SPOILERS: A New Captain America & Legacy of The Super-Soldier Program Explored In Episode 2 of ‘The Falcon & The Winter Soldier’

WARNING SPOILERS AHEAD FOR EPISODES 1-2

Episode 1 ended with the U.S. government selecting Wyatt Russell’s John Walker as the new Captain America and in Episode 2 we see a little background on the character giving him a little bit of personality. Walker also has his own sidekick with Battlestar being confirmed. However, his existence seems to irk both Sam and Bucky as the latter is frustrated that Wilson turned down the shield letting an outsider take over Steve’s mantle which went against his wishes.

We see most of The Flash Smashers have been enhanced with the super-soldier serum and are on the run from The Power Broker, a Marvel villain that has been teased in the end credits. This might suggest the masked group might not be as villainous as they’ve been made out to be and are trying to keep themselves one step ahead of the real villain. The Power Broker threatening to kill them.

Bucky reveals to Sam that there was another secret super-soldier, Isaiah Bradley, played by Carl Lumbly and there is an assumption that Elijah Richardson was playing Isaiah’s grandson Eli Bradley aka Patriot. It’s mentioned that Bucky and Bradley came to blows during the Korean War along with the horrible revelation that he was thrown into prison to rot for 30 years. Sam is horrified that nobody knew that Bradley existed and there are overtones that Isaiah being a black man played a role to the government keeping that a secret.

Walker and Battlestar are keen to work with Bucky and Sam but the two established characters seem to be reluctant to do so. At the end of the episode our two protagonists attempt to get more answers from Zemo, who is still locked-up. Something is going to happen because we’ve seen multiple set photos and footage Zemo out in the world.

I’ll be curious to see if Walker, Zemo, and The Power Broker are connected.

I also wouldn’t be shocked to see the Bradley family has a link to Erin Kellyman’s Karli.

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