Deal Nearing For ‘Godzilla vs Kong’ With Legendary Poised To Distribute In China – ‘Dune’ May Keep Theatrical Window

A new report from The Hollywood Reporter suggests that WarnerMedia and Warner Bros. Pictures may avoid an incoming lawsuit from production partner Legendary Entertainment as they’re nearing a new distribution deal for Godzilla vs Kong and possibly Dune as well.

Last year, it was announced by WarnerMedia they would be throwing the 17 feature films from their 2021 slate on HBO Max with a day-and-deal model, allowing HBO Max subscribers to view new releases exclusively on the streaming service for a month. This led to backlash as none of the filmmakers, talent or production partners like Legendary were informed about the decision in a timely manner ahead of the public announcement.

Godzilla vs Kong will keep it’s theatrical release on May 21 with Legendary handling the distribution in China, the company has Chinese ownership and makes sense they’d want to tackle the local roll-out. It also seems to be heading to HBO Max.

Legendary is still negotiating with talent on Godzilla but that is not expected to derail a deal. The movie will keep its May 21 release date in theaters, including IMAX, as well as HBO Max. Legendary will release the film in China.

Legendary along with Dune director Denis Villeneuve had voiced their opposition as the studio has reportedly sided with Denis as they rallied against WarnerMedia’s announcement. It’s pointed out the film could end up landing a theatrical window and another hiccup has been revealed as WarnerMedia may have used Dune “images” to promote HBO Max without permission from Legendary.

According to a source, conversations regarding various theatrical windowing approaches are ongoing and it remains unclear which option will be acceptable to Villeneuve. Another potential issue: It appears Warners may have been using Dune images to promote its streaming service without approval.

They also hypothesize that other filmmakers like Matrix 4 director Lana Wachowski could also demand theatrical window, like Villeneuve, that could help dissolve the day-and-date model for bigger films.

If Warners gives Dune an exclusive release, that could set a precedent allowing others, such as Matrix 4 filmmaker Lana Wachowski, to demand similar treatment. As talks continue, it is unclear whether Warner Media will be able to hold the line on its day-and-date strategy to bolster its streaming service. Wachowski is said to be adamant about an exclusive theatrical run.

SOURCE: THE HOLLYWOOD REPORTER

‘Monster Hunter’: A Scene That References Racist Nursery Rhyme Gets Movie Pulled From Theaters In China

Deadline and other outlets reported that the release of Paul W.S. Anderson’s (Resident Evil, Event Horizon, Soldier, AVP) latest video game adaptation Monster Hunter, met with some angry Chinese audiences as the movie released there and it included a racist 10-second scene referencing the offensive nursery rhyme “Chinese, Japanese, dirty knees”.

Leading Monster Hunter to be pulled from the screens.

The 10-second scene that has generated an outcry features Asian-American rapper/actor Jin Au-Yeung (aka MC Jin), who at one point riffs to his scene partner, “Look at my knees. What kind of knees are these? Chinese.” This is being linked to a racist playground rhyme used to mock children of Asian origin. Upset, we understand, has further been sown by the scene’s local subtitles.

There are expectations the scene will be removed but it’s unknown if the government will allow Monster Hunter to return to local screens. It’s also possible the backlash will have done enough damage there that big dollars expected from China while most theaters around the world are closed aren’t likely going to be as massive as the studio first imagined.

It’s a little disheartening because the film is an adaption of Japanese-based Capcom’s video game franchise with Chinese-based distribution company Tencent working on the film as well. Monster Hunter also had a very impressive international trailer marketed towards the Chinese audience that was miles better than the domestic cut trailer.

However, this does seem to highlight that extra care needed to make sure that you’re not offending entire countries or a race of people with outdated humor or references.

I think it’s worth pointing out this even isn’t the only 2020 film from a British director to reference the rhyme. Guy Ritchie’s most recent film The Gentlemen has Hugh Grant’s character Fletcher also play with the racist rhyme when Fletcher is referencing Henry Golding’s character Dry Eye and his Asian heritage.

FLETCHER: “I talk Raymondo of Dry Eye. Oh Dry Eye, what is he? Chinese, Japanese, Pekingese, get on your fucking knees. Dirty dragon filth. Yellow is the colour, gambling is the game.”

It seems like Hollywood still needs to do better when attempting humor and making sure they’re not returning to racist tropes we thought that were over decades ago.

SOURCE: DEADLINE