Tag: Godzilla vs Kong

Posted on in Film News

Christopher Nolan Reacts Negatively To News of WarnerMedia Moving Their 2021 Film Slate To HBO Max – Upset They Didn’t Consult With Filmmakers Beforehand

The announcement that Warner Bros. slate of films from 2021 heading to HBO Max certainly sounded like a gut punch to U.S theaters but the people who made the films aren’t terribly happy either. It sounds like WarnerMedia and AT&T failed to tell production partners and the filmmakers themselves they were planning on making the move to a day-and-date model. Today, there were reports that director Denis Villeneuve is upset that Dune (part one of at least two planned films) will be negatively impacted by the move and Legendary Entertainment may end up suing WarnerMedia if they can’t work something out.

One of WarnerMedia’s biggest assets also isn’t terribly pleased with how they announced the plan either.

Entertainment Tonight was able to speak with director Christopher Nolan about the whole thing and as you’d imagine he has some stern words for the company calling it a “controversy” along with a suggestion that they’re simply doing this to pump-up the new streaming service while mistreating the people who actually worked on the films without even consulting with them.

NOLAN: “Oh, I mean, disbelief. Especially the way in which they did. There’s such controversy around it, because they didn’t tell anyone. In 2021, they’ve got some of the top filmmakers in the world, they’ve got some of the biggest stars in the world who worked for years in some cases on these projects very close to their hearts that are meant to be big-screen experiences. They’re meant to be out there for the widest possible audiences… And now they’re being used as a loss-leader for the streaming service — for the fledgling streaming service — without any consultation. So, there’s a lot of controversy. It’s very, very, very, very messy. A real bait and switch. Yeah, it’s sort of not how you treat filmmakers and stars and people who, these guys have given a lot for these projects. They deserved to be consulted and spoken to about what was going to happen to their work.”

“Long-term, I think all of the studios know that the movie theater experience will bounce back and be a very important part of the ecosystem long-term. What you have right now in our business is a lot of the use of the pandemic as an excuse for sort of grappling for short-term advantage. And it’s really unfortunate. It’s not the way to do business and it’s not the best thing for the health of our industry. But when the theaters are back and people are going back to the movies, when the vaccine has been rolled out and there’s an appropriate health response from the federal government, I’m very bullish on the long-term prospects of the industry. People love going to the movies and they’re going to get to go again.”

UPDATE: Christopher Nolan had even more choice words when speaking with The Hollywood Reporter.

NOLAN: “Some of our industry’s biggest filmmakers and most important movie stars went to bed the night before thinking they were working for the greatest movie studio and woke up to find out they were working for the worst streaming service. Warner Bros. had an incredible machine for getting a filmmaker’s work out everywhere, both in theaters and in the home, and they are dismantling it as we speak. They don’t even understand what they’re losing. Their decision makes no economic sense, and even the most casual Wall Street investor can see the difference between disruption and dysfunction.”

Nolan isn’t without his own bit of controversy as his latest film Tenet had been released in the height of the pandemic over the summer, where there was plenty of finger-pointing when it came to who had the bright idea to keep the theatrical release date in the summer instead postponing. I don’t think it’s lost on Christopher that Tenet could have easily been part of this group of films thrown on HBO Max without having any real discussions beforehand.

SOURCE: ENTERTAINMENT TONIGHT

Posted on in Film News

Legendary May Sue WarnerMedia Over HBO Max Announcement For ‘Godzilla vs Kong’ and ‘Dune’ – Didn’t Give Them Advance Notice

It doesn’t sound like Legendary Entertainment is terribly happy with WarnerMedia’s announcement last week to throw two of their expensive films such as Dune and Godzilla vs Kong on HBO Max as part of their new day-and-date model for the entire 2021 Warner Bros. release slate, all 17 films.

The announcement was just as shocking to Legendary Entertainment as it was to everyone else because they weren’t given advance notice or even knew it was happening. Deadline reports that Legendary is aiming to challenge the move by WarnerMedia as they never gave them advance notice before the announcement, the latter is something that both Deadline and The Hollywood Reporter have mentioned in separate reports.

I’m hearing that Legendary Entertainment either has or will send legal letters to Warner Bros as soon as today, challenging the decision to put the Denis Villenueve-directed Dune into the HBO Max deal, and maybe Godzilla vs Kong as well.

WarnerMedia blocked a hefty $250 million offer from Netflix which likely only adds to Legendary’s frustrations.

On the latter, Legendary reportedly had Netflix ready to pull the film from Warner Bros for around $250 million, before WarnerMedia blocked it. Sources said Legendary had no advance notice before last week’s announcement that both Dune and Godzilla vs. Kong were part of the HBO Max plan.

Variety also adding that this might turn into a lawsuit if a deal isn’t agreed upon.

Legendary Entertainment, the production company that co-financed Dune and Godzilla vs. Kong, may take legal action against Warner Bros. over the studio’s decision to send its movies to HBO Max at the same time they debut in cinemas.

Sources familiar with the situation say top brass at Legendary are trying to have conversations with Warner Bros. regarding its upcoming films… Legendary is hoping to first negotiate a more generous deal, but isn’t taking legal action off the table should the two companies fail to come to a compromise. One possibility is that Warner Bros. would buy the films outright from Legendary. No legal challenge has been filed yet, but a suit could materialize early this week. It’s unclear what legal grounds Legendary would use to challenge the decision, though it would likely involve some breach of contract.

While WarnerMedia dodged questions concerning if the day-and-date model would continue into 2022 and beyond, AT&T CEO John Stankey alluded to The Washington Post they won’t be going back even post-pandemic giving the impression the model is staying.

STANKEY: “In March, we unleashed a new normal in society. That horse left the barn. I don’t think any of us are going to change that dynamic.”

SOURCE: DEADLINE & VARIETY

Posted on in Film News

AT&T CEO Suggests New Release Model For WB Films Will Extend Beyond 2021

Yesterday, WarnerMedia announced that they would be releasing their 2021 slate with a new day-and-date model releasing their films the same day on HBO Max (for one month) and theatrically. Those 17 films will include The Little Things, Judas and the Black Messiah, Tom & Jerry, Godzilla vs. Kong, Mortal Kombat, Those Who Wish Me Dead, The Conjuring: The Devil Made Me Do It, In The Heights, Space Jam: A New Legacy, The Suicide Squad, Reminiscence, Malignant, Dune, The Many Saints of Newark, King Richard, Cry Macho, and Matrix 4.

While speaking with Deadline, WarnerMedia’s Jason Kilar dodged their question about what 2022 would look like moving forward.

KILNAR: “As to what the world looks like after 2021, I have no grand proclamations to make. Our focus, candidly, is on the here and now. We’re focused on getting through this pandemic like any business is, and we’re putting a lot of brain cells against what the right thing is to do to serve fans and to serve partners and to server ourselves. And all those things are important to do and that’s what our focus is, obviously that is what we announced today.”

However, AT&T CEO John Stankey seemingly jumped into future when asked by The Washington Post if they’d return to normal business practices including severing the day-and-date model they announced yesterday once the pandemic recedes. Stating the following which sounds a lot like they’re keen to keep this model.

STANKEY: “In March, we unleashed a new normal in society. That horse left the barn. I don’t think any of us are going to change that dynamic.”

Stankey did highlight the importance of movie theaters but didn’t really go into extensive detail what that relationship will look like post-pandemic. It’ll be interesting to see the reactions of domestic theaters who are going to be the most impacted if this model becomes a permanent thing as they’ll be in direct competition with HBO Max (a domestic streaming service).

You can watch that exchange below they start talking about the announcement around the 43 minute mark.

It was also mentioned by The Hollywood Reporter that WarnerMedia partners like Legendary Entertainment weren’t even told about the day-and-date model prior to the announcement and were just as blindsided as theaters. Legendary is behind WB’s massive upcoming releases such as Dune and Godzilla vs Kong.

SOURCE: THE WASHINGTON POST

Posted on in Film News

‘Dune’, ‘Godzilla vs Kong’, ‘The Suicide Squad’, ‘Mortal Kombat’, ‘Matrix 4’, and Other WB Films Heading To HBO Max

Today, it was announced by WarnerMedia (via Deadline) that they’ll be moving their entire 2021 slate to HBO Max for a month of exclusive domestic access the same day as the theatrical release.

Following the one month HBO Max access period domestically, each film will leave the platform and continue theatrically in the U.S. and international territories, with all customary distribution windows applying to the title.

Those features include The Little Things, Judas and the Black Messiah, Tom & Jerry, Godzilla vs. Kong, Mortal Kombat, Those Who Wish Me Dead, The Conjuring: The Devil Made Me Do It, In The Heights, Space Jam: A New Legacy, The Suicide Squad, Reminiscence, Malignant, Dune, The Many Saints of Newark, King Richard, Cry Macho, and Matrix 4.

Here is an excerpt from the WarnerMedia press release on Medium.

We have big news to share. As many of you know, Wonder Woman 1984 is going to be released worldwide in theaters later this month. In the United States, we will also be making the movie available on HBO Max at no extra cost the same day that Wonder Woman 1984 premieres in theaters (for the first month of the film’s release).

We are announcing today that, in the United States, the entire anticipated 17-film 2021 Warner Bros. motion picture slate is going to be released throughout the coming year in theaters and on HBO Max the same day. That’s a Warner Bros. motion picture just about once every three weeks.

HBO Max released this promo video as well.

https://www.youtube.com/watch?v=bGy16GQHz-g

This would be a massive shakeup for regular theatrical windows and it will be interesting if other studios such as Disney follows this model by placing their 2021 slate on Disney+ in a similar manner. I’m sure this move is likely due to HBO Max not hitting targeted growth given that it’s a domestic streaming service. It’s unknown if HBO Max subscribers will have to pay any additional fees but Wonder Woman 1984 is expected to be free with a subscriptions when it drops later this month on the service.

UPDATE: The films will not be given an added fee.

…we will also be releasing them the same day on HBO Max, at no extra cost, for the first month of each film’s release. 

In Canada, I’m with Bell Media’s Crave that has an exclusive deal for HBO and HBO Max content. It’ll be interesting to see how they plan to do this in Canada and the United Kingdom.

SOURCE: WARNER MEDIA

Posted on in Film News

‘Eternals’ Actor Brian Tyree Henry Joins Brad Pitt’s Assassin Flick ‘Bullet Train’

Deadline is reporting that Widows actor Brian Tyree Henry is the latest addition to the growing cast of Sony’s assassin action film Bullet Train from John Wick director David Leitch (Atomic Blonde, Deadpool 2, Hobbs & Shaw). As the title would suggest the story takes place on a Tokyo bullet train populated with multiple assassins.

Brian Tyree Henry was recently revealed to be playing an openly gay character in Marvel’s Eternals and will also be seen in Godzilla Vs Kong next year.

He joins a cast that also consists of Oscar-winner Brad Pitt, Joey King (The Dark Knight Rises), Andrew Koji (Snake Eyes), and Aaron Taylor-Johnson (Kick-Ass, Avengers: Age of Ultron, Godzilla, The King’s Man).

Filming will be taking place in Los Angeles.

SOURCE: DEADLINE

Posted on in Film News

Jessica Henwick Has Been Pitching “Jess Wick” For ‘John Wick 4’ To Keanu Reeves On ‘Matrix 4’ Set

In a new interview with The Hollywood Reporter to promote her film Love & Monsters, Matrix 4 actress Jessica Henwick (Game of Thrones, Iron Fist, Star Wars: The Force Awakens, Godzilla vs Kong) revealed she has been pitching to co-star Keanu Reeves on the idea of playing “Jess Wick” at the very end of John Wick: Chapter 4. She states that John Wick franchise director Chad Stahelski is coming to the Matrix 4 set in two weeks and plans on giving him the pitch as well.

HENWICK: “So I pitch Jess Wick to Keanu all the time. I’m probably driving him crazy. I was like, ‘Okay, Keanu, listen to me. Boom. John Wick 4, last 5 minutes, credits roll, post-credit sequence. Boom! You see my face, Jess Wick.’ I just started acting it out and then he started acting it out, too. We put on this little ten-minute show of what Jess Wick and John Wick would be like. Chad Stahelski, the director of all the John Wick movies, is flying out in two weeks, I think. So I’m going to go straight up to him and I’m going to say it.”

Henwick is said to be playing a Neo-type character in the Matrix sequel and we’ve seen Chad court actors that have previously worked with Keanu in the past. It might be in their interest to add someone like Jessica with stunt/actor experience for what new roles they want to include if it’s Jess Wick or not.

Once Matrix 4 is completed there is an expectation that John Wick: Chapter 4 and John Wick: Chapter 5 will be shot back-to-back with franchise creator Derek Kolstad suggesting that Chapter 5 could be the final film in the John Wick Saga.

We know that a female-focused spinoff that is in the works at Lionsgate titled Ballerina with Underworld director Len Wiseman attached and there is a good shot that actress might appear in the next two John Wick films to help bridge their connections to the same cinematic universe.

Matrix 4 is set to be released on December 22nd, 2021 and John Wick: Chapter 4 is expected to be out on May 27th, 2022.

SOURCE: THE HOLLYWOOD REPORTER

Posted on in Film News

Robert Rodriguez Thriller ‘Hypnotic’ Starring Ben Affleck To Begin Shooting July 27th At Troublemaker Studios In Austin

Despite Robert Rodriguez’s original intention to shoot his next film Hypnotic in California, the film starring Ben Affleck is instead reportedly heading to Austin, Texas. 

Even though Texas has become a new hot-spot in the United States for coronavirus, the Austin Chronicle is reporting that the Affleck project is going to attempt to begin shooting next month in the state at Robert’s Troublemaker Studios facility located in East Austin around July 27th. 

The high-end estimates of Hypnotic’s budget are said to be in the range of $80 million. However, with the explosion of new cases in Texas, I wouldn’t be shocked if the shoot is delayed beyond the summer. Production was originally planned to begin in late April.

The film’s script was penned by Rodriguez and Monsterverse screenwriter Max Borenstein (Godzilla, Kong: Skull Island, Godzilla: King of The Monsters, Godzilla vs Kong). 

Ben Affleck has been set to star in Robert Rodriguez’s action-thriller Hypnotic, playing a detective who, while investigating a string of impossible high-end heists, becomes entangled in a mystery involving his missing daughter and a secret government program.

Robert recently worked on the Netflix superhero film We Can Be Heroes along with directing on Season 2 of the Star Wars live-action series The Mandalorian for Lucasfilm/Disney. He also released the cyberpunk film Alita: Battle Angel last year for 20th Century Studios, the manga adaption was a collaboration with blockbuster filmmaker and producer James Cameron. 

I’ve learned that cinematographer David Klein, who worked with Robert on The Mandalorian, is expected to reunite with him on Hypnotic. 

If they do end up starting production this summer or fall there is a good shot that it’ll be ready for release sometime next year.

Affleck had wrapped his erotic thriller Deep Water with co-star Ana de Armas and had been shooting a smaller role in Ridley Scott’s period drama The Last Duel before the production shutdown earlier this year.

SOURCE: AUSTIN CHRONICLE 

Posted on in Film News

Warner Bros. Delays The Releases of ‘Tenet’, ‘Wonder Woman 1984’, ‘Godzilla vs. Kong’, and ‘Matrix 4’

Despite adamant exhibitors and industry folk alike that had been betting big on Christopher Nolan’s Tenet sticking to it’s original July 17th release date, Warner Bros. announced yesterday the science fiction espionage film would be getting a slight delay (two weeks) opening instead on July 31st. 

The studio has also moved other tentpole releases to other dates as well. 

Wonder Woman 1984 has yet again been delayed (landing its fourth release date) moving from August 14th to October 2nd.

Godzilla vs. Kong which had been given a release date of November 20th has been bumped to next year and will be coming out on May 21st, 2021. 

That May spot was originally intended for Matrix 4, which has been delayed as well given a new date of April 1st, 2022. Matrix 4, unlike the other films, hasn’t even completed production and is expected to resume filming in Germany sometime soon. 

While most people are just assuming that Tenet will still be able to release next month as planned, the studio has now secured two open spots with August 14th and November 20th after these latest date shifts. Giving the studio two potential buffer dates if they wanted to delay it even further beyond two weeks. 

There is also still the slim possibility that Dune’s December 18th spot could get gobbled-up as well. I could see a handful of unfinished films meant to be released in 2021, like Spider-Man 3 and The Batman (has only shot 25% of it’s scenes) delayed into 2022, just like Matrix 4.

I don’t think we’re quite finished with the musical chairs just yet as there are growing concerns that the second wave of COVID could be bubbling in the United States in the near future as multiple states are seeing a rise in new cases.

This on the heels of stubborn theater chains opening this weekend and attempting to open an even larger number of locations next month. Seems like the industry is eager to get things rolling even if it’s neither wise of safe to do so. 

SOURCE: WARNER BROS.