Tag: Disney+

Posted on in Film News

‘Black Widow’ Drops 67% In Second Weekend & Theater Owners Blame Hybrid Release For Underperformance

Last week, Marvel Studios and Disney had a lot to celebrate as they ended up with a solid domestic weekend opening of $80.3 million after delayed Black Widow over a year due tot he pandemic making it’s unfathomable to release a massive Marvel last year.

Well, in it’s second weekend there is less to be happy about after Space Jame: A New Legacy toppled the MCU film from the top spot earning a decent, but not great, $32 million. Black Widow on the other hand is estimated to have earned $26.3 million, a steep 67% drop from opening weekend and with more new releases coming in July-August it would suggest that that number will only continue to dwindle.

This makes it the biggest second weekend drop in modern MCU history.

While the pandemic is still very much a thing going on in the United States, you really wouldn’t know it looking at the last couple of weekends at the box office as people are still risking their lives and others by watching these movies in person as variant cases grow and vaccination rates have stalled.

There are a lot of factors here such as mostly front-loaded opening weekend numbers have become the norm during the pandemic and added competition could mean people are less likely to give repeat in-theater business. Another big issue is releasing the film on Disney+ via Premier Access at the same time as theaters, this means people can watch endlessly at home after paying their purchase fee and because it hit a streaming service HD/HDR versions of the film have hit torrenting sites, meaning there is now an option for people to simply download a perfect without paying (morally wrong but also socially acceptable among younger demographics).

Disney was finally eager to reveal their Premier Access numbers last weekend at $60 million, hoping that would lessen the sting that it “looked like” film underperformed compared to their other recent solo films such as Black Panther and Captain Marvel, both eventually earning a billion-plus at the global box office (Black Widow isn’t likely going to make anything close to that). It even made less opening weekend than Doctor Strange’s $85 million from 2016. Sadly, those Premier Access earnings can’t be applied to real box office totals and were really only window dressing. Studios take final box office totals real seriously and it looks like their hybrid release could end deflating the film’s global cume by at least $100 million, if not more.

This doesn’t mean Black Widow is going to be a flop, by any means, but it’s not great and the studio is likely looking towards the overseas market to help push the film into the profit zone with a release in China on the horizon.

Theatrical windows have always been buffers to online piracy and might be why Disney stated they will returning to a 45-day window for Shang-Chi & The Legend of The Ten Rings. I don’t think Disney is ready to go all-in on a hybrid model of Black Widow’s second weekend numbers are any indication.

The importance of a theatrical widow is something that the National Association of Theater Owners just echoed in a press release hammering Disney’s hybrid release model. Suggesting that the company attempted to maximize profits (Disney doesn’t have to share Disney+ earnings with theaters) by damaging the theatrical earning potential and referred to this weekend’s box office drop as “a stunning second weekend collapse in theatrical revenues.”

“Black Widow should have opened to anywhere from $92-$100 million. Based on preview
revenue, compared to the same titles, Black Widow could have opened to
anywhere from $97 to $130 million,” NATO added in their press release.

They also mention out that films such as F9: The Fast Saga and A Quiet Place Part II seemed to have healthy subsequent weekend earnings because they weren’t easily pirated like the HBO Max releases and now Black Widow. The long-established buffer for piracy simply vanished.

Posted on in Film News

Kevin Feige Says Melina & Red Guardian’s Return “A Safe Bet” As ‘Black Widow’ Crosses $200M At Global Box Office

Black Widow has officially crossed $200 million internationally at the box office, after an impressive $80.3 million domestic opening last weekend. Sadly, the box office totals for Black Widow won’t include the $60 million Disney claims they earned or future earnings from Premier Access, which will likely deflate the total run once the dust settles. A risk Disney knew they would be facing with a hybrid release strategy.

However, the film is on the path to turn a decent profit and we’ll likely get plenty of sequels/spinoffs.

There does seem to be some hope that not only David Harbour’s Alexei Shostakov aka Red Guardian might be making a comeback soon, but while speaking with the D23 Inside podcast (via The Direct), Marvel’s Kevin Feige suggested that Rachel Weisz’s Melina Vostokoff aka Iron Maiden could also be poised for a return as well.

“It is always the intention that when characters come in, and great great actors come in to the universe, if we have a great time with them, the audience did, that you always want to see them again. I think it’s a safe bet that we definitely want that to happen,” Feige told D23 Inside concerning the possibility of Melina and Alexei making their return to the MCU in the future.

We never actually saw Melina’s Iron Maiden incarnation, so that could be something fun to explore in the future.

Director Cate Shortland has teased a desire to return for Black Widow 2, there seems to be some inference that Yelena Belova (Florence Pugh) will appear in both the Hawkeye series and potentially a Thunderbolts project, and finally David Harbour has teased early talks with Marvel about Red Guardian’s return being open to either a film or Disney+ series (Winter Guard project feels like the smart move).

We’re also assuming that Taskmaster will be back at some point too.

BLACK WIDOW – In Black Widow, Natasha Romanoff confronts the darker parts of her ledger when a dangerous conspiracy with ties to her past arises. Pursued by a force that will stop at nothing to bring her down, Natasha must deal with her history as a spy and the broken relationships left in her wake long before she became an Avenger. Directed by Cate Shortland and produced by Kevin Feige, the movie stars Scarlett Johansson reprising her role as Natasha Romanoff. Florence Pugh stars as Yelena Belova, David Harbour as Alexei Shostakov aka Red Guardian, and Rachel Weisz as Melina Vostokoff.

SOURCE: D23 INSIDE PODCAST

Posted on in Television News

‘She-Hulk’ Cinematographer Revealed To Be Florian Ballhaus

She-Hulk has been shooting for months in Atlanta and it looks like a major crew member has been revealed for the upcoming Marvel Studios series airing on Disney+ sometime in 2022. Thanks to a tipster, the German lens company Leitz’s website has the show’s cinematographer listed as Florian Ballhaus. The German director of photography’s credits include The One & Only Ivan, RED, The Devil Wears Prada, and The Captain.

The 10-episode series will be directed by Kat Coiro and Anu Valia with Emmy-winner Jessica Gao (Rick & Morty) set as head writer. It’s crew consists of production designer Elena Albanese (Lovecraft Country), costume designer Ann Foley (Godzilla Vs. Kong, Altered Carbon), and stunt coordinator Monique Ganderton (Loki, Avengers: Endgame).

Tatiana Maslany’s (Black Orphan) Jennifer Walters aka She-Hulk is the cousin of Avengers member Dr. Bruce Banner aka Hulk and after a blood transfusion from Bruce is granted her own Hulk powers becoming She-Hulk. The series officially will see the return of Tim Roth as Emil Blonsky aka Abomination (the new updated design recently revealed in Shang-Chi trailer) , Mark Ruffalo back as Banner aka Professor Hulk, Renee Elise Goldsberry as Amelia, and Ginger Gonzaga.

Jameela Jamil (The Good Place) was recently announced to be playing the super-strong villain Titania in She-Hulk and it’ll be interest to see if she’ll be in projects other than the series.

Set photos recently posted by actress Anais Almonte (Gotham, The Punisher) confirmed her involvement.

She-Hulk will likely debut on Disney+ sometime in the second half of 2022. Given the extensive visual effects involved and multiple motion-capture characters, we shouldn’t expect to see it arrive before the summer of next year, but we’ll certainly update if that changes.

Other live-action shows on the horizon from Marvel Studios consist of Hawkeye, Ms. Marvel, Moon Knight, Secret Invasion, Armor Wars, Ironheart, Echo, and the untitled Ryan Coogler-produced project about Wakanda.

SOURCE: LEITZ

Posted on in Television News

Marvel’s ‘Ironheart’ Series Using The Working Title Of ‘Wise Guy’

A new Production Weekly update is supporting that Ironheart’s working title during production will indeed be Wise Guy. The production grid info for the Marvel Studios show was first spotted by the folks over at The Cosmic Circus earlier in the week.

Although, we should be cautious as Production Weekly has mixed up a handful of the Marvel Studios working titles lately. They recently attributed the working title of Buzzcut to The Guardians of The Galaxy Holiday Special, only for James Gunn to debunk that on Twitter.

We’re assuming at this point that Buzzcut is likely really being used for Ryan Coogler’s untitled Wakanda series (currently listed for an untitled Marvel project on Production Weekly) as a nod to the bald female warriors, the Dora Milaje. The Ronin recently confirmed the Wakanda series is using the Disney LLC, Maglev Train Productions, which is a direct nod to the high-tech railway system used in Wakanda.

Marvel Studios has yet to reveal who is even the head writer of Ironheart let alone the show’s directors, which could suggest that the show isn’t as close to starting as something like Armor Wars.

However, it was announced back in December that Dominique Throne will be playing Riri Williams, the brilliant youngster that is able to build her own armor suit and becomes a superhero. Williams is yet another character added to the Marvel Cineamtic Universe that could appear in a future Young Avengers project.

There is a good chance there could be some story/character crossover with the War machine series Armor Wars led by Don Cheadle.

Other recent working titles for Marvel projects include the following.

LOKI – ARCHITECT

BLACK WIDOW = BLUE BAYOU

ETERNALS = SACK LUNCH

SHANG-CHI & THE LEGEND OF THE TEN RINGS = STEAMBOAT

DOCTOR STRANGE IN THE MULTIVERSE OF MADNESS = STELLAR VORTEX

SPIDER-MAN: NO WAY HOME = THE NOVEMBER PROJECT

THOR: LOVE & THUNDER = THE BIG SALAD

SHE-HULK = CLOVER

MOON KNIGHT = GOOD FAITH

THE MARVELS = GOAT RODEO

BLACK PANTHER: WAKANDA FOREVER = SUMMER BREAK

ANT-MAN & THE WASP: QUANTUMANIA = DUST BUNNY

SECRET INVASION = JAMBALAYA

GUARDIANS OF THE GALAXY VOL.3 = HOT CHRISTMAS

SOURCE: PRODUCTION WEEKLY

Posted on in Television News

UPDATE: ‘Guardians Of The Galaxy Holiday Special’ Using The Working Title Of ‘Buzzcut’

James Gunn is wrapping on his HBO Max series Peacemaker next month and is already gearing up to shoot both Guardians of The Galaxy Vol.3. and a Disney+ holiday special as well.

Production Weekly has listed the working title of Guardians of The Galaxy Holiday Special will be Buzzcut, the working title for the third film has been Hot Christmas (confirmed).

UPDATE: James Gunn has debunked Production Weekly’s new info via Twitter, which is another reason to be cautious about their information.

https://twitter.com/JamesGunn/status/1410847687071592448

A reminder that working titles are mainly used during filming and then are discarded once the project is locked.

There is an assumption the projects will see the return of Chris Pratt as Peter Quill aka Star-Lord, Karen Gillan as Nebula, Dave Bautista as Drax The Destroyer, Pom Klementieff as Mantis, Sean Gunn as Kraglin, and Vin Diesel as the voice of Groot. It’s still questionable if we’ll see Zoe Saldana as Gamora in both.

Filming on Guardians of The Galaxy Vol.3 was revealed to be set for November to April, this news comes after Star-Lord actor Chris Pratt mentioned the production schedule during a visit to Jimmy Kimmel! after he was asked when they would be making the sequel. It will mainly be taking place in the United Kingdom, a location that is already being used for for Ant-Man & The Wasp: Quantumania and The Marvels.

Other recent working titles for Marvel projects include the following.

LOKI – ARCHITECT

BLACK WIDOW = BLUE BAYOU

ETERNALS = SACK LUNCH

SHANG-CHI & THE LEGEND OF THE TEN RINGS = STEAMBOAT

DOCTOR STRANGE IN THE MULTIVERSE OF MADNESS = STELLAR VORTEX

SPIDER-MAN: NO WAY HOME = THE NOVEMBER PROJECT

THOR: LOVE & THUNDER = THE BIG SALAD

SHE-HULK = CLOVER

MOON KNIGHT = GOOD FAITH

THE MARVELS = GOAT RODEO

BLACK PANTHER: WAKANDA FOREVER = SUMMER BREAK

ANT-MAN & THE WASP: QUANTUMANIA = DUST BUNNY

SECRET INVASION = JAMBALAYA

Guardians of The Galaxy Vol.3 has a release date of May 5, 2023 and we have to assume the Guardians of The Galaxy Holiday Special will air on Disney+ around December 2022. However, we’ll see the Guardians next in Taika Waititi’s Thor: Love & Thunder on May 6, 2022 as they shot scenes during the production in Australia earlier this year.

SOURCE: PRODUCTION WEEKLY

Posted on in Features

Marvel Studios Needs To Hire The Creative Team Behind FX’s ‘Mr. Inbetween’ For A ‘Wolverine’ Series

Earlier in the week, I mentioned a desire to see Loki series director Kate Herron tackle Marvel’s X-Men reboot. Keeping with the mutant topic, I’ve been watching the Aussie hitman series Mr. Inbetween from FX (now it’s in it’s third season) lately and I can’t help to get huge Wolverine vibes from this show. I’m come to the conclusion that the show’s creator/writer Scott Ryan (also stars as Ray) and director Nash Edgerton (brother of actor Joel Edgerton) could be the perfect duo to bring a solo Wolverine series to life for Marvel Studios.

The show is dark, emotional, funny and action-packed something that I believe would be extremely attractive to Marvel. Nash Edgerton, like the John Wick fellas Chad Stahelski and David Leitch, is a director with a background as a stuntman.

If you’re unfamiliar with the show here’s a rundown and trailer from Mr. Inbetween.

Mr. Inbetween stars Scott Ryan as Ray Shoesmith, a hitman for hire who makes a life out of balancing his criminal activities with his obligations to friends and family. He tries to be a father to Brittany (Chika Yasumura), his daughter with his ex-wife, a loving boyfriend to Ally (Brook Satchwell), and a good caretaker to his sick brother Bruce (Nicholas Cassim). Ray also covers for his friend Gary (Justin Rosniak) when needed, and follows his boss Freddy’s (Damon Herriman) orders without question.

Marvel hasn’t officially announced any upcoming plans for any Wolverine projects despite online rumors of a Wolverine show potentially being in the works. Officially, they are indeed moving forward Ryan Reynolds’ Deadpool 3 with writers working on the script and lacking any real updates are expected to reboot the X-Men movies sometime in the future.

Giving Wolverine his own series could be a way to properly tackle his military service during World War II that has been teased a couple of times, a real version of the Weapon X Program, Logan’s connections to Department H/Alpha Flight, his time in Japan/Madripoor, and potentially what he was up to during the Cold War against the Soviet Union. It could also help give other characters on the X-Men roster to take more leading roles in the MCU reboot.

We don’t have any idea who’ll ultimately take the Wolverine role from Hugh Jackman, but I’m leaning towards former Batman contender Cillian Murphy (The Dark Knight Trilogy, Peaky Blinders, 28 Days Later, Dunkirk, A Quiet Place Part II). The Irish actor has rubbed shoulders with plenty of MCU stars co-starring with Brie Larson in Free Fire, Chris Evans in the sci-fi thriller Sunshine alongside appearing with Thor’s Chris Hemsworth and Spider-Man’s Tom Holland in Ron Howard’s In The Heart of The Sea.

He’s a little bit older, however, not too much older than Moon Knight’s Oscar Isaac (42) or Doctor Strange’s Benedict Cumberbatch (44). While Cillian is slightly younger than Marvel’s new Blade actor Mahershala Ali (47).

Murphy is one of the few cast members from Danny Boyle’s Sunshine that hasn’t landed an MCU role as Chris Evans became Captain America, Benedict Wong plays Doctor Strange pal Wong, Hiroyuki Sanada briefly appeared as sword wielding Yaukza boss killed by Clint Barton in Avengers: Endgame, and Michelle Yeoh will be seen in Shang-Chi this September.

https://www.youtube.com/watch?v=r8BSlqHAhuY

If they wanted to hire a younger actor, Aussie lad Dacre Montgomery (Power Rangers, Stranger Things, Baz Lurman’s Elvis Biopic) wouldn’t be a horrible choice and he happens to have family connection to Canada. His Power Rangers co-star Naomi Scott took the Princess Jasmine role in Disney’s live-action Aladdin movie with Stranger Things leads playing Marvel characters as David Harbour is The Red Guardian in Black Widow and Charlie Heaton played Cannonball in The New Mutants.

I can’t help but be reminded that Legion and Fargo showrunner Noah Hawely was developing a Doctor Doom film for 20th Century Fox before the merger, who knows if that will ever see the light of day. However, Hawley has since pivoted to an Earthbound series set within the Alien universe for FX On Hulu that has Ridley Scott (Raised By Wolves, Prometheus, Alien, Blade Runner, Alien: Covenant) attached to produce. I wouldn’t be shocked if we eventually saw Marvel Studios also look at the creatives at FX and Hulu to develop shows for them like Scott Ryan and Nash Edgerton.

Hiring a couple of Aussies could help the idea of shooting a would-be Wolverine series at Fox Studios Australia in Sydney, New South Wales, Australia. Fox Studios also happens to be where Mr. Inbetween is shot.

It’s the same studio facility used for The Matrix, Star Wars: Attack of The Clones, Star Wars: Revenge of The Sith, Superman Returns, X-Men Origins: Wolverine, The Wolverine, Mad Max: Fury Road, Alien: Covenant, Shang-Chi & The Legend of The Ten Rings, Thor: Love & Thunder, and George Miller’s upcoming Mad Max: Fury Road prequel Furiosa.

Anyways, we’ll keep our fingers crossed Marvel will consider them for a hypothetical Wolverine series.

Posted on in Film News

Is “Lady Loki” Really A Version Of The Enchantress?

Marvel Studios has outed Sophia Di Martino’s Lady Loki variant character in a new promotional poster, but some clues point towards her not actually being a true Loki variant. Sophia’s character was attributed to be Lady Loki from her original casting and was photographed in costume on set in Atlanta early in production, so fans were quite aware of her existence before the appearance in Episode 2.

Interestingly enough, she doesn’t want to be called Loki and there might be a good reason for that. Her name isn’t Loki and there is new evidence to what the real name might be.

Sylvie Laufeydottir shows on a file spotted by Fandom and is likely a direct nod to Sylvie Lushton, a more modern incarnation of The Enchantress and has a connection to The Young Avengers (members are slowly being introduced to the MCU). The name also appears in new merchandise spotted by The Direct.

Given the surname, it’s possible that Sylvie is actually Loki’s sister or simply a female variant. However, it’s interesting they’d select a name attributed to Loki’s blonde female counterpart and Asgardian partner, Amora The Enchantress. Lady Loki, in the comics, is traditionally depicted with dark hair.

There is the possibility they’ve combined Lady Loki, Amora The Enchantress, and Sylvie into a single character.

It feels like we might get some more information on “Lady Loki” in the next episode.

Posted on in Features

Marvel Studios Should Consider ‘Loki’ Director Kate Herron For Their Reboot Of The ‘X-Men’ Franchise

When the Walt Disney Company acquired 21st Century Fox, the rights to Marvel Comics projects such as Fantastic Four, X-Men, and Silver Surfer returned to Marvel. We know that Jon Watts (Spider-Man: Homecoming, Spider-Man: Far From Home, Spider-Man: No Way Home, Cop Car) is attached to direct their Fantastic Four reboot, Ryan Reynolds’ Deadpool 3 is officially in the works with The Molyneux (Bob’s Burgers) handling the script, and writer/director Adam McKay (The Big Short, Vice, Ant-Man, Don’t Look Up) has been publicly interested in tackling a solo Silver Surfer movie.

What seems to be something that won’t be anytime soon is their X-Men reboot, which likely won’t get a release date before 2025, as hinted to by Marvel Studios’ Kevin Feige. How they’re going about with Fantastic Four could suggest that Marvel Studios may end up looking at their existing director lineup to handle the X-Men reboot.

A director that is quickly becoming a strong standout is Loki’s Kate Herron, as the series has a strong cinematic feeling and look despite being a Disney+ series. It also echos what Jon Favreau and Dave Filoni are doing with The Mandalorian slightly more than the two previous Marvel/Disney+ shows.

I bring up Kate Herron because she recently revealed in an interview with Trey Mangum that her first introduction to Marvel was the X-Men cartoon series that originally aired domestically on Fox in the 1990s.

“Basically, my first introduction to Marvel was that I loved the X-Men cartoons growing up, I was obsessed with it. I remember trying to turn my dolls into Storm…but I’d always play X-Men with my toys. I think loved it because they were outsiders and I connected with that, I was really drawn into that story,” Kate Herron said.

Having a director with that sort of connection with X-Men would be the complete opposite of Bryan Singer, who was notoriously ignorant of the source material (altering characters at whim) and according to Hugh Jackman, actively banned the comics from the set. Herron has proven she has a visually striking eye and the ability to have the scope needed for a project as big as X-Men, also being able to juggle a good amount of characters as each episode of Loki adds more players into the mix.

It wouldn’t hurt to have someone that might champion the Jim Lee era costumes that were highlighted in the Fox Kids cartoon. Going that route with the character designs would also help separate itself from the Fox films and allow Marvel Studios have their own stamp on the live-action X-Men.

I also think one key element of the X-Men franchise is the high-volume of female characters on the roster, something that wasn’t always handled properly with Fox’s era of the franchise as Bryan Singer/writers/producers took liberties with characters like Rogue and Storm. Those characters alongside Psylocke didn’t get proper adaptations with the previous incarnations. Herron’s Loki series has a strong/diverse female presence and those characters have been given a little more depth, there is hope that she could give a bigger stage to female members of the team.

While some fans will likely be keen to see The Russo Brothers return to the Marvel Cinematic Universe for X-Men, they’ve been clear that what they actually want to tackle is Wolverine and Secret Wars. If they were to oversee the Secret Wars event, the X-Men would likely be involved and scratch that Wolverine itch.

I could see Kate Herron fitting nicely as the architect or godmother of the new era of the X-Men and fans like myself may feel more comfortable with the franchise in her hands after seeing her impressive work on Loki.

Posted on in Television News

‘The Acolyte’: Leslye Headland Talks Hiring Writers New To ‘Star Wars’ & Ignoring Online Feedback To Avoid Covering Politics

Lucasfilm is making a giant push with their live-action Star Wars shows and one of the more interesting projects is Leslye Headland’s (Russian Doll) The Acolyte, a series set directly at the tail-end of The High Republic that seemingly focuses on the presence of the Sith (I’ll keep my fingers crossed for Darth Talon).

The Acolyte is a mystery-thriller that will take the audience into a galaxy of shadowy secrets and emerging dark side powers in the final days of The High Republic era.

The showrunner recently spoke to the AV Club about the assembling the writers’ room and also staying true to George Lucas’ original vision by ignoring fan demands to stay away from covering politics. Something voiced heavily by the closed-minded corner of Star Wars fandom that have serious trouble understanding what the franchise was influenced by or is even about.

When it came time to hire writers for the show, Headland was looking for solid writers with a different perspective rather than amazing knowledge of the Star Wars Universe, “Mostly what I looked for were people that I felt could execute a great script, number one. And then in the job interview, just really talking to people who had different life experiences than I did, and had different connections to Star Wars than I did.”

Headland continued, “What I also learned about hiring my room is that everyone’s fandom was very different. No one had the same experience with Star Wars. There were people like myself that were like later-in-life [Dave] Filoni acolytes. I literally had one writer that was like, ‘I have never seen any of them. I’ve never seen any Star Wars media.’ And she’s texting me before we started the room, she’s like, “Luke and Leia are brother and sister, what the…?” [Laughs.] And it was so great, because I would really love to know from someone who is not fully immersed in this fandom, what do you think about the pitch we just made?

She also talked about bucking various “feedback” suggesting that any future Star Wars project should stay away from politics. It makes sense considering that George Lucas made a direct point that his films would be infused by politics and it’s sort of shocking that many fans watch those movies having zero idea they were influenced by things like the Vietnam War, Nazi Germany/Nazi Occupied Europe, the Iraq War, and British Colonialism.

“I mean, it’s funny, because a lot of the feedback that I’ll get—and I use the term feedback very lightly—but when I do go on social media, the feedback is ‘Don’t make Star Wars political.’ I’m like, ‘George Lucas made it political. Those are political films.’ War is, by nature, political. That’s just what’s up. It’s truly what he was interested in talking about and looking at and digging into. So it’s kind of impossible to tell a story within his universe that doesn’t have to do with something that has to be that the characters see externally reflected in whatever’s happening in the galaxy at that particular time period of when it takes place. You know? That’s another thing that we all kind of inherited from him as well, and hope to kind of keep reflecting in the work, hopefully,” the showrunner told The AV Club.

While I could careless about Lucasfilm’s publishing efforts with The High Republic, I am really excited to see the studio tackle an era of Star Wars that could open the door for a wave of brand new characters and not just recycling things we’ve seen from the nine films or the animation side over and over.

SOURCE: AV CLUB

Posted on in Television News

EXCLUSIVE: Lucasfilm’s ‘Willow’ Series Adds ‘Outlander’ Director Stephen Woolfenden

The Ronin can exclusively reveal that British director Stephen Woolfenden has joined Lucasfilm’s Willow series with production officially taking place in Wales. It’s unclear how many episodes he’ll be helming. The director’s television credits include Outlander, The Spanish Princess, Poldark, Doctor Who, Strike Back, and Fate: The Winx Saga.

Woolfenden also has an extensive career as a second unit director working on massive studio films such as Harry Potter & The Order of The Phoenix, Harry Potter & The Half-Blood Prince, Harry Potter & The Deathly Hallows 1-2, Fantastic Beasts & Where To Find Them, Fantastic Beasts: The Crimes of Grindelwald, Fantastic Beasts 3, Detective Pikachu, and The Legend of Tarzan.

Willow is a direct sequel to Ron Howard and George Lucas’ original 1988 fantasy film but is set decades after those events.

Warwick Davis is reprising the role of Willow Ufgood with new additions like Erin Kellyman (The Falcon & The Winter Soldier, Solo: A Star Wars Story, The Green Knight) in the role of Jade, Ellie Bamber (Nocturnal Animals) playing Dove, Ruby Cruz (Castle Rock) taking the role of Kit after replacing Cailee Spaeny, and Tony Revolori (The Grand Budapest Hotel, Dope, Spider-Man: Homecoming) in an undisclosed part.

Jonathan Entwistle, who is attached to direct the Power Rangers reboot at Paramount Pictures, is set to helm the pilot after Jon M. Chu (In The Heights, Crazy Rich Asians) exited the fantasy series to focus on a big screen adaptation of Wicked.

Willow is said to debut on Disney+ sometime in 2022.

WILLOW – Enter the world of Willow. Journey to the far corners of your imagination, to a land of myth and magic, where dream and reality live side by side … to a place that never existed, a time that never was. It is a world where a young man named Willow lives out an adventure that explodes beyond the boundaries of his own hopes and fears.