Reopening Theaters Too Soon Risking Health of Moviegoers, Employees, and Industry Recovery?

We’ve all seen studios, exhibitors, and even moviegoers placing their guesses when the eventual widespread reopening of theaters will happening nationwide in the United States. As a majority of theaters have closed after cases of Coronavirus exploded over the last couple of months with the American death toll inching towards 110,000 via Johns Hopkins and counting. 

There are more concrete ideas when the push for reopening could happen. 

Earlier in the week, the National Association of Theater Operators told Business Insider they expect to have 90% of theaters open by mid-July. 

The assumption is that this could allow Warner Bros. to open Christopher Nolan’s Tenet as planned on July 17th. However, a recent trailer meant to promote Tenet’s release didn’t mention a date or season, just the vague statement “Coming To Theaters”. 

The vague promotion for the first “big summer blockbuster” led many of us to consider that Warner Bros. might be delaying the release like their other films but is holding back on announcing a new date. 

There was a recent announcement that Cinemark, the third-largest theater chain in the United States would be forgoing requirements for guests to wear masks in their theaters via The Wrap. Only requiring their employees to do so and are said to be opening a handful of locations in Texas on June 19th for their “test phase”. 

The bizarre mask policy is simply puzzling given this would put not only put costumers at risk but puts their employees in harm’s way too, as it’s been pointed out by medical experts that masks only prevent the wearer from spreading droplets themselves. It has been pointed out that masks don’t completely protect from droplet exposure from others if they cough or sneeze indoors and it is even worse if guests aren’t wearing them when sitting a room amongst each other. 

High-traffic places like grocery stores (theaters will likely be selling food and drink when they reopen) are mostly requiring customers to wear masks, so it’s odd that theaters where people won’t be in-and-out but stilling in place for multiple hours with strangers they’re not taking the CDC recommendations into consideration. Hopefully, they will reconsider given the reactions I’ve seen from industry people and normal moviegoers. 

We’re indeed seeing some places in America having a decrease in new COVID cases, which is good news when we’re struggling to find tidbits given current events. Yet, the country is still open for domestic travel between states and this means plenty of asymptomatic citizens are moving about city-to-city/state-to-state then returning to their communities. Other places in the country are seeing increases. 

COVID-19 is neither under control or defeated. That seems to be an assumption made because the news coverage hasn’t been as focused on the pandemic, for obvious reasons. The protests could realistically lead to spikes alongside places that attempted to reopen or simply didn’t really put any social distancing or stay at home orders in place, to begin with. 

Having large crowds gathering so frequently over the last couple of days alone should make exhibitors nervous about reopening given that new cases could be going unreported/tested, large crowds are hardly social distancing and many people aren’t wearing masks. The assumption being that we could see spikes all over the country in the next two weeks. 

What could be worse than not reopening over the summer for the industry?

Cinemark’s push to get their locations open isn’t without cause. There some experts that are claiming AMC is on the brink of bankruptcy and it’s possible could have to be sold-off to survive. It’s a crystal clear example that the larger chains are going to be in more trouble in the long-term. 

Fears of chains going under aren’t unfounded. 

However, opening too soon or pushing forward with laissez-faire safety measures could lead to multiple outbreaks and clusters. Another true concern is that theaters could be a hot-spot for the resurgence and spread of COVID-19. 

I’m curious if that risk is worth the terrible PR of people getting sick at establishments and potentially dying. Stories like that could end up scaring people away already on-the-fence about returning to a closed space like that for a prolonged period of time. As patrons might leave to never return at all once you lose their trust.

I doubt Regal, AMC, or Cinemark want their brands to be connected to a public outbreak of Coronavirus via contact tracing or worse leading to multiple deaths. Clusters and spikes could even contribute to a second wave of the Coronavirus, going back to square one over the summer could be devastating given how much it has already cost in the way of jobs and lives. 

I think we’re all eager to get back to normality and plenty of people are ready to get back to malls/theaters even if they’re willing to accept the risk. I’m curious if they’re considering the multiple people that will come in contact with them that didn’t agree to that risk. 

Solutions? 

I know it can sound overwhelming negative to hear someone with the position it’s too soon. But I’m also bringing a couple of ideas to the table. The easiest thing to do is simply wait a little longer, potentially sometime in the fall, until things have genuinely quieted down and also beef-up safety standards just in case. 

I’ve suggested in the past bringing back the classic drive-in format and it’s actually a solid way for people to social distance than you would in a traditional indoor location. I know it sounds like a retro idea but its the best amount of separation between moviegoers. Plastic barriers and spread out seats aren’t going to mean much if droplets linger in the air, it’s more of an illusion of safety if we’re being honest. 

Plenty of theaters have existing parking lots, you just have to set up a screen, and a way to stream the audio into vehicles via an app or radio.  

Because patrons are expected to stick to their own vehicle masks don’t really factor in unless you have people not living together sharing close space in a vehicle and they’d likely be doing that regardless. The only real issue I would see with that could be restroom access and if you’d have to set up some sort of drive-thru concession stand. 

Stricter protection measures could also be another common-sense idea. Requiring masks and potentially providing them for guests (free of charge) that might find it cumbersome to get their own. 

I’m a moviegoer just like many of you, however, I will be patiently waiting until the fall/winter to see how things go with the second wave before jumping into the deep end concerning seeing a film in a traditional theater at the moment. I don’t really feel like being a guinea pig for the film industry and I get the impression others will simply wait it out as well. 

While I miss the experience I feel like I’d miss my loved ones more or putting my own health in a compromised position for something as arbitrary as a night out at the movies isn’t terribly appealing to me.

Ridley Scott Still Hopeful ‘Alien: Awakening’ Will Get Made – His Third ‘Alien’ Prequel

You might be unaware but a full year ago it was reported by Variety that 20th Century Studios was still developing a third Alien prequel film (previously referred to Alien: Awakening) from director Ridley Scott attached and script being written.

This was reinforced by Scott himself when speaking The Hollywood Reporter that there were discussions for future installments.

Ruminating on the immediate future of the Alien franchise, now that Disney has acquired 21st Century Fox, Scott confirms that there are discussions for future installments, but warns that if the basic premise of “the beast” does not evolve like the Xenomorph itself, the “joke” gets old.

The Los Angeles Times was able to speak with Ridley recently and he gave some more hope to fans that are waiting for some official announcement about the project moving forward.

SCOTT: “I still think there’s a lot of mileage in ‘Alien,’ but I think you’ll have to now re-evolve. What I always thought when I was making it, the first one, why would a creature like this be made and why was it traveling in what I always thought was a kind of war-craft, which was carrying a cargo of these eggs. What was the purpose of the vehicle and what was the purpose of the eggs? That’s the thing to question — who, why, and for what purpose is the next idea, I think.”

We don’t know what the main details of Alien: Awakening could be other than David now having access to the Covenant colonists for his experiments. However, an excerpt from Empire Magazine claimed that the third film from screenwriter John Logan (Alien: Covenant) may see David face surviving Engineers, alluding to how the derelict ship got on LV-426 and led to the events of the original Alien.

Lead actor Michael Fassbender is still keen to return for more films after speaking with Italian outlet Bad Taste last year while promoting Dark Phoenix.

FASSBENDER: “I’d love to. I just absolutely love working with Ridley and it was a real moment for me. When I stepped onto the set of Prometheus and got to work with him, and yeah I love the character. It’s a lot of fun, so yeah.” 

We’ll have to wait for 20th Century Studios to make an official announcement, but it’s worth mentioning that the new President of Production, Steve Asbell, has a facehugger on his official Twitter avatar image.

SOURCE: LOS ANGELES TIMES

Director Chad Stahelski Talks ‘Highlander’ Reboot

While director Chad Stahelski is waiting for Matrix 4 to complete before he can begin shooting John Wick: Chapter 4, he’s also still developing a feature film reboot of the beloved 1980s action film Highlander starring Christopher Lambert, Sean Connery, and Clancy Brown.

The original 1986 film spawned multiple sequels and a couple of television shows.

HIGHLANDER – An immortal Scottish swordsman must confront the last of his immortal opponents, a murderously brutal barbarian who lusts for the fabled “Prize”.

Speaking with The Hollywood Reporter, Chad gave some insight and updates on the current status of the Highlander project.

STAHELSKI: “As far as Highlander goes, it’s a project I’ve been working on for a little over three years now. It’s a project that’s not only near and dear to my heart but also the other creative people that are involved in it. It’s something that we feel we’ve got a good direction on. It’s just a tough nut to crack because the Highlander property is so involved and the mythology is so deep. But to try and make it our own, and be somewhat true to the original, yet do it in a way that makes it ours, is a little tricky. We don’t want to do a remake. We don’t want to do a reinvention. We want to do something that’s fresh, that utilizes the mythology of what everyone loves from the first movie. To make a good film is hard, to make a great film is even harder. We choose challenging projects in trying to be new and diverse — at least something that the audience hasn’t exactly seen our way yet. So, time is always a good thing, but I think I have a knack for picking projects that aren’t easy to develop. So, that’s good, I guess.

He was also asked to give his pitch to the younger John Wick fans, who might not be familiar with the Highlander property given that it really hasn’t had a modern incarnation.

STAHELSKI: “It’s a cool story about… I call it the burden of immortality problem. You’ve got a group of individuals that, for some cosmic reason, have been allocated to be immortal. They have to live through human times and experience the human experience over centuries. The caveat to that being everyone you love or anyone whom you can bond with, you’re going to outlive. And the only people you can relate to, other immortals, the one simple truth is that there can be only one of you at the end. So, that means the only people you can relate to or actually become friends with want to take your head. So, how do you live through life with that kind of loneliness or that kind of burden upon you, knowing that you have to push love aside and you have to push friendship aside? And still learn every fighting style in the world because at the end of it, it’s one big gladiatorial pit over centuries, that there can be only one. And your mission in life is to survive, learn as much as you can and sword fight to the death. Come on. If you can’t get behind that, done to some really cool music, I don’t know what you’re doing.

When Highlander will begin shooting remains to be seen as Chad has been mulling over potentially tackling a series (likely at Starz) to help flush-out the mythology to a new generation that might be unfamiliar with the mythology.

John Wick: Chapter 4 is officially on deck next with a May 2022 release date and is presumed to begin shooting sometime in 2021.

It was recently reported by Deadline that the director is putting together another action film at Paramount Pictures that would focus around cars/driving with a script penned by Andrew Nemec and Josh Appelbaum.

There were also some teases last month from John Wick franchise writer/creator Derek Kolstad while speaking with Comic Book that John Wick: Chapter 5 is a possibility, which could be the final installment of the Wick franchise.

KOLSTAD: “Because when you look at having been a part of establishing and building out the foundation of this world, you sign that first contract, I’m a nobody. I am part and parcel with both a part of it and not, and yet you just want to give it your blessing and have them play and have them play well. I’m not like a George Lucas in this capacity.”

 “I am the guy who wrote the spec that got made and I was blessed enough to be part of three, and hope, in a certain respect, to be a part elsewhere. The studios reminding me again and again that it’s become bigger than me, but that is as iconic a studio line as you can hear. And yet, it’s been a fucking joy.”

I guess we’ll have to wait and see what Lionsgate ultimately does with the property.

SOURCE: THE HOLLYWOOD REPORTER

‘Labyrinth’ Sequel Lands ‘Doctor Strange’ Director Scott Derrickson

Deadline reported earlier in the week that the long-gestating Labyrinth sequel has finally signed a director with Scott Derrickson. The project will be produced by The Henson Company and Sony’s TriStar Pictures.

The original 1986 fantasy musical was directed by Jim Henson starring a young Jennifer Connelly as Sarah and David Bowie as Jareth, The Goblin King.

LABYRINTH – Frustrated with babysitting on yet another weekend night, Sarah (Jennifer Connelly), a teenager with an active imagination, summons the Goblins to take her baby stepbrother away. When little Toby actually disappears, Sarah must follow him into a fantastical world to rescue him from the Goblin King (David Bowie). Guarding his castle is the labyrinth itself, a twisted maze of deception, populated with outrageous characters and unknown dangers.

The sequel’s script was penned by Maggie Levin.

It isn’t mentioned if Scott and his writing/producing partner C. Robert Cargill (Doctor Strange) will take a crack at working on the script.

How exactly the plan on tackling the second film remains to be seen and given the dark nature of the 80’s film, it’ll be very difficult to land another PG rating from the modern MPAA.

Scott Derrickson is best known for helming Marvel’s Doctor Strange and famously exiting Doctor Strange In The Multiverse of Madness over creative differences that led to the hiring of Sam Raimi as a replacement.

Casting information wasn’t mentioned along with production and release dates. Given the current climate of production delays due to the global Coronavirus pandemic and backlogged projects we might not hear when they expect to begin filming for some time.

The Henson Company recently resurrected The Dark Crystal, another beloved Henson film from the 1980s, with their prequel series for Netflix titled The Dark Crystal: Age of Resistance.

SOURCE: DEADLINE

Amazon Developing Lisbeth Salander Standalone Series

Earlier in the week it was reported by Variety that Amazon will be developing a standalone series focusing on Swedish literary heroine Lisbeth Salander best known from the Sony Pictures thrillers The Girl With The Dragon Tattoo and The Girl In The Spider’s Web.

Originally, the novels from author Stieg Larsson were adapted as a trilogy of Swedish films.

The new streaming series from Amazon is said to take Salander in a new direction giving her new stories and characters to interact with, hence the “standalone” aspect. Unlike her other live-action counterparts this won’t be an adaption of existing novels.

Amazon and Left Bank Pictures will produce the series in association with Sony Pictures Television.

It sounds like the show is in very early stages as a showrunner or writers weren’t named in the report.

Lisbeth is one of the more complex female protagonists as she is an investigator, hacker, and vigilante that happens to get herself caught-up in the grim underworld of serial killers, international human trafficking, and corporate espionage.

The role has been previously played by Noomi Rapace, Rooney Mara, and Claire Foy. Mara ended up landing a Best Actress Oscar nomination for the David Fincher incarnation of Lisbeth.

Who exactly is playing her in this new version in currently unknown.

SOURCE: VARIETY

Ryan Gosling Attached To Universal’s ‘Wolfman’ Reboot

Yesterday, it was reported by Variety that actor Ryan Gosling (Blade Runner 2049, Drive, The Nice Guys) is now attached to lead Universal Pictures’ Wolfman reboot. The film is said to be seeking a director with the new horror film set during present time and expected to take tone cues from the thriller Nightcrawler.

One of the directors in the mix is Bad Education’s Cory Finley.

Lauren Schuker Blum and Rebecca Angelo wrote the film’s script which is based on a pitch from Gosling.

Universal Pictures had attempted to quickly craft their own cinematic universe with the Dark Universe featuring their classic horror characters. They ended up having to scrap the entire thing after the horrible box office and critical reaction to Tom Cruise’s Mummy reboot directed by Alex Kurtzman. Instead, the studio decided to try something different which led to them hiring Upgrade’s Leigh Whannel to write and direct a brand new version of The Invisible Man for them.

Action star Dwayne Johnson at one time was connected for a previous incarnation of the Wolfman.

It will certainly be interesting to see if they’ll employ traditional makeup effects for their new werewolf special effects or cop-out to use CGI visual effects that would lessen the impact of the iconic horror character on-screen.

Joe Johnston (Captain America: The First Avenger) directed the 2010 film which starred Beneicio Del Toro, Anthony Hopkins, Emily Blunt, and Hugo Weaving.

A timeline of when they plan to begin production or release the Wolfman is unclear at this time.

SOURCE: VARIETY