification effect, his alter ego is released, and the Toxic Avenger is born, to deadly and comical results. The local mop boy is now the local Superhero, the saviour of corruption, thuggish bullies and indifference.
The cast consts of Peter Dinklage (Avengers: Infinity War, X-Men: Days of Future Past, Game of Thrones) as Toxie, Jacob Tremblay (The Predator, Room, Good Boys), Elijah Wood (Lord of The Rings Trilogy), Taylour Paige (Ma Rainey’s Black Bottom, White Boy Rick), Jonny Coyne Sarah Niles, and the villain will be played by Kevin Bacon (Flatliners, Tremors, Super).
Writer/director Macon Blair has announced on Twitter that production on the Toxic Avenger has wrapped in Bulgaria. Blair’s last film was the comedy thriller I Don’t Feel At Home In This World Anymore and is a longtime actor collaborator with director Jeremy Saulnier (Blue Ruin, Green Room).
The Ronin has been able to confirm that the film’s cinematographer is indeed Dana Gonzalez, who is known for shooting Noah Hawley shows such as Legion and Fargo. He was the director of photography on the Gerard Butler disaster film Greenland.
A release date for Toxic Avenger has yet to be announced as the action comedy doesn’t officially have a distributor. I wouldn’t be terribly shocked if Netflix attempts to secure the global rights to it as they’re developing various projects together including an upcoming live-action Gundam film from director Jordan Vogt-Roberts (Kong: Skull Island, Metal Gear Solid).
We’ve all been extremely interested to see what has been cooking with Disney/20th Century Studios’ next Predator installment as Predator 5, helmed by 10 Cloverfield Lane director Dan Trachtenberg (The Boys), has been quietly shooting in the Calgary area this summer.
The Ronin has learned that actor Samuel Marty, best known as Truckee from Netflix’s Godless, will have a role in the new untitled Predator movie. The young actor has also appeared on shows such as Fargo, Ray Donovan, and Hell On Wheels.
20th Century Studios and director Dan Tratchenberg have been mostly tight-lipped about Predator 5, but small details have been confirmed over the last couple of weeks/days.
Producers John Davis and John Fox while speaking with Collider, compared the film to The Revenant, teasing the period setting and supporting previous reporting that the film would focus on Native American characters.
This was amplified when cinematographer Jeff Cutter (10 Cloverfield Lane) posted a set photo from Skulls (working title) on Instragram with a Native American village seemingly in the background of the shot.
We first confirmed that Kyle Strauts (The Predator) would be back in the predator suit and mentioned Amber Midthunder (Legion, The Ice Road) as the potential female protagonist of the new film.
Midthunder and Marty would be the more high-profile of the cast members which are expected to be made up of mostly newcomers.
It was also announced by producer John Davis during an interview with Collider, that Dan Trachtenberg will be directing a Waterworld streaming series for Universal Television that will take place 20 years after the events of the Kevin Costner movie.
Predator 5 has yet to be given an official release date despite previous teases from trades about a date next summer and while producers have stated they’re shooting for an R-rating they’re open to the idea of it becoming PG-13 during the editing process (I really hope not).
PREDATOR – Dutch (Arnold Schwarzenegger), a soldier of fortune, is hired by the U.S. government to secretly rescue a group of politicians trapped in Guatemala. But when Dutch and his team, which includes weapons expert Blain (Jesse Ventura) and CIA agent George (Carl Weathers), land in Central America, something is gravely wrong. After finding a string of dead bodies, the crew discovers they are being hunted by a brutal creature with superhuman strength and the ability to disappear into its surroundings.
There is news via The Hollywood Reporter that Leonardo DiCaprio will be taking a different role in Martin Scorsese’s expensive thriller Killers of The Flower Moon as Jesse Plemons is reportedly taking over Leo’s part of FBI Agent Tom White.
DiCaprio will instead play Ernest Burkhart, the nephew if powerful rancher played by Robert De Niro and the husband of Lily Gladstone’s Mollie.
Based on David Grann’s best-selling book, the Apple Original Film adaptation takes place in 1920s Oklahoma and depicts a string of brutal murders of Osage Nation Native Americans, which came to be known as the Reign of Terror. The Osage Nation, who were the richest people per capita in the world, were killed one by one after oil was discovered on their land. As the death toll rose, the newly-created FBI took up the case and unraveled a chilling conspiracy and one of the most monstrous crimes in American history.
Plemons is best known for his television work on shows such as AMC’s Breaking Bad and FX’s Fargo, he recently worked on the Netflix drama I’m Thinking of Ending Things and Martin Scorsese’s gangster flick The Irishman.
Filming is said to begin this May and could become a conflict with making Jordan Peele’s secret project for Universal, as the outlet confirms Plemons is indeed being eyed for a lead role there as well.
Over a year ago I first reported at HN Entertainment that there was a rumbling of a potential live-action Alien series from producer Ridley Scott was in the works at Hulu and later on it was revealed that Fargo‘s Noah Hawley had attempted to pitch an Alien series then played coy about show’s current status when Deadline confronted him with sourced information that it was happening.
There was a sense after HBO Max announced that Ridley Scott’s mature sci-fi series Raised By Wolves was their their most viewed original on the streaming service, that it was only a matter of time before Disney came to their senses with a series set within the Alien universe.
During the Disney Investor Day event earlier in the week, it was officially announced that the series was moving forward at FX on Hulu with a combined effort from Ridley Scott and Noah Hawley. Nothing was revealed outside the project will be the first to be set on a near future Earth, of course, they’re ignoring the Alien vs. Predator films.
Noah had recently telegraphed in an interview with the Observer his series would focus on the human-side of the Alien universe which is just as dangerous as the xenomorphs as profits come before lives.
HAWLEY: “Alien is on some level the complete opposite of Stark Trek. It’s sort of about humanity at its worst. There’s this moment in the second film when Sigourney says, ‘I don’t know which species is worse. At least they don’t screw each other over for a percentage.’ If you look at what Aliens tends to be, it’s usually a trapped story – trapped in a ship, trapped in a prison, etc. And because the Alien has this life cycle to it, where it goes from egg, to chestburster, to xenomorph, there becomes a certain routine to it.”
“I thought it would be interesting if you could expand. If you’re going to make something for television, you’ve got 10 hours let’s say. Even if you have a lot of action, like two hours, then you’re still going to have eight hours left. So what is the show about? That’s what I tried to talk to them about. As I did with Legion, the exercise is: Let’s take the superhero stuff out of the show and see if it’s still a great show. What’s the show about? Let’s take the Alien out of the show. What’s the show about? What are the themes, who are the characters and what is the human drama? Then we drop the aliens back in and we go, ‘This is great. Not only is there great human drama, but there’s aliens!’”
Alien is currently in development at @FXNetworks. The first TV series based on the classic film series is helmed by Fargo and Legion's @noahhawley. Expect a scary thrill ride set not too far in the future here on Earth. pic.twitter.com/KBigUGnXpB
Ridley Scott has suggested in various interviews that his Alien: Awakening (working title) could still happen and was in development at 20th Century Studios. A third incarnation of Alien V was recently being written on spec by franchise screenwriters/producers Walter Hill and David Giler. The pair have worked on Scott’s Alien, James Cameron’s Aliens, and David Fincher’s Alien 3.
We’re still waiting on Disney and 20th Century Studios to make announcements concerning the feature film side.
A while back it was reported that Fargo and Legion series creator Noah Hawley had attempted to pitch 20th Century Fox to develop a series at FX set within the Alien universe which was ultimately rejected before the merger with Disney.
An Alien series wouldn’t be the first new project that was purposed.
District 9’s Neill Blomkamp had tried to finally get an Alien 5 movie (Ridley Scott and James Cameron pitched a version before AVP years ago) off the ground with Sigourney Weaver attached to star and Ridley Scott producing but that never materialized. As Scott has been talking up a third installment of his Alien prequel, a follow-up to Alien: Covenant that had been once called Alien: Awakening and more recently has been indicating that it’s in development stages. Franchise screenwriters/producers Walter Hill and David Giler seemingly inspired by Blomkamp’s concept of erasing the two sequels had written a couple of drafts for Alien V with Weaver reading an early draft of it.
It was announced that Dan Trachtenberg (10 Cloverfield Land, Black Mirror) would be directing Predator 5 aka Skulls, that according to him had been in the works for almost four years. An old synopsis for the project suggested it could be taking a period western setting with the main human character being “a female Comanche warrior”.
There had been some hints that Disney might want to circle back to Noah’s Alien series idea and Deadline asked him about it in their interview for Season 4 of Fargo. Admitting he’s since had talks about the show since the merger which sounds like new interest in making it as Deadline suggests a deal for a show is incoming.
DEADLINE: Are you still involved with the Alien reboot TV series? I understand deals are trying to be done.
HAWLEY: “I know that there’s an effort to reshuffle a lot of things post-Disney takeover and it was a conversation that I had a couple years back. And I have not in the last few weeks been having those conversations about it. But I know that like any studio that there’s a great desire to make the most of one’s library so I wouldn’t be surprised to see something like that.”
DEADLINE: But you’re involved in it?
HAWLEY: “Ya know, I have conversations from time to time but I’m not committed.”
DEADLINE: And there isn’t a hard conceit to it yet?
HAWLEY: “No, I haven’t — nothing is at that stage.”
Back in September, Noah gave some insight to Observer what he wanted to do and hinted that he would like to explore a character-driven series set in the universe that may have focused on the humans behind the Weyland-Yutani company and those underneath them. An interesting proposal given that filmmakers have really only scratched the surface of what that futuristic universe looks like.
HAWLEY: “Alien is on some level the complete opposite of Stark Trek. It’s sort of about humanity at its worst. There’s this moment in the second film when Sigourney says, ‘I don’t know which species is worse. At least they don’t screw each other over for a percentage.’ If you look at what Aliens tends to be, it’s usually a trapped story – trapped in a ship, trapped in a prison, etc. And because the Alien has this life cycle to it, where it goes from egg, to chestburster, to xenomorph, there becomes a certain routine to it.”
“I thought it would be interesting if you could expand. If you’re going to make something for television, you’ve got 10 hours let’s say. Even if you have a lot of action, like two hours, then you’re still going to have eight hours left. So what is the show about? That’s what I tried to talk to them about. As I did with Legion, the exercise is: Let’s take the superhero stuff out of the show and see if it’s still a great show. What’s the show about? Let’s take the Alien out of the show. What’s the show about? What are the themes, who are the characters and what is the human drama? Then we drop the aliens back in and we go, ‘This is great. Not only is there great human drama, but there’s aliens!’”
We had heard a while back there had been some interest in Ridley Scott getting involved with a Hulu series, the streamer now has a strong relationship with FX’s programming post-merger and would be a perfect home for an Alien series if/when it come together. If there were to be any Alien series Scott is most likely landing an automatic executive producer credit given his current status on the franchise and previous involvement with Alien 5 as a producer.
It’s also worth noting that Ridley Scott’s sci-fi series Raised By Wolves (formerly at TNT) had been touted by HBO Max as their most successful original series and that could help influence folks at Disney, 20th Century Studios, FX, and Hulu to give Noah’s series a second look as it sounds like they might already have.
Last year it was revealed that Legion and Fargo showrunner/creator Noah Hawley had attempted to pitch FX and 20th Century Fox a miniseries that takes place within the Alien universe before the merger with Disney. Unfortunately the executives didn’t bite and it never came together.
We now have some idea of what it would have looked like thanks to some interesting new comments from Noah. While speaking with the Observer, Noah seemingly was interested in exploring the themes and characters within the universe rather than simply the action and xenomorphs.
HAWLEY: “Alien is on some level the complete opposite of Stark Trek. It’s sort of about humanity at its worst. There’s this moment in the second film when Sigourney says, ‘I don’t know which species is worse. At least they don’t screw each other over for a percentage.’ If you look at what Aliens tends to be, it’s usually a trapped story – trapped in a ship, trapped in a prison, etc. And because the Alien has this life cycle to it, where it goes from egg, to chestburster, to xenomorph, there becomes a certain routine to it.”
“I thought it would be interesting if you could expand. If you’re going to make something for television, you’ve got 10 hours let’s say. Even if you have a lot of action, like two hours, then you’re still going to have eight hours left. So what is the show about? That’s what I tried to talk to them about. As I did with Legion, the exercise is: Let’s take the superhero stuff out of the show and see if it’s still a great show. What’s the show about? Let’s take the Alien out of the show. What’s the show about? What are the themes, who are the characters and what is the human drama? Then we drop the aliens back in and we go, ‘This is great. Not only is there great human drama, but there’s aliens!’”
As it stands there doesn’t seem to be any official movement on the Alien franchise. Ridley Scott keeps talking up a third Alien prequel that may distance itself from the last two installments and there has been a new Alien 5 aka Alien V script making the rounds from Walter Hill and David Giler. The pair of screenwriters previously worked on the first three Alien films.
I would have loved to have seen something new within the Alien universe and a series allows creative people a little more wiggle-room as you’re not completely focused on box office returns. Maybe down the line, Disney will revisit the idea of a series and push for it to land at Hulu/FX allowing to keep its mature tone.
Carrie Coon (Fargo, Gone Girl) recently spoke with The Hollywood Reporter to promote her drama The Nest co-starring with Jude Law (Captain Marvel). The topic switched over to her work in the Marvel Cinematic Universe voicing The Children of Thanos villain Proxima Midnight, who was a motion-capture character.
When asked if she would be able to return the MCU with another live-action role, Carrie gave the impression that could indeed happen and possibly has been part of discussions when she originally took the role.
THR: When you agreed to play Proxima Midnight in Infinity War, was there an understanding that it wouldn’t rule you out from appearing as another character in human form at some point? I’m sure I’m not the only one who wants to see you back in the MCU.
COON: “Oh, thank you. That’s very kind. Yes, that is certainly the kind of conversation that an agent would engage in when looking into committing to those jobs. Yes, they want some verbal assurances that the possibility for additional work is not completely off the table. So, yeah, absolutely. It’s like, you know, being on Chicago Fire. You get killed and then you can’t come back for another year. You want to make sure that we have job security, so we’re always asking that question. Absolutely.”
Having actors return for a second MCU wouldn’t be crazy thing to happen as actress Gemma Chan played Kree villain Dr. Minerva in Captain Marvel only to take a leading role in Chloe Zhao’s Eternals as Sersi.
I’d love to see Carrie considered for the role of S.W.O.R.D.’s Abigail Brand.
Carrie recently worked with Ant-Man actor Paul Rudd, Captain Marvel’s Mckenna Grace, and Spider-Man: Homecoming’s Bokeem Woodbine in Sony’s Ghostbusters: Afterlife.
THE RONIN 