Fede Alvarez Shares Producer Ridley Scott’s Reaction To His Director’s Cut Of ‘Alien: Romulus’: “It’s Fucking Great”

If you weren’t already aware, 20th Century Studios and Disney are looking to reenergize the “Alien” franchise with not only a brand new mystery film called “Alien: Romulus” from director Fede Alvarez (“Evil Dead”) but also Noah Hawley (“Fargo”) behind an Earthbound streaming series at FX/Hulu as well that takes place before the events of the original film. It looks like things are chugging along with Fede’s film as he recently completed a director’s cut or potentially an assembly cut of the film.

Guillermo del Toro spoke with the filmmaker at The Directors Guild of America’s Latino Summit 2023 where he revealed the pressure-cooker moment when franchise producer Ridley Scott sat in a room alone to watch the director’s cut before anyone else and shared his promising impressions with Alvarez.

“I finished the director’s cut a week ago and go through the incredibly intense process of sending it Ridley Scott, who is my producer. He’s the producer of the movie. I wanted him to see it before anybody and everybody gave me the heads up that ‘Ridley’s really tough and particularly if you have something to do with his movie.’ He was really tough on ‘Blade Runner,’ which I saw as a masterpiece…He walks into the room and he did say ‘Fede what I can say? It’s fucking great.’ My family knows it was the best moments of my life to have a master like him, which I admire so much, even to watch a movie I made. The best compliment he gave was ‘The dialogue is great, you’re the writer?'”

The young cast assembled for the sci-fi horror pic includes Caliee Spaeny, Isabela Merced, Archie Renaux, David Jonsson, Aileen Wu, and Spike Fearn. While the film is in the post-production stage we still haven’t got our hands on an official plot synopsis for the new “Alien” film other than previous hints that it could involve an off-world colony facility

Alvarez isn’t understating Scott’s hyper-critical persona. Director Neill Blomkamp’s takeaway from his experience developing “Alien 5” only for it to go away was that Scott had likely soured on him after watching “Chappie” and potentially had the movie killed. Although, it sounds like Alvarez’s experience was very much different with his new “Alien” installment.

Interestingly enough, ILM is working on the film’s visual effects alongside Weta Workshop, which is said to be working on weapons and vehicles. The Gillis team returning to do creature effects as well.

Thankfully for fans, the sequel will be heading to theaters on August 16, 2024, after it had been previously set to become another Hulu exclusive like their well-done “Predator” prequel, “Prey.” Given that they have a director’s cut this early less than a year away from release there is some hope the studio could start releasing first-look images and even a teaser trailer in the near future.

You can watch the full conversation between del Toro and Alvarez right here.

SOURCE: DGA LATINO SUMMIT 2023

‘Lobo’: Jason Momoa In Talks With DC Studios To Play Foul-Mouthed Alien Bounty Hunter, Might Show Up In ‘Superman: Legacy’ Before Solo Pic

Despite “Aquaman & The Lost Kingdom,” the upcoming sequel to the billion-dollar hit “Aquaman,” being on the way this December, it looks like actor Jason Momoa (“Dune,” “Game of Thrones”) is now seeking another big comic book role at DC Studios. In a new report from Variety, the outlet claims that Momoa’s time as Aquaman is ending and is already in talks to play another DC Comics character. That being Lobo, a beefy alien biker and bounty hunter who can go toe-to-toe with Superman but has some antihero traits similar to that of both Marvel’s Wolverine and Deadpool. Gruff appearance and lots of witty one-liners ready to go, a character that would most likely suit Momoa’s entire aesthetic more than Aquaman or any other hero or villain in comics.

Speaking of the Man of Steel facing off with The Main Man, they also suggest it is unclear if his first appearance would be in James Gunn‘s “Superman: Legacy” or in a hypothetical solo adventure. As far as we know there hasn’t been any active development on the new incarnation of the “Lobo” movie, which had been in the works a long time ago.

Momoa may return, just not as Aquaman. Sources say the actor has engaged in talks to play Lobo, either in the 2025 reboot ‘Superman: Legacy,’ written and directed by Gunn, or in a standalone film.

Ages ago, a solo “Lobo” movie had been in development at Warner Bros. predating either Momoa or Gunn’s involvement with the current run of comic book movies. At one point, Joel Silver was producing and had Guy Ritchie (“Aladdin,” “Snatch”) attached to direct with various suitors aiming to play Lobo at different times such as Jeffrey Dean Morgan (“Watchmen,” “The Walking Dead”) during the Ritchie version and “Black Adam” actor Dwayne Johnson (Eyed a mangled Sgt. Rock incarnation as well) back with Brad Peyton when it once looked like he was going to direct.

However, a leaked version of the “Lobo” script made its way online and seemed to focus on alien fugitives making their way to Earth as Lobo was in pursuit of them in his capacity as a ruthless bounty hunter. Making his way to Earth to collect his newest bounties.

Since then, there really hasn’t been any talk of bringing Lobo to the big screen and we’ll wait for some official word from Gunn/WB before getting too excited about the prospect of Momoa as Lobo. It would be nice to see DC Studios branch out with a couple more cosmic projects since Lobo is a character that can be explored in outer space and on Earth. The former is the preferred setting given how few non-Earthbound films we’ve seen from Warner Bros. since they started churning out modern DC projects.

Momoa had been previously outspoken that one of his dream roles would be playing Lobo, so, this might be a solid way to transition the actor into the newly formed DCU. The hard reset on the DCEU seemingly is the reason as other actors playing “Justice League” members (Momoa, Ben Affleck, Gal Gadot, and Ezra Miller) aren’t expected to reprise their roles either. This comes after some misleading statements suggesting that Gadot would be involved with a third “Wonder Woman” movie and a wave of untrustworthy online rumors claiming that Affleck would be getting multiple new projects as Batman. Clearly, the Affleck nonsense has been put to rest.

In fact, none of the stars cast by Zack Snyder for 2016’s “Batman v Superman: Dawn of Justice” and 2017’s “Justice League” — including Ben Affleck, Henry Cavill, Gal Gadot, Ezra Miller and Momoa — will reprise their roles in the new DC universe in character.

Gunn has clarified the three existing characters carrying over to the DCU are John Cena’s Peacemaker, Viola Davis’ Amanda Waller, and Xolo Maridueña’s Blue Beetle. Limiting the carry-over characters, including ones that Gunn helped mold, might be sort of an olive branch to fans potentially upset that the Snyderverse is being expelled for the new rebooted cinematic universe.

I’m sure we’ll end up hearing soon from Gunn on these new tidbits.

SOURCE: VARIETY

Guillermo del Toro Reflects On Developing His Never-Made ‘Star Wars’ Movie As “Good Practice”: “We Had The Rise & Fall Of Jabba The Hutt”

Oscar-winning filmmaker Guillermo del Toro (“The Shape of Water”) could fill a room with all the unmade projects he’s either developed or has been courted for over the years. Some of those projects include a feature film version of H.P. Lovecraft‘s “At The Mountains of Madness” starring Tom Cruise (A seminal sci-fi horror tale that inspired the likes of “The Thing” and the “Alien” franchise), the sequel to “Pacific Rim,” a series at Marvel/ABC focused on “The Hulk,” and the most infamous being “The Hobbit” movies that passed to Peter Jackson, reluctantly.

Last month, we learned of another big studio project that he was developing with his “Blade II” screenwriter, David S. Goyer, that didn’t get made either. That is a feature film set in “Star Wars” focusing on “the rise and fall” of Jabba The Hutt in the criminal underworld. While del Toro had mused in previous interviews about making a “Godfather”-type story within that universe, it wasn’t until Goyer mentioned that they had actually tried to get it made and had worked on the script at Lucasfilm for it.

Guillermo del Toro raises some Hellboy | Georgia Straight Vancouver's  source for arts, culture, and events

Now, del Toro is reflecting on that experience while chatting with Collider at a Q&A that was held this week and isn’t terribly upset about it not really coming together.

“I believe a movie is going to happen when the Blu-Ray comes out, that’s when I know things are going to happen. In the last moment, things go away. I’ve had it happen many many times. We had the rise and fall of Jabba The Hutt. So, I was super happy, and then it’s not my property, it’s not my money. It’s one of those thirty screenplays that goes away. Sometimes I’m bitter, sometimes I’m not. I always turn to my team and say ‘Good practice, guys. Good practice. We designed a great world, we designed great stuff, we learned.’ So, you can never be ungrateful with life. Whatever life sends you there is something to learn from it.”

If you consider what happened within “The Book of Boba Fett,” it might have made a “Jabba The Hutt” project a little redundant as you likely would have seen similar elements. It’ll be interesting to hear if “Fett” got the Jabba thing erased or if they used things developed by del Toro/Goyer in that series produced by Robert Rodriguez. However, given how inventive the Lucasfilm creature shop has been since “The Force Awakens” the potential of an alien creature-focused “Star Wars” movie with del Toro behind feels like such a loss for fans of both “Star Wars” and the filmmaker himself.

Next up for del Toro is a retelling of Mary Shelley‘s “Frankenstein” at Netflix with a cast that consists of Oscar Isaac, Mia Goth, Andrew Garfield, and Christoph Waltz. Filming on that according to the director is aiming to start sometime in February.

Anyway, you can watch del Toro’s thoughts on that experience in video form below.

SOURCE: COLLIDER

‘Pacific Rim 2’: Guillermo del Toro Wanted Rinko Kikuchi & Donnie Yen To Lead His Sequel, Exited Due To Studio Losing Stages In Toronto

Sometimes when sequels are made they don’t often look like the original incarnation of that follow-up from the development stages and the same can be said about Legendary’s haphazard sequel to Guillermo del Toro‘s “Pacific Rim.” There had been an attempt by del Toro to return for the sequel but left due to some studio hijinks that left them without a stage facility to make the film in a timely manner. His exit from that kaiju-vs-robots sequel was a lot more avoidable than you might imagine.

While speaking with Collider recently, the filmmaker revealed that he ultimately didn’t return to make “Pacific Rim 2” because the studio, Legendary, according to del Toro, let their access to stages at Pinewood Studios Toronto (Where the first film had been shot) expire by not paying the deposit needed to hold them and would have further delayed production with the promise that they could simply shoot the film in China. However, del Toro wanted to do location shoots in China after scouting but mainly do that stage work in Toronto. Instead, del Toro passed after the studio lost the stages they needed in Toronto and moved on to his Oscar-winning film “The Shape of Water,” which as you might expect he shot in Toronto alongside Buffalo, New York.

The Mako Mori test | Karavansara

He revealed that Rinko Kikuchi‘s Mako Mori (Adopted daughter of Marshall Pentecost), the female lead of the previous installment was poised to take the reigns from Charlie Hunnam as the lead of del Toro’s version of “Pacific Rim 2.” Along with the aim to get Hong Kong action star Donnie Yen (“Rogue One,” “John Wick 4”) a key role as well. Yen and del Toro had previously worked together on “Blade II,” where the actor had played a member of the vampire black ops team, The Blood Pack, but didn’t last very long in that picture.

“The main character for me in many ways was Mako Maori…I wrote a phenomenal role for Donnie Yen, I wanted Donnie Yen. I wanted Donnie Yen to star in a damn mainstream movie, I was all for [filming in China]. We did scout in China and we were going to do location shooting [in China] but [for] stage I wanted to be in Toronto.”

Legendary decided not to use those actors in del Toro’s desired capacity. Pivoting to “Star Wars: The Force Awakens” actor John Boyega playing the never-mentioned son of Pentecost as our new main protagonist. The main leg of the sequel’s production took place in Australia with director Steven S. DeKnight (“Daredevil”) at the helm, making his feature film debut on a rather massive studio film which is infamously a make-or-break situation on such a large project.

Ultimately, “Pacific Rim: Uprising” wouldn’t be as much of a hit with critics or audiences as it only mustered $291 million which was $100 million less than the last movie had made ($411 million). Guillermo also admittedly never ended up watching the version the studio made and made a flowery comparison to “home movies from your ex-wife.” Adding, “They’re terrible if they’re good and worse if they’re bad.” That line got some chuckles from the audience at the Q&A that Collider was hosting.

Just the other day, del Toro had stated that Tom Cruise nearly had a big role in the original film and was wanted for Idris Elba‘s part but it ultimately didn’t work out.

You can watch that full exchange between del Toro and Collider’s Steve Weintraub below.

SOURCE: COLLIDER

‘Pacific Rim’: Guillermo del Toro Reveals He Originally Wanted Tom Cruise For Idris Elba’s Part In The Kaiju Action Pic

Once upon a time, there was a time when Guillermo del Toro and mega-star Tom Cruise almost worked together on a massive R-rated feature film version of “At The Mountains of Madness.” The film obviously didn’t come together because of creative differences between del Toro and Universal, along with the insane demands from the studio to get the budget to where it needed to be. Mainly, attempting a PG-13 version which likely would have deflated the vision del Toro for his take on the H.P. Lovecraft sci-fi horror tale.

Well, while speaking with Collider, the filmmaker revealed another sci-fi project they almost worked on together and it was his big mainstream attempt at a robots versus kaiju film, “Pacific Rim.” Instead of Cruise being wanted for the main role in the film they had actually wanted him to play Idris Elba’s mentor and commanding officer character, Marshal Stacker Pentecost. Of course, when they decided to pursue Elba after Cruise wasn’t an option they ended up rewriting the part.

Stacker Pentecost Suite | Pacific Rim (Original Soundtrack) - YouTube

“Oh yeah. The two models for ‘Pacific Rim,’ the two models for the screenplay, are ‘Hoosiers’ with Gene Hackman and Top Gun. So, the part that Idris Elba plays, Tom Cruise was gonna do it, and I even had a karaoke. The deal couldn’t be made. He wanted to do it. We were developing stuff, and he couldn’t do it. I thought, ‘You know what? Let’s go with Idris Elba then. He’s a god.’ Obviously, I had to rewrite it for that, but I thought it was gonna be an interesting analog to do that. It would have been a lot of fun.”

Of course, Tom Cruise did attempt to dabble in more action-centric sci-fi genre projects such as “Edge of Tomorrow” and “Oblivion” which came out the same year as “Pacific Rim” before mostly sticking to his “Mission: Impossible” films alongside the recent “Top Gun” sequel “Maverick.” Stacker would end up dying in the film only for a son we had no idea even existed, played by John Boyega, who became the main lead in the studio’s follow-up installment “Pacific Rim: Uprising.” It’s still pretty wacky that Universal and Warner Bros. wasted a potential team-up between Cruise and del Toro, another fuck-up of epic proportions by agencies/studio executives.

Hopefully, the two will eventually work together at some point.

PACIFIC RIM: Long ago, legions of monstrous creatures called Kaiju arose from the sea, bringing with them all-consuming war. To fight the Kaiju, mankind developed giant robots called Jaegers, designed to be piloted by two humans locked together in a neural bridge. However, even the Jaegers are not enough to defeat the Kaiju, and humanity is on the verge of defeat. Mankind’s last hope now lies with a washed-up ex-pilot (Charlie Hunnam), an untested trainee (Rinko Kikuchi), and an old, obsolete Jaeger.

SOURCE: COLLIDER

Christoph Waltz Joins Cast Of Guillermo del Toro’s ‘Frankenstein’ Movie Alongside Andrew Garfield, Mia Goth & Oscar Isaac

During a chat with Collider, filmmaker Guillermo del Toro‘s has revealed that two-time Best Supporting Actor Oscar winner Christoph Waltz has joined the cast of his upcoming retelling of the iconic sci-fi horror story, “Frankenstein.” Waltz is likely best known to audiences for working alongside director Quentin Tarantino in the period action films “Django Unchained” and “The Inglourious Basterds.” A film that del Toro says he’s been trying to make for 50 years but now believes he’s “crazy or brave” enough to attempt it now.

The actor joins a cast that already boasts talent such as Oscar Isaac (“Ex Machina”), Mia Goth (“Infinity Pool,” “Pearl”), and Andrew Garfield (“The Social Network”).

Frankenstein | Book by Mary Wollstonecraft Shelley, Bernie Wrightson,  Stephen King | Official Publisher Page | Simon & Schuster

You might remember that a while back when Universal was trying to resurrect the Universal Monsters franchise, an attempt was made by del Toro to get a new “Frankenstein” move off the ground there but ultimately that didn’t happen. Luckily, for the filmmaker since the story is from the Mary Shelley novel published back in 1818 and is in the public domain, he was free to try again at Netflix but would have to come up with his own Frankenstein design that doesn’t infringe the one copyrighted design by Universal Pictures.

There is now an assumption the design del Toro has landed on is from the late comic book artist Bernie Wrightson, who himself did illustrations for a version of the Frankenstein story (pictured in the above header image). His version of Dr. Frankenstein is the spitting image of Oscar Isaac, which could suggest that’s the role he’s been cast in. Wrightson also helped co-create DC Comics anti-hero “Swamp Thing,” a character that del Toro nearly put on the big screen in his incarnation of the “Dark Justice League” before he eventually moved on to other things.

Another tidbit about production was revealed too as they hope to get cameras rolling sometime in February, but likely will rely on the actors’ strike being resolved in the near future by the AMPTP offering/accepting a fair deal with the union.

Guillermo won an Oscar statue earlier this year for his other Netflix feature film, “Pinocchio.” And previously earned two other Oscars for “The Shape of Water” such as Best Picture and Best Director back in 2018, the filmmaker’s take on “The Creature From The Black Lagoon.”

You can watch his exchange with Collider below.

SOURCE: COLLIDER

‘Fantastic Four’ Reboot: Director Matt Shakman Confirms Filming At Pinewood Studios UK, May Begin In The Spring

Fantastic Four” is one of the next big feature film productions for Marvel Studios. Director Matt Shakman recently spoke with Collider giving us a few minor updates on their plans for the reboot of Marvel’s “First Family.” While Shakman kept mum on any specific castings, he was able to confirm they’ll be shooting in the London area on the Pinewood Studios stages. Also, they’re hoping to get cameras rolling in the Spring, that’s if the SAG-AFTRA strike is resolved in the near future.

Yes, we are definitely gonna go in front of cameras next year. Probably the spring,” Shakman said of the looming production start on “Fantastic Four.”

Also, the filmmaker promises it to be a lot “different” than the other MCU films we’ve seen.

“It’s different in so many ways. I wish I could be specific. I wish I could say more. But we are doing things very differently from a story standpoint, from an approach to the filmmaking standpoint, that really fits the material. I wish I could say more. I would love to, but I can’t. But I think it’s going to be unlike anything you’ve seen before, and certainly unlike anything at Marvel that you’ve seen before.”

Avatar 2 trailer could reveal how Quaritch returns

Screenwriter Josh Friedman, who had been hired to tackle rewrites on the film’s script is expected to resume writing very soon as the WGA strike has been resolved after a tentative deal was reached with the AMPTP. His previous credits include James Cameron’s “Avatar” sequels, Apple’s sci-fi series “Foundation,” Steven Spielberg’s “War of The Worlds,” “Terminator: Dark Fate,” and the fourth installment of 20th Century’s modern “Planet of The Apes” franchise with “Kingdom of The Planet of The Apes” from filmmaker Wes Ball.

Of course, Pinewood (used more often these days) is a stage facility used by Marvel Studios for productions such as “Ant-Man & The Wasp: Quantumania,” “Guardians of The Galaxy,” “Doctor Strange,” “Captain America: The First Avenger,” “Eternals,” “Black Widow,” and the yet-to-be-completed “Deadpool 3.” The latter is Marvel’s big attempt at an “X-Men” adjacent project since securing the rights to use mutants in their films and will bring Hugh Jackman back the Wolverine role after retiring it for James Mangold’s “Logan.” A film that gave the grizzled character a fitting end and death.

I have to assume once “Deadpool 3” wraps up production it’ll be time for “Fantastic Four” to move in as Shawn Levy has stated they only got 50% of filming completed before the SAG-AFTRA strike paused filming. Which why a spring start for Marvel’s other reboot would make logical sense.

However, we’re still in the dark about the casting of the film, and despite rampant rumors online of who exactly has been cast or has been in the mix, no official announcements have been made. The four main roles of Reed Richards (previously played by John Krasinski in Earth-838), Sue Storm, Johnny Storm, and Ben Grimm are sure to be over-analyzed by fans given the last two attempts at the live-action franchise didn’t really impress folks. Although, Shakman seems to indicate that the casting announcement isn’t too far off once the strike is resolved.

SOURCE: COLLIDER

Chad Stahelski Not Looking To Resurrect John Wick For A “Cash-Grab” But Has Notebooks Filled With Ideas For Another Five Movies

Sometimes franchises stall or simply end. The popular “John Wick” movies are certainly in a very odd place with “John Wick 4” seemingly killing off our skilled protagonist (that taking place off-screen) and while the head of Lionsgate keeps telling the public they’re working on “John Wick 5” it doesn’t seem like that is happening anytime soon, potentially at all.

Director Chad Stahelski, who tackled all four installments, recently spoke with Inverse detailing that the ambiguity of the death of John was done on purpose and ties back to the mythology/fairytale angle they had been aiming for with the franchise.

“We just rationalize that any Greek hero like Odysseus or anybody else over a long enough timeline, every story’s a tragedy. The hero always dies. You just don’t know when. And we also know if you’re a bad guy, you do bad things, bad things happen to you. That’s just the way it goes. So, we always had that hard, hardboiled sensibility. And we got done with 3, and we kind of knew when we were doing the press tour, we’re like, ‘Fuck. We didn’t really end it. We didn’t stick the landing.’ And we had a couple of ideas. And Keanu and I put some things together, and that’s how we built No. 4: ‘OK, this is the swan song.'”

Keanu Reeves ist John Wick: Alter schützt vor Kugeln nicht

Still, it’s not like Chad and Keanu are saying a fifth installment or more is completely off the table. Stahelski brings up Reeves being game for another one alongside having notebooks full of ideas for another five films (maybe an exaggeration) but waiting for the right “idea” that clicks to get the two of them back. Rather than simply doing another installment because they want to make money from it.

“I have notebooks and notebooks of shit behind me, John Wicks 5, 6, 7, 8, 9. We have ideas for days. We just don’t have the story locked. I have no interest in doing the cash grab of bringing John Wick back for something. Is he a character I like? Of course. And if I did a couple of John Wick movies, great. Keanu would do one again in a second if we had a good story. We leave that open-ended. I know that the studio would love us to say we have another one.”

I wouldn’t be terribly shocked if they had killed John Wick, the myth. Allowing John, the man, to potentially live a peaceful life somewhere else away from the grip of The High Table and retribution for all the killing he’s been doing. However, if they did another installment something would have to drag him back What exactly that could be is indeed a head-scratcher.

John Wick 4's Donnie Yen wants to spin-off Caine

The filmmaker also commented on Lionsgate’s interest in spinoffs like next summer’s “Ballerina” starring Ana de Armas as Rooney, taking place between the events of “John Wick 3” and “John Wick 4” with Reeves set to appear in the action pic. The end of the recent film indicated that they could do another untitled spinoff featuring Donnie Yen’s Caine and Rina Sawayama’s Akira, with the latter seeking revenge for the death of her father in Osaka.

“Keanu and I are always interested in that, but we leave it hanging out there a little bit to figure out if we have something that we’d want to watch. Second, we have a studio that’s very enthusiastic and not just financially motivated, but they’re just interested in seeing what we could do with it. So, they’ve been super cool of us this year about branching off. I know the term is ‘spin-offs’ or ‘ancillaries’ or whatever you want to call it. Keanu and I both went back, and we all said, ‘Look, we have ideas for the John Wick world, other characters that aren’t John Wick-centric. Would you guys be interested in exploring that?’ And they were super cool, and they said, ‘Yes, we’d be very interested in that.’ Characters that weren’t in any of the movies that had fallen to the sidelines because they just didn’t fit in our storylines, and some existing characters that we’d like to see other things.”

Giving everyone involved some breathing room is likely a good idea creatively. Keanu Reeves likely wants to do other things and Stahelski is attached to helm multiple other films such as Lionsgate’s reboot of “Highlander” that has Henry Cavill attached alongside his samurai pic “Ghost of Tsushima” (based on the video game) for Sony Pictures. Perhaps, they’ll reunite for more “John Wick” movies but it does sound like they’re also open to the idea of simply moving on as well.

SOURCE: INVERSE

Live-Action ‘Cyberpunk 2077’ Project Officially In Development At Anonymous Content

With the release of a massive update to the video game “Cyberpunk 2077” from developers alongside the “Phantom Liberty,” the new expansion story. It looks like there is now some renewed interest in adapting further incarnations into other forms of media after the Netflix anime series “Cyberpunk: Edgerunners.”

Today, the video game developers CD Projekt Red (“The Witcher”) have announced they have partnered with Anonymous Content (“True Detective,” “Spotlight”) to put together a “live-action project.” The press release stops short of revealing if they’re aiming for it to be aired on TV/streaming or will head to the big screen. But does mention they’ll now be seeking a screenwriter, which could indicate the desire to do a feature film within this mature cyberpunk universe. Also, stating it’ll be a “brand-new story,” likely means they won’t be adapting existing plots for this project.

CD PROJEKT RED Partners With Anonymous Content to Develop Live-Action Project

“The new project is at an early development stage and has currently commenced searching for a screenwriter to tell a brand-new story set in the world of ‘Cyberpunk 2077,'” the developers said in their official press release. “Anonymous Content’s AC Studios will serve as the studio on the project. The project will be developed in close collaboration with the ‘Cyberpunk 2077’ creative team.”

In “Cyberpunk 2077,” users play as V, as they attempt to navigate the seedy world of Night City and the newly explored Dogtown. A near-future fictionalized dangerous cyberpunk world filled with corporate espionage, gangs, advanced weapons, robotics/cyborgs, and cybernetic body enhancements. Taking all the best elements from sci-fi properties like “Dredd,” “Ghost In The Shell,” “Elysium,” and “Akira.”

John Wick 4's Director Used An Unusual Method To Cast Rina Sawayama

I think of I’m getting sick of Hollywood’s version of cyberpunk mostly revolving around white characters when a huge aspect of the sci-fi sub-genre is steeped within the aesthetics and culture of Japan. It would be really smart on the part of AC Studios to consider hiring an actor of Asian descent to play the project’s protagonist. One person who jumps out to us is singer and “John Wick 4” breakout Rina Sawayama.

Given CD Prokect Red’s working relationship with Netflix for “The Witcher” and “Edgerunners” I don’t think it would shock anyone if Netflix got their mits on “Cyberpunk.” Interestingly enough, both action stars Keanu Reeves and Idris Elba are already featured as supporting in-game characters. Hopefully, they end up getting involved and reprising their “Cyberpunk” roles in this new project given how quickly fans have embraced their involvement. Having those two attached, the famous faces of the game could get a lot of eyeballs and it does a lot of the heavy lifting to convince fans to support it.

SOURCE: CD PROJEKT RED

Robert Rodriguez Would Love To Revisit ‘Desperado’ Franchise But Worries About Glorifying Gun Violence

Director Robert Rodriguez has been keeping himself extremely busy over the last decade with his kid films on Netflix such as the recently released “Spy Kids” reboot “Spy Kids: Armageddon,” tackling the “Star Wars” universe with “The Mandalorian” and his own spinoff series “The Book of Boba Fett,” the Ben Affleck thriller “Hypnotic,” and had worked with James Cameron by helming his ambitious cyberpunk adventure pic “Alita: Battle Angel,” a live-action adaptation of the popular Japanese manga series.

During a recent chat with The Wrap, Rodriguez states that he would be interested in returning to his El franchise, which consists of “El Mariachi,” “Desperado,” and “Once Upon A Time In Mexico.” That action-packed trilogy focused on a gun-toting Mexican folk hero, a former musician, going up drug cartels and corrupt military leaders. However, the director is a bit uncomfortable with the idea of glorifying gun violence given the current climate of shootings and other real-life violence connected to the cartels.

Rod-Tino Tuesday: Once Upon A Time In Mexico – Couch Cruisin'

“I would love to revisit the ‘Desperado’ series. I thought it was way ahead of its time. It’s really hard to do today, for me, anything with guns. Gun violence has gotten out of control. Even those are those are very tongue-in-cheek and kind of fun. It’s just hard to do. There’s always some terrible shooting and you just go, I don’t know if I can responsibly do anything with guns. I really love those films, they are so fun. They’re like ‘Spy Kids’ for grownups, with guitar cases that fired missiles and gadgets galore. It was still made by a kid. Still, the glorification of it would be hard for me to pull off responsibly.”

There is certainly some shared DNA between those fun shoot-em-up films and the four “John Wick” movies from Chad Stahelski, they both make a point to establish they’re not set in a grounded cinematic universe. Something that “Once Upon A Time In Mexico” fully leans into as it comes off more like an action film mixed with a fairytale with over-the-top characters and ridiculous plot points. Not unlike his two extremely violent “Machete” films that are glorious love letters to the exploitation genre.

Speaking of Machete, we’re still waiting on Rodriguez to round out his trilogy with “Machete In Space.”

There was also a brief update/comment on the status of the “Battle Angel” sequel. While there haven’t been any formal announcements from Disney/20th Century Studios concerning “Alita 2,” Rodriguez reiterates that he’s still been keeping in contact with Cameron about the potential sequel and is hopeful that the studio is willing to make it as post-acquisition 20th Century is making more of their own movies again.

“Yeah, Jim and I always talk about how we’d love to do another ‘Alita.’ That studio [20th Century] was bought by another studio [Disney]. They’re starting to make movies now. But that for a while 20th Century wasn’t making any of their movies. I think now you’re seeing a few rolling out. We would love to.”

Previously, there had been some indications that deals or ideas had been thrown around behind the scenes as “Alita: Battle Angel” ended on a cliffhanger revealing Edward Norton as Nova, the next big villain Alita would have to face. Originally, when Cameron was attached to direct the plan was to shoot and release a trilogy of films. The global box office take of $405 million on a budget of $170 million wasn’t exactly on the scale of “Avatar” but seemingly was still enough for the studio to consider at least making one more installment given the mostly positive reception from audiences that did end up seeing it.

Then again, it’s hard to ignore all of the would-be film projects Rodriguez has developed over the years that simply never crossed the finish line such as “Barbarella,” “Red Sonja,” “Fire & Ice,” “Escape From New York,” a revival of the animated anthology film “Heavy Metal” spearheaded by Tim Miller/David Fincher, and his live-action “Jetsons” movie. We’ll simply have to be patient to see what he does next.

SOURCE: THE WRAP