‘Top Gun 3’ In The Works At Paramount With Director Joseph Kosinski Reportedly Returning

In the wake of the news that Tom Cruise had secured a new non-exclusive deal with Warner Bros. to help develop, produce, and star in new films at the studios, it looks like more work might be done at Paramount Pictures. Puck News first reported that Paramount has hired “Top Gun: Maverick” co-writer Ehren Kruger to write “Top Gun 3” with The Hollywood Reporter adding that director Joseph Kosinski is also expected to be returning to direct the third installment in the franchise focused on Navy combat pilots.

The 2022 sequel took decades to come together and became the first billion-dollar hit for Tom Cruise by earning an impressive $1.5 billion at the global box office. Apparently, the aim here is to reunite Cruise with actors Miles Teller (Rooster) and Glen Powell (Hangman) in a new sequel.

In the most recent film, Maverick (Tom Cruise) who is now a test pilot is reluctantly forced by U.S. military brass to train a group of highly skilled pilots at the Top Gun school for an upcoming suicide mission in a fabricated country. Instead of letting the team fail, he insists on joining them despite being extremely long-in-the-tooth and about to be shown the door by the Navy after decades of disobedience.

Cruise is currently working alongside Christopher McQuarrie (Who contributed to the “Maverick” script) to finish up “Mission: Impossible 8.” That spy flick could be the action star’s final outing with that franchise for the foreseeable future. He’s also been putting together a reunion with Doug Liman (“Edge of Tomorrow”) for a space project at Universal Pictures that is expected to film sequences at the International Space Station, which is expected to be the next feature film he shoots once “MI8” is completed. We’re still awaiting official word on the status of “Edge of Tomorrow 2,” which has been in various development stages going back at least four years with Liman attached to direct, but there had been multiple scheduling conflicts due to Cruise’s commitments at Paramount.

We’ll see how long this development process will take since Cruise has a busy schedule that has now been increased by this new Warner Bros. deal that will add on projects that likely haven’t even been announced.

SOURCE: PUCK NEWS & THE HOLLYWOOD REPORTER

’28 Years Later’: Danny Boyle & Alex Garland Reunite For New Rage Virus Trilogy As Next Installment Heads To Auction

We’ve all been expecting that Danny Boyle and Alex Garland‘s “28 Years Later,” a follow-up to “28 Days Later,” was coming together nicely with a script penned by Garland and Boyle said to be interested in directing the horror project. There is now a major development as The Hollywood Reporter has learned that “28 Years Later” is not already up for auction with multiple studios eyeing the feature film, but there is now a potential for a trilogy of new installments focusing on the rage virus that took over the United Kingdom and in “28 Weeks Later,” France then Europe.

Garland is set to write all three movies with budgets set around $75 million and Boyle is set to direct the first one. We’re a little surprised that this is going to auction with both studios and streamers being courted as new buyers as 20th Century Studios were the distributors on the last two movies. Perhaps, the two creatives are seeking a better deal than what might have been offered in the past with more genre-friendly studios like A24, Focus Features, and NEON potentially getting their hands on an established horror franchise.

UPDATE: THR has revealed that Sony Pictures has landed the next two movies after a heated bidding war, including the next installment tentatively titled “28 Years Later,” making the studio the new home for the Rage Virus franchise after the last two films were released by 20th Century Fox. There is also confirmation that original star and recent Oscar-nominee Cillian Murphy (“Oppenheimer”) will executive produce along with potentially reprising his role.

The original film helped introduce audiences to a young up-and-coming Irish actor named Cillian Murphy, who is now poised to be nominated for Best Actor at the Academy Awards for his role in Christopher Nolan’s atomic bomb drama “Oppenheimer.” While Murphy has said in press interviews he’s open to the idea of reprising his role from “28 Days Later,” that return has yet to be made official or how it could impact the new film’s story.

“28 Days Later” focused on an outbreak of the “rage virus” after animal activists in England attempt to rescue a group of animals from a secret laboratory facility testing biological viruses. Once one of the members is bitten by an infected chimp the rage virus spreads across the country and our protagonist wakes up 28 days later in an abandoned hospital only to find that London is mostly in the same state only to find that surviving humans are crazed and violent hordes. A sequel from 2007, that featured Rose Byrne, Robert Carlyle, Imogen Poots, Jeremy Renner, and Idris Elba among the cast, saw the attempt to repopulate the country after most of the virus carriers had been put down by the United States military, only for another outbreak to happen within the guarded housing facility.

Garland has been aiming to move back into his comfort zone as a novelist and screenwriter with his upcoming A24 thriller, “Civil War,” seemingly like his last directorial effort for the next couple of years (Things could, of course, change). However, seeing him reunite with Boyle after successfully reigniting the horror sub-genre of crazed hordes zombies or otherwise (Those infected humans aren’t exactly zombies).

SOURCE: THE HOLLYWOOD REPORTER

‘Star Trek’: Paramount Hires ‘Andor’ Director Toby Haynes For Mysterious Prequel Movie Penned By Seth Grahame-Smith

Star Trek” is indeed coming back to the big screen after some major hiccups with some other projects such as Quentin Tarantino‘s film getting thrown into development limbo and the studio still trying to iron out what they’re doing with their fourth installment that once had Matt Shakman set to direct before moving on to do Marvel’s “Fantastic Four” reboot. A new report from Deadline has revealed that director Toby Haynes (“Andor”) and screenwriter Seth Grahame-Smith have been selected by Paramount to make a new mysterious feature film set in the “Star Trek” universe.

While a synopsis and plot details aren’t being made public, the report claims the new film won’t be “Star Trek 4” but rather a story that takes place before the events of the 2009 reboot that had been directed by J.J. Abrams. We’ll likely know a bit more once the studio and folks involved start talking up the project in the press. Abrams’ production company is still going to be involved as Bad Robot is still named as being part of the producing team for the untitled movie.

More to come.

SOURCE: DEADLINE

‘House Of The Dragon’ Star Milly Alcock Among Contenders In The Mix For The DCU’s New Supergirl

Director James Gunn‘s “Superman: Legacy” has a lot riding on its broad shoulders as the film will not only usher in the brand new version of the Man of Steel for the DCU but will be the first big entry into the newly formed studios’ cinematic universe that will be fleshed-out in the first phase over the next couple of years. With that in mind, another big superhero is about to join that new universe and one that many had suspected could be introduced in “Superman” Legacy” as Gunn attempts to cram as much world-building into his upcoming superhero pic as humanly possible.

It sounds like Clark’s cousin from Krypton is indeed appearing in the DCU film before getting her own feature film, “Supergirl: Woman of Tomorrow.” DC Studios is reportedly now looking at actresses to play Kara Zor-El. Those candidates up for the new Supergirl role according to Deadline include actresses Milly Alcock (“House of The Dragon”), Emilia Jones (“CODA”), and Meg Donnelly. The outlet also alludes to screen tests for the studio are likely going to happen within the next month or so, suggesting they don’t have a frontrunner. The assumption is that whoever is selected will be introduced in “Legacy,” given the proximity to the production in Atlanta, before moving on to “Supergirl: Woman of Tomorrow” as that project has yet to secure or announce a director. However, how large of a cameo/role Supergirl could have is up for debate until Gunn chimes in on the report.

A great group of young actresses who could all make a large impact playing Supergirl, the part had been more recently played by Sasha Calle in “The Flash.” But as this news has been announced, it would mean that Calle will no longer be playing the part as DC Studios attempts to reset and recast a majority of these DC Comics roles. This likely means we’re going to learn a lot more about what their plans are concerning the solo film that has been in development for nearly a year now at DC Studios. Screenwriters Oren Uziel and Ana Nogueira are said to be currently writing the solo film’s script.

“Superman: Legacy” is still on track to hit its July 11, 2025, release date with a fantastic cast that consists of David Corenswet (as Clark Kent/Superman), Rachel Brosnahan (Lois Lane), Nicholas Hoult (Lex Luther), Skyler Gisondo, Sara Sampaio, Anthony Carrigan (Metamorpho), Isabel Merced (Hawkgirl), and Nathan Fillion (Guy Gardner/Green Lantern).

SOURCE: DEADLINE

‘Hellraiser’ Director David Bruckner Tapped For New Version Of Horror Classic ‘The Blob’ At Warner Bros.

Horror has become not only big business for studios but a lot of feature films released in theaters have done exceedingly well with audiences leading to some impressive box office results, as long as the budgets are reasonable. While Universal Pictures is hellbent on making sure they’re making their presence known with a string of remakes from within their Universal Monsters franchise, another studio is getting into the remake game and tackling a classic horror character that hasn’t been touched since 1988.

The Wrap reports that Warner Bros. has selected David Bruckner (“The Ritual”), who was behind the recent “Hellraiser” reboot, for a reimagining of “The Blob.” Bruckner is set to both write and direct this new take on with David S. Goyer (“Foundation”) producing via his production company, Phantom Four. The beloved horror film was first released in 1958 with a fresh-faced Steve McQueen starring, a direct sequel in 1972 called “Beware! The Blob,” and the Chuck Russell remake in the 1980s from a script penned by Frank Darabont (“The Walking Dead,” “The Mist,” “Shawshank Redemption”).

In the original, the blob is an alien purple sentient ooze that consumes organic creatures and with each meal starts to grow in size, once big enough it starts to eat humans and gets to the point where the small town is at the mercy of this giant eating machine. The Darabont remake from 1988 tried to add its own spin on the mythology by hinting the blob’s origin was outer space in the first act of the film. Only to reveal it was, in fact, a secret U.S. government bio-weapon experiment gone wrong and the armed handlers don’t exactly care about the townspeople getting gobbled up by the blob if it means their new weapon is kept classified from the rest of the world.

While the original had inventive but outdated special effects the 1980s version has some of the best practical gore effects ever put on film and is criminally underrated given that the slasher sub-genre seemed to rule that decade. Given the amounts of practical effects and makeup used in his Bruckner’s “Hellraiser” remake at 20th Century Studios, there is a glimmer of hope he’ll attempt to use as many in-camera effects as possible.

This wouldn’t be the first time that someone has attempted a fourth incarnation of “The Blob” as directors Rob Zombie (“House of 1,000 Corpses,” “Halloween”) and Simon West (“Con Air”) had tried to make their own versions of the film with the latter being able to coax Samuel L. Jackson into a leading role. However, it doesn’t sound like the same people are going to be involved in this more recent project and it’s not clear how this remake at Warners differs from the other three films.

SOURCE: THE WRAP

‘Mickey 17’: Bong Joon-Ho‘s New Sci-Fi Pic Starring Robert Pattinson Is Getting Delayed

We’ve all been rabid for more footage from Bong Joon-ho‘s follow-up to the Oscar-winning thriller “Parasite,” after the South Korean filmmaker swept the awards season with his prescient class struggle satire and sadly there are some unseen delays on the horizon. The Hollywood Reporter has echoed the announcement from Warner Bros. that “Mickey 17,” a sci-fi pic about using clone labor on an off-world colony starring Robert Pattinson, won’t be hitting its original intended release date of March 29, 2024. We don’t have a new date for the pic but there is an expectation that the studio won’t take long to find a spot for the high-profile project based on the novel by Edward Ashton.

“Parasite” would ultimately win four Oscar statues in 2020 for Best Picture, Best Director, Best Original Screenplay, and Best International Feature Film. Making “Mickey 17” one of the more hotly anticipated films in 2024 for not only genre fans but film nerds and award-season speculators as well.

UPDATE: It’s been announced by Warner Bros. that “Mickey 17” has been bumped to a release date of January 31, 2025. We had originally assumed the sci-fi could be pushed toward later in the year but it seems like an overcrowded slate in 2024 could be the problem.

Here is the original novel’s logline from Amazon:

Dying isn’t any fun…but at least it’s a living. Mickey7 is an Expendable: a disposable employee on a human expedition sent to colonize the ice world Niflheim. Whenever there’s a mission that’s too dangerous―even suicidal―the crew turns to Mickey. After one iteration dies, a new body is regenerated with most of his memories intact. After six deaths, Mickey7 understands the terms of his deal…and why it was the only colonial position unfilled when he took it. On a fairly routine scouting mission, Mickey7 goes missing and is presumed dead. By the time he returns to the colony base, surprisingly helped back by native life, Mickey7’s fate has been sealed. There’s a new clone, Mickey8, reporting for Expendable duties. The idea of duplicate Expendables is universally loathed, and if caught, they will likely be thrown into the recycler for protein. Mickey7 must keep his double a secret from the rest of the colony. Meanwhile, life on Niflheim is getting worse. The atmosphere is unsuitable for humans, food is in short supply, and terraforming is going poorly. The native species are growing curious about their new neighbors, and that curiosity has Commander Marshall very afraid. Ultimately, the survival of both lifeforms will come down to Mickey7. That is, if he can just keep from dying for good.

They’ve also announced that Adam Wingard‘s “Godzilla x Kong: The New Empire” has moved up to March 29 (The old date for “Mickey 17”), from April 12. Fans are widely excited for the next installment of the Monsterverse franchise after the recent Apple TV+ series “Monarch: Legacy of Monsters” has made quite the impression on viewers and the previous success of “Godzilla vs Kong.”

The epic battle continues! Legendary Pictures’ cinematic Monsterverse follows up the explosive showdown of “Godzilla vs. Kong” with an all-new adventure that pits the almighty Kong and the fearsome Godzilla against a colossal undiscovered threat hidden within our world, challenging their very existence—and our own. “Godzilla x Kong: The New Empire” delves further into the histories of these Titans and their origins, as well as the mysteries of Skull Island and beyond, while uncovering the mythic battle that helped forge these extraordinary beings and tied them to humankind forever.

SOURCE: THE HOLLYWOOD REPORTER

Tom Cruise Strikes New Deal To Develop, Produce & Star In Future Warner Bros. Movies

While Tom Crusie is busy trying to complete “Mission: Impossible 8” at Paramount Pictures with writer/director Christopher McQuarrie (“Jack Reacher”) and is reuniting with director Doug Liman (“Edge of Tomorrow”) for a space film at Universal Pictures that will see the iconic action star shoot scenes at the International Space Station, he’s aiming to make a big return to Warner Bros. as well.

Cruise has struck a deal with movie studio chiefs Michael De Luca and Pamela Abdy to develop, produce, and star in new films for Warner Bros. as revealed by The Hollywood Reporter, and it won’t be a traditional first-look deal. This comes after Cruise had a billion-dollar success with the long-gestating sequel “Top Gun: Maverick” and a less-than-stellar box office return on “Mission: Impossible – Dead Reckoning Part 1” making it one of the bigger disappointments of 2023.

The actor hasn’t made a film with Warners in a decade and should help nudge the studio to make a big commitment to the theatrical release given the actor isn’t terribly keen on streaming while championing theatrical windows as well.

Some of the previous films Cruise has made at WB include “The Last Samurai,” Stanley Kurbick’s final film “Eyes Wide Shut,” “Magnolia,” and “Edge of Tomorrow.” There had been plans to move forward with a sequel to “Edge of Tomorrow” for years, and the new deal might help push things towards production as Liman has been attached to direct for years but scheduling has seemingly been the main issue there with Cruise laser-focused on Paramount projects. Cruise’s new deal would make it a lot easier to get “Edge of Tomorrow 2” made.

One of the other films Cruise is hoping to make is a Les Grossman spinoff, reprising his crass studio executive character from Ben Stiller’s “Tropic Thunder” at Paramount/DreamWorks.

Fans have automatically assumed that Cruise could end up playing Hal Jordan in a “Green Lantern” movie at DC Studios, but nothing in the report has suggested this is even on the table. However, that potentially could happen if all the stars align and James Gunn/Peter Safran made an impressive pitch to the star.

SOURCE: THE HOLLYWOOD REPORTER

‘The Mandalorian & Grogu’: Lucasfilm Announces That Jon Favreau To Direct New ‘Star Wars’ Film That Begins Shooting This Year

We’ve been waiting for ages to get some real concrete details about some of the upcoming “Star Wars” movies in various stages at Lucasfilm and there has been a bit of reveal. Today, the studio has announced a new film from Jon Favreau is set to head into production in 2024 and given the new “Star Wars” film the title of “The Mandalorian & Grogu” which clearly establishes his spinoff of the popular Disney+ series will indeed feature the former bounty hunter and the foundling with Jedi abilities.

American actor Pedro Pascal (“The Last of Us“) plays the titular Mandolarian, Din Djarin, the surrogate father of Grogu (aka Baby Yoda) as the two have turned into a family as they go on various adventures across the galaxy which sees them become integral parts of the Mandalorian community. The setting takes place years after the events of “Star Wars: The Return of The Jedi” and we’ve seen two appearances from Luke Skywalker, and there are expectations we could see other original trilogy characters appear in the spinoff movie but how exactly they’ll be present to theatrical audiences isn’t known.

We also assume that likely means that this new movie will replace the fourth season of “The Mandalorian” and means the crew of the show is likely working on the feature as well.

The official “Star Wars” website also includes a piece of concept artwork, and that you can see below.

Pascal had been reportedly in talks to play Dr. Reed Richards in Marvel’s “Fantastic Four” reboot from director Matt Shakman and is expected to go into production before “The Mandalorian & Grogu.” One of the more interesting aspects of the streaming series is that Pascal mostly does voiceover work as Din Djarin with a stunt actor performing a bulk of the in-costume and fight scenes, the character rarely taking off his helmet makes all this possible.

Ahsoka Release Date Confirmed For August On Disney+

Filoni and Favreau are said to be officially in development for a second season of “Ahsoka” too continuing the story of the characters from “Star Wars: Rebels” and the former Jedi from “Star Wars: Clone Wars.” However, given the film is the now main priority for the writer/director it’s unknown when we’ll see “Ahsoka” season two begin shooting. It was previously announced that Filoni would be making his own film as well taking place in the era of the Disney+ series and seemingly could focus on Grand Admiral Thrawn’s return, ala, “Heir To The Empire.” Although, we’re unclear how much of that will impact the second season of “Ahsoka” or if the two will be related at all.

Of course, Favreau isn’t a stranger to cinematic universes after directing “Iron Man,” and “Iron Man 2” for Marvel Studios helping to usher in the Marvel Cinematic Universe to a global audience with a batch of lesser-known Marvel characters. He’s been since working on a fleet of streaming series for Lucasfilm with the aforementioned “Ahsoka,” “The Mandalorian,” “The Book of Boba Fett” miniseries, and the upcoming Jon Watts project “Skeleton Key.”

Sharmeen Obaid-Chinoy (“Ms. Marvel”) is also set to direct Daisy Ridley‘s return as Rey Skywalker in a new film that will see her start a new Jedi school and had been expected to begin shooting this year as well but we’re still waiting on casting news on that front. Other “Star Wars” pics in the works include a Jedi origin film from James Mangold (“Logan”) set ages before the Jedi Order/The Old Republic alongside mystery films from Taika Waititi, and Shawn Levy.

SOURCE: LUCASFILM

Paul Verhoeven “Wouldn’t Hesitate” To Direct Another Big Studio Sci-Fi Movie If Someone Gave Him A Script Like ‘RoboCop’ Or ‘Total Recall’

Director Paul Verhoeven hasn’t made an American movie since the 2000 film “Hollow Man,” which attempted to explore a modern mature take on the classic “Invisible Man” and it was also his last big entry in the R-rated science fiction genre. But that seems to be changing with his next English-language feature film project “Young Sinner” and while speaking with the outlet Metrograph, Verhoeven has decided to make his big return to American productions alongside teasing an openness to return to making a big studio sci-fi blockbuster. However, there is one catch, it would need to be offered a script as good as the ones he received for “RoboCop” and “Total Recall.” The two big blockbusters and the thriller “Basic Instinct” would sort of cement his status as one of the best genre directors of that era.

“If someone were to give me a script like ‘RoboCop’ or ‘Total Recall,’ I wouldn’t hesitate to do that. I haven’t seen it,” the Dutch filmmaker told Metrograph.

“RoboCop” is easily one of the more well-liked entries in the cyberpunk sub-genre of science fiction and focused on a slain cop ressurected as a cyborg by a greedy corporation that eventually tracks down his criminal killers that are revealed to be intertwined with the company that brought him back to life.

“Total Recall” on the other hand wasn’t an original idea as it was a loose adaptation of the Philip K. Dick story “We Can Remember It For You Wholesale” and was pitched as “Indiana Jones” on Mars. It focuses on a construction worker who dreams of visiting the human colony on Mars only to discover he’s already been to Mars as a double agent and was dumped on Earth after having his mind erased leading to a violent adventure off-world. Originally, Canadian director David Cronenberg was attached to direct and he had a direct hand in the addition of the mutant population on Mars, adding his signature weirdness but ultimately exited leaving the director’s chair to be filled by Verhoeven. Oddly enough, a “Total Recall” sequel based on Dick’s “Minority Report” went into development before the studio, Carolco Pictures, went bankrupt and the project landed at the feet of Steven Spielberg. The script’s ties to “Total Recall” was all but severed and reworked as a starring vehicle for Tom Cruise instead of Arnold Schwarzenegger.

Paul Verhoeven Reunites With 'RoboCop' Screenwriter For 'Young Sinner'

Speaking of ‘RoboCop,” Verhoeven is reuniting with the film’s co-writer Ed Neumeier on a new American-set political thriller called “Young Sinner” and spoke about how the two ended up finally re-teaming after 1997’s “Starship Troopers.” The pic co-fianced by Disney’s Touchstone Pictures was a satirical futuristic take on WWII propaganda films based on the Robert A. Heinlein novel that found a second life in the home video market after the film was considered a big box office disappointment at release.

“I’m working with Ed Neumeier, who wrote ‘RoboCop.’ You could say it’s a political thriller, if you want, situated in Washington. The last couple of years I’ve been working in France because I couldn’t find something interesting here at that time. But Ed came up with a really interesting proposal. For two years we have been working on the screenplay. It should be done in two months and then we can find out if someone can finance it.”

One could theorize that Neumeier might be the sort of screenwriter that could attempt to write/adapt another tentpole script to coax Verhoeven back to the blockbuster sci-fi genre after working together on three movies. Interestingly enough, he had been involved with plans for “RoboCop Returns” back when Neill Blomkamp had been interested in reviving the franchise with Peter Weller reprising the iconic role of Alex Murphy, aka, RoboCop. Since Neill Blomkamp’s exit from the sequel, there hasn’t been much movement on the part of MGM as the studio had been acquired by Amazon.

There was a time that Sony Pictures was all-in on trying to recapture the magic of his sci-fi work by being involved with remaking “RoboCop,” “Total Recall,” and “Starship Troopers.” All three were PG-13 versions of those beloved mature movies with the first two flopping and luckily the third one never got further than development.

SOURCE: METROGRAPH

Julia Garner Joins Christopher Abbott In Universal’s ‘Wolf Man’ Remake Coming Out On October 25

2024 is going to be an interesting year, for sure, and we have a big push from Universal Pictures adding to their modern wave of films connected to the Universal Monsters franchise. One of the upcoming projections is a new “Wolf Man” movie from Aussie filmmaker Leigh Whannell (“The Invisible Man,” “Upgrade”) with Blumhouse producing, and seems to be more of a modern take on the werewolf story, separating itself from the 2010 film that starred Oscar-winner Benicio Del Toro. Filming is expected to begin soon because the studio has already given the new project a release date in October, suggesting a quick turnaround in the post-production process.

With that in mind, we have a new casting update for “Wolf Man.” The usual trade outlets including Deadline are all reporting that “Ozark” breakout Julia Garner has been tapped to play the female lead in the horror pic opposite Christopher Abbott (“Poor Things”), who had recently replaced Ryan Gosling (“The Fall Guy”).

The report says Garner will play “a mother whose family is being terrorized by a lethal predator.” This part seemingly echoes her recent Aussie thriller “The Royal Hotel” which was distributed by NEON last year.

“Wolf Man” is set to be released on October 25, 2024.

SOURCE: DEADLINE