Category: Film News

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Danai Gurira’s Okoye Returning In ‘Black Panther: Wakanda Forever’ & Spinoff Series At Disney+

Despite the loss of actor Chadwick Boseman to colon cancer last year, Marvel Studios seems to be looking to expand the world of Black Panther’s fictional country of Wakanda with the sequel Black Panther: Wakanda Forever set to begin filming this summer in Atlanta and a spinoff Wakanda series in the works at Disney+ from filmmaker Ryan Coogler.

This expansion will apparently have Danai Gurira’s Okoye as a key player, as the actress is reportedly locked-in for the sequel and the untitled Disney+ series. The news first appeared in an expansive piece about Hollywood attorneys from The Hollywood Reporter, but was later backed-up independently by outlets such as Collider and Deadline.

However, there seems to be some confusion if Danai will be in two different Black Panther spinoff shows for Disney+ or simply part of the Ryan Coogler project that was previously announced. We’ll have to wait for clarity from Marvel/Disney on that front.

Okoye is one of the Dora Milaje, Wakanda’s group of female special forces warriors, and survived the snap. We learned thanks to Avengers: Endgame that Okoye was still active in the heroics department before Thanos was defeated and half of the universe was resurrected by Tony Stark.

It’s unclear how big Okyoe’s role will be in either project and will be some time until we get some more concrete information about this Wakanda show. However, it seems all but confirmed that it will follow the Dora Milaje as teased with their appearance in The Falcon & The Winter Soldier. We have to assume at this point the show will have actress Florence Kasumba among the cast as well.

Marvel Studios has gone on the record about not employing a digital version of Chadwick Boseman or recasting the T’Challa role, making it a bit of a mystery how exactly they plan on moving forward with Black Panther: Wakanda and who will ultimately take up the mantle. The Challenge Day scene from the first film seems to indicate that multiple royals from the various Wakandan tribes could be in consideration and it not being a complete sure bet that Shuri is the next Black Panther just because it happened in the comic books.

We’re still in the dark who will be the sequel’s antagonist. Trade reports revealed that Mexican actor Tenoch Huerta (Narcos) was in talks to play a an unnamed villain. Fans have speculated for years that that Prince Namor of Atlantis or Fantastic Four’s Doctor Doom of Latveria could be potential baddies looking to pick a fight with the technologically advanced nation in the second film.

It’ll be interesting if they’d ever consider prequels taking place during the era of King T’Chaka.

Black Panther: Wakanda Forever will hit theaters on July 8, 2022.

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‘Kraven The Hunter’: Sony Approached Keanu Reeves, Brad Pitt, John David Washington & Adam Driver – ‘Spider-Man’ Spinoff Releases January 2023

Yesterday, it was announced that Sony Pictures had selected British actor Aaron Taylor-Johnson (Kick-Ass, Bullet Train, Avengers: Age of Ultron) to lead their latest Spider-Man spinoff film, Kraven The Hunter. The project will focus on Sergei Kravinoff aka Kraven, a Russian aristocrat turned big-game hunter that becomes a major antagonist of Marvel superhero Spider-Man as a member of The Sinister Six and half-brother of fellow villain The Chameleon.

Some of the names rumored for the role were indeed true, as Deadline reporter Justin Kroll tweeted a list of names that Sony Pictures had considered to play Kraven but they had passed. Those high-profile names were Keanu Reeves (John Wick, The Matrix), Brad Pitt (Once Upon A Time In Hollywood, Fight Club, Inglorious Basterds), John David Washington (Tenet), and Adam Driver (House of Gucci, Logan Lucky, Star Wars: The Force Awakens).

However, Aaron Taylor-Johnson reportedly “blew away” Sony brass thanks to footage from his latest project, Bullet Train.

I find it interesting that the latter two actors being co-stars in Spike Lee’s Oscar-winning film BlacKkKlansman, the filmmaker had been attached to make a Nightwatch movie for the studio with a script from Luke Cage showrunner Cheo Hodari Coker.

It’s noteworthy that John David Washington was mentioned in the group, as it could signal back to when Black Panther director Ryan Coogler talked about wanting to use Kraven and the actor’s own comments from the Tenet press tour last year mentioning his desire to play Reed Richards in Marvel’s Fantastic Four reboot from Spider-Man: No Way Home director Jon Watts.

Kraven The Hunter will be directed by J.C. Chandor (A Most Violent Year, Triple Frontier) from a scripted penned by Richard Wenk (The Equalizer, The Expendables 2) with Art Marcum and Matt Holloway tackling rewrites. The duo of screenwriters aren’t strangers to studio genre projects working on Iron Man, Punisher: War Zone, Transformers: The Last Knight, Men In Black: International, and the upcoming Tom Holland video game movie Uncharted.

Sony is attempting to build their own cinematic universe featuring various Spider-Man friends and foes. Some of those upcoming films consist of Venom: Let There Be Carnage, Jared Leto’s vampire flick Morbius, Olivia Wilde’s Spider-Woman movie, and a Madame Web movie. It remains to be seen of these movies will or will not be directly connected to Marvel Studios’ cinematic universe, as hiring the former Quicksilver actor would suggest that Kraven isn’t connected to the hard-canon MCU.

The Spider-Man spinoff has landed a release date of January 13, 2023 from Sony Pictures and suggests that production could begin by 2022.

SOURCE: DEADLINE

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‘Evil Dead Rise’: Aussie Actresses Alyssa Sutherland & Lily Sullivan Join HBO Max Horror Flick – Begins Filming Next Month In New Zealand

A new Evil Dead movie, titled Evil Dead Rise, is coming from New Line Cinema with franchise stewards Sam Raimi and Bruce Campbell attached to produce. The horror project is heading to WarnerMedia’s streaming service HBO Max from Lee Cronin, who will write and direct.

We finally know the first two actors that have joined the cast of Evil Dead Rise, as The Hollywood Reporter mentions that Australian actresses Alyssa Sutherland (Vikings, The Mist) and Lily Sullivan (Jungle) will play sisters in the horror film. Traditionally, the films focus on murderous demons called Deadites that jump into the bodies of human hosts possessing them after being unleashed by reading from the Necronomicon aka Book of The Dead.

The new film’s synopsis mentioned in the report reveals the setting will move from the cabin in the woods to the city and takes place in a high-rise skyscraper.

Evil Dead Rise takes the undead action away from the cabin in the woods and into the city as two estranged sisters’ reunion is cut short when flesh-possessing demons thrust them into a battle for survival. 

Filming on Evil Dead Rise is said to begin sometime next month in New Zealand with previous crew members from Ash vs. The Evil Dead joining the production team including production designer Nick Bassett (Sweet Tooth, Guns Akimbo, Kung Fury 2) and stunt coordinator Stuart Thorp (Zero Dark Thirty, Avatar). Stuart recently worked on James Cameron’s Avatar 2 and Avatar 3 while they were shooting at Stone Street Studios in Wellington.

The Evil Dead franchise has led to three movies, a reboot film, and even a television series that brought back Bruce Campbell’s iconic Deadite slayer Ash. It also helped filmmaker Sam Raimi make an impact before tackling bigger movies down the line like the original Spider-Man trilogy for Sony Pictures.

SOURCE: THE HOLLYWOOD REPORTER

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Zack Snyder Says His ‘Seven Samurai’ Inspired ‘Star Wars’ Movie Idea Is Being Reworked “As A Sci-Fi Thing” Outside of That Universe

In the early days of Disney acquiring Lucasfilm and the Star Wars rights, there were various reports that the studio was open to multiple film pitches from filmmakers. One of those pitches was reportedly from Army of The Dead director Zack Snyder and would have been a possible Jedi film inspired by the works of Akira Kurosawa’s Seven Samurai. Akira’s film The Hidden Fortress had been a notable inspiration to the original trilogy, so going back to those classic samurai films for ideas sort of sounded appealing at the time.

Here is how that original report from Vulture described the project back in 2013, alluding to the project being an anthology project similar to things like Rogue One: A Star Wars Story and Solo: A Star Wars Story.

He is in fact developing a Star Wars project for Lucasfilm that is set within the series’ galaxy, though parallel to the next trilogy. It will be an as-yet-untitled Jedi epic loosely based on Akira Kurosawa’s 1954 classic Seven Samurai, with the ronin and katana being replaced by the Force-wielding knights and their iconic lightsabers.

If you’re unfamiliar with the iconic Japanese film, it follows a group of ronin (former samurai that no longer serve a master/lord) that come together to save a poor village of farmers against relentless bandits in an attempt to restore their honor. Seven Samurai was famously remade as the equally popular Hollywood western, The Magnificent Seven.

The project ultimately wasn’t made and Snyder instead established the DCEU with Man of Steel, Batman v Superman, and Justice League. However, Snyder has confirmed to the Happy Sad Confused podcast (via The Playlist) that he indeed was trying to get that project going at Lucasfilm (prior to the Disney acquisition) but has instead pivoted to rework the idea as something else outside of the Star Wars universe, but will still be set within the science-fiction genre.

SNYDER: “We talked about it, but it never [happened]. I’ve been working on it away from the ‘Star Wars’ universe, on my own, as a sci-fi thing…It’s still a sci-fi thing. It’s the same story. Now, I’m just going to let ‘Star Wars’ be ‘Star Wars.’”

“The 11-year-old me still wants to make that, and now, I know how to. So, maybe we’ll see that someday.”

Could Netflix end up giving Zack Snyder the money to make the project? It’s possible as the streaming giant is keen on continuing the working relationship with the filmmaker as they build a franchise around his zombie film Army of The Dead, after Warner Bros. passed on it.

SOURCE: HAPPY SAD CONFUSED PODCAST

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‘Kraven The Hunter’: Aaron Taylor-Johnson Nabs Titular Role In Sony’s ‘Spider-Man’ Spinoff Movie Directed By J.C. Chandor

Sony Pictures is developing a heap of Marvel movies set within their own Spider-Man cinematic universe with Venom: Let There Be Carnage and Morbius on the horizon. Another big project is one focused on Spidey villain Kraven The Hunter that was written by Art Marcum, Matt Holloway, and Richard Wenk with J.C. Chandor set to director.

Sony has found their Kraven, as The Wrap reports that British actor Aaron Taylor-Johnson has landed the titular role in the Marvel spinoff film. The actor isn’t new to comic book adaptations as he played Quicksilver in Avengers: Age of Ultron, took the lead role in the two Kick-Ass movies, and has a role in the Kingsman prequel The King’s Man. He most recently joined the cast of David Leitch’s Japanese-set action film Bullet Train that stars Oscar-winner Brad Pitt.

While many people are under the impression that the spinoffs could end up part of the Marvel Cinematic Universe, it’s clear that hiring Marvel’s Quicksilver actor is a sign that the two universes aren’t as connected as fans believed.

SOURCE: THE WRAP

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‘Star Wars’: J.J. Abrams Reflects On Planning The Sequel Trilogy – “There’s Nothing More Important Than Knowing Where You’re Going”

There has been some criticism from Star Wars fans that Lucasfilm, J.J. Abrams, and Rian Johnson jumped into making the sequel trilogy without a concrete plan and potentially led to some contradictory moments between the three massive movies.

This was highlighted when director Colin Trevorrow’s unmade version of Episode IX, Star Wars: Duel of The Fates, was pretty much scrapped by the studio for something completely different from Abrams and screenwriter Chris Terrio with Star Wars: The Rise of Skywalker. Concept artwork and the script for Duel of The Fates made it’s way online placing a spotlight on those scrapped plans, reinforcing the narrative that the studio didn’t have a master plan for this trilogy from the start.

Abrams was doing a round of press interviews to help promote the 4K UHD Blu-Ray home release of his alien adventure film Super 8, where he was asked by Collider if they should have had a plan for the Star Wars trilogy beforehand. The filmmaker gave a mixed repose giving the pros and cons of both.

ABRAMS: “There are projects that I’ve worked on where we had some ideas but we hadn’t worked through them enough, sometimes we had some ideas but then we weren’t allowed to do them the way we wanted to. I’ve had all sorts of situations where you plan things in a certain way and you suddenly find yourself doing something that’s 180 degrees different, and then sometimes it works really well and you feel like, ‘Wow that really came together,’ and other times you think, ‘Oh my God I can’t believe this is where we are,’ and sometimes when it’s not working out it’s because it’s what you planned, and other times when it’s not working out it’s because you didn’t [have a plan].”

“You just never really know, but having a plan I have learned – in some cases the hard way – is the most critical thing, because otherwise you don’t know what you’re setting up. You don’t know what to emphasize. Because if you don’t know the inevitable of the story, you’re just as good as your last sequence or effect or joke or whatever, but you want to be leading to something inevitable.”

The main quote mentioned at the top of the interview piece suggests that Abrams laments not having a plan with their Star Wars movies.

ABRAMS: “I do think that there’s nothing more important than knowing where you’re going.”

J.J. Abrams has since moved to WarnerMedia with a massive deal to develop films/television series for the media company and Lucasfilm is looking beyond the Skywalker Saga with Patty Jenkins directing Star Wars: Rogue Squadron as the next big Star Wars release for December 2023. Other films in development stages are coming from Taika Waititi and Rian Johnson, neither are expected to continue the Rey Skywalker journey.

SOURCE: COLLIDER

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Producers Fighting In Court To Remake Horror Classic ‘The Blob’

Producers Richard Saperstein (The Mist) and Brian Witten (American History X) have been developing a remake of the classic monster film The Blob, that effort goes back to 2009. The Blob originally starred a young Steve McQueen in 1958 version and eventually led to an extremely well-made reboot in 1988 that is easily one of the best examples of practical effects in the horror genre. In the original film, the gooey man-eating creature was an alien lifeform and in the 1980s remake it was a bio-weapon created by the U.S. government both taking place in a small town.

A drive-in favorite, this sci-fi classic follows teenagers Steve (Steven McQueen) and his best girl, Jane (Aneta Corseaut), as they try to protect their hometown from a gelatinous alien life form that engulfs everything it touches. The first to discover the substance and live to tell about it, Steve and Jane witness the blob destroying an elderly man and grow to a terrifying size. But no one else has seen the goo, and policeman Dave (Earl Rowe) refuses to believe the kids without proof.

The pair of producers are fighting in the Los Angeles Superior Court to get more time to made their incarnation of The Blob, as The Hollywood Reporter outlines the lawsuit as they argue they had an oral agreement with original rights holder, Worldwide Entertainment Corporation’s Judith Harris, to be given more time and are also falling back on using COVID-19 as reason why they weren’t able to make the film in a timely manner.

In Los Angeles Superior Court, Saperstein and Witten are now suing to retain rights. They claim that Harris orally agreed to an extension and then failed to put it in writing despite multiple emails and even a $50,000 offer. And if a judge doesn’t recognize this as an oral agreement, they are falling back on the claim that COVID-19 represents a force majeure event that “prevented them from attempting to produce the Picture,  and as a result, the Extension term must be tolled through the present date.”

Here is the original synopsis for the remake that had been making the rounds, it remains to be seen if they’ve changed these plot details since 2017-2019.

When a band of miners uncover something hidden deep beneath the earth they unwittingly unleash a hideous creature beyond imagination. Now the townsfolk must fightback, before it destroys everything.

Directors Rob Zombie and Simon West (Con Air, The Expendables 2) had been involved with various incarnations of the remake with Samuel L. Jackson attached to star at some point. Jackson talked-up his involvement back in August 2017 to the Toronto Sun during the promotion of Kong: Skull Island and mentioned that the producers had secured financing from China.

JACKSON: “I’ve been preparing to use it my whole life. I’ve been running from or chasing King Kong, Godzilla the Wolfman, whatever, since I was a kid (in Chatanooga, Tenn.). We’d go home and pretend to do all that stuff. So I’m doing Kong for the same reason I’ll probably be doing The Blob. I just got a call the other day (where the producers) said they finally got their money from China to do Blob. I mean, I do a lot of movies, a lot of independent movies, for different reasons. But I’m a fan, and a lot of times I choose a movie because it’s something I would have chosen to see when I was a kid. How do you say no to that?“

It wasn’t mentioned if Samuel L. Jackson is still going to star in the film as he’s aiming to shoot Marvel’s Secret Wars this fall in the United Kingdom and might also have a role in Nia DaCosta’s The Marvels. Production on The Blob was targeting a shoot in the United Kingdom years ago, but what ultimately happens is unclear.

The worst thing that could happen is if they pursue a generic film that focuses on weak CGI effects rather than doing some stuff in-camera.

I have fond memories of the 1988 version that was co-written by Frank Darabont (The Mist, The Walking Dead, Shawshank Redemption) and director Chuck Russell (A Nightmare On Elm Street 3: Dream Warriors), mainly because of it’s gore effects which sort of holds up while some of the miniature-work doesn’t.

SOURCE: THE HOLLYWOOD REPORTER

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Amazon-MGM Deal Likely Won’t End James Bond Franchise’s Theatrical Run

Today, it was announced that Amazon is going to purchase MGM Studios for an impressive $8.45 billion, which includes co-ownership of the James Bond franchise alongside EON Productions. However, as mentioned by The Hollywood Reporter, this won’t impact the release of No Time To Die’s October release and might not overturn the franchise’s box office dominance or future theatrical release.

As they point out, the deal likely won’t close and the distribution for No Time To Die will most likely stand as is.

On the theatrical front, it’s unlikely that MGM and United Artists Releasing would change plans for their remaining 2021 theatrical releases — including the James Bond pic No Time to Die — particularly since the deal is likely to take months to close. UAR is a subsidiary of MGM and handles domestic distribution duties for MGM titles (Universal has international on No Time to Die).

They also highlight that EON wouldn’t be terribly keen to pull James Bond from theaters for streaming only as the franchise is best known for a big screen presence and given Amazon won’t have full ownership they’ll have to play nice. Given the amount of money Amazon would be giving up to make Bond a streaming property wouldn’t make a lot of sense from a business standpoint, as it could be just as lucrative to make Prime Video being the streaming home for the franchise.

The Bond franchise has always been a marquee theatrical franchise that’s well known around the globe. And Bond producers Barbara Broccoli and Michael Wilson, whose U.K. production company EON is 007’s home, are especially keen on the big-screen experience. (EON and MGM share rights via a holding company.)

Daniel Craig is expected to retire from the Bond role, allowing a new unnamed actor to step in for the untitled Bond 26, which is said to be developed by No Time To Die screenwriter Phoebe Waller-Bridge.

No Time To Die will hit theaters on October 8.

The cast will include Daniel Craig as James Bond, Lea Seydoux as Madeleine Swann, Rami Malek (Bohemian Rapsody) as a new villain named Safin (Dr. No?), Jeffrey Wright (Westworld) as Felix Leiter, Ralph Fiennes (The King’s Man) as M, Christoph Waltz returning as Spectre’s Blofeld, Naomie Harris as Moneypenny, Lashana Lynch (Captain Marvel) as Nomi aka the new Agent 007, Ana de Armas (Blade Runner 2049) as Paloma, Ben Whishaw as Q, Billy Magnussen, Rory Kinnear as Bill Tanner, David Dencik, and Dali Benssalah.

NO TIME TO DIE – Bond has left active service and is enjoying a tranquil life in Jamaica. His peace is short-lived when his old friend Felix Leiter from the CIA turns up asking for help. The mission to rescue a kidnapped scientist turns out to be far more treacherous than expected, leading Bond onto the trail of a mysterious villain armed with dangerous new technology. 

SOURCE: THE HOLLYWOOD REPORTER

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Producer Deborah Snyder Says They’re “Ready To Go” If Netflix Wants An ‘Army of The Dead’ Sequel

[MAJOR SPOILERS FOR ARMY OF THE DEAD AHEAD]

Netflix and Zack Snyder are going full-franchise with Army of The Dead as the first film was released last week and seems like it’ll be a big hit for the streaming service which releases mostly iffy-to-average original films. The film takes place mostly after a zombie outbreak in Las Vegas has been contained and a group is to put together to heist $200 million from a casino vault before the U.S. government drops a nuke on the city.

In my opinion, Army of The Dead is one of the more cinematic films made specifically for Netflix and the company knows what they have in their hands as they’ve shot a prequel film Army of Thieves and are working on an anime series called Army of The Dead: Lost Vegas with a handful of returning characters.

The main film ended on a bit of a cliffhanger as Omari Hardwick’s Vanderohe’s escapes the nuclear blast to charter a private plane to Mexico City only to realize he’s turning into a zombie. If he is an Alpha Zombie, it could easily lead directly into a solid sequel set in Mexico taking the genre outside of the United States, which doesn’t regularly happen with western takes on the genre. Producer Deborah Snyder teased a potential sequel while speaking with Indie Wire, as Snyder suggests that Zack Snyder and screenwriter Shay Hatten already have ideas for another film and are “ready to go” if Netflix wants to make it.

DEBORAH SNYDER:  “You always want the version that you’re doing to be as good as it can be, but I think there’s still more story to tell, and I know that Zack and Shay have a lot of ideas that are kind of fleshed out. If there was an appetite for another film, I think we’re ready to go.”

The producer also gave some insight into the prequel film Army of Thieves mentioning the project focused on Matthias Schweighofer’s Ludwig Dieter is similar to The Italian Job, adding it’s a romantic comedy heist film.

SNYDER: “It stands alone, and [while] you could watch it because it’s the history of our safecracker, it’s also just this really sweet, funny film,” she said. “It’s set in our same timeline, but it’s not like a zombie movie. … It’s more like ‘The Italian Job,’ but it takes place in a world where these zombies exist in America and it’s causing instability in the banking institutions. They’re moving money around, so it’s the perfect opportunity for a heist.”

Will the anime Army of The Dead: Lost Vegas, led by Joe Manganiello as Rose, explore the origins of the zombie pathogen and that tease to Area 51? Well, Deborah seems to be giving the impression it just might.

SNYDER: “We hint in the movie that we’re coming from Area 51, so maybe there’s a sci-fi element to it. I’m not going to say for sure, but it’s really fun to be able to do that and also to see our team when they were at the top of their game, doing the search and rescue. It’s just another bit of information.”

“Our movie takes place after the pandemic, they’ve contained the zombies to Vegas, but we don’t really talk about where it comes from. Where did this pathogen come from? How did this all happen? And we see our team and that they had been on these rescue missions. We see some flashbacks, what they were doing, but we don’t really know more, so the anime series is a great way to find out the origin of this.”

I’m kind of curious if they’ll attempt to connect the zombies to aliens or Mars, which might lead to some interesting sci-fi spinoffs potentially off-world alongside expanding upon this universe as having more threats other than zombies being hidden away at Area 51 and Zeus is simply just one that got out.

It sounds like we’ll have plenty of Army of The Dead content for years to come.

SOURCE: INDIE WIRE

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WarnerMedia’s Hybrid Release Model Shaping Up To Become A $1 Billion Loss – Called A “Major Misstep”

In December, WarnerMedia announced plans to release all of their 2021 slate in theaters and on their streaming service HBO Max (free for one month with subscription) on the same day, the hybrid release model was controversial and led to reports of their partner Legendary Entertainment gearing-up for a lawsuit. Legendary attempted to sell-off Godzilla Vs. Kong to Netflix for a massive $200 million but Warner Bros. blocked the deal only to announce they would be giving the film away to HBO Max subscribers for free. Directors Christopher Nolan and Denis Villeneuve also were vocally upset that directors weren’t properly informed about the move and mentioned how harmful the hybrid release would be to the industry.

The plan seemed to be sacrifice the Warner Bros. Pictures slate to coax a boost in domestic subscriber numbers for the floundering HBO Max that launched last year, however, the numbers haven’t been stellar in comparison to other streaming competitors.

It’s now May, and it was recently announced there would be a WarnerMedia-Discovery merger with rumblings from business news outlets that WarnerMedia CEO Jason Kilar was kept in the dark about the deal and is getting ready to exit. There is also chatter that the merger could signal an easier sale of WarnerMedia in the future, however, no potential buyers have been mentioned.

New information suggests that the hybrid release model at Kilar’s direction wasn’t as lucrative as hyped-up to be, mentioned in an Variety report they state industry sources believe the hybrid model may end up a billion-dollar loss due to high license feeds paid and sluggish subscriber sign-up.

Moreover, industry sources say the strategic move that made such a splash last December — when WarnerMedia at Kilar’s direction opted for simultaneous releases in theaters and on HBO Max for Warner Bros.’ 2021 movie slate — is seen as a major misstep because it is shaping up to cost the studio over $1 billion in lost box office revenue, talent profit participation payments and in high license fees paid for the movies from HBO Max. Unless the pace of HBO Max subscriber additions pick up significantly in the coming months, the high cost of the movie content for the streamer will be hard to justify.

While WarnerMedia insists that other films such as Dune are still sticking to the hybrid release in October, there have been conflicting trade reports that we could see exclusive theatrical windows return before 2022.

SOURCE: VARIETY