Tag: Godzilla: King of The Monsters

Posted on in Film News

UPDATE: ‘Godzilla vs Kong’ Earns Estimated $70M In China & $122M Internationally

Despite multiple countries still reeling from the COVID-19 pandemic, with a handful staring down the barrel of a fourth wave because of the increased variants (alongside folks ignoring medical recommendations), the international box office seems to be returning in some markets.

Legendary’s Godzilla vs Kong made a big splash when it’s first trailer dropped and the marketing campaign has seemingly resonated with audiences that had been previously lukewarm about previous installments like Kong: Skull Island and Godzilla: King of The Monsters.

Will this equate into a huge box office hit?

Well, internationally that seems to be the case and is becoming the biggest debut since the pandemic started. Deadline is reporting that after the film had a spectacular Friday opening of $21.1 million in China it seems to be lumbering towards an estimated haul of $70.4 million in the Middle Kingdom. This means the kaiju showdown is expected to cross $100+ million opening weekend internationally and has surpassed the Chinese opening of Godzilla: King of The Monsters. It’s worth mentioning that foreign movies don’t tend to stick around very long in the Chinese market compared to their local releases and the studio hopes to make hay as long as they can.

UPDATE: The Hollywood Reporter adds that the intentional estimate is now $121.8 million.

Godzilla vs Kong won’t be debuting domestically until March 31.

However, WarnerMedia is offering the film free for a month on HBO Max which will certainly have an impact on domestic box office earnings. While there has been positive estimates, we’ll have to wait and see if folks will be piling into indoor theaters as a fourth wave of COVID-19 looms or will opt for the free alternative available on HBO Max with a subscription.

Bob Odenkirk’s action flick Nobody took the top spot this weekend domestically with $6.7 million which is good for a movie budgeted at $16 million. This isn’t exactly the sign of box office strength you want to see with Godzilla vs Kong’s release on the horizon later in the week.

With a budget of $165 million, Godzilla vs Kong will need to continue to be successful overseas to turn a profit when movies like Wonder Woman 1984 were reportedly said to take $100 million loss. The hybrid release model from WarnerMedia has yet to be seen as box office benefit to the Warner Bros. division, but we’ll see if this changes with films such as Godzilla vs Kong.

SOURCE: DEADLINE

Posted on in Film News

Deal Nearing For ‘Godzilla vs Kong’ With Legendary Poised To Distribute In China – ‘Dune’ May Keep Theatrical Window

A new report from The Hollywood Reporter suggests that WarnerMedia and Warner Bros. Pictures may avoid an incoming lawsuit from production partner Legendary Entertainment as they’re nearing a new distribution deal for Godzilla vs Kong and possibly Dune as well.

Last year, it was announced by WarnerMedia they would be throwing the 17 feature films from their 2021 slate on HBO Max with a day-and-deal model, allowing HBO Max subscribers to view new releases exclusively on the streaming service for a month. This led to backlash as none of the filmmakers, talent or production partners like Legendary were informed about the decision in a timely manner ahead of the public announcement.

Godzilla vs Kong will keep it’s theatrical release on May 21 with Legendary handling the distribution in China, the company has Chinese ownership and makes sense they’d want to tackle the local roll-out. It also seems to be heading to HBO Max.

Legendary is still negotiating with talent on Godzilla but that is not expected to derail a deal. The movie will keep its May 21 release date in theaters, including IMAX, as well as HBO Max. Legendary will release the film in China.

Legendary along with Dune director Denis Villeneuve had voiced their opposition as the studio has reportedly sided with Denis as they rallied against WarnerMedia’s announcement. It’s pointed out the film could end up landing a theatrical window and another hiccup has been revealed as WarnerMedia may have used Dune “images” to promote HBO Max without permission from Legendary.

According to a source, conversations regarding various theatrical windowing approaches are ongoing and it remains unclear which option will be acceptable to Villeneuve. Another potential issue: It appears Warners may have been using Dune images to promote its streaming service without approval.

They also hypothesize that other filmmakers like Matrix 4 director Lana Wachowski could also demand theatrical window, like Villeneuve, that could help dissolve the day-and-date model for bigger films.

If Warners gives Dune an exclusive release, that could set a precedent allowing others, such as Matrix 4 filmmaker Lana Wachowski, to demand similar treatment. As talks continue, it is unclear whether Warner Media will be able to hold the line on its day-and-date strategy to bolster its streaming service. Wachowski is said to be adamant about an exclusive theatrical run.

SOURCE: THE HOLLYWOOD REPORTER

Posted on in Film News

Millie Bobby Brown Tapped To Lead Sci-Fi Film ‘The Electric State’ For Universal – The Russo Brothers To Direct

The Electric State has new directors after Deadline reports that Andy Muschietti (IT, The Flash) has stepped aside as the film’s potential director due to scheduling conflicts with his upcoming Flash movie starring Ezra Miller. However, Andy and sister Barbara Muschietti will stay on as producers.

READ MORE: First Concept Artwork From ‘The Flash’ Features Michael Keaton’s Batman and New Costume

Producers Joe Russo and Anthony Russo will instead take up the role of directors on the sci-fi film that has been picked-up by Universal Pictures. The pair are best known for the directing a bunch of films for Marvel Studios such as the highest-grossing film Avengers: Endgame.

READ MORE: Russo Bros. To Direct Ryan Gosling and Chris Evans In Netflix’s $200M+ Budgeted Spy Flick ‘The Gray Man’ – Eyeing January Start In L.A.

They’ve also tapped Millie Bobby Brown (Godzilla vs Kong, Stranger Things, Enola Holmes) to play the lead role.

READ MORE: Legendary May Sue WarnerMedia Over HBO Max Announcement For ‘Godzilla vs Kong’ and ‘Dune’ – Didn’t Give Them Advance Notice

Adapting the graphic novel from Simon Stalenhag into a feature film script will be Marvel screenwriters Christopher Markus and Stephen McFeely, who are also working with the directing duo’s massive Netflix film The Gray Man.

Set in an alternative future, it tells the story of a teenage girl (Millie Bobby Brown) who realizes that a strange but sweet robot who comes to her has actually been sent by her missing brother.  She and the robot set out to find the brother in an imaginative world of humans mixing with all manner of robots, uncovering a grand conspiracy in the process.

Looking at the artwork from the graphic novel it’ll certainly have a unique visual style.

It’s unclear when The Electric State will begin shooting given that the Russo Brothers begin shooting The Gray Man next month in Long Beach, California and Millie is busy with the fourth season of Stranger Things.

SOURCE: DEADLINE

Posted on in Film News

Robert Rodriguez Thriller ‘Hypnotic’ Starring Ben Affleck To Begin Shooting July 27th At Troublemaker Studios In Austin

Despite Robert Rodriguez’s original intention to shoot his next film Hypnotic in California, the film starring Ben Affleck is instead reportedly heading to Austin, Texas. 

Even though Texas has become a new hot-spot in the United States for coronavirus, the Austin Chronicle is reporting that the Affleck project is going to attempt to begin shooting next month in the state at Robert’s Troublemaker Studios facility located in East Austin around July 27th. 

The high-end estimates of Hypnotic’s budget are said to be in the range of $80 million. However, with the explosion of new cases in Texas, I wouldn’t be shocked if the shoot is delayed beyond the summer. Production was originally planned to begin in late April.

The film’s script was penned by Rodriguez and Monsterverse screenwriter Max Borenstein (Godzilla, Kong: Skull Island, Godzilla: King of The Monsters, Godzilla vs Kong). 

Ben Affleck has been set to star in Robert Rodriguez’s action-thriller Hypnotic, playing a detective who, while investigating a string of impossible high-end heists, becomes entangled in a mystery involving his missing daughter and a secret government program.

Robert recently worked on the Netflix superhero film We Can Be Heroes along with directing on Season 2 of the Star Wars live-action series The Mandalorian for Lucasfilm/Disney. He also released the cyberpunk film Alita: Battle Angel last year for 20th Century Studios, the manga adaption was a collaboration with blockbuster filmmaker and producer James Cameron. 

I’ve learned that cinematographer David Klein, who worked with Robert on The Mandalorian, is expected to reunite with him on Hypnotic. 

If they do end up starting production this summer or fall there is a good shot that it’ll be ready for release sometime next year.

Affleck had wrapped his erotic thriller Deep Water with co-star Ana de Armas and had been shooting a smaller role in Ridley Scott’s period drama The Last Duel before the production shutdown earlier this year.

SOURCE: AUSTIN CHRONICLE