Deadline reveals that MGM Studios has lost director Ben Wheatley on their Tomb Raider sequel starring Alicia Vikander, they’ve hired Lovecraft Country showrunner Misha Green to both write and direct Tomb Raider 2.
This will be Green’s feature film directorial debut after directing an episode of Lovecraft Country. Her HBO series produced by Jordan Peele and J.J. Abrams runs the gauntlet of genres between horror, action, thriller, crime, and science fiction. So, tackling the supernatural and action-adventure genre doesn’t seem like a huge stretch for Misha.
I do think fans are going to be puzzled why MGM was willing not to wait for someone like Ben Wheatley, who proved with his action-comedy Free Fire he really should be making more films within the action genre. He had recently signed-on to direct the sequel to Jason Statham’s The Meg for Warner Bros. and likely came into conflict with shooting Tomb Raider sequel.
Misha certainly has the writing chops to pen the film but given the scale of the film having her make a feature film debut might be scary to a lot of fans. I’m sure there is a reason why MGM selected her vision and didn’t go after a seasoned filmmaker to execute it.
The Hollywood Reporter has revealed that WarnerMedia is in early development on a Harry Potter/Potterverse series for HBO Max. Plot details aren’t mentioned, where it will take place in the franchise timeline, characters it will focus on or who will work on the series.
Essentially, it sounds like the series hasn’t exactly come together just yet and there is a chance it doesn’t even happen if these “exploratory meetings” don’t go anywhere.
A Harry Potter live-action TV series is in early development at HBO Max. Sources tell The Hollywood Reporter that executives at the WarnerMedia-backed streamer have engaged in multiple conversations with potential writers exploring various ideas that would bring the beloved property to television. Sources say broad ideas have been discussed as part of the early-stage exploratory meetings.
Filming is currently underway on Fantastic Beasts 3 in Watford, England, as the studio replaced Johnny Depp with Mads Mikkelsen for the role of villain Gellert Grindelwald. There are also two more Fantastic Beasts sequels also in the works at the studio.
It would be interesting if they’ll attempt another prequel series potentially set even before Fantastic Beasts or will attempt something more contemporary with new characters.
HBO Max has been looking to mine a bunch of film spinoff series including James Gunn’s Peacemaker, The Batman series focusing on Gotham PD, Dune: The Sisterhood, Overlook, and heap of other DC Comics projects.
We’ll keep our fingers crossed they’ll eventually announce other off-shoot shows such as one set in Godzilla vs. Kong‘s Monsterverse or taking place in the worlds of The Matrix and Mad Max. I’d personally would love to see a Matrix origin series that takes place during the war between humans and the machines.
It’s unknown how much involvement that J.K. Rowling will have on the untitled series, considering the franchise creator has been doubling-down on multiple anti-trans comments and endorsements. Making Rowling increasingly toxic to have attached to future projects.
It seems like people have been starving for a new blockbuster trailer, Legendary’s latest entry in the Monsterverse, Godzilla vs. Kong, has feed that need becoming quite the online hit because of the lack of big trailer releases over the last couple of months.
How big of a hit?
Within the first 20 hours, the Godzilla vs. Kong trailer saw an impressive 13 million views from the Warner Bros. YouTube channel and then another 8 million from various official Twitter accounts connected to the film (HBO Max, Legendary, and Godzilla vs. Kong) that posted the trailer.
I have to say the visual effects on display here are a huge improvement from the previous two Godzilla movies where the filmmakers and effects department made the shots so dark you couldn’t even figure out what was going on, which sort of makes these expensive VFX (kind of the point of the whole film) useless if they’re obscured too much by poor lighting or muddy textures on the creatures. So, a big thumbs up from me for that.
There is also a huge tease towards the inclusion of Mechagodzilla, a giant robotic version of the King of Monsters seen in the screenshot below.
The film will be released in theaters and HBO Max (for a month) on March 26th.
GODZILLA VS. KONG – Legends collide in Godzilla vs. Kong as these mythic adversaries meet in a spectacular battle for the ages, with the fate of the world hanging in the balance. Kong and his protectors undertake a perilous journey to find his true home, and with them is Jia, a young orphaned girl with whom he has formed a unique and powerful bond. But they unexpectedly find themselves in the path of an enraged Godzilla, cutting a swath of destruction across the globe. The epic clash between the two titans—instigated by unseen forces—is only the beginning of the mystery that lies deep within the core of the Earth.
The film stars Alexander Skarsgård (“Big Little Lies,” “The Little Drummer Girl”), Millie Bobby Brown (“Stranger Things”), Rebecca Hall (“Christine,” “Professor Marston and the Wonder Women”), Brian Tyree Henry (“Joker,” “Spider-Man: Into the Spider-Verse”), Shun Oguri (“Weathering with You”), Eiza González (“Fast & Furious Presents: Hobbs & Shaw”), Julian Dennison (“Deadpool 2”), with Kyle Chandler (“Godzilla: King of the Monsters”) and Demián Bichir (“The Nun,” “The Hateful Eight”).
A new report from The Wall Street Journal (spotted by The Playlist) is claiming that Warner Bros. golden-child director Christopher Nolan is now “unlikely” to make future films at the studio due to their decision to embrace a new day-and-date release model that is meant to boost subscriptions to HBO Max on the backs of the film division and filmmakers. This wouldn’t be terribly surprising as Christopher Nolan has been vocal against this release model since it’s announcement caught most directors it affected off guard and almost led to a potential lawsuit from production partner Legendary Entertainment.
The filmmaker made his opinions widely known in various interviews including the following quote from The Hollywood Reporter.
NOLAN: “Some of our industry’s biggest filmmakers and most important movie stars went to bed the night before thinking they were working for the greatest movie studio and woke up to find out they were working for the worst streaming service. Warner Bros. had an incredible machine for getting a filmmaker’s work out everywhere, both in theaters and in the home, and they are dismantling it as we speak. They don’t even understand what they’re losing. Their decision makes no economic sense, and even the most casual Wall Street investor can see the difference between disruption and dysfunction.”
Dune director Denis Villeneuve also made a similar plea to the studio in an op-ed at The Hollywood Reporter, suggesting the studio could be killing the Dune franchise.
This would be the first time in twenty years that Nolan had a movie that wasn’t made for Warner Bros. or distributed by them since 2001’s Memento. The filmmaker is one of the few people that can convince a studio to give him a blockbuster-level budget to make original films as seen with Inception, Interstellar, Dunkirk, and last summer’s Tenet.
Here is a rundown of the global box office earnings of the Warner Bros. films made by Christopher Nolan over the years.
INSOMNIA (2002) – $113.7 Million
BATMAN BEGINS (2004) – $373.6 Million
THE PRESTIGE (2006) – $109.6 Million
THE DARK KNIGHT (2008) – $1 Billion
INCEPTION (2010) – $836.8 Million
THE DARK KNIGHT RISES (2012) – $1.08 Billion
INTERSTELLAR (2014) – $701.7 Million
DUNKIRK (2017) – $526.9 Million
TENET (2020) – $363.1 Million
If Nolan ultimately exits the studio this could be a huge loss for Warner Bros. and a sign of more creative fallout from WarnerMedia/AT&T’s new day-and-date model. The model sees WarnerMedia adding a bulk of their 2021 theatrical releases to their struggling streaming service HBO Max exclusively for a month at the same time the film is being released domestically in theaters, having HBO Max and theaters going head-to-head for audiences.
AT&T CEO John Stankey had previously alluded to The Washington Post in an interview, that this is likely going to be a release model they’ll be using beyond 2021 and the pandemic giving the impression they wouldn’t be turning back to regular release windows that gave theaters a proper amount of time to earn money.
STANKEY: “In March, we unleashed a new normal in society. That horse left the barn. I don’t think any of us are going to change that dynamic.”
Nolan could stick around at Warner Bros. if they change their minds on the release model or more likely he could easily find a home at another studio. I don’t think he’d have much trouble getting the same deal elsewhere given his track record.
Back in July, Jared Leto mentioned a desire to explore Niander Wallace‘s origin when interacting with a fan. Wallace was the puppet-master villain of Blade Runnder 2049 and runs the company that has taken over Replicant production from the Tyrell Corporation.
LETO: “Maybe we can do a Niander Wallace origin story one day. Would be interesting to see where this mad man came from. He must have had some history. I have some ideas…”
Maybe we can do a Niander Wallace origin story one day. Would be interesting to see where this mad man came from. He must have had some history. I have some ideas… pic.twitter.com/wdPfOezwpo
Jared is still very much interested in returning to Wallace while speaking with Jake’s Takes (spotted by The Playlist) this month.
LETO: “You know, with every character I play, I don’t know if it’s because I work so intently and I tend to dig really deep and put a lot of time and energy into it, but when I’m done playing with them, done playing the parts, I do miss them a little bit. And you do all this work anyway, it would be kind of nice to go back and explore other [characters]. Like Niander Wallace in Blade Runner, I would love to play that part again as a prequel or something.”
Wallace’s fate is unknown at the end of the film has he zipped off-world in a ship to one of the many human colonies. It could be interesting to see if he had a hand in those colonies and potentially the off-world wars that have been referenced in both movies.
Leto isn’t the only mulling over the idea of a return to the Blade Runner Universe, as director Denis Villeneuve told Empire last year he’d like to make a non-sequel that is disconnected to the first two movies.
VILLENEUVE: “It’s such an inspiring place, the Blade Runner world. The problem is have is the word ‘sequel’. I think cinema needs original stories. But if you ask me if I’d like to revisit this universe in a different way, I can say yes. It would need to be a project on its own. Something disconnected from both other movies. A detective noir story set in the future… I wake up sometimes in the night dreaming about it.”
The only official continuation of the franchise that has been in the works is an anime project for Crunchyroll and Adult Swim titled Blade Runner: Black Lotus with a debut sometime in 2021.
The Ronin can confirm that production designer Paul Kirby has indeed joined the upcoming production team for David F. Sandberg‘s DC Comics sequel Shazam! Fury of The Gods. Kirby’s credits include Kingsman: The Secret Service, The Old Guard, Jason Bourne, Captain Phillips, and the Hellboy reboot.
Sandberg returns to direct from a script penned by Henry Gayden.
Other DC Comics productions on the horizon include The Flash and Black Adam with TheBatman still shooting in the United Kingdom.
Fury of The Gods is set to be released on June 2nd, 2023.
SHAZAM! – We all have a superhero inside of us — it just takes a bit of magic to bring it out. In 14-year-old Billy Batson’s case, all he needs to do is shout out one word to transform into the adult superhero Shazam. Still a kid at heart, Shazam revels in the new version of himself by doing what any other teen would do — have fun while testing out his newfound powers. But he’ll need to master them quickly before the evil Dr. Thaddeus Sivana can get his hands on Shazam’s magical abilities.
We’ve been patiently waiting on news about the sequel to the sci-fi action flick Edge of Tomorrow that stared Tom Cruise and Emily Blunt.
While promoting his new film Lockdown, shot during the pandemic, director Doug Liman explained that without the the pair of actors officially signing on the film can’t move forward.
LIMAN: “I’ve always been interested in the idea of a sequel being more character-driven than the first film, because that’s not how things are normally done. That’s been my approach when developing the sequel and because Tom Cruise and Emily Blunt are such phenomenal actors. I get sometimes the sequel just has to have more firepower or more explosions but no visual effect is going to top what you’re going to get from a great scene performed by Tom Cruise and Emily Blunt.”
“It’s one of these things where if Tom, Emily and I were to say, ‘we’re ready to pull the trigger on this script,’ it’s Tom Cruise and Emily Blunt, the film gets made. That’s pretty much how Hollywood works. The stars are the gatekeepers. If you can get Tom Cruise and Emily Blunt to commit to the movie, it’s going to happen.“
Emily Blunt has previously said she’s game but it all comes down to scheduling, the actors have to agree to a script and the production stated before anything seems to be going forward.
The filmmaker also talked to Collider about where they are concerning the untitled movie that will star Tom Cruise and will shoot sequences in space thanks to SpaceX.
LIMAN: “From the first conversations that we’ve had about the film… how you insure it has been a central part of the conversations. So, we wouldn’t be talking about this movie if we hadn’t figured out a way to navigate the insurance component. So we have navigated it, but there would not have been a conversation about this movie without figuring out the insurance… it’s the same thing in Locked Down, one of the first conversations was about insurance, because of the pandemic… You can’t make a movie without having an insurance conversation. And [whether] you’re talking about going to outer space, [or] you’re talking about shooting in London in the heart of the pandemic, you know, insurance is gonna dictate whether that actually is possible.”
“I’m not sure any of us really know what 2021 is gonna look like yet, because of the pandemic. I have something I’m working on that I’m hoping I can shoot. But I don’t think anyone can know 100% right now.”
Things are even more certain during the pandemic but I’m sure studios will eventually want to secure Tom Cruise’s schedule before other things come up.
It was announced by WarnerMedia, via press release circulated to trades such as Deadline, that they’ve just hired Joe Barton to become the new showrunner on their Gotham PD-centric series on HBO Max that is produced by The Batman director Matt Reeves, taking place years prior to the events of the upcoming film starring Robert Pattinson.
Barton replaces Boardwalk Empire‘s Terence Winter, who had exited over creative differences and is no stranger to gritty underbellies of crime as he was creator of the Yakuza series Giri/Haji.
Here is what Matt Reeves had to say about the DC Comics series when promoting it over the summer at DC FanDome.
REEVES: “The idea of this story was a story in which Gotham, which has this depth of corruption, and the idea that we could do a series that is going deeper into an aspect of it, which in this case is the corrupt police department, the corrupt inner workings of the city. And the way we’re gonna do this series. Terence Winter is just an incredible writer, so the idea that we got him to do this, just is literally a dream. The idea is, we go back to year one, and year one is the beginning of the first emergence, the first appearance of this masked vigilante that starts to unsettle the city, and you start to see the story through the POV of these corrupt cops, and one in particular. And the story is actually a battle for his soul.”
“He’s a cop over generations and the history of corruption in Gotham is enormous and goes back many years, and the story is like, as you realize that there’s this myth-building in the background, you’re actually in a new place where you’ve never seen these characters before – some of them we’ll touch on that you may have seen in the comics, but others are totally new. Then you can go down an avenue and go into detail that you couldn’t do in a movie, and to go into these rich places and meet entirely new characters that Terence is going to create.”
This was the original press release for the project before Winter’s exit.
HBO Max announced today that it has given a series commitment to an original DC drama set in the Gotham City police department from The Batman filmmaker Matt Reeves, Boardwalk Empire creator Terence Winter, The Batman producer Dylan Clark, and Warner Bros. Television. The groundbreaking television series to be written by Winter is set in the world Reeves is creating for The Batman feature film and will build upon the motion picture’s examination of the anatomy of corruption in Gotham City, ultimately launching a new Batman universe across multiple platforms. The series provides an unprecedented opportunity to extend the world established in the movie and further explore the myriad of compelling and complex characters of Gotham. This marks the first television project for Reeves under his recently announced overall deal with the Warner Bros. Television Group.
The Batman is reportedly still shooting in the United Kingdom despite new lockdown restrictions due to a new variant of COVID-19 that is rapidly spreading there. Warner Bros. had pushed the film’s release date from October 1st, 2021 to Mach 4th, 2022 because of previous production delays. Pattinson himself had tested positive for the virus at one point.
Reeves has previously stated this would be the first in a new trilogy with the film introducing us to Batman’s rogues gallery which will include The Riddler, Catwoman, Carmine Falcone, and The Penguin.
This version of Batman according to DC Films takes place within Earth 2 and the show takes place during Bruce Wayne’s first year operating as the Caped Crusader.
From Warner Bros. Pictures comes “The Batman,” with director Matt Reeves (the “Planet of the Apes” films) at the helm and with Robert Pattinson (“Tenet,” “The Lighthouse,” “Good Time”) starring as Gotham City’s vigilante detective, Batman, and billionaire Bruce Wayne.
Also in the star-studded ensemble as Gotham’s famous and infamous cast of characters are Zoë Kravitz (“Fantastic Beasts: The Crimes of Grindelwald,” “Mad Max: Fury Road”) as Selina Kyle; Paul Dano (“Love & Mercy,” “12 Years a Slave”) as Edward Nashton; Jeffrey Wright (the “Hunger Games” films) as the GCPD’s James Gordon; John Turturro (the “Transformers” films) as Carmine Falcone; Peter Sarsgaard (“The Magnificent Seven,” “Black Mass”) as Gotham D.A. Gil Colson; Barry Keoghan (“Dunkirk”) as Officer Stanley Merkel; Jayme Lawson (“Farewell Amor”) as mayoral candidate Bella Reál; with Andy Serkis (the “Planet of the Apes” films, “Black Panther”) as Alfred; and Colin Farrell (“Fantastic Beasts and Where to Find Them,” “Dumbo”) as Oswald Cobblepot.
A new report from The Hollywood Reporter suggests that WarnerMedia and Warner Bros. Pictures may avoid an incoming lawsuit from production partner Legendary Entertainment as they’re nearing a new distribution deal for Godzilla vs Kong and possibly Dune as well.
Last year, it was announced by WarnerMedia they would be throwing the 17 feature films from their 2021 slate on HBO Max with a day-and-deal model, allowing HBO Max subscribers to view new releases exclusively on the streaming service for a month. This led to backlash as none of the filmmakers, talent or production partners like Legendary were informed about the decision in a timely manner ahead of the public announcement.
Godzilla vs Kong will keep it’s theatrical release on May 21 with Legendary handling the distribution in China, the company has Chinese ownership and makes sense they’d want to tackle the local roll-out. It also seems to be heading to HBO Max.
Legendary is still negotiating with talent on Godzilla but that is not expected to derail a deal. The movie will keep its May 21 release date in theaters, including IMAX, as well as HBO Max. Legendary will release the film in China.
Legendary along with Dune director Denis Villeneuve had voiced their opposition as the studio has reportedly sided with Denis as they rallied against WarnerMedia’s announcement. It’s pointed out the film could end up landing a theatrical window and another hiccup has been revealed as WarnerMedia may have used Dune “images” to promote HBO Max without permission from Legendary.
According to a source, conversations regarding various theatrical windowing approaches are ongoing and it remains unclear which option will be acceptable to Villeneuve. Another potential issue: It appears Warners may have been using Dune images to promote its streaming service without approval.
They also hypothesize that other filmmakers like Matrix 4 director Lana Wachowski could also demand theatrical window, like Villeneuve, that could help dissolve the day-and-date model for bigger films.
If Warners gives Dune an exclusive release, that could set a precedent allowing others, such as Matrix 4 filmmaker Lana Wachowski, to demand similar treatment. As talks continue, it is unclear whether Warner Media will be able to hold the line on its day-and-date strategy to bolster its streaming service. Wachowski is said to be adamant about an exclusive theatrical run.
Zack Snyder‘s horror remake Dawn of The Dead (penned by James Gunn) is arguably one of the filmmaker’s most accessible feature films to date. So, having the the director return to the zombie/action-horror genre with Army of The Dead for Netflix is exciting for a multitude of reasons.
Following a zombie outbreak in Las Vegas, a group of mercenaries take the ultimate gamble, venturing into the quarantine zone to pull off the greatest heist ever attempted.
In a new interview with Entertainment Weekly, Zack reveals that the film had been lingering at Warner Bros. for years but the studio ultimately didn’t want to make it because of the money involved for the budget that would have taken to get it made the way that Snyder wanted.
SNYDER: “They didn’t want to spend that kind of money on a zombie movie, or just didn’t take it that seriously. I was always like, ‘Look guys, this is more than [just a zombie movie],’ but it fizzled out.”
Ultimately, the streaming giant Netflix picked-up Army of The Dead after they loved the pitch detailed by Snyder. They’ve been so enthused about the project, Netflix also recently wrapped on a prequel film last month directed by franchise actor Matthias Schweighofer.
SNYDER: “We were in a meeting at Netflix and I was talking about some of these scripts I was working on. And I mentioned the idea to [Netflix head of original films Scott Stuber] and he was like, ‘That is the movie! Go write that movie and let’s make it.’ I was like, ‘What, do you mean now?’ And he’s like, ‘Go write it tomorrow and we’ll do shoot it in a week.'”
Netflix obviously has few roadblocks concerning budgets for their projects as they notably spend a hefty amount of money on original programming, however, The Gray Man from The Russo Brothers will be their first film budgeted over $200 million competing on the level of major film studios.
Army of The Dead’s large cast consists of Dave Bautista, Ella Purnell, Ana De La Reguera, Theo Rossi, Huma Qureshi, Omari Hardwick, Hiroyuki Sanada, Garret Dillahunt, Matthias Schweighöfer, Raúl Castillo, Nora Arnezeder, Tig Notaro, and Samantha Win.
It’s expected to drop later this year and Netflix is banking on it becoming their new horror franchise. A trailer is likely on the horizon given the new promotion for the film.
THE RONIN 