Tag: Ant-Man

Edgar Wright To Direct Sony's 'Barbarella' Remake Starring Sydney Sweeney As The Cosmic Heroine
Posted on in Film News, News

Edgar Wright To Direct & Jane Goldman To Co-Write Sony’s ‘Barbarella’ Remake Of Sexy Comic Book Flick Starring Sydney Sweeney

After months of rumblings that Edgar Wright (“Last Night In Soho,” “Baby Driver”) is indeed returning to the world of comic book movies after giving us the Toronto-set “Scott Pilgrim vs. The World” and developing “Ant-Man” for Marvel Studios (before exiting as director over creative differences), as Deadline and other trades are now backing up claims that he’s attached to helm Sony Pictures‘ remake of the classic 1960s sci-fi movie “Barbarella.”

That’s not only it; veteran genre screenwriter Jane Goldman will co-write with her daughter, Honey Ross.

The original pic from 1968 that starred a young Jane Fonda was an adaptation of the French comics from Jean-Claude Forest and attempted to infuse the sexual liberation movement as Barbarella, a secret agent who had multiple romantic partners on a bizarre alien planet while trying to find an evil scientist named Duran Duran and stop his dastardly plans. Actress Sydney Sweeney (“Euphoria”) had been previously tapped by the studio to play the titular heroine.

The setting is the planet Lythion in the year 40,000, when Barbarella (Fonda) makes a forced landing while travelling through space. She acts like a female James Bond, vanquishing evil in the forms of robots and monsters. She also rewards, in an uninhibited manner, the handsome men who assist her in the adventure.

Goldman is best known for her many collaborations with director Matthew Vaughn and isn’t new to comic book adaptations, having worked on “X-Men: First Class,” “Kick-Ass,” and “Kingsmen: The Secret Service.” She also helped develop the “Game of Thrones” spinoff pilot “Bloodmoon” with the aim to become the showrunner and was expected to explore the origin of the White Walkers, but wasn’t picked-up by HBO.

This isn’t the only remake that Wright is attached to, as the British filmmaker is also behind Paramount’s “The Running Man,” which has Sweeney’s recent “Anyone But You” co-star Glen Powell (“Twisters”) in the lead role for the dystopian sci-fi action flick based on the Stephen King novel. However, it looks like “The Running Man” is expected to happen first, given Wright is said to be already in the prep stages on the film.

Both Nicolas Winding Refn (“Drive”) and Robert Rodriguez (“Alita: Battle Angel”) previously tried to make their own versions of “Barbarella” that clearly never got further than the development stages, as Sony, I’m sure, is hoping this one sticks and actually goes in front of cameras.

SOURCE: DEADLINE

Posted on in Film News

20th Century Hires Joe Cornish To Write/Direct A Feature Film Adaptation of Mark Millar’s ‘Starlight’

Finally, a new high-profile project has been announced at Disney’s 20th Century Studios.

Attack The Block’s Joe Cornish has been assigned to write and direct a feature film adaptation of Mark Millar’s comic book Starlight. The project seems to be influenced by sci-fi swashbucklers such as Flash Gordon, Buck Rogers, and John Carter.

The comic centers on a space hero who saved the universe 35 years ago but when he came back to Earth, no one believed his fantastic stories. He married, had kids and settled into old age, but then his old rocket ship shows up, and he is called back for one fantastic adventure.

It’s a little odd would attempt Starlight since 20th Century Studios has the rights to Flash Gordon with development on both animated and live-action movies over the last couple of years. Perhaps, the twist is appealing enough to purse this project alongside Flash?

Joe previously co-wrote the original Ant-Man script with Edgar Wright, the pair also worked on Steven Spielberg’s The Adventures of Tinin: The Secret of The Unicorn. He recently directed The Kid Who Would Be King and is set to helm the Lockwood series for Netflix.

Mark Millar is a comic book writer that is behind mature work such as Kingsman, Kick-Ass, Wanted, Empress, Superior, and Jupiter’s Legacy.The latter getting an upcoming Netflix series.

At one time, 20th Century Fox (pre-merger) was developing a film based on his Shazam!/Superman knock-off Superior with Matthew Vaughn (had been attached to direct a Flash Gordon remake). It’s unknown if the studio is going to move forward with that superhero project anytime soon.

SOURCE: DEADLINE

Posted on in Film News

Evangeline Lilly Confirms ‘Ant-Man & The Wasp: Quantumania’ Will Begin Shooting This Summer

Ant-Man & The Wasp: Quantumania seemingly has a seasonal start date according to Evangeline Lilly. The Canadian actress has revealed in the comments section of a recent Instagram post they’re aiming to start shooting the sequel sometime in the summer.

Below is a screenshot of that interaction.

Lilly will be returning alongside director Peyton Reed and fellow cast members Paul Rudd, Michael Douglas, and Michelle Pfeiffer. Newcomers include Kathryn Newton as the new Cassie Lang and Lovecraft Country’s Jonathan Majors playing Kang The Conqueror, the latter is assumed to be the main villain of the picture.

There are multiple signals that filming will take place at Pinewood Studios UK, the British stages were previously used for Black Widow and Eternals.

Doctor Strange In The Multiverse of Madness, directed by Sam Raimi, is currently in production over at Longcross Studios in Surrey, England with cameras still rolling on Spider-Man 3 in Atlanta and Takia Waititi’s Thor: Love & Thunder just starting production last month at Fox Studios Australia in Sydney, Australia.

Ryan Coogler’s Black Panther 2 is reportedly aiming to start filming in the summer as well but will be shooting in Atlanta, Georgia. There is also evidence that Nia DaCosta’s Captain Marvel 2 will be shooting in the UK as well but given it’s November 2022 release date likely won’t begin shooting until September-October. James Gunn is busy with his HBO Max series Peacemaker but will eventually return to the Marvel family to shoot Guardians of The Galaxy 3, most likely in 2022.

Sadly, the Ant-Man & The Wasp sequel is without an official release date from Disney/Marvel.

SOURCE: EVANGELINE LILLY

Posted on in Television News

‘Lockwood’: Joe Cornish Reunites With ‘Attack The Block’ & ‘Scott Pilgrim’ Production Designer Marcus Rowland For Netflix Series

The Ronin can confirm that production designer Marcus Rowland has joined Lockwood, the Netflix series based on the books from author Jonathan Stroud will be directed by Joe Cornish (Attack The Block) with Edgar Wright‘s Complete Fiction producing.

Books in Stroud’s Lockwood & Co. series include The Screaming Staircase, The Dagger in The Desk, The Whispering Skull, The Hollow Boy, The Creeping Shadow, and The Empty Grave. Allowing them to make multiple seasons if they’re inclined to.

THE SCREAMING STAIRCASE – For more than fifty years, the country has been affected by a horrifying epidemic of ghosts. A number of Psychic Investigations Agencies have sprung up to destroy the dangerous apparitions. Lucy Carlyle, a talented young agent, arrives in London hoping for a notable career. Instead she finds herself joining the smallest, most ramshackle agency in the city, run by the charismatic Anthony Lockwood. When one of their cases goes horribly wrong, Lockwood & Co. have one last chance of redemption. Unfortunately this involves spending the night in one of the most haunted houses in England, and trying to escape alive.Set in a city stalked by spectres, The Screaming Staircase is the first in a chilling new series full of suspense, humour and truly terrifying ghosts. Your nights will never be the same again . . .

The project was first announced back in May 2020.

Marcus Rowland is best known for collaborating with Edgar Wright on his films Shaun of The Dead, Hot Fuzz, Scott Pilgrim vs. The World, The World’s End, Baby Driver, and most recently Last Night In Soho. He also worked with Cornish on his feature films Attack The Block and The Kid Who Would Be King.

This would be the production designer’s first return to television since Edgar’s series Spaced from 2004.

You might remember that Edgar Wright and Joe Cornish co-wrote the original script for Marvel’s Ant-Man before Edgar dropped-out over creative differences with the studio leading to Peyton Reed to be hired as it’s director.

Posted on in Television News

‘The Mandalorian’: Pedro Pascal Reveals That Peyton Reed Returns To Direct Season 2 Finale

Tomorrow will see the final episode of The Mandalorian Season 2 air on Disney+ and we know who will be directing that episode. During an interview with Extra, Pedro Pascal has now revealed that Peyton Reed will be back to direct the Season 2 finale.

Peyton Reed directed the fantastic second episode of this current season which featured the Frog Lady and the live-action version of the Krykna. The director is best known for Marvel’s Ant-Man, Ant-Man & The Wasp, and will shoot Ant-Man & The Wasp: Quantumania next year.

We know that Grogu is in the hands of Moff Gideon and Mando will attempt to rescue him with a handful of his cohorts, how this all turns out remains to be seen and there have been speculation a Jedi may show up.

It’ll be a little while before we get more Star Wars as Andor just started shooting and Obi-Wan Kenobi won’t begin production until March. However, it’s very likely that Season 3 of The Mandalorian will begin filming soon if it hasn’t already. We’re getting a whole bunch of new shows on the horizon with Ahsoka, Rangers of The New Republic, and The High Republic era show The Acolyte.

We’re hearing there are more shows to be announced as well.

SOURCE: EXTRA

Posted on in Film News

Marvel’s ‘Ant-Man 3’ Adds Production Designer Will Htay – Worked On Multiple ‘Star Wars’ Projects and ‘No Time To Die’

The Ronin has learned that Marvel Studios has added Will Htay as the production designer of Peyton Reed’s upcoming Ant-Man 3 and could speak to the scale of the film.

Will’s impressive credits on massive blockbusters as a concept designer includes films such as Star Wars: The Rise of Skywalker, No Time To Die, Rogue One: A Star Wars Story, Solo: A Star Wars Story. His work on Star Wars isn’t relegated to just feature films as has been part of the production design team on Disney+ series Kenobi and the untitled Cassian Andor show.

Reed is no stranger to Star Wars either as he directed Chapter 10 of The Mandalorian.

Returning cast members include Paul Rudd, Evangeline Lilly, Michael Douglas, Michelle Pfeiffer, and Emma Fuhrmann

Lovecraft Country’s Jonathan Majors is reportedly playing the villain Kang The Conqueror in the sequel which suggests the scale of the Marvel Comics sequel.

We’ve been hearing for months that filming on Ant-Man 3 will be taking place mainly on the stages of Pinewood Studios UK in Buckinghamshire, England and they’ll have access to The Volume/StageCraft for their shoot. The facility was used for upcoming Marvel films Black Widow and Eternals, the latter finishing up their reshoots.

Sam Raimi’s Doctor Strange In The Multiverse of Madness is currently shooting at Longcross Studios in Surrey, England with Elizabeth Olsen suggesting she’ll join them next month.

Ant-Man 3 is without an official release date but is coming out sometime in 2022.

Posted on in Television News

‘The Mandalorian’ Chapter 10 Homages Ralph McQuarrie, ‘Aliens’ and ‘The Thing’ – Plus New Batch of Concept Art

SPOILERS AHEAD FOR CHAPTER 10 OF THE MANDALORIAN

In Chapter 10, directed by Ant-Man’s Peyton Reed, we see Season 1 actress Misty Rosas return after playing Kuiil (voiced by Nick Nolte) to take a new role of the Frog Lady fare and Richard Ayoade’s droid bounty hunter makes a brief return too.

Mando encounters some tie-fighter pilots leading to him wrecking the ship and stranding the group on an icy planet.

We also see a huge call-back to the white spiders created by artist Ralph McQuarrie for The Empire Strikes Back (seen above) and excellently used on this snowy planet, the new episode also homages both James Cameron’s Aliens and John Carpenter’s remake of The Thing. They were also used in Star Wars: Rebels and given the name of Krykna.

Between tackling the Krykna in this new episode and the Krayt dragon on Tatooine in Chapter 9, it is starting to feel like the visual effects budget has been greatly increased from Season 1.

Here is a new batch of concept artwork from Chapter 10.

Posted on in Television News

‘The Falcon & The Winter Soldier’ Writer Derek Kolstad Says Characters From Earliest Marvel Movies Are Coming Back – Could Zola Be One of Them?

John Wick creator Derek Kolstad was brought on to help develop the scripts for Marvel’s series The Falcon & The Winter Soldier. During a recent interview on the podcast Script Apart (spotted by Empire), Derek seemed to reveal that multiple characters from the earliest Marvel movies making a return for the show.

We already know that Zemo and Batroc The Leaper are confirmed to return for the series, but this sounds like some Phase 1 characters are back as well.

KOLSTAD: “What I will say is that there are characters from the earliest Marvel movies that are coming back. We’re layering them in and reinventing them in a way that’s gonna shift the storytelling structure. It’s fucking awesome.”

I think we’ve all assumed that William Hurt’s Thunderbolt Ross from The Incredible Hulk and Captain America: Civil War is most likely going to show up since he appeared in Avengers: Infinity War, Avengers: Endgame, and is expected to also appear in the upcoming Black Widow film as he was featured in the trailers.

Ross could be part of the effort to make John Walker aka U.S. Agent the next Captain America along with past super-soldier experiments that are expected to be in the series as he had access to the serum in The Incredible Hulk. There have also been rumblings that the Thunderbolts are going to be introduced or at least teased in The Falcon & The Winter Soldier, given Ross could be their namesake and operate from The Raft would make a lot of sense. Ross’ alter ego Red Hulk just happens to be one of the more modern members of a recent incarnation of the Thunderbolts as well.

One character that is likely a strong contender to return is the digital version of Dr. Arnim Zola, who appeared as a regular human scientist played by Toby Jones in Captain America: The First Avenger only to be brought to the United States and eventually part of the secret HYDRA cell within S.H.I.E.L.D. as revealed in Captain America: The Winter Soldier.

Zola himself was digitized in an underground bunker and seemingly was destroyed in that film.

https://www.youtube.com/watch?v=5l3Bhtxqok4

However, concept art from artist Josh Nizzi revealed that there seemed to have been plans at Marvel Studios to bring Zola back a year later in Peyton Reed’s Ant-Man along with the idea of giving him a robotic body. Nizzi attempted to design multiple robot bodies for Zola but the character sadly didn’t appear in the final version of the film.

This new body established in the comic books was teased in Captain America: The First Avenger with the Easter Egg of Zola’s blueprints for that new robotic body.

While Zola didn’t appear in Ant-Man, Sam Wilson aka Falcon had a cameo in the solo installment tussling with Scott Lang on the Avengers campus and then Sam called him in for the airport battle in Captain America: Civil War.

The show’s cast includes Anthony Mackie as Sam Wilson aka The Falcon, Sebastian Stan as James “Bucky” Barnes aka The Winter Soldier, Daniel Bruhl as Zemo, Wyatt Russell as John Walker aka U.S Agent, Emily VanCamp as Sharon Carton aka Agent 13, Georges St-Peirre as Batroc The Leaper, Desmond Chiam, Erin Kellyman, Danny Ramirez, Adepero Oduye, Veronica Falcon (confirmed by The Ronin) and Carl Lumbly.

The Ronin first reported back in mid-August that The Falcon & The Winter Soldier would be delayed to sometime in 2021 and not debut in 2020 as originally expected. Disney and Marvel have yet to make an official announcement concerning the show’s new release date.

SOURCE: SCRIPT APART

Posted on in Film News

‘Lovecraft Country’s Jonathan Majors Reportedly Joins ‘Ant-Man 3’ – Might Be Playing Avengers Time-Travelling Villain Kang The Conqueror

The other day I posted on Twitter that Ant-Man 3 won’t only be bigger as suggested by director Peyton Reed, but essentially an event film.

Well, it looks like there is some support to that as Deadline is reporting that Lovecraft Country’s Jonathan Majors has joined the film and is said to be possibly playing the super-villain known as Kang The Conqueror, who first debuted as Kang in the pages of The Avengers comic books and is also known as Nathaniel Richards (possible descendant of Fantastic Four’s Reed Richards).

The studio had no comment, but sources close to the project say he is likely to play the super-villain Kang the Conqueror.

A character that has been long teased to be feature in Loki, however, never confirmed.

It’ll be interesting if Kang indeed has connections to the Fantastic Four, but this MCU version might differ from the comic book version as Marvel does take liberties with the origins of their villains very often. Also, he more or less is likely coming into the picture because of the use/invention of time-travel in Avengers: Endgame and not exactly because the Fantastic Four are now at Marvel. But we’ll see.

I’m keeping my fingers crossed that Kang will be a Multiverse villain potentially from Earth X, the version of Earth where everyone has superpowers. It could be one of many way to introduce an adult group of mutants into the Marvel Cinematic Universe as they might have to abandon Earth X for the safety of 199999 aka MCU’s Earth.

Casting would suggest that they are gearing up to begin shooting in the near future and as I confirmed are indeed expected to released the film sometime in 2022, if all goes to plan. Filming is expected to take place at Pinewood Studios UK and most likely will implement ILM’s StageCraft technology which Reed used on Season 2 of The Mandalorian.

SOURCE: DEADLINE

Posted on in Film News

ILM’s StageCraft VFX Will Be Implemented For Marvel’s ‘Thor: Love & Thunder’ In Australia – ‘Ant-Man 3’ Will Most Likely Use It At Pinewood Studios UK

In a post-COVID-19 world, it looks like Disney is looking to adopt safer methods of production which includes expanding the use of the StageCraft technology used to shoot the first two seasons of The Mandalorian. Using this technology means less production crew would be potentially put in harm’s way for set construction and also limit the number of secondary exterior locations as productions traveling to multiple countries might not be the wisest idea at the moment. 

The Hollywood Reporter has revealed that ILM’s StageCraft technology will be used for Marvel Studios’ Thor: Love & Thunder (MCU Cosmic mentioned this previously) at Fox Studios Australia in Sydney, New South Wales, Australia.

This comes after writer and director Taika Waititi had used the technology when filming the final episode of the first season of Lucasfilm’s Star Wars series The Mandalorian. 

There has been an expectation that Thor: Love & Thunder will begin shooting sometime between January-February of next year as director Destin Daniel Cretton is trying to finish up production on Shang-Chi & The Legend of The Ten Rings allowing Taika to move in for the Thor sequel. 

THR adds that they’ll also be adding StageCraft to the Pinewood Studios UK facility. 

 In addition, ILM is building a StageCraft volume at Pinewood Studios in London (expected to open in February), and a larger custom volume at Fox Studios Australia that will be used for Thor: Love and Thunder. Waititi previously used virtual production when he helmed the final episode of The Mandalorian season one.

Actor Ewan McGregor previously confirmed that his Star Wars series Kenobi directed by Deborah Chow (The Mandalorian) would be implementing the technology during an interview with Ace Universe back in June. 

The next Marvel Studios feature film to shoot at Pinewood Studios UK is expected to be Peyton Reed’s Ant-Man 3, who happened to direct an episode of The Mandalorian for Season 2 just like Taika and may also be familiar with StageCraft after his own experience with that show. 

Yesterday, I posted an update of sorts on Ant-Man 3 via Twitter that they are deep in pre-production and that we should expect some massive action sequences given they’ll be moving filming from Pinewood Atlanta Studios to Pinewood Studios UK, the latter facility has been used for the Star Wars films and traditional all of the James Bond movies as well. 

We should expect this installment to feel more like an event. 

I was also able to confirm Marvel/Disney is aiming to release the film sometime in 2020, however, release dates for the next little while will be in flux and most will unlikely be set-in-stone for the foreseeable future given multiple projects will begin production in 2021 meaning that some projects may have be delayed to 2023.

Peyton Reed recently mentioned that the film would be “bigger” and “sprawling” while speaking on The Jess Cagle Show and reaffirmed via Yahoo! Entertainment that Evangeline Lily’s Wasp would be getting equal billing on the sequel. 

REED: “They’re a partnership, and she’s a very, very important part of that. And that was a very gratifying thing, I guess technically we were the first Marvel movie with a female hero in the title of the movie. Finding that balance in that movie, that’s very important to me because that’s very much a men’s playing field, historically. But that’s really, really changing now in a great way.”

I’m personally holding out the hope that we’ll see the film morph into some sort of MCU version of Guillermo del Toro’s Pacific Rim as Peyton Reed hasn’t been shy about how the films have been influenced by Japanese kaiju projects like Ultraman. Moving the setting of the film outside of San Francisco might also help shake things up given that Scott Lang might be allowed to move a little more freely around the world after the events of Avengers: Endgame.

Most recently the Pinewood facility has been used for Black Widow and Eternals both films are expected to be larger in scale than Ant-Man or Ant-Man & The Wasp. There is also an expectation that the Moon Knight series will spend some time there as well and we should be getting some updates on that show in the near future. 

Doctor Strange In The Multiverse of Madness is confirmed for Longcross Studios in Surrey, England and it’s unknown at this point if they’ll have access to the StageCraft tech, but it’s possible. 

This new technology certainly would cut-down costs and post-production time, the safety element is simply a massive benefit.